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Gareth von Kallenbach (971 KP) rated Elvis & Nixon (2016) in Movies
Aug 6, 2019
Elvis Presley has always been a mystery to me. I never understood the fascination around him and the length at which his fans adore him. Growing up in the south, his image and legend permeated throughout the culture and made it impossible to criticize him or his music. He was infallible. Nixon, on the other hand, is universally loathed for having a Presidential administration built on division and corruption. Through one bold idea, on the part of Presley, they cross paths. Elvis and Nixon, sounds as though it would be perfect for an 80s sitcom, however, the reality of this interaction is put on display through this film. In total, the film is fun in that it gives a bit of insight as to what their interaction may have been like, given their personalities and styles, however, there is a lack of depth with anyone in the film. Michael Shannon’s (Midnight Special, Man of Steel) portrayal of Elvis comes off as wooden and lacking any personality.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
Gareth von Kallenbach (971 KP) rated Broken City (2013) in Movies
Aug 7, 2019
In Broken City, Russell Crowe and Mark Wahlberg wade into the streets of a
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
The Godfather Game
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Narcoland: The Mexican Drug Lords and Their Godfathers
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Eleanor Luhar (47 KP) rated Uprooted in Books
Jun 24, 2019
I've been meaning to read this for a long time now and finally managed to do so. I'm so peased I did! It was such a great book, and I really did enjoy reading it.
Agnieszka is a seemingly ordinary young girl. Her best friend is about to be taken by the Dragon, a powerful wizard who routinely takes girls into his tower for ten years before they leave the village for good. Everyone's prepared for Kasia to go - she's the pretty one, the talented one, the one who everyone is drawn to. Of course the Dragon is going to choose her.
Right?
Of course, nothing goes to plan. Agnieszka assumed she was safe from being chosen, due to her clumsiness and lack of appeal or talents. But of course, she is chosen. Little does she know that she was destined for this role all along.
The Dragon is feared by most, including Nieshka. But she soon learns that he is not as terrible as she thought. She also learns some valuable skills involving magic that she never knew she was capable of.
Nieshka discovers the importance of magic in protecting her village from the Wood. The Wood is full of corruption, often taking unknowing passers-by and either never releasing them or returning them to their families changed beyond repair. The Wood has been a huge threat for centuries. The Dragon holds it at bay, but nobody ever dreamed of defeating it.
Until Agnieszka came along.
It's quite a complex plot, and there are a lot of moments where Nieshka makes mistakes. She is driven by emotion, especially when her best friend's life is at risk. She is a passionate girl and doesn't always think rationally. I liked her for this - don't we all let our emotions get the better of us sometimes?
There was a small amount of romance in this book that I felt was rather unnecessary, but it didn't overtake the plot or anything. I loved how the plot and subplots twisted together, and how many turns they took. It was exciting and intriguing and very clever.
The ending seemed a little too simple to me, though. Had they never thought to look into the Wood Queen's origin before?
Overall it was a fantastic book. Timeless. I can see why it's so popular, and I'm sure it will be for some time. 4 stars.
Agnieszka is a seemingly ordinary young girl. Her best friend is about to be taken by the Dragon, a powerful wizard who routinely takes girls into his tower for ten years before they leave the village for good. Everyone's prepared for Kasia to go - she's the pretty one, the talented one, the one who everyone is drawn to. Of course the Dragon is going to choose her.
Right?
Of course, nothing goes to plan. Agnieszka assumed she was safe from being chosen, due to her clumsiness and lack of appeal or talents. But of course, she is chosen. Little does she know that she was destined for this role all along.
The Dragon is feared by most, including Nieshka. But she soon learns that he is not as terrible as she thought. She also learns some valuable skills involving magic that she never knew she was capable of.
Nieshka discovers the importance of magic in protecting her village from the Wood. The Wood is full of corruption, often taking unknowing passers-by and either never releasing them or returning them to their families changed beyond repair. The Wood has been a huge threat for centuries. The Dragon holds it at bay, but nobody ever dreamed of defeating it.
Until Agnieszka came along.
It's quite a complex plot, and there are a lot of moments where Nieshka makes mistakes. She is driven by emotion, especially when her best friend's life is at risk. She is a passionate girl and doesn't always think rationally. I liked her for this - don't we all let our emotions get the better of us sometimes?
There was a small amount of romance in this book that I felt was rather unnecessary, but it didn't overtake the plot or anything. I loved how the plot and subplots twisted together, and how many turns they took. It was exciting and intriguing and very clever.
The ending seemed a little too simple to me, though. Had they never thought to look into the Wood Queen's origin before?
Overall it was a fantastic book. Timeless. I can see why it's so popular, and I'm sure it will be for some time. 4 stars.
Hotter on the Edge
Erin Kellison, K.C. Klein and Jessa Slade
Book
Three novellas of science fiction romance On the edge of space... On the edge of danger... On...
Science Fiction Romance
The Afghanistan Papers
Book
The groundbreaking investigative story of how three successive presidents and their military...
Gareth von Kallenbach (971 KP) rated Batman Begins (2005) in Movies
Aug 14, 2019
In the dark of night, a young man’s life is about to be forever changed. Young Bruce Wayne, son of wealthy industrialist Dr. Thomas Wayne (Linus Roache), is about to be orphaned in a random act of street violence.
The act will forever scar the younger Wayne, and will install and fuel a dark fire to stop crime and corruption wherever they may be. Fast forward years later and Bruce (Christian Bale), is interned in and Asian prison as a result of his desire to stop crime and an unfortunate series of events that made him flee Gotham City to find himself. Hope arrives one day in the form of a visitor named Henri Ducard (Liam Neeson), who arranges not only to free Bruce, but to train him for his destiny.
High atop a rocky, snow-covered peak, Bruce undergoes rigorous physical and mental training to hone his body and mind into the ultimate tool to combat crime. As time passes, Bruce eventually is ready to go out into the world. That is until an unexpected situation arises that forces him to decide which path he wishes to select.
The aftermath of this decision has Bruce returning home to Gotham City, where he is again under the care of the trusted family servant Alfred (Michael Caine), who informs him that crime and corruption is rampant in Gotham because the crime leader Carmine Falcone (Tom Wilkinson), has many members of the police force and judicial system under his influence.
While touring his father’s company, Bruce meets Lucius Fox (Morgan Freeman), who makes all manners of high-end experimental military weaponry and armor available to Bruce. Inspired, Bruce begins to craft his alter ego Batman, and takes to the nights to disrupt Falcone and the criminal activities in Gotham.
Unknown to Bruce/Batman, an evil villain known as the Scarecrow (Cillian Murphy), is plotting to destroy Gotham, and with Batman being wanted by the police as a vigilante his attempts to cleanse the city are hindered as Bruce/Batman must fight a war on different fronts.
For most films this would be more than enough plot to carry a summer action film, but for Batman Begins, it is only the setup as the depth of the story is surpassed only by the depth of the intensity and emotion of the film as this is not Tim Burton or Joel Schumacher’s campy takes on the tale of the Dark Knight.
Director Christopher Nolan takes the gloves off and shows that his triumphant work in “Memento” was not a fluke. He has crafted a complex, dark, and emotional film that is more of a drama than a comic book caper. Bale does a masterful job portraying the angst and anger of his character without ever being hammy or over the top. He portrays Wayne as a very normal, yet disturbed soul, who clearly has a method to his madness and is not a shallow once dimensional character. When Bruce is not out fighting crime, he is not above cracking jokes, squiring the ladies about town, and spending time with long time friend (and the one who got away) Rachael Dawes (Katie Holmes).
The film takes many twists and never gets sappy as far too many comic based films do. In fact, the intensity of the film keeps going up until the town literally explodes into frenzy of violence and chaos. Parents should note that this Batman is a very intense film filled with dark images and as such may be too intense for younger viewers as this is a film that is aimed towards a more mature audience.
As I sat through the films nearly two and a half hour running time, I was captivated as the film holds your attention throughout, and is filled with great performances and action. The chase scene with the new Batmobile is one of the best car chase sequences in recent memory and the action scenes move with a crisp and steady pacing. Bale, as I mentioned, does great work, but so do Neeson, Caine and Gary Oldman in a supporting role as Police Officer Gordon. They take supporting characters and infuse them with a touch of humanity that enables them to come across as real people rather than the thin constructs that are far too often passed on as characters in films of this type.
The only real quibble I had with the film, and it is very minor, would be that Holmes was not given a chance to show more to her character other than the duality of the damsel in distress and the passionate Assistant D.A. Her scenes with Bale seem to lack the spark and chemistry of someone who is supposed to have been a close friend of Bruce since they were children.
That being said, the mature nature and gripping and deep storyline, as well as the standout performances and action, make this film a true classic and rivals “Spider-Man” as the best and most faithful adaptation of a comic book.
The act will forever scar the younger Wayne, and will install and fuel a dark fire to stop crime and corruption wherever they may be. Fast forward years later and Bruce (Christian Bale), is interned in and Asian prison as a result of his desire to stop crime and an unfortunate series of events that made him flee Gotham City to find himself. Hope arrives one day in the form of a visitor named Henri Ducard (Liam Neeson), who arranges not only to free Bruce, but to train him for his destiny.
High atop a rocky, snow-covered peak, Bruce undergoes rigorous physical and mental training to hone his body and mind into the ultimate tool to combat crime. As time passes, Bruce eventually is ready to go out into the world. That is until an unexpected situation arises that forces him to decide which path he wishes to select.
The aftermath of this decision has Bruce returning home to Gotham City, where he is again under the care of the trusted family servant Alfred (Michael Caine), who informs him that crime and corruption is rampant in Gotham because the crime leader Carmine Falcone (Tom Wilkinson), has many members of the police force and judicial system under his influence.
While touring his father’s company, Bruce meets Lucius Fox (Morgan Freeman), who makes all manners of high-end experimental military weaponry and armor available to Bruce. Inspired, Bruce begins to craft his alter ego Batman, and takes to the nights to disrupt Falcone and the criminal activities in Gotham.
Unknown to Bruce/Batman, an evil villain known as the Scarecrow (Cillian Murphy), is plotting to destroy Gotham, and with Batman being wanted by the police as a vigilante his attempts to cleanse the city are hindered as Bruce/Batman must fight a war on different fronts.
For most films this would be more than enough plot to carry a summer action film, but for Batman Begins, it is only the setup as the depth of the story is surpassed only by the depth of the intensity and emotion of the film as this is not Tim Burton or Joel Schumacher’s campy takes on the tale of the Dark Knight.
Director Christopher Nolan takes the gloves off and shows that his triumphant work in “Memento” was not a fluke. He has crafted a complex, dark, and emotional film that is more of a drama than a comic book caper. Bale does a masterful job portraying the angst and anger of his character without ever being hammy or over the top. He portrays Wayne as a very normal, yet disturbed soul, who clearly has a method to his madness and is not a shallow once dimensional character. When Bruce is not out fighting crime, he is not above cracking jokes, squiring the ladies about town, and spending time with long time friend (and the one who got away) Rachael Dawes (Katie Holmes).
The film takes many twists and never gets sappy as far too many comic based films do. In fact, the intensity of the film keeps going up until the town literally explodes into frenzy of violence and chaos. Parents should note that this Batman is a very intense film filled with dark images and as such may be too intense for younger viewers as this is a film that is aimed towards a more mature audience.
As I sat through the films nearly two and a half hour running time, I was captivated as the film holds your attention throughout, and is filled with great performances and action. The chase scene with the new Batmobile is one of the best car chase sequences in recent memory and the action scenes move with a crisp and steady pacing. Bale, as I mentioned, does great work, but so do Neeson, Caine and Gary Oldman in a supporting role as Police Officer Gordon. They take supporting characters and infuse them with a touch of humanity that enables them to come across as real people rather than the thin constructs that are far too often passed on as characters in films of this type.
The only real quibble I had with the film, and it is very minor, would be that Holmes was not given a chance to show more to her character other than the duality of the damsel in distress and the passionate Assistant D.A. Her scenes with Bale seem to lack the spark and chemistry of someone who is supposed to have been a close friend of Bruce since they were children.
That being said, the mature nature and gripping and deep storyline, as well as the standout performances and action, make this film a true classic and rivals “Spider-Man” as the best and most faithful adaptation of a comic book.
Ross (3282 KP) rated Making A Murderer - Season 2 in TV
Nov 5, 2018
Too long and unsatisfying
Contains spoilers, click to show
Steven Avery is back, still appealing his conviction for the murder of Theresa Hallbach, as is his nephew, Brendan Dassey.
The series was interesting, giving so much insight into the US courts and appeals system, which seems very convoluted, with so much apparent new evidence emerging on more thorough investigation and forensic analysis.
Avery's appeal case is submitted based on lots of facets - ineffectiveness of counsel, constitutional violations, new evidence etc etc. How this evidence is uncovered was really interesting and compelling. However, you have to wonder whether the submission of Avery's appeal was made too early in order to satisfy the TV series. It seemed like so much more evidence was uncovered after it was filed, which would have made the case so much stronger - fine if it goes to trial as this can all be used, but once the original appeal is submitted, that is what the judge will use to assess whether it should. Again, this facet of the appeal system seems unfair - the same judge reviews the appeal repeatedly and is bound to get fed up with hearing the same appeal over and over again. If the conviction was a result of large-scale corruption and evidence-planting, they had to nail the appeal first time, not file some of it then add bits and pieces later.
Dassey's appeal also seemed flawed, focusing so much on his coerced confession, when they should have paid more attention to how little evidence there was against him other than a dubious confession. I guess it was a case of having College lawyers who saw it more as an intellectual/theoretical exercise and were possibly a bit green for the courts in action.
All in all, the series ends with no progress for either party - Dassey's case has been all the way to the top with no joy. However, Avery's case is still in the early stages and the fight is clearly not over. This felt similar to the filing of his appeal, submitted too early just to satisfy TV scheduling.
The series, while compelling throughout, is too long for the content included and could easily have been edited down to 5 episodes or less.
I suspect another few episodes will be released next year, if some progress is made on either case.
The series was interesting, giving so much insight into the US courts and appeals system, which seems very convoluted, with so much apparent new evidence emerging on more thorough investigation and forensic analysis.
Avery's appeal case is submitted based on lots of facets - ineffectiveness of counsel, constitutional violations, new evidence etc etc. How this evidence is uncovered was really interesting and compelling. However, you have to wonder whether the submission of Avery's appeal was made too early in order to satisfy the TV series. It seemed like so much more evidence was uncovered after it was filed, which would have made the case so much stronger - fine if it goes to trial as this can all be used, but once the original appeal is submitted, that is what the judge will use to assess whether it should. Again, this facet of the appeal system seems unfair - the same judge reviews the appeal repeatedly and is bound to get fed up with hearing the same appeal over and over again. If the conviction was a result of large-scale corruption and evidence-planting, they had to nail the appeal first time, not file some of it then add bits and pieces later.
Dassey's appeal also seemed flawed, focusing so much on his coerced confession, when they should have paid more attention to how little evidence there was against him other than a dubious confession. I guess it was a case of having College lawyers who saw it more as an intellectual/theoretical exercise and were possibly a bit green for the courts in action.
All in all, the series ends with no progress for either party - Dassey's case has been all the way to the top with no joy. However, Avery's case is still in the early stages and the fight is clearly not over. This felt similar to the filing of his appeal, submitted too early just to satisfy TV scheduling.
The series, while compelling throughout, is too long for the content included and could easily have been edited down to 5 episodes or less.
I suspect another few episodes will be released next year, if some progress is made on either case.