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Sarah (7798 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
The Act Of Killing (2012)
6.7
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A Bibliophagist (113 KP) rated Scythe (Arc of a Scythe #1) in Books
Jan 27, 2020
Well written (3 more)
Unique plot
Less YA tropes
No teen angst and romance
Not your typical YA
I approached this book with little expectation. I saw it cluttering up my feed on Instagram and being posted by everyone. I liked the cover (I'm a sucker for good covers and any YA without a photo manipulated monstrosity catches my eye). However every time I picked it up in the store and read the back and I just wasn't interested.
So in a New year new me moment, I forced myself to pick up two popular books that I was not interested in. Since they were both YA, they'd be quick reads and my expectations could below. I also forced my picks to not be hard SciFi, as I need to step out of my comfort zone. I picked this up, and developed more concern when I noticed how divided the reviews were, I noticed people were either firmly in the "this is my most favorite book ever" or in the "this is the most boring book ever I hated it" camps. I rarely rate books 1 or 5, so I wanted to see how I felt.
Honestly, I was very pleasantly surprised. This book is YA, and obviously has some YA aspects, but it doesn't follow the tropes unless stripped down to bullet points and is surprisingly well written. This well written aspect, with no intentions of making people mad, I think is why so many found it boring. If you primarily read YA, and are used to it's over the top writing, it's over the top dialogue and relationships and emotions, then yes, this book was probably horribly boring.
We do open with the standard tropes of uninteresting, normal girl and boy get thrown into something extraordinary. But that's where the stereotypes ended for me. The author quickly throws us into the world and the events of the story. We're in the future, who knows how far past the present, where society has overcome death. AI has evolved and "The Cloud" is now "The Thunderhead" a massive AI database that has solved most of the world's problems, eliminated poverty, war, government, created jobs for everyone, and even defeated death. We all have healing nanites that prevent illness and repair injury, and even in the case of death, we can be revived at a revival center and be greeted with some tasty ice cream. If we start feeling our age, we can just "turn a corner" resetting ourselves to a younger version of ourselves while retaining our memories.
Now, in a world without death, but babies are still being born, some form of population control is in order, the balance must be restored. So the world created the Scythedom. An organization outside the authority of "The Thunderhead" because death has and always should be a responsibility of the living. Those who become Scythes, must "Glean" (permanently kill) a quota of people every year to maintain population control. How they do so is up to them, but there are rules, a Scythe cannot show bias or malice in their choices, they cannot marry or have a family, they cannot kill another Scythe (but they can glean themselves) or someone with immunity, They may grant immunity to those they feel worthy, they must kill the families of those who resist, and they are above all other laws. The vagueness of these laws worked when the Scythedom was first created, but the world has become complicated, and some people have decided to find joy in what they do, even if it's killing.
Our story follows two teenagers who recently encountered the Honorable Scythe Faraday, Citra, and Rowan. Citra showed gumption and sass and moral balance, and Rowan held the hand of a boy that was not his friend as he was gleaned. Faraday is considered old school and chooses all that is gleaned by old school, age of mortality statistics. If a percentage of teenagers died in alcohol-related car accidents, he found a teenager with a penchant for drinking, who just got a car, and gleaned them. He believes the job is necessary, but should never be enjoyed, you need to be moral and compassionate and hurt every time. He is granted permission to take on an apprentice, and he takes on two, Rowan and Citra. Neither want it, nor should they, but should they become a Scythe, their families will receive immunity as long as they shall live, which in this day in age could be forever. So, reluctantly they both take it. There is a glamour to Scythedom as well, they'll wat for nothing, people will bend over backward to provide them with their desires in the hopes of immunity. If these two follow the teachings of Faraday, they won't be tempted by this, they won't abuse it, but not everyone feels the same way.
Citra and Rowan begin training (it gets a bit YAish here) studying history, poisons, combat, weapons. The goal to make them perfect, moral, compassionate, killing machines. Everything is going as well as it can, and luckily the book doesn't do what every other YA author would do and give us pages upon pages of the two falling in love, awkward encounters, stolen kisses. We have none of that thankfully. The dialogue is all purposeful and helps propel the plot, not flowery passages talking about teenage angst and feelings. But, it is a book, after all, so everything starts falling apart when a group of "New Age" Scythes, Scythes that believe they should enjoy their jobs, who take pleasure in mass killings (entire flights, festivals, food courts) stir things up at a Scythe Conclave meeting. They question if having two apprentices hurts whether or not the Conclave can judge the worthiness of either, or if them being friends will result in them always helping each other. How can they truly judge their ability if they always have each other's support? So they propose, since no law prevents it, that whichever apprentice should be chosen (remember Faraday was given permission to have ONE apprentice) will have to Glean the other. The Lead Scythe allows it, and honestly, this is one aspect of the book I struggled with, but I think was supposed to express the corruption of the Scythedom, at times when things aren't in writing they say "welp can't do it" and other times they say "welp nothing says we can't do it". Faraday attempts to free our two protagonists from their apprenticeships, but instead, they are separated, one going to a respected Old School Scythe, one going to the very modern group that started this whole problem, thrusting them into a world excess, deprivation, and honestly psychotic murdering. They now train, separately, knowing that one will die unless they can figure out a way to change things.
Even writing that sounds so Yaish, but it doesn't feel that way because it's so well written. The author doesn't give us Romeo and Juliet, no pining, no romance, just two kids trying to be that, good. Even when surrounded by something very bad. So, if you want to star crossed lovers, you won't like this book. If you like character development and struggle, you might like this book. We arguably see more of Rowan's development, Citra for me felt less focused on or given fewer opportunities for growth, and she had a bit of an attitude that made me no like her much, but given her circumstances, I UNDERSTOOD why she was the way she is, and I can't say I wouldn't be just as grumpy. If anything her response to the corruption and the situation felt very real, even if it sacrificed having a manic pixie daydream mary sue to project myself into. While appearances weren't really given for the two, setting them up to be good old fashioned Mary Sue and Gary Stu, they were very much their own people, with little room for the reader to pretend to be them. So another star in the breaking the YA mold category. We watch them struggle with where they are, and how to come to terms with their inevitable future, either being takers of life or having their life taken.
Overall this was refreshing, while it was an easy read and was a good "palette cleanser" and m boyfriend calls my YA marathons in between books that actually linger in my soul. It felt elevated, sure it was still very much YA, but it was more thought out than the standard, it focused on the story and not the romance, it focused on important things, and it never lost sight of its story. I started at 11am on a Sunday and Finished by noon on Monday, eager for the next. It was an unexpected, refreshing read, with a unique concept that has room for more. The sequel doesn't feel forced, and if I never got it, this story is finished, but the world and situation created to allow for more, without feeling like a forced trilogy. I wanted to know how this story was going to play out, and now that it has, I want to know how the next story in this set up plays out.
So in a New year new me moment, I forced myself to pick up two popular books that I was not interested in. Since they were both YA, they'd be quick reads and my expectations could below. I also forced my picks to not be hard SciFi, as I need to step out of my comfort zone. I picked this up, and developed more concern when I noticed how divided the reviews were, I noticed people were either firmly in the "this is my most favorite book ever" or in the "this is the most boring book ever I hated it" camps. I rarely rate books 1 or 5, so I wanted to see how I felt.
Honestly, I was very pleasantly surprised. This book is YA, and obviously has some YA aspects, but it doesn't follow the tropes unless stripped down to bullet points and is surprisingly well written. This well written aspect, with no intentions of making people mad, I think is why so many found it boring. If you primarily read YA, and are used to it's over the top writing, it's over the top dialogue and relationships and emotions, then yes, this book was probably horribly boring.
We do open with the standard tropes of uninteresting, normal girl and boy get thrown into something extraordinary. But that's where the stereotypes ended for me. The author quickly throws us into the world and the events of the story. We're in the future, who knows how far past the present, where society has overcome death. AI has evolved and "The Cloud" is now "The Thunderhead" a massive AI database that has solved most of the world's problems, eliminated poverty, war, government, created jobs for everyone, and even defeated death. We all have healing nanites that prevent illness and repair injury, and even in the case of death, we can be revived at a revival center and be greeted with some tasty ice cream. If we start feeling our age, we can just "turn a corner" resetting ourselves to a younger version of ourselves while retaining our memories.
Now, in a world without death, but babies are still being born, some form of population control is in order, the balance must be restored. So the world created the Scythedom. An organization outside the authority of "The Thunderhead" because death has and always should be a responsibility of the living. Those who become Scythes, must "Glean" (permanently kill) a quota of people every year to maintain population control. How they do so is up to them, but there are rules, a Scythe cannot show bias or malice in their choices, they cannot marry or have a family, they cannot kill another Scythe (but they can glean themselves) or someone with immunity, They may grant immunity to those they feel worthy, they must kill the families of those who resist, and they are above all other laws. The vagueness of these laws worked when the Scythedom was first created, but the world has become complicated, and some people have decided to find joy in what they do, even if it's killing.
Our story follows two teenagers who recently encountered the Honorable Scythe Faraday, Citra, and Rowan. Citra showed gumption and sass and moral balance, and Rowan held the hand of a boy that was not his friend as he was gleaned. Faraday is considered old school and chooses all that is gleaned by old school, age of mortality statistics. If a percentage of teenagers died in alcohol-related car accidents, he found a teenager with a penchant for drinking, who just got a car, and gleaned them. He believes the job is necessary, but should never be enjoyed, you need to be moral and compassionate and hurt every time. He is granted permission to take on an apprentice, and he takes on two, Rowan and Citra. Neither want it, nor should they, but should they become a Scythe, their families will receive immunity as long as they shall live, which in this day in age could be forever. So, reluctantly they both take it. There is a glamour to Scythedom as well, they'll wat for nothing, people will bend over backward to provide them with their desires in the hopes of immunity. If these two follow the teachings of Faraday, they won't be tempted by this, they won't abuse it, but not everyone feels the same way.
Citra and Rowan begin training (it gets a bit YAish here) studying history, poisons, combat, weapons. The goal to make them perfect, moral, compassionate, killing machines. Everything is going as well as it can, and luckily the book doesn't do what every other YA author would do and give us pages upon pages of the two falling in love, awkward encounters, stolen kisses. We have none of that thankfully. The dialogue is all purposeful and helps propel the plot, not flowery passages talking about teenage angst and feelings. But, it is a book, after all, so everything starts falling apart when a group of "New Age" Scythes, Scythes that believe they should enjoy their jobs, who take pleasure in mass killings (entire flights, festivals, food courts) stir things up at a Scythe Conclave meeting. They question if having two apprentices hurts whether or not the Conclave can judge the worthiness of either, or if them being friends will result in them always helping each other. How can they truly judge their ability if they always have each other's support? So they propose, since no law prevents it, that whichever apprentice should be chosen (remember Faraday was given permission to have ONE apprentice) will have to Glean the other. The Lead Scythe allows it, and honestly, this is one aspect of the book I struggled with, but I think was supposed to express the corruption of the Scythedom, at times when things aren't in writing they say "welp can't do it" and other times they say "welp nothing says we can't do it". Faraday attempts to free our two protagonists from their apprenticeships, but instead, they are separated, one going to a respected Old School Scythe, one going to the very modern group that started this whole problem, thrusting them into a world excess, deprivation, and honestly psychotic murdering. They now train, separately, knowing that one will die unless they can figure out a way to change things.
Even writing that sounds so Yaish, but it doesn't feel that way because it's so well written. The author doesn't give us Romeo and Juliet, no pining, no romance, just two kids trying to be that, good. Even when surrounded by something very bad. So, if you want to star crossed lovers, you won't like this book. If you like character development and struggle, you might like this book. We arguably see more of Rowan's development, Citra for me felt less focused on or given fewer opportunities for growth, and she had a bit of an attitude that made me no like her much, but given her circumstances, I UNDERSTOOD why she was the way she is, and I can't say I wouldn't be just as grumpy. If anything her response to the corruption and the situation felt very real, even if it sacrificed having a manic pixie daydream mary sue to project myself into. While appearances weren't really given for the two, setting them up to be good old fashioned Mary Sue and Gary Stu, they were very much their own people, with little room for the reader to pretend to be them. So another star in the breaking the YA mold category. We watch them struggle with where they are, and how to come to terms with their inevitable future, either being takers of life or having their life taken.
Overall this was refreshing, while it was an easy read and was a good "palette cleanser" and m boyfriend calls my YA marathons in between books that actually linger in my soul. It felt elevated, sure it was still very much YA, but it was more thought out than the standard, it focused on the story and not the romance, it focused on important things, and it never lost sight of its story. I started at 11am on a Sunday and Finished by noon on Monday, eager for the next. It was an unexpected, refreshing read, with a unique concept that has room for more. The sequel doesn't feel forced, and if I never got it, this story is finished, but the world and situation created to allow for more, without feeling like a forced trilogy. I wanted to know how this story was going to play out, and now that it has, I want to know how the next story in this set up plays out.
Ross (3282 KP) rated Perfect Death in Books
Sep 28, 2018
Contains spoilers, click to show
I have debated with myself over a rating for this, the third in the "DI Luc Callanach" series of Edinburgh police procedurals. While the overall story is definitely a 4 star, verging on 5, certain aspects of the dialogue in this one were a little jarring at times, and the plot hinged on a couple of very out of character decisions on the part of the murderer.
As with the previous two books, we join the story at the start of two independent investigations, which inevitably expand and take up the whole team's efforts (it's almost as if there was no crime in the city before these came along as no other cases seem to be mentioned or worked on!). We have the apparent death by misadventure of a young girl on the hills around Arthur's Seat, and the apparent suicide of former DCI Begbie.
Both cases are interesting and very different, the former being a more typical murder investigation, the latter being more focused on police corruption and the Glasgow gangland (I do enjoy the fact that any nasty gangsters in these Edinburgh-based stories have to be based in Glasgow, almost like they are sponsored by the Edinburgh tourist board, or someone with an anti-East Coast agenda).
While the murder investigation is decent, a number of clangers really spoiled it for me. We have a young man who appears to be poisoning people after having ingratiated themselves into their lives and the lives of their loved ones under different false names. However, as is so often the case in these stories, the killer is made too clever to be caught (at least too clever to be caught in under 300 pages!), and so the slightest mistake or piece of luck is what the investigation hinges on. Here it transpires that, while the killer has used false names in every interaction, in one of them he seems to have for some reason used the name of someone who leads the police directly to his backstory and hence uncovering his real identity. This piece of Batman vs Superman ("Your Mom was called Martha?!") level plot pivot was just so jarring and so out of character for this supposedly clever murderer. And yet without it there was pretty much no way of the murderer being found. For a secret poisoner to then start waving a gun around was also a bit hard to accept.
And also, all characters seem to be very well spoken. We have a young man who grew up in care homes from the age of 5, a Glasgow gangster and his henchmen and numerous bad sorts along the way and all are very well spoken, to the point that none of them have a voice and are just ... there. And, of course everyone refers to the police in the same way as the police refer to themselves - I cannot imagine anyone referring to a policeman as "DI something" or ""your DCI said this". It just totally jars and again comes across as the author simply inserting their voice into the mouths of characters that they could not be bothered to properly consider.
This brings me on to the dialogue gripe. I have always struggled to accept the formality in the way fictional detectives speak to members of the public. I get that interviews etc have to be carried out in a certain way, but at one point DCI Turner is speaking to a 17 year old boy about the death of his mother and she says "I cannot leave someone who might be a danger to themselves without establishing first-hand contact". This just struck me as the author inserting a piece of research into dialogue rather than considering how that point would be addressed in a human conversation. Similarly, at one point a DC refers to one of the victims as "she" and Callanach snapped at her "We use victims' names not pronouns", which just struck me as an odd thing to say, and at several times throughout the book he himself refers to victims with pronouns.
And finally, while there was never a great deal of swearing in the first two books, it was believable swearing. Here we have the occasional use of "frigging" instead of the other "f" word, which I cannot think I have ever heard a Scottish person say, unless singing along to the Sex Pistols sea shanty.
Overall, I give this book 4 stars for the plot, 3 stars for the writing, then averaged out and rounded down for the annoying little things.
A definite step down from the second book, and a more slapdash feel to it.
As with the previous two books, we join the story at the start of two independent investigations, which inevitably expand and take up the whole team's efforts (it's almost as if there was no crime in the city before these came along as no other cases seem to be mentioned or worked on!). We have the apparent death by misadventure of a young girl on the hills around Arthur's Seat, and the apparent suicide of former DCI Begbie.
Both cases are interesting and very different, the former being a more typical murder investigation, the latter being more focused on police corruption and the Glasgow gangland (I do enjoy the fact that any nasty gangsters in these Edinburgh-based stories have to be based in Glasgow, almost like they are sponsored by the Edinburgh tourist board, or someone with an anti-East Coast agenda).
While the murder investigation is decent, a number of clangers really spoiled it for me. We have a young man who appears to be poisoning people after having ingratiated themselves into their lives and the lives of their loved ones under different false names. However, as is so often the case in these stories, the killer is made too clever to be caught (at least too clever to be caught in under 300 pages!), and so the slightest mistake or piece of luck is what the investigation hinges on. Here it transpires that, while the killer has used false names in every interaction, in one of them he seems to have for some reason used the name of someone who leads the police directly to his backstory and hence uncovering his real identity. This piece of Batman vs Superman ("Your Mom was called Martha?!") level plot pivot was just so jarring and so out of character for this supposedly clever murderer. And yet without it there was pretty much no way of the murderer being found. For a secret poisoner to then start waving a gun around was also a bit hard to accept.
And also, all characters seem to be very well spoken. We have a young man who grew up in care homes from the age of 5, a Glasgow gangster and his henchmen and numerous bad sorts along the way and all are very well spoken, to the point that none of them have a voice and are just ... there. And, of course everyone refers to the police in the same way as the police refer to themselves - I cannot imagine anyone referring to a policeman as "DI something" or ""your DCI said this". It just totally jars and again comes across as the author simply inserting their voice into the mouths of characters that they could not be bothered to properly consider.
This brings me on to the dialogue gripe. I have always struggled to accept the formality in the way fictional detectives speak to members of the public. I get that interviews etc have to be carried out in a certain way, but at one point DCI Turner is speaking to a 17 year old boy about the death of his mother and she says "I cannot leave someone who might be a danger to themselves without establishing first-hand contact". This just struck me as the author inserting a piece of research into dialogue rather than considering how that point would be addressed in a human conversation. Similarly, at one point a DC refers to one of the victims as "she" and Callanach snapped at her "We use victims' names not pronouns", which just struck me as an odd thing to say, and at several times throughout the book he himself refers to victims with pronouns.
And finally, while there was never a great deal of swearing in the first two books, it was believable swearing. Here we have the occasional use of "frigging" instead of the other "f" word, which I cannot think I have ever heard a Scottish person say, unless singing along to the Sex Pistols sea shanty.
Overall, I give this book 4 stars for the plot, 3 stars for the writing, then averaged out and rounded down for the annoying little things.
A definite step down from the second book, and a more slapdash feel to it.
Gareth von Kallenbach (971 KP) rated Spotlight (2015) in Movies
Aug 6, 2019
Greetings & Salutations Fellow Movie Fanatics!
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
Ivana A. | Diary of Difference (1171 KP) rated Scythe (Arc of a Scythe #1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-22.png?resize=768%2C432&ssl=1"/>;
Scythe by Neal Shusterman is my favourite read for 2019 so far! I had this book on my TBR shelf since last Christmas, I don’t even know why I waited so long to read it!
<b><i>“2042 is the year we conquered death, and also the year we stopped counting. Sure, we still numbered years for a few more decades, but at the moment of immortality, passing time ceased to matter.”</i></b>
In a perfect world, where immortality exists, the only way to die is to be gleaned by a scythe. Citra and Rowan are both living different normal lives, when they both have separate encounters with Scythe Faraday that will change their lives. They are both chosen to be his apprentice, a role neither of them wants to have.
<b><i>“Every child is told from the day he or she is old enough to understand that the scythes provide a crucial service for society. Ours is the closest thing to a sacred mission the modern world knows.”</i></b>
They have no choice, but to learn the art of gleaning – a word that has replaced killing many centuries ago, as it sounds better. Citra and Rowan are on their way to find out about the world of scythes, and what it takes to be one, and take on the terrifying responsibility of choosing their victims.
In a perfect world though, corruption still exists, and Citra and Rowan will have to join forces to defeat it. But one day, they are told that one of them has to kill the other…
<img src="https://scontent-lht6-1.xx.fbcdn.net/v/t1.0-9/49756919_2262745213737085_5615474919803453440_n.jpg?_nc_cat=110&_nc_oc=AQkoqPoPl1eisjDoqn31z6Y15KstI6wZhbP5LJjjiyvG8OGBdP1ohu5FEv41nMNGD_CnITluEVGXyf5agIA-vyE5&_nc_ht=scontent-lht6-1.xx&oh=22d38a236c494f78f4c3ac26c8d31a2a&oe=5E2F74A8"/>;
Neal Shusterman is a maestro with his words and world building. He managed to create this dystopian world where good and evil exist, where we have beaten immortality and a big machine called the Thunderhead controls everything – apart from death. Because death is an act that must be performed by another human.
Every scythe must reach of quota of number of people to glean, and within that number there must be diversity and percentages met (a few fisherman, one Latino woman, one child, etc.) Each scythe has all the weapons available and all means in order to perform the gleaning, and it is up to them to choose the ways to do it. Some scythes are compassionate, and some scythes are brutal. And every day, all the scythes have to write an entry in their diary of their day, and this information is available to the public. And through Scythe Faraday, Scythe Curie and Scythe Goddard, we learn different personalities and see this responsibility, this gift (or is it a curse) from different points of view.
<b><i>“Was there ever a time when people weren’t plagued with boredom? A time when motivation wasn’t so hard to come by?”</i></b>
It is a great responsibility, deciding who lives and who dies, and performing the gleaning itself. That is why not everyone becomes a scythe. Not everyone can handle this responsibility.
I loved how through Citra and Rowan we learn a lot about the Scythe world, but also learn a lot about compassion and caring, about love and respect. And even though Citra and Rowan have different qualities, we can see them connect over at least one – compassion!
With an incredible plot, incredible world-building and unexpected plot twists – this is a book that has left me speechless many times. I don’t often highlight pages and quotes in books, but I did here. It left me wanting for more, and I couldn’t put it down until very late in the night. I was so engrossed by the whole Scythedom world, that I cannot wait to read the next one!
If you love Young-Adult Series, dystopian worlds, many amazing characters, love stories, quotes to remember for life and a little bit of spookiness – this is the book for you. This is what you have been waiting for all along. Go and grab it!
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-22.png?resize=768%2C432&ssl=1"/>;
Scythe by Neal Shusterman is my favourite read for 2019 so far! I had this book on my TBR shelf since last Christmas, I don’t even know why I waited so long to read it!
<b><i>“2042 is the year we conquered death, and also the year we stopped counting. Sure, we still numbered years for a few more decades, but at the moment of immortality, passing time ceased to matter.”</i></b>
In a perfect world, where immortality exists, the only way to die is to be gleaned by a scythe. Citra and Rowan are both living different normal lives, when they both have separate encounters with Scythe Faraday that will change their lives. They are both chosen to be his apprentice, a role neither of them wants to have.
<b><i>“Every child is told from the day he or she is old enough to understand that the scythes provide a crucial service for society. Ours is the closest thing to a sacred mission the modern world knows.”</i></b>
They have no choice, but to learn the art of gleaning – a word that has replaced killing many centuries ago, as it sounds better. Citra and Rowan are on their way to find out about the world of scythes, and what it takes to be one, and take on the terrifying responsibility of choosing their victims.
In a perfect world though, corruption still exists, and Citra and Rowan will have to join forces to defeat it. But one day, they are told that one of them has to kill the other…
<img src="https://scontent-lht6-1.xx.fbcdn.net/v/t1.0-9/49756919_2262745213737085_5615474919803453440_n.jpg?_nc_cat=110&_nc_oc=AQkoqPoPl1eisjDoqn31z6Y15KstI6wZhbP5LJjjiyvG8OGBdP1ohu5FEv41nMNGD_CnITluEVGXyf5agIA-vyE5&_nc_ht=scontent-lht6-1.xx&oh=22d38a236c494f78f4c3ac26c8d31a2a&oe=5E2F74A8"/>;
Neal Shusterman is a maestro with his words and world building. He managed to create this dystopian world where good and evil exist, where we have beaten immortality and a big machine called the Thunderhead controls everything – apart from death. Because death is an act that must be performed by another human.
Every scythe must reach of quota of number of people to glean, and within that number there must be diversity and percentages met (a few fisherman, one Latino woman, one child, etc.) Each scythe has all the weapons available and all means in order to perform the gleaning, and it is up to them to choose the ways to do it. Some scythes are compassionate, and some scythes are brutal. And every day, all the scythes have to write an entry in their diary of their day, and this information is available to the public. And through Scythe Faraday, Scythe Curie and Scythe Goddard, we learn different personalities and see this responsibility, this gift (or is it a curse) from different points of view.
<b><i>“Was there ever a time when people weren’t plagued with boredom? A time when motivation wasn’t so hard to come by?”</i></b>
It is a great responsibility, deciding who lives and who dies, and performing the gleaning itself. That is why not everyone becomes a scythe. Not everyone can handle this responsibility.
I loved how through Citra and Rowan we learn a lot about the Scythe world, but also learn a lot about compassion and caring, about love and respect. And even though Citra and Rowan have different qualities, we can see them connect over at least one – compassion!
With an incredible plot, incredible world-building and unexpected plot twists – this is a book that has left me speechless many times. I don’t often highlight pages and quotes in books, but I did here. It left me wanting for more, and I couldn’t put it down until very late in the night. I was so engrossed by the whole Scythedom world, that I cannot wait to read the next one!
If you love Young-Adult Series, dystopian worlds, many amazing characters, love stories, quotes to remember for life and a little bit of spookiness – this is the book for you. This is what you have been waiting for all along. Go and grab it!
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Heather Cranmer (2721 KP) rated The Caretakers in Books
Apr 6, 2020
As soon as I read the synopsis for The Caretakers by Eliza Maxwell, I was instantly hooked. I knew it was a book that I had to read. It's like it was calling out to me saying "read me...read me." What a wild ride The Caretakers had in store for me!
Tessa Shepard made a documentary that helped free a man that she thought was framed for murder. However, when it seems he's killed the police chief's daughter, Tessa's life becomes upended. Around the same time, Tessa and her twin sister inherit a large estate named Fallbrook. There she meets two old ladies who are the caretakers of Fallbrook that have their own crazy story about the past when it comes to Fallbrooks history. With danger lurking around every corner, Tessa must try to survive and figure out the two old ladies' story.
I could not fault the plot of The Caretakers at all. It was absolutely solid from beginning to end. With The Caretakers, I felt like I was sort of getting two stories in one which was great! The first story is Tessa's. The narrative follows Tessa as she deals with her conscience about freeing a man from prison who may have actually been guilty. She's also dealing with the fallout between her and her twin sister Margot. With Tessa's reputation in tatters, Tessa tries to stay out of the spotlight and deal with what's going on in her personal life, but it doesn't turn out to be that easy. The second narrative belongs to the two old ladies and caretakers of Fallbrook, Kitty and Deidre. Their story was the most interesting to read about. Kitty and Deidre remember two different accounts of what actually befell Fallbrook when they were children. It was traumatizing for both of them, and at least one of the sisters has blocked out the actual memories of the horrible event that happened there. I found myself trying to guess which events were the true ones. Kudos to Eliza Maxwell for adding so many plot twists to The Caretakers that I never saw coming! I absolutely was thrilled that there were so many plot twists. Just when I thought I had the story figured out, a curve ball was thrown at me making me have to start my guess work all over again. However, all cliff hangers and questions are answered by the end of the book.
The characters in The Caretakers were all written fantastically! All were fleshed out appropriately even the minor characters. It was easy to empathize with everything Tessa was going through. She had so much bad stuff going on at one time. Learning her back story, it was easy to see why she thought the way she did. I liked Margot as well. While she's not a main character, she does play a fairly important role in Tessa's life. Sometimes I felt like Margot was a little too closed off when it came to Tessa and her husband, Ben. This wasn't due to bad writing, but quite the opposite. I felt like this was a character flaw that even real life people struggle with. I enjoyed Oliver's character. He made for a fantastic antagonist. Oliver was the one who Tessa freed from prison due to her documentary. Through fantastic storytelling, it was easy to see why Oliver went off the deep end after he was released. I felt bad for him actually. Deidre was an interesting character, and I came to understand why she was wary of strangers meddling in hers and Kitty's business. Kitty was my all time favorite character in The Caretakers though. I was sucked up in her childlike way of acting. She seemed to trust everyone and came across as such a sweet person. It seemed like she was too nice to be unkind towards anyone. I felt like Kitty had the most interesting backstory out of all the characters. The Cooke family, who had previously lived in Fallbrook before it became derelict, had the most intriguing story out of everyone. I really enjoyed reading about them.
Trigger warnings for The Caretakers include profanity, murder, violence, drinking, and police corruption.
To say I was blown away by The Caretakers is an understatement. Seriously, this book gave me goosebumps and a severe book hangover. That's how great it was! With intriguing plot lines and fantastic characters, it was such a fantastic read. I would most definitely recommend The Caretakers by Eliza Maxwell to those aged 17+. I really believe readers of all genres will really enjoy this book!
--
(A special thank you to Lone Star Literary Life and Eliza Maxwell for sending me a paperback and Netgalley for an eBook of The Caretakers in exchange for an honest and unbiased review.)
Tessa Shepard made a documentary that helped free a man that she thought was framed for murder. However, when it seems he's killed the police chief's daughter, Tessa's life becomes upended. Around the same time, Tessa and her twin sister inherit a large estate named Fallbrook. There she meets two old ladies who are the caretakers of Fallbrook that have their own crazy story about the past when it comes to Fallbrooks history. With danger lurking around every corner, Tessa must try to survive and figure out the two old ladies' story.
I could not fault the plot of The Caretakers at all. It was absolutely solid from beginning to end. With The Caretakers, I felt like I was sort of getting two stories in one which was great! The first story is Tessa's. The narrative follows Tessa as she deals with her conscience about freeing a man from prison who may have actually been guilty. She's also dealing with the fallout between her and her twin sister Margot. With Tessa's reputation in tatters, Tessa tries to stay out of the spotlight and deal with what's going on in her personal life, but it doesn't turn out to be that easy. The second narrative belongs to the two old ladies and caretakers of Fallbrook, Kitty and Deidre. Their story was the most interesting to read about. Kitty and Deidre remember two different accounts of what actually befell Fallbrook when they were children. It was traumatizing for both of them, and at least one of the sisters has blocked out the actual memories of the horrible event that happened there. I found myself trying to guess which events were the true ones. Kudos to Eliza Maxwell for adding so many plot twists to The Caretakers that I never saw coming! I absolutely was thrilled that there were so many plot twists. Just when I thought I had the story figured out, a curve ball was thrown at me making me have to start my guess work all over again. However, all cliff hangers and questions are answered by the end of the book.
The characters in The Caretakers were all written fantastically! All were fleshed out appropriately even the minor characters. It was easy to empathize with everything Tessa was going through. She had so much bad stuff going on at one time. Learning her back story, it was easy to see why she thought the way she did. I liked Margot as well. While she's not a main character, she does play a fairly important role in Tessa's life. Sometimes I felt like Margot was a little too closed off when it came to Tessa and her husband, Ben. This wasn't due to bad writing, but quite the opposite. I felt like this was a character flaw that even real life people struggle with. I enjoyed Oliver's character. He made for a fantastic antagonist. Oliver was the one who Tessa freed from prison due to her documentary. Through fantastic storytelling, it was easy to see why Oliver went off the deep end after he was released. I felt bad for him actually. Deidre was an interesting character, and I came to understand why she was wary of strangers meddling in hers and Kitty's business. Kitty was my all time favorite character in The Caretakers though. I was sucked up in her childlike way of acting. She seemed to trust everyone and came across as such a sweet person. It seemed like she was too nice to be unkind towards anyone. I felt like Kitty had the most interesting backstory out of all the characters. The Cooke family, who had previously lived in Fallbrook before it became derelict, had the most intriguing story out of everyone. I really enjoyed reading about them.
Trigger warnings for The Caretakers include profanity, murder, violence, drinking, and police corruption.
To say I was blown away by The Caretakers is an understatement. Seriously, this book gave me goosebumps and a severe book hangover. That's how great it was! With intriguing plot lines and fantastic characters, it was such a fantastic read. I would most definitely recommend The Caretakers by Eliza Maxwell to those aged 17+. I really believe readers of all genres will really enjoy this book!
--
(A special thank you to Lone Star Literary Life and Eliza Maxwell for sending me a paperback and Netgalley for an eBook of The Caretakers in exchange for an honest and unbiased review.)
Ivana A. | Diary of Difference (1171 KP) rated The Tether (The ELI Chronicles, #2) in Books
Feb 3, 2020
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<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-19.png?resize=1024%2C576&ssl=1"/>;
<b><i>As soon as I read <a href="https://diaryofdifference.com/2018/05/29/the-one-and-only-julia-ash-book-review/">The One and Only, the first book of the ELI Chronicles,</a> I knew I had to finish the series. When Julia Ash reached out to me, letting me know the second book, The Tether, is available for review – I obviously jumped at the opportunity!M/i></b>
It took me a bit to get to it due to my busy schedule, but once I finally got my hands on The Tether and started reading it, I couldn’t put it down.
The Tether continues where the first book finished – Ruby managed to save the Earth from the ZOM-B disease and a possible zombie apocalypse, being the only person with a unique blood type that can provide a cure. And then she got turned to a vampire.
And when everything seems quiet, things are starting to escalate again. Ruby’s blood donors are from another planet, and one of the donors is the King of Darkness, an ancient vampire who is in search for food – animals and humans on Earth. And once again, it is up to Ruby to save the planet and her family. Only this time, she discovers she has way more power than she thought.
If you read my review on Book One, you will know I was confused and angry with how the first book ended. Right after a Zombie Apocalypse, we had a vampire ending. For a moment, I thought that once you start mixing too many things up, it can get confusing. But this series somehow manages to keep it all together, and it all logically makes sense. I just fear that perhaps people might not agree with me and find it confusing. I didn’t though.
Ruby, again, was my favourite character. She had to go through so much, and then learn to finally embrace it. She kept herself down on Earth, despite her power, and that made me like her even more. I also respect her so much for sacrificing herself for a greater cause, and always putting her family first!
<i><b>Clay, oh, Clay…</b></i>
We never got along buddy. But I couldn’t help but feel for Clay in this book, and he is slowly growing on me. He has to slowly age and then die, while his wife is immortal. Secretly, I hope he becomes a vampire too, so they can spend their eternity together, even though, let’s be honest, he won’t really bring anything much to the table. But I loved, how he sacrificed himself for his family, and stood up against bullies, even if they were immortal vampires.
I loved our main villain in this book – Zagan. For he had reasoning for everything he did, even though it was wrong. He had a purpose and a goal, and he did have a pinch of good inside him. But he also had evil, and that was never gonna change.
Interestingly enough, and a big no-surprise for me was the government. Their corruption and the depths that they were willing to go to reach their goal was scary – and very accurate to what actually is currently happening in the world. The fear is also represented, and how differently they react as soon as they see someone who has more power than them. Their thinking of making new people similar to this one case, that they could use for greater goals. This moment was captured in the book in a great way, as it is a great discussion point and a very painful subject at the same time for some people.
The new planet, new characters, new powers was an interesting switch within the book. I didn’t expect that at all, but I was pleasantly surprised with how it all fitted in. It was all well thought of, The Tether story, the tree, the blood connection with Ruby, the link between the planet and Earth, the concept of how people lived their belief of healing what they were hurting and keeping the balance. The one thing that confused me was the mentions of their heartbeats, as I thought vampire’s hearts don’t beat.
<b><i>I really enjoyed The Tether and it ended perfectly, getting us ready for the third book and Ruby’s next challenge. I highly recommend it – it is a real page-turner with incredible plot twists!
Thank you to the author, Julia Ash, for sending me a copy of The Tether, in exchange for an honest review!</i></b>
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<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-19.png?resize=1024%2C576&ssl=1"/>;
<b><i>As soon as I read <a href="https://diaryofdifference.com/2018/05/29/the-one-and-only-julia-ash-book-review/">The One and Only, the first book of the ELI Chronicles,</a> I knew I had to finish the series. When Julia Ash reached out to me, letting me know the second book, The Tether, is available for review – I obviously jumped at the opportunity!M/i></b>
It took me a bit to get to it due to my busy schedule, but once I finally got my hands on The Tether and started reading it, I couldn’t put it down.
The Tether continues where the first book finished – Ruby managed to save the Earth from the ZOM-B disease and a possible zombie apocalypse, being the only person with a unique blood type that can provide a cure. And then she got turned to a vampire.
And when everything seems quiet, things are starting to escalate again. Ruby’s blood donors are from another planet, and one of the donors is the King of Darkness, an ancient vampire who is in search for food – animals and humans on Earth. And once again, it is up to Ruby to save the planet and her family. Only this time, she discovers she has way more power than she thought.
If you read my review on Book One, you will know I was confused and angry with how the first book ended. Right after a Zombie Apocalypse, we had a vampire ending. For a moment, I thought that once you start mixing too many things up, it can get confusing. But this series somehow manages to keep it all together, and it all logically makes sense. I just fear that perhaps people might not agree with me and find it confusing. I didn’t though.
Ruby, again, was my favourite character. She had to go through so much, and then learn to finally embrace it. She kept herself down on Earth, despite her power, and that made me like her even more. I also respect her so much for sacrificing herself for a greater cause, and always putting her family first!
<i><b>Clay, oh, Clay…</b></i>
We never got along buddy. But I couldn’t help but feel for Clay in this book, and he is slowly growing on me. He has to slowly age and then die, while his wife is immortal. Secretly, I hope he becomes a vampire too, so they can spend their eternity together, even though, let’s be honest, he won’t really bring anything much to the table. But I loved, how he sacrificed himself for his family, and stood up against bullies, even if they were immortal vampires.
I loved our main villain in this book – Zagan. For he had reasoning for everything he did, even though it was wrong. He had a purpose and a goal, and he did have a pinch of good inside him. But he also had evil, and that was never gonna change.
Interestingly enough, and a big no-surprise for me was the government. Their corruption and the depths that they were willing to go to reach their goal was scary – and very accurate to what actually is currently happening in the world. The fear is also represented, and how differently they react as soon as they see someone who has more power than them. Their thinking of making new people similar to this one case, that they could use for greater goals. This moment was captured in the book in a great way, as it is a great discussion point and a very painful subject at the same time for some people.
The new planet, new characters, new powers was an interesting switch within the book. I didn’t expect that at all, but I was pleasantly surprised with how it all fitted in. It was all well thought of, The Tether story, the tree, the blood connection with Ruby, the link between the planet and Earth, the concept of how people lived their belief of healing what they were hurting and keeping the balance. The one thing that confused me was the mentions of their heartbeats, as I thought vampire’s hearts don’t beat.
<b><i>I really enjoyed The Tether and it ended perfectly, getting us ready for the third book and Ruby’s next challenge. I highly recommend it – it is a real page-turner with incredible plot twists!
Thank you to the author, Julia Ash, for sending me a copy of The Tether, in exchange for an honest review!</i></b>
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Bob Mann (459 KP) rated Miss Sloane (2016) in Movies
Sep 29, 2021
“I never know where the line is”.
In a roller-coaster year for political intrigue on both sides of the Atlantic, and with all hell breaking loose again between Trump and ‘The Hill’, here comes “Miss Sloane”.
Jessica Chastain ( “The Martian“, “Interstellar“) plays the titular heroine (I use the term loosely): a pill-popping insomniac who is working herself into an early grave as a top-Washington lobbyist. The game of lobbying is, as she describes, staying one step of the competition and “playing your trump card just after your opponent has played theirs”. But all is not going well for Elizabeth Sloane. For the film opens with her being on trial for corruption in front of a congressional hearing, chaired by Senator Sperling (John Lithgow, “The Accountant“).
Through flashback we see how she got to that point, moving from one firm headed by George Dupont (Sam Waterston, “The Killing Fields”) to another headed by Rodolfo Schmidt (Mark Strong, “Kick Ass”, “Kingsman: The Secret Service“) against the backdrop of the high-stakes lobbying around a new gun-control bill. Her fanatical drive to ‘win at all costs’, and the trail of destruction, through her cutthroat work ethic, that she leaves behind her, digs her an ever-deeper hole as the political and legal net closes in around her.
Jessica Chastain has played strong and decisive women before, most notably in “Zero Dark Thirty”, but probably never to this extreme degree. Here she is like Miranda Priestly from “The Devil Wears Prada”, but not played for laughs. Miss Sloane is an emotionally and physically damaged woman, but a formidable one who takes charge both in the boardroom and in the bedroom, through the unashamed use of male escorts (in the well-muscled form of Jake Lacy, “Their Finest“). As such her character is not remotely likable, but one the I could certainly relate to from past business dealings I’ve had. (And no, I don’t mean as a male prostitute!)
I found Sloane to be one of the more fascinating characters in this year’s releases: I was never being sure whether her actions are being powered from a background of strong moral conviction (fuelled by a devastating childhood incident perhaps?) or through pure greed and lust for power. I thought Chastain excelled in the role, but for balance the illustrious Mrs Mann thought she rather overplayed her hand at times.
Outside of Chastain’s central performance though, this is a very strong ensemble cast. Mark Strong – not with an English accent for once and not playing a heavy – is great as the frustrated boss, as is the seldom-seen Sam Waterston (who, by the way, is the father of Katherine Waterston of current “Alien: Covenant” fame). Christine Baranski (so good in “The Good Wife” and now “The Good Fight”) pops up in a cameo as a flinty Senator. But the outstanding turn for me was Oxford-born Gugu Mbatha-Raw (“Belle”, “Beauty and the Beast” – and yes, I’m aware of the irony in this pairing!). Playing Sloane’s colleague Esme Manucharian – both a lady with a secret in her past as well as possessing a great name – Mbatha-Raw is just riveting and deserving of a Supporting Actress nomination in my book.
What binds the whole two hours together is an extraordinarily skillful script by debut writer Jonathan Perera, which has both a gripping and ever-twisting story as well as a host of quotable lines. Ladies and gentlemen, we may have a new Aaron Sorkin on the block! It’s a brave script, dealing as it does with 2nd amendment issues, since there seems to be nothing that stirs up American comment like gun-control. For those living in the UK (where gun deaths are over 50 times less per capita than in the US) the whole topic is both fascinating and perplexing and there were a lot of nodding heads during Sloane’s TV rant about it being an archaic ‘Wild West’ throwback that should no longer be set in stone. (But it’s not our country any more, so you Americans can do what you like!)
The marvelous Cinematography is by Sebastian Blenkov – the second time this gentleman has come to my attention within a month (the first time being “Their Finest“).
The director is Portsmouth-born Brit John Madden (“Shakespeare in Love”, “The Best Exotic Marigold Hotel”) and he does a great job in sustaining the tension and energy throughout the running time. This all makes it a great shame that the film has not done well at the US box office, perhaps because ( the film was released in December 2016) the public had more than their fill of politics after a bruising and divisive election. (I’m not sure the UK release date now – just before our own General Election – is wise either).
But for me, this was a memorable film, and come the end of the year it might well be up there in my top 10 for the year. I’m a sucker for a good political thriller with “All the President’s Men” and “Primary Colors” in my personal list as some of my favourite ever films. If you like those films, “House of Cards” or remember fondly TV series like “The West Wing” or (for those with even longer memories) “Washington Behind Closed Doors” then I would strongly recommend you get out and watch this.
Jessica Chastain ( “The Martian“, “Interstellar“) plays the titular heroine (I use the term loosely): a pill-popping insomniac who is working herself into an early grave as a top-Washington lobbyist. The game of lobbying is, as she describes, staying one step of the competition and “playing your trump card just after your opponent has played theirs”. But all is not going well for Elizabeth Sloane. For the film opens with her being on trial for corruption in front of a congressional hearing, chaired by Senator Sperling (John Lithgow, “The Accountant“).
Through flashback we see how she got to that point, moving from one firm headed by George Dupont (Sam Waterston, “The Killing Fields”) to another headed by Rodolfo Schmidt (Mark Strong, “Kick Ass”, “Kingsman: The Secret Service“) against the backdrop of the high-stakes lobbying around a new gun-control bill. Her fanatical drive to ‘win at all costs’, and the trail of destruction, through her cutthroat work ethic, that she leaves behind her, digs her an ever-deeper hole as the political and legal net closes in around her.
Jessica Chastain has played strong and decisive women before, most notably in “Zero Dark Thirty”, but probably never to this extreme degree. Here she is like Miranda Priestly from “The Devil Wears Prada”, but not played for laughs. Miss Sloane is an emotionally and physically damaged woman, but a formidable one who takes charge both in the boardroom and in the bedroom, through the unashamed use of male escorts (in the well-muscled form of Jake Lacy, “Their Finest“). As such her character is not remotely likable, but one the I could certainly relate to from past business dealings I’ve had. (And no, I don’t mean as a male prostitute!)
I found Sloane to be one of the more fascinating characters in this year’s releases: I was never being sure whether her actions are being powered from a background of strong moral conviction (fuelled by a devastating childhood incident perhaps?) or through pure greed and lust for power. I thought Chastain excelled in the role, but for balance the illustrious Mrs Mann thought she rather overplayed her hand at times.
Outside of Chastain’s central performance though, this is a very strong ensemble cast. Mark Strong – not with an English accent for once and not playing a heavy – is great as the frustrated boss, as is the seldom-seen Sam Waterston (who, by the way, is the father of Katherine Waterston of current “Alien: Covenant” fame). Christine Baranski (so good in “The Good Wife” and now “The Good Fight”) pops up in a cameo as a flinty Senator. But the outstanding turn for me was Oxford-born Gugu Mbatha-Raw (“Belle”, “Beauty and the Beast” – and yes, I’m aware of the irony in this pairing!). Playing Sloane’s colleague Esme Manucharian – both a lady with a secret in her past as well as possessing a great name – Mbatha-Raw is just riveting and deserving of a Supporting Actress nomination in my book.
What binds the whole two hours together is an extraordinarily skillful script by debut writer Jonathan Perera, which has both a gripping and ever-twisting story as well as a host of quotable lines. Ladies and gentlemen, we may have a new Aaron Sorkin on the block! It’s a brave script, dealing as it does with 2nd amendment issues, since there seems to be nothing that stirs up American comment like gun-control. For those living in the UK (where gun deaths are over 50 times less per capita than in the US) the whole topic is both fascinating and perplexing and there were a lot of nodding heads during Sloane’s TV rant about it being an archaic ‘Wild West’ throwback that should no longer be set in stone. (But it’s not our country any more, so you Americans can do what you like!)
The marvelous Cinematography is by Sebastian Blenkov – the second time this gentleman has come to my attention within a month (the first time being “Their Finest“).
The director is Portsmouth-born Brit John Madden (“Shakespeare in Love”, “The Best Exotic Marigold Hotel”) and he does a great job in sustaining the tension and energy throughout the running time. This all makes it a great shame that the film has not done well at the US box office, perhaps because ( the film was released in December 2016) the public had more than their fill of politics after a bruising and divisive election. (I’m not sure the UK release date now – just before our own General Election – is wise either).
But for me, this was a memorable film, and come the end of the year it might well be up there in my top 10 for the year. I’m a sucker for a good political thriller with “All the President’s Men” and “Primary Colors” in my personal list as some of my favourite ever films. If you like those films, “House of Cards” or remember fondly TV series like “The West Wing” or (for those with even longer memories) “Washington Behind Closed Doors” then I would strongly recommend you get out and watch this.
Gareth von Kallenbach (971 KP) rated Jem and the Holograms (2015) in Movies
Jun 19, 2019
Being a teenager is a confusing time, we want to be accepted, popular, and, at times, invisible. In a world where you feel overlooked and ignored, it is gratifying to have a voice, an identity, some special aspect that is going to make you stand out and be accepted. Jem and the Holograms attempts to make this a theme. Creating your identity and having the ability to shape and form it into a way that it becomes your own shield against the ills of the world. It is a very promising concept and idea when attempting to update the series for today’s audience. Unfortunately there isn’t much substance to the film. The substance that is apparent is quite shallow and undeveloped.
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/