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Simple Home: Calm Spaces for Comfortable Living
Book
A beautifully illustrated guide to creating a home interior free from clutter and joy of keeping...
Billy and Me
8.3
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**ZOELLA BOOK CLUB 2016 TITLE** A gorgeously romantic novel about fame, friendship and falling in...
Kirk Bage (1775 KP) rated Höstsonaten (Autumn Sonata) (1978) in Movies
Jan 28, 2021
I have been familiar with Bergman for a long time, having seen Summer With Monika, Wild Strawberries and The Seventh Seal at a young age. They were more or less my first experience of foreign language art cinema that I sort of understood and liked. Something about the practical and economical way conversations happen in Bergman appeals to me. They tend to lack melodrama and romance, but are intellectually satisfying and often dramatically devastating. None more so than this mindbendingly sad tale of a mother and daughter in conflict. Bergman’s regular muses Ingmar Bergman and Liv Ullmann go head to head in a masterclass of acting that left me in utter awe. It reminded me of the first time I saw Gena Rowlands in A Woman Under the Influence – such soul-wrenching honest of emotion, it is almost unbearable. In a good way.
The fact that something is bleak has never put me off, and Bergman too is completely unafraid of leaving you entirely depressed. In fact, I wish Hollywood wasn’t so afraid of it. Very few films with personal conflicts this strong spring to mind – perhaps Blue Valentine is as close as it gets. But on the scale of rhetorical blows to the emotional solar plexus, that would be a 4 and Autumn Sonata would be a 9. Truthfully, I have seen few things so brutal and painful played out in film form. Guilt, blame, regret, denial, shame and loss cut to the bone, making the key scenes at the crescendo very hard to watch, but also brilliant because of it. Visually it is warm and cosy enough, but quite static, like a stage play, but of course Bergman was aware of this. He wants us to focus on the people, and so we do. A blindingly strong work of art all round. Just not something you want to revisit too often.
The fact that something is bleak has never put me off, and Bergman too is completely unafraid of leaving you entirely depressed. In fact, I wish Hollywood wasn’t so afraid of it. Very few films with personal conflicts this strong spring to mind – perhaps Blue Valentine is as close as it gets. But on the scale of rhetorical blows to the emotional solar plexus, that would be a 4 and Autumn Sonata would be a 9. Truthfully, I have seen few things so brutal and painful played out in film form. Guilt, blame, regret, denial, shame and loss cut to the bone, making the key scenes at the crescendo very hard to watch, but also brilliant because of it. Visually it is warm and cosy enough, but quite static, like a stage play, but of course Bergman was aware of this. He wants us to focus on the people, and so we do. A blindingly strong work of art all round. Just not something you want to revisit too often.
Miranda and the D-Day Caper
Book
A modern day mystery with WWII tactics, old-time heroes and values, and the efforts of two amateur...
Cosy Mystery
The Ghost of Hollow House
8.0
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Mina Scarletti returns in her most thrilling mystery yet! Perfect for fans of Sherlock Holmes,...
Ghosts Suspense Historical Fiction
Phil Leader (619 KP) rated Taylor's Plight (The Sanctum Series #3) in Books
Nov 26, 2019
Taylor's Plight is the third book in The Sanctum series of pre-teen adventure novels by Katrina Cope. Once again Jayden, Eva, Robert and Aaron are attempting to stop terrorism by using 'surrogates' - robots they can control remotely that appear to be human.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
Neon's Nerd Nexus (360 KP) rated Little Women (2019) in Movies
Jan 18, 2020 (Updated Jan 18, 2020)
Coffee and Compliments
Little Women feels like a breath of fresh air in a time chock full of superhero movies and action sequels. Simply overflowing with such kindness, warmth and an enormous sense of love and heart little women is pure escapism into a tale so beautify simple yet so sophisticated and intricate that its simply a pure delight to behold for any age to enjoy. Being unfamiliar with the source material myself I was concerned that I wouldnt enjoy this movie but as the film began I found myself so absorbed by its beauty and overwhelmed with its ability to transport me back and embed me into a period in time like it was but a memory of my own. Production design is staggering and constantly breathtaking from clothing, set design, lighting and props everything just screams quality and class making homes feel lived in/cosy, parties feel exciting/grand and the outdoor scenes to feel magical and fable esque. Whats truly stunning here however is how the feeling of belonging has been masterfully created and as we spend time with this family the bond and love depicted here is so flawless, real and full of love its hard to remember these are actresses we are watching and not real people going about thier lives. Perfomances are splendind but its Florence Pugh that really shows she deserves her nomene for this for sure with a performance so believable full of innocence, emotion and energy that its trully entrancing to watch. With accurate depictions of love, courtship, acceptance, passion, drive, perseverance, innocence, maturity, family life, bonding and grief we almost see these girls fight thier own personal battles along side the real war going on as they struggle to make something of themselves and live freely in a world where men are considered to have all the dominance and rights. Although taking place in the past it all just feels so very current and timeless not affraid to tackle a variety of important and complex themes/issues while exploring the very characteristics and traits that make us human. A wonderful delight and a simply magnifict and heart warming piece of film making history. Such a joyous experiance for anyone and everyone alike.
BookInspector (124 KP) rated Dark Sky Island (Jennifer Dorey Mystery #2) in Books
Sep 24, 2020
The protagonists in this novel were Jenny and Michael. Jenny is a journalist who’s curiosity and wish of a great story always leads her to very unpleasant situations. Michael is a DCI, who is leading the murder investigations on Sark, a little island with less than 500 people. I really enjoyed Jenny’s character in this novel, I liked her informal way of gathering the information and her smartness in “connecting the dots”. Michael is smart, but his lack of fitness didn’t allow him to be the DCI I enjoy reading about.
The novel starts quite slow, and it takes a while for both of these characters to gather decent information. I really enjoyed the twists and turns in this novel, it was quite refreshing after the slow beginning. I really liked the way the author described Sark, the streets, the houses, the people, it is visible that she knows a lot about life on an island. I also really liked the horror element and the folk stories used in this book, it was very interesting to read about them, and the unexplained chilling creatures gave this mysterious vibe about the whole island.
The writing style of this book is very pleasant and easy to read, even though the author used quite a few French names in it, which I had no idea how to pronounce. 😀 At times, the novel felt a little like a cosy mystery, but towards the end, this changed drastically. I really liked the surprising and unexpected ending of the book, it rounded this novel extremely well. The chapters were quite long at times, but new findings and plenty of action later on in the book helped, and the pages just flew by.
So, to conclude, even though this is a second book, it can be read as a stand alone easily. The setting and the characters are very well picked for this novel, and the plot thickens as you carry on reading. It is a good book full of small island life, unexpected discoveries, twists, and I really liked it.
The novel starts quite slow, and it takes a while for both of these characters to gather decent information. I really enjoyed the twists and turns in this novel, it was quite refreshing after the slow beginning. I really liked the way the author described Sark, the streets, the houses, the people, it is visible that she knows a lot about life on an island. I also really liked the horror element and the folk stories used in this book, it was very interesting to read about them, and the unexplained chilling creatures gave this mysterious vibe about the whole island.
The writing style of this book is very pleasant and easy to read, even though the author used quite a few French names in it, which I had no idea how to pronounce. 😀 At times, the novel felt a little like a cosy mystery, but towards the end, this changed drastically. I really liked the surprising and unexpected ending of the book, it rounded this novel extremely well. The chapters were quite long at times, but new findings and plenty of action later on in the book helped, and the pages just flew by.
So, to conclude, even though this is a second book, it can be read as a stand alone easily. The setting and the characters are very well picked for this novel, and the plot thickens as you carry on reading. It is a good book full of small island life, unexpected discoveries, twists, and I really liked it.
Emma @ The Movies (1786 KP) rated Murder on the Orient Express (2017) in Movies
Sep 25, 2019
It is 1934, and our moustachioed detective has just solved a theft in Jerusalem. He looks forward to resting in Istanbul, but his break is interrupted with the news that he must return to London for a case. It seems like Poirot's luck is in, having just met his friend who is director of the Orient Express.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Sleep No More: Six Murderous Tales
8.0
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The acknowledged Queen of Crime, P. D. James, was a past master of the short story, weaving together...
crime