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Merissa (14206 KP) rated The Remembering Tree in Books

Oct 3, 2022  
The Remembering Tree
The Remembering Tree
HR Mason | 2022 | Paranormal, Thriller
8
8.0 (1 Ratings)
Book Rating
THE REMEMBERING TREE tells a story of magical healing and a belief in God, although it is not overly religious. When Gemma's husband dies, she is left alone, with just her fifteen-year-old daughter. Shortly after, her grandma dies and she is left a home, plus money for renovations, so they move there. Once at Moonstone House, things fall into place and Gemma realises things are not always as they seem.

Although this is listed as supernatural suspense, I would also add romance to that. Whilst not the main part, it does help and support the story move along.

I found this to be a quick and easy read, with the story pretty much going in the direction I thought it would. There are a few coincidences that raised my eyebrows as it seemed rather too easy, but that may just be me.

I was also left with a couple of questions - the main one being why wasn't Gemma named after a jewel? She named her daughter one, and it's what her family was known for, but she wasn't and it never explained why. I wanted to know!

I am probably in the minority here but the last part - the final ending, if you like - didn't do anything for me. In fact, for me, it actually took away from the story. I had enjoyed it up to that point but then felt a little let down.

All in all, this was a great read that I enjoyed and have no hesitation in recommending if you like cosy mysteries with a romantic element.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
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Kirk Bage (1775 KP) rated Höstsonaten (Autumn Sonata) (1978) in Movies

Jan 28, 2021  
H(
Höstsonaten (Autumn Sonata) (1978)
1978 | International, Drama
8
8.0 (1 Ratings)
Movie Rating
I have been familiar with Bergman for a long time, having seen Summer With Monika, Wild Strawberries and The Seventh Seal at a young age. They were more or less my first experience of foreign language art cinema that I sort of understood and liked. Something about the practical and economical way conversations happen in Bergman appeals to me. They tend to lack melodrama and romance, but are intellectually satisfying and often dramatically devastating. None more so than this mindbendingly sad tale of a mother and daughter in conflict. Bergman’s regular muses Ingmar Bergman and Liv Ullmann go head to head in a masterclass of acting that left me in utter awe. It reminded me of the first time I saw Gena Rowlands in A Woman Under the Influence – such soul-wrenching honest of emotion, it is almost unbearable. In a good way.

The fact that something is bleak has never put me off, and Bergman too is completely unafraid of leaving you entirely depressed. In fact, I wish Hollywood wasn’t so afraid of it. Very few films with personal conflicts this strong spring to mind – perhaps Blue Valentine is as close as it gets. But on the scale of rhetorical blows to the emotional solar plexus, that would be a 4 and Autumn Sonata would be a 9. Truthfully, I have seen few things so brutal and painful played out in film form. Guilt, blame, regret, denial, shame and loss cut to the bone, making the key scenes at the crescendo very hard to watch, but also brilliant because of it. Visually it is warm and cosy enough, but quite static, like a stage play, but of course Bergman was aware of this. He wants us to focus on the people, and so we do. A blindingly strong work of art all round. Just not something you want to revisit too often.