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Bostonian916 (449 KP) rated Black and Blue (2019) in Movies

Aug 4, 2020  
Black and Blue (2019)
Black and Blue (2019)
2019 | Action, Crime, Drama
7
6.5 (6 Ratings)
Movie Rating Watch
Black and Blue focuses on a rookie police officer returning to New Orleans after leaving in the aftermath of Hurricane Katrina. She is abruptly faced with the realization that corruption not only exists within her hometown police department, but it may be far more extensive than could be imagined. She also has to cope with the knowledge that a HUGE wedge has been driven between the PD and the local community and the fracture that exists may be too large to mend.

Naomi Watts is wonderful and convincing in the lead role with several supporting cast members rounding things out perfectly. Tyrese Gibson shows a depth generally not seen in most cases as a sort of liaison simply trying to keep peace but quickly finding himself embroiled in the middle of it all.

At times predictable, at times redeeming. Worth giving a go if you have the time.
  
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Sarah (7800 KP) rated Line of Duty - Season 1 in TV

Apr 22, 2019 (Updated Apr 22, 2019)  
Line of Duty - Season 1
Line of Duty - Season 1
2012 | Drama
8
8.7 (6 Ratings)
TV Season Rating Watch
Deserving of the hype
Over the past few months, one of the shows that I kept getting told to watch is Line of Duty. Nearly everyone I know is raving about this, and despite the fact that they’re all on series 5, I decided to give this a go from the very first series. And for the most part, this is fairly deserving of the hype.

Police dramas have inundated our screens over the past few years, and it’s unusual to find ones that rise above average - Luther is one, and now I think Line of Duty is another. This has at least found a new angle on the police instead of the usual murder mystery, focusing on the Anti Corruption unit. Whilst I’m pretty sure AC isn’t anywhere nearly as interesting in real life (and indeed the real life name of Professional Standards used for the unit by most actual police forces isn’t as catchy either), Line of Duty at least makes this highly entertaining and intriguing. Corruption sounds boring, but in this it really isn’t and is full of twists and turns and reveals throughout the series. It has a great cast too that really helps and isn’t afraid to show a bit of blood and violence. As sad as I am, I also enjoyed the little nods to real police - the modern glass plated buildings and the police lanyards etc - these made this a lot more relatable.

This isn’t perfect though. I sometimes found some of the jumps in storyline confusing and I don’t feel like everything was wrapped up at the end of the series. I also found that the three main AC12 character weren’t very well developed and there could have been more done to show their backgrounds or personal lives. I don’t doubt that this will be expanded in later series, but it would’ve been nice to see it here! I am however very much looking forward to seeing the next few series.
  
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Bobby Gillespie recommended Power Corruption & Lies by New Order in Music (curated)

 
Power Corruption & Lies by New Order
Power Corruption & Lies by New Order
2009 | Rock
8.0 (1 Ratings)
Album Favorite

"I love Power, Corruption & Lies. I also love Movement and I play it all the time, as it was the first album after Joy Division. It still has a bit of that Joy Division darkness, almost with a sense of defeat about it, which is kind of how I felt when I was a teenager in the late fucking '70s. But I think Power, Corruption, the record after it, there's more light in it. It's more joyous, it's more lyrically lighter. And I think Bernard Sumner found his own voice, loosened up and just became Bernard when he came out of Ian Curtis's shadow. This album is a huge inspiration and I was fascinated at the time by the way that New Order would take electronics and the sequencer sound, which I loved from Donna Summer's 'I Feel Love', and they took it and applied it to rock & roll. They first did this with 'Temptation', which was released before 'Blue Monday'. I was previously in a band on Factory called The Wake and we'd opened for New Order. I'd had a tape recorder and I'd recorded some of their shows. They were playing 'Temptation' live, long before it was released as a single. I was obsessed by the way they took that tut-tut-tutut-tut-tut-tut sequence inspired by Donna Summer and Giorgio Moroder's arpeggio sound. To this day, that's still a big influence on Primal Scream. I'm just saying thank you to Bernard, Hooky, Stephen and Gill because I remember buying that record when it came out with a beautiful Peter Saville sleeve. The reason there's no writing on the album cover of Screamedelica is in total homage to Saville and Factory Records. A lot of our albums have no writing on the cover either. I mean, 'Age Of Consent': What. The. Fuck. Is. That? Playing with New Order back in the early '80s was like a fucking dream at the height of their fucking power!"

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