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Merissa (11800 KP) rated A Thousand Glittering Lights in Books
May 22, 2024
A THOUSAND GLITTERING LIGHTS is set in the contemporary world, with a game designer as our FMC. The MMC remains a mystery so I won't say anything to spoil it.
Jennie Lynn Roberts is a one-click author for me BUT I will admit to feeling slightly dubious when I saw this was a contemporary. Surely it can't be as good as her fantasy - can it? The obvious answer is YES!!! It can be just as good, in fact, I'm hard-pressed to say which I prefer.
Ellie isn't having an easy time of it and struggles to leave the safety of her cottage. Her best friend and business partner is giving Ellie plenty of excuses about why she can't be there for her. Her dad is pressuring her to sell her business. And then - out of nowhere - a man, or ghost, starts appearing to Ellie. She thinks she's going mad. And I loved it.
There is a level of mystery to this story that had me hooked. I didn't try to figure things out for myself. I just sat back and let the story hold me, and boy, did it ever. There were so many levels to this that all fitted together perfectly in ways that might not be immediately clear. In fact, I think I may be a little afraid of this author if she ever decides to go 'dark!' đ
This book was a very emotional read for me, with situations and circumstances so incredibly well written, I felt it like a punch to the throat. I was f'ugly crying more than once, while still trying to convince myself that I'd get my HEA.
There's so much to this book that I absolutely adored and have no hesitation in HIGHLY RECOMMENDING. Seriously, get your copy and lose yourself in this steamy, supernatural romance.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 22, 2024
Jennie Lynn Roberts is a one-click author for me BUT I will admit to feeling slightly dubious when I saw this was a contemporary. Surely it can't be as good as her fantasy - can it? The obvious answer is YES!!! It can be just as good, in fact, I'm hard-pressed to say which I prefer.
Ellie isn't having an easy time of it and struggles to leave the safety of her cottage. Her best friend and business partner is giving Ellie plenty of excuses about why she can't be there for her. Her dad is pressuring her to sell her business. And then - out of nowhere - a man, or ghost, starts appearing to Ellie. She thinks she's going mad. And I loved it.
There is a level of mystery to this story that had me hooked. I didn't try to figure things out for myself. I just sat back and let the story hold me, and boy, did it ever. There were so many levels to this that all fitted together perfectly in ways that might not be immediately clear. In fact, I think I may be a little afraid of this author if she ever decides to go 'dark!' đ
This book was a very emotional read for me, with situations and circumstances so incredibly well written, I felt it like a punch to the throat. I was f'ugly crying more than once, while still trying to convince myself that I'd get my HEA.
There's so much to this book that I absolutely adored and have no hesitation in HIGHLY RECOMMENDING. Seriously, get your copy and lose yourself in this steamy, supernatural romance.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 22, 2024
Kristy H (1252 KP) rated Dear Mr. M in Books
Feb 13, 2018
"M" is a famous writer whose best days are probably, if truth be told, behind him. He's best known for his novel, Payback, which tells the story of a high school history teacher, Mr. Landzaat, who went missing one winter after having an affair with one of his female students. That student, Laura, had moved on to a relationship with a boy her own age, Herman. The two were staying at a vacation cottage and were the last ones to see their teacher. Did they have something to do with his disappearance? Now, M lives with his beautiful (much younger) wife and little daughter in an apartment. They have a neighbor who seems to have a odd fascination with the couple, but why? The novel weaves together the tales of these disparate characters.
I had heard a lot about Koch's novels and was excited to win this one via a Goodreads Giveaway. It was certainly interesting and definitely different than many novels I read. I have to admit that it was a rather slow read, especially the first three quarters or so. There was actually a point where I was considering giving up for a bit, but I soldiered on. Some characters in the novels never have names (just initials), and we don't really get insight into who our varying narrators are. While I understand why (and it adds to the drama of the novel), I'll confess that it gets a little confusing at times. You really have to stay on your toes as you read.
Still, the novel is definitely more compelling toward the end, and I found myself staying up late to finish it. The twist at the end was certainly not what I expected. The varying viewpoints wind up working out well, as you really see the story unfold from everyone's perspective. Still, I found the story a bit diluted by a bit of a "meta" storyline about writers, as well as an odd insertion about M's father and his role in the resistance, as well as M's own views, which never really seemed to have a full role or point in the tale. I enjoyed the novel, but I didn't love it, and it (frankly) exhausted me a bit.
I received a copy of this novel via a Goodreads Giveaway (thank you!) in return for an unbiased review.
I had heard a lot about Koch's novels and was excited to win this one via a Goodreads Giveaway. It was certainly interesting and definitely different than many novels I read. I have to admit that it was a rather slow read, especially the first three quarters or so. There was actually a point where I was considering giving up for a bit, but I soldiered on. Some characters in the novels never have names (just initials), and we don't really get insight into who our varying narrators are. While I understand why (and it adds to the drama of the novel), I'll confess that it gets a little confusing at times. You really have to stay on your toes as you read.
Still, the novel is definitely more compelling toward the end, and I found myself staying up late to finish it. The twist at the end was certainly not what I expected. The varying viewpoints wind up working out well, as you really see the story unfold from everyone's perspective. Still, I found the story a bit diluted by a bit of a "meta" storyline about writers, as well as an odd insertion about M's father and his role in the resistance, as well as M's own views, which never really seemed to have a full role or point in the tale. I enjoyed the novel, but I didn't love it, and it (frankly) exhausted me a bit.
I received a copy of this novel via a Goodreads Giveaway (thank you!) in return for an unbiased review.
Debbiereadsbook (1110 KP) rated Dead In The Pond (Grasmere Trilogy #2) in Books
Oct 18, 2018
i love Bishan!
This is book two in the Grasmere Cottage Mystery Trilogy, and you MUST read book one, Dead In The Garden, before you read this one. They are NOT stand alones and they follow on.
Bishan, now out of jail, and Valor still have no idea who is killing, and why Bish and Valor have been singled out. Then another body is discovered, and Valor's worst nightmare comes true. Bish tries, he really does, but he just wants things to go back to the way they were, before.
Bishan has his say here, and just Bishan. He is Autistic, and his minds does go off at tangents all over the place, and he does take some following.
But I'm so bloody glad he gets his voice here!!
The guys are trying to piece together who might be doing this, and getting nowhere. Neither are the police. Things seem to calm down, then Bish and Valor are in a car accident that appears to be anything but. Didn't expect that particular person to stoop quite so low, but when HE turns up dead, and Valor is faced with having to deal with the family who disowned him so long ago. Bish struggles with that, but knows it's gotta be done.
Bish's mind wanders all over the place, but always seems to come back to the point at hand, he just goes the long way round. You have to concentrate, pat attention and keep up! For ME?? That's a really good thing! Being a speed reader at the best of times, if I've gotta slow down, it's the sign of a great book.
There is almost two plot lines going on here: the murders, and whatever is happening with Valor's family and just WHY they are so desperate to bring him back to London, away from Bish. But Valor won't go, not without Bishan. He LOVES Bishan, I loved the scene where they decide to definitely NOT get married! The love these two have for each other comes across every time Valor reaches for Bish and is rewarded with their joined hands, every time Bish makes tea for Valor, in every single thing they do for each other.
I fell in love with Bishan here, and his mum!
I'm still none the wiser as to whodunnit or why, but it's great that I'm being kept on my toes!
OH!!! Massive cliffhanger here! There was one for book one, but here's is far bigger!
Since Bishan has such an interesting voice
5 full stars
**same worded review will appear elsewhere**
Bishan, now out of jail, and Valor still have no idea who is killing, and why Bish and Valor have been singled out. Then another body is discovered, and Valor's worst nightmare comes true. Bish tries, he really does, but he just wants things to go back to the way they were, before.
Bishan has his say here, and just Bishan. He is Autistic, and his minds does go off at tangents all over the place, and he does take some following.
But I'm so bloody glad he gets his voice here!!
The guys are trying to piece together who might be doing this, and getting nowhere. Neither are the police. Things seem to calm down, then Bish and Valor are in a car accident that appears to be anything but. Didn't expect that particular person to stoop quite so low, but when HE turns up dead, and Valor is faced with having to deal with the family who disowned him so long ago. Bish struggles with that, but knows it's gotta be done.
Bish's mind wanders all over the place, but always seems to come back to the point at hand, he just goes the long way round. You have to concentrate, pat attention and keep up! For ME?? That's a really good thing! Being a speed reader at the best of times, if I've gotta slow down, it's the sign of a great book.
There is almost two plot lines going on here: the murders, and whatever is happening with Valor's family and just WHY they are so desperate to bring him back to London, away from Bish. But Valor won't go, not without Bishan. He LOVES Bishan, I loved the scene where they decide to definitely NOT get married! The love these two have for each other comes across every time Valor reaches for Bish and is rewarded with their joined hands, every time Bish makes tea for Valor, in every single thing they do for each other.
I fell in love with Bishan here, and his mum!
I'm still none the wiser as to whodunnit or why, but it's great that I'm being kept on my toes!
OH!!! Massive cliffhanger here! There was one for book one, but here's is far bigger!
Since Bishan has such an interesting voice
5 full stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated The Switch in Books
Jan 7, 2021
A touching look at love and loss
Leena Cotton's way to deal with life is losing herself in her work. But when she's forced to take a two-month sabbatical, her usual focal point is gone. So Leena comes up with a plan: she'll escape to her grandmother Eileen's house, a beautiful little cottage in the lovely, quiet village of Hamleigh, and Eileen will come and stay in Leena's flat in London. To Leena, this sounds perfect; her grandmother, after all, though nearly eighty, is newly single and looking for another chance at love. Where better to find it than in bustling London? But switching places isn't as easy as it seems. In Hamleigh, Leena learns her grandmother's shoes are hard to fill, having to plan a local festival and deal with nosy neighbors. Meanwhile, in London, Eileen has to get up-to-speed with online dating and the hustle and bustle of a busy city. But, all may not be lost for the Cotton women.
Oh this book. It's just absolutely lovely. I wasn't sure if the idea of a "swapping places" book would come across as silly or trite, but in O'Leary's deft hands, it's perfect. She gives us a beautiful story about healing after grief (Leena's sabbatical comes because she blows a presentation as she's dealing with the grief of losing her sister; Eileen, obviously, has lost her granddaughter). But it's also funny, sweet, and romantic. The sadness is woven in with hope and beauty. It's one of those rare books that can make you both cry and laugh.
Eileen and Leena--what can I say about these characters? They are so real! I identified, of course, with workaholic Leena, and you just want to go into the book and save her (though she doesn't need it) as she struggles with her sister's death, feeling abandoned by her own grieving mother after the loss, and getting her life back on track. And Eileen? She's a total trip. Finally free to find love again, she's a wonderful and spunky woman that you cannot help but root for. The supporting cast is absolutely excellent--Leena's friends and flatmates, combined with the townspeople of Hamleigh, make for some of the most memorable supporting cast I can remember in quite some time. They all fit together perfectly in the story.
Overall, I defy you not to fall for this tale. Eileen's quest for love. Leena's quest to find herself again. O'Leary gives us a beautiful gift in THE SWITCH. One of my favorite reads of the year. 4.5+ stars.
Leena Cotton's way to deal with life is losing herself in her work. But when she's forced to take a two-month sabbatical, her usual focal point is gone. So Leena comes up with a plan: she'll escape to her grandmother Eileen's house, a beautiful little cottage in the lovely, quiet village of Hamleigh, and Eileen will come and stay in Leena's flat in London. To Leena, this sounds perfect; her grandmother, after all, though nearly eighty, is newly single and looking for another chance at love. Where better to find it than in bustling London? But switching places isn't as easy as it seems. In Hamleigh, Leena learns her grandmother's shoes are hard to fill, having to plan a local festival and deal with nosy neighbors. Meanwhile, in London, Eileen has to get up-to-speed with online dating and the hustle and bustle of a busy city. But, all may not be lost for the Cotton women.
Oh this book. It's just absolutely lovely. I wasn't sure if the idea of a "swapping places" book would come across as silly or trite, but in O'Leary's deft hands, it's perfect. She gives us a beautiful story about healing after grief (Leena's sabbatical comes because she blows a presentation as she's dealing with the grief of losing her sister; Eileen, obviously, has lost her granddaughter). But it's also funny, sweet, and romantic. The sadness is woven in with hope and beauty. It's one of those rare books that can make you both cry and laugh.
Eileen and Leena--what can I say about these characters? They are so real! I identified, of course, with workaholic Leena, and you just want to go into the book and save her (though she doesn't need it) as she struggles with her sister's death, feeling abandoned by her own grieving mother after the loss, and getting her life back on track. And Eileen? She's a total trip. Finally free to find love again, she's a wonderful and spunky woman that you cannot help but root for. The supporting cast is absolutely excellent--Leena's friends and flatmates, combined with the townspeople of Hamleigh, make for some of the most memorable supporting cast I can remember in quite some time. They all fit together perfectly in the story.
Overall, I defy you not to fall for this tale. Eileen's quest for love. Leena's quest to find herself again. O'Leary gives us a beautiful gift in THE SWITCH. One of my favorite reads of the year. 4.5+ stars.
Zuky the BookBum (15 KP) rated In a Cottage In a Wood in Books
Mar 15, 2018
It didnÂt take me very long to get into this book, but unfortunately, a mix of irritating characters and clunky writing found me not loving this book in the end.
This book is definitely one that gets straight into the mystery and piques your intrigue quickly. From the moment we met Isabelle on the bridge and the strange encounter she had with Neve, I couldnÂt wait to find out why and what was happening! The plot for this one definitely drew me in straight away, and thatÂs something I really loved about this book. The plot was presented to us so suddenly and so mysteriously, you really wanted to know what was happening and it so it keeps you reading!
I did find that some of this story was really drawn out and I felt there were parts that could have been missed out. For example, when Never first arrives at the cottage and goes for a walk, she stops of at a clearing on the beach and the writing makes it in to a really big deal. I thought Âlook out for this same spot later on in the story then!Â, yes nothing comes of it! It was just extra fluff to add to the word count.
To begin with, I didnÂt mind the characters in this novel. The fiestiness of Neve felt sassy and fun, but after a while a character that doesnÂt grow in personality can become really irritating and laborious to read about. There werenÂt really many other big characters in this one, we mainly focused on Neve and her daily potterings-about. With the other characters that did feature in this novel, it was easy to spot what their motives were, or if they were placed in the novel for the purpose of being a scapegoat. ItÂs not fun when you can see through the characters this easily!
I liked the descriptions and scenery in this one, but the writing became repetitive in terms of phrases or things said by characters, which is always a negative in my eyes! ThereÂs no need to repeat things over and over again throughout a book, it just feels like a waste of time to read.
Despite all my whinging, I did enjoy this book more than not, and I think other less fussy readers would love this! IÂm am a super picky reader, I know this, and I know I pick faults in books that are really niche, but thatÂs just the kind of reader I am!
<i>Thanks to HarperCollins for sending me a copy of this book in exchange for an honest review!</i>
This book is definitely one that gets straight into the mystery and piques your intrigue quickly. From the moment we met Isabelle on the bridge and the strange encounter she had with Neve, I couldnÂt wait to find out why and what was happening! The plot for this one definitely drew me in straight away, and thatÂs something I really loved about this book. The plot was presented to us so suddenly and so mysteriously, you really wanted to know what was happening and it so it keeps you reading!
I did find that some of this story was really drawn out and I felt there were parts that could have been missed out. For example, when Never first arrives at the cottage and goes for a walk, she stops of at a clearing on the beach and the writing makes it in to a really big deal. I thought Âlook out for this same spot later on in the story then!Â, yes nothing comes of it! It was just extra fluff to add to the word count.
To begin with, I didnÂt mind the characters in this novel. The fiestiness of Neve felt sassy and fun, but after a while a character that doesnÂt grow in personality can become really irritating and laborious to read about. There werenÂt really many other big characters in this one, we mainly focused on Neve and her daily potterings-about. With the other characters that did feature in this novel, it was easy to spot what their motives were, or if they were placed in the novel for the purpose of being a scapegoat. ItÂs not fun when you can see through the characters this easily!
I liked the descriptions and scenery in this one, but the writing became repetitive in terms of phrases or things said by characters, which is always a negative in my eyes! ThereÂs no need to repeat things over and over again throughout a book, it just feels like a waste of time to read.
Despite all my whinging, I did enjoy this book more than not, and I think other less fussy readers would love this! IÂm am a super picky reader, I know this, and I know I pick faults in books that are really niche, but thatÂs just the kind of reader I am!
<i>Thanks to HarperCollins for sending me a copy of this book in exchange for an honest review!</i>
Acanthea Grimscythe (300 KP) rated Creature in Books
Jan 18, 2019
Creature by Hunter Shea may begin slowly, but it quickly coalesces into a heartrending, terrifying bid for survival against a monster far deadlier than those Iâve read in other books. Shea weaves a masterful tale that is nothing short of stark reality: and for that, I am grateful in the saddest of ways. For some readers, Creature will hit close to home, and for others it will be an eye-opening experience.
Kate Woodson suffers from several auto-immune diseases that leave her crippled and unable to take care of herself. Fortunately, she has a supportive and loving husband, Andrew, that takes care of her, and a loving pup named Buttons. In a desperate attempt to make her feel better, Andrew takes her on a trip to a secluded cottage in Maine, but that is where things quickly turn horrifying for something lurks in the shadows.
Creature is not action-packed. At least, not early on. The first chunk of the novel focuses on Kate and Andrewâs relationship, and while that might sound dull and boring, in this instance itâs anything but that. In fact, I found it heartwarming and entirely necessary. It allows readers to truly get a grasp on the disastrous effects of auto-immune diseasesânot only on the afflicted, but on their loved ones as well. The time Shea spends on these two also allows for an astronomical amount of character development: I became attached to Kate and Andrew, to their love for one another, to their hardships.
I also found myself relating to Kate more than I expected, which is where Shea really hooked me in as a readerâthose that have followed The Ghastly Grimoire for any amount of time know that I suffer from two auto-immune diseases myself. This is actually the first book where I read the afterword, and there I learned that his accurate portrayal has a source: his wife.
When the book does pick up, itâs fast-paced and edge-of your seat action. As in, I read the final 110 pages in one sitting because I couldnât put the book down. Iâd love to go into detail about the symbolism threaded throughout the latter half of the book, but that, unfortunately, would also be a major spoiler. I can say this, however: Shea managed to make me gag in revulsion and cry.
That said, Creature is a wonderful, enlightening read. Itâs rare that a book draws deep emotions from me, and even more so that a horror book truly gets under my skin. Shea did both of these things, and I definitely look forward to reading more of his work.
This book was given to me by the publisher in exchange for an honest review.
Kate Woodson suffers from several auto-immune diseases that leave her crippled and unable to take care of herself. Fortunately, she has a supportive and loving husband, Andrew, that takes care of her, and a loving pup named Buttons. In a desperate attempt to make her feel better, Andrew takes her on a trip to a secluded cottage in Maine, but that is where things quickly turn horrifying for something lurks in the shadows.
Creature is not action-packed. At least, not early on. The first chunk of the novel focuses on Kate and Andrewâs relationship, and while that might sound dull and boring, in this instance itâs anything but that. In fact, I found it heartwarming and entirely necessary. It allows readers to truly get a grasp on the disastrous effects of auto-immune diseasesânot only on the afflicted, but on their loved ones as well. The time Shea spends on these two also allows for an astronomical amount of character development: I became attached to Kate and Andrew, to their love for one another, to their hardships.
I also found myself relating to Kate more than I expected, which is where Shea really hooked me in as a readerâthose that have followed The Ghastly Grimoire for any amount of time know that I suffer from two auto-immune diseases myself. This is actually the first book where I read the afterword, and there I learned that his accurate portrayal has a source: his wife.
When the book does pick up, itâs fast-paced and edge-of your seat action. As in, I read the final 110 pages in one sitting because I couldnât put the book down. Iâd love to go into detail about the symbolism threaded throughout the latter half of the book, but that, unfortunately, would also be a major spoiler. I can say this, however: Shea managed to make me gag in revulsion and cry.
That said, Creature is a wonderful, enlightening read. Itâs rare that a book draws deep emotions from me, and even more so that a horror book truly gets under my skin. Shea did both of these things, and I definitely look forward to reading more of his work.
This book was given to me by the publisher in exchange for an honest review.
Kristy H (1252 KP) rated Musical Chairs in Books
Sep 17, 2020
A charming and delightful look at family and friendship
Bridget and Will are the best of friends--and nothing more--despite what everyone thinks. For over thirty years, they've been the two long-standing members of the Forsyth Trio. The third founding member, Gavin, went on to great success and stardom, leaving Bridget and Will to fill the position with a rotating crew of musicians. Before starting up the trio again, Bridget plans on spending the summer at her country house in Connecticut near her father, the famous musician Edward Stratton. But things go awry quickly. Her boyfriend breaks it off with her; her twenty-something twins surprise her by returning to the house for the summer, bringing their chaos with them; and the older Edward announces he's getting married. Will and Bridget decide to relaunch the Forsyth Trio at the wedding, but it all hinges on getting Gavin to return--someone they've both been avoiding for quite some time.
This is a charming and funny story. If it sounds all over the place, it's only because it's a reflection on Bridget's life, which is a total mess at the beginning of our tale. Each character in Poeppel's heartfelt tome is wonderful: real and true, standing out on the page as their own person. I fell easily for poor Bridget, hapless Will, the twins, and our host of side characters, ranging from Bridget's very New York-ish sister to Gwen to uppity Edward and his assistant to the local Connecticut townfolk who swarm to try to keep Bridget--and her cottage--from falling apart.
There's a lot of focus on music here--with Bridget, Will, and Edward all musicians, and it makes for a different and lovely book. While plenty of serious things happen, overall this is a sweet and funny story. I found myself smiling and laughing often while reading. There are some downright laugh out loud scenes. Bridget's inability to master technology, coupled with the helplessness of her twins, allow for some wonderful moments. But what really shines through is how much everyone here loves each other--Bridget and her kids, the whole Stratton family, and Will, who is truly part of the clan. How nice to read a book where, even if everyone might fight a day, their compassion and caring for each other shines through.
And, of course, I have a soft spot for any book featuring twins, so I enjoyed a prominent storyline featuring them.
Overall, this is delightful book that offered a wonderful distraction to the woes of the world. It's a funny and kind look at family and friendship, and it simply made me happy. 4+ stars.
This is a charming and funny story. If it sounds all over the place, it's only because it's a reflection on Bridget's life, which is a total mess at the beginning of our tale. Each character in Poeppel's heartfelt tome is wonderful: real and true, standing out on the page as their own person. I fell easily for poor Bridget, hapless Will, the twins, and our host of side characters, ranging from Bridget's very New York-ish sister to Gwen to uppity Edward and his assistant to the local Connecticut townfolk who swarm to try to keep Bridget--and her cottage--from falling apart.
There's a lot of focus on music here--with Bridget, Will, and Edward all musicians, and it makes for a different and lovely book. While plenty of serious things happen, overall this is a sweet and funny story. I found myself smiling and laughing often while reading. There are some downright laugh out loud scenes. Bridget's inability to master technology, coupled with the helplessness of her twins, allow for some wonderful moments. But what really shines through is how much everyone here loves each other--Bridget and her kids, the whole Stratton family, and Will, who is truly part of the clan. How nice to read a book where, even if everyone might fight a day, their compassion and caring for each other shines through.
And, of course, I have a soft spot for any book featuring twins, so I enjoyed a prominent storyline featuring them.
Overall, this is delightful book that offered a wonderful distraction to the woes of the world. It's a funny and kind look at family and friendship, and it simply made me happy. 4+ stars.
Kristy H (1252 KP) rated The Widow's House in Books
Dec 24, 2017
crazy (1 more)
fascinating
Jess and Clare Martin met at Bailey College, in the Hudson River valley, but have been living in New York for years. Jess wrote a successful first novel not long after graduation, but that money has long been spent. He's been working on his second book for ages; it's long overdue, and he needs a new muse. So the two decide to move back to the Hudson River area, where Jess can focus on the book without distractions. They take on duties as caretakers at Riven House, the home of their former college professor, Monty. They can live in a nearby cottage in exchange for helping the elderly Monty with chores. But the setup has its own issues: it's Monty, after all, who wrote a review of Jess' first book that torments him to this day. And as they settle in, Clare begins to hear a baby crying at night and see shadowy figures around the pond of Monty's property. As she investigates local history, she thinks what she sees may be tied to the house's tormented past. The locals say the place is haunted and destroys everyone who stays there. Are Clare and Jess next?
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
Hazel (1853 KP) rated How Not to Fall in Love, Actually: A Laugh-Out-Loud Romantic Comedy in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
âLife, as any chancer knows, is 10% planning, 10% design and 80% totally winging it âŚâ and Catherine Bennettoâs debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emmaâs life more bearable. Moving into her late grandmotherâs Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emmaâs life has the potential to be happier than it has ever been before â if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters â a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four â this novel is certain to entertain, although whether it deserves the âlaugh-out-loudâ status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book â and many British chick-lit â is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character â although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the readerâs situation, this book brings laughter, relaxation and the realisation that life is not so bad.
âLife, as any chancer knows, is 10% planning, 10% design and 80% totally winging it âŚâ and Catherine Bennettoâs debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emmaâs life more bearable. Moving into her late grandmotherâs Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emmaâs life has the potential to be happier than it has ever been before â if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters â a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four â this novel is certain to entertain, although whether it deserves the âlaugh-out-loudâ status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book â and many British chick-lit â is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character â although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the readerâs situation, this book brings laughter, relaxation and the realisation that life is not so bad.
Daniel Boyd (1066 KP) rated Gerald's Game (2017) in Movies
Oct 13, 2017 (Updated Oct 13, 2017)
Top Notch Performances. (1 more)
Effective Scares.
Hard To Watch, Yet Impossible To Turn Away
Contains spoilers, click to show
After being underwhelmed by the major blockbuster release of IT, I didnât have much hope for this small Netflix movie with a limited cast, a low budget and being an adaption of what is regarded as one of Stephen Kingâs lesser works. I am happy to report that I was pleasantly surprised when I sat down to watch this one, in fact Iâd go as far as to say it blew me away.
This is a movie that lives and dies on the performances of the actors involved. For those of you not familiar with the storyâs premise, it involves a married couple driving out to a holiday cottage in the woods for a dirty weekend. The couple is played by Carla Gugino, (Jessie,) and Bruce Greenwood, (Gerald,) who both totally nail their respective roles in the movie. Once they get to the cottage and the door is conveniently left ajar, Gerald handcuffs Jessie to the bed and goes to the bathroom to pop a Viagra. Once he comes back and explains how he has made sure the gardeners and the cleaners wonât disturb them for a few days, he takes a heart attack and collapses onto the floor and dies.
From this point on, Carla Gugino spends the vast majority of the movie handcuffed to the bed and she gives an absolutely stellar performance, possibly the best of her career. She goes though a vast array of emotions in convincing, believable form and shows everything, from despair, to sadness, to anger, to fear, to resilience. I donât think anyone has ever been Oscar nominated for a straight-to-Netflix movie, but if there is one performance that deserves to be, it is this one.
If you havenât seen the movie yet, please donât read on past this point as I am going to have to delve into spoilers in order to discuss the other aspects of the movie that I enjoyed. I thought the way that Gerald appeared to Jessie as a sort of devil on her shoulder was really effective and Greenwood delivered the required level of intense cruelty perfectly. Then the fact that Jessie appeared to herself as a sort of angel on the shoulder to oppose Geraldâs negative thoughts, meant that Gugino was required to deliver a dual character performance, on top of the already challenging role of being chained to the bed.
Flashback sequences in movies can go either way for me. They usually either tend to detract from the story at hand and become an unnecessary tangent, or they compliment what is going on and add to the movie overall. Thankfully in this movie, it is the latter. The flashback scenes are uncomfortable and hard to watch, but they do add context to what is going on in the characterâs mind and make for a more interesting dissection of the effect that child abuse can have on a person in later life and how psychologically, even as adults people are still affected by the dreadful things that occurred in their past.
I also thought that this film was extremely effective in terms of its fear factor. As opposed to IT, which was scary at the start, but became repetitive and managed to desensitise its audience for what to expect by the halfway mark, Geraldâs game retains an unpredictable level of uneasiness throughout.
As far as the viewer knows during the first half of the movie, the main conflict facing the protagonist is starvation and the dog that is gnawing on Geraldâs dead body, but then things take a much more sinister turn. In what is possibly the creepiest scene I have seen in a movie this year, Jessie wakes up during the night after passing out for a few hours and she looks into the corner of the room, squinting her eyes. The camera follows where she is looking and the general shape of something can be made out. Then the shape begins to move forwards into the moonlight and is revealed to be a huge, deformed man holding a trinket box. This was so unexpected and freaky, and I loved it. I thought it was so effective in the context of the movie and was executed perfectly to be as disturbing as possible. It is also a relatable scare, as we have all experienced that moment; glancing at the corner of the room, something catches our eye and looks off in the darkness, but you just brush it off and fall back asleep. Jessieâs worst fears are confirmed here though, as she really did see something in the corner of the room and she is helpless to get away from it.
It also throws a twist into a story that has so far been based in what could be a real situation. You start to wonder, is Jessie experiencing something supernatural, or is she just hallucinating due to lack of food and water? Then the Gerald hallucination asks her if âThe Moonlight Man,â that she saw isnât real, then why did the dog run away when he was in the room? Just like Jessie, the audience starts to wonder if he could be real, perhaps he is death and he has come to take Jessie to hell. All of these questions add to the already intense and disturbing tone of the movie and I thought it worked perfectly.
Eventually the movie wraps up with Jessie having an epiphany that if she smashes the glass of water and cuts her wrist, the blood can help her slip her hand out of the cuffs. What follows is a gory, brutal, difficult to watch de-gloving scene that will have you wincing and watching through your fingers. Then in true Stephen King fashion, the movie goes on to reveal another twist. It is revealed that âThe Moonlight Man,â really was in the room with Jessie. He was a serial killer that collected various body parts form dead people and he was taking parts from Geraldâs body while Jessie was chained to the bed. I can see why this ending could be polarizing for some, but I loved it and I thought it added an extra layer of craziness to the already insane sequence of events that we just witnessed.
Overall, Geraldâs Game is fantastic. A truly unsettling, chilling Stephen King adaption that showcases fantastic performances from its cast, makes the most of its minimal setting and managed to creep me out way more than any other horror movie I have seen this year.
This is a movie that lives and dies on the performances of the actors involved. For those of you not familiar with the storyâs premise, it involves a married couple driving out to a holiday cottage in the woods for a dirty weekend. The couple is played by Carla Gugino, (Jessie,) and Bruce Greenwood, (Gerald,) who both totally nail their respective roles in the movie. Once they get to the cottage and the door is conveniently left ajar, Gerald handcuffs Jessie to the bed and goes to the bathroom to pop a Viagra. Once he comes back and explains how he has made sure the gardeners and the cleaners wonât disturb them for a few days, he takes a heart attack and collapses onto the floor and dies.
From this point on, Carla Gugino spends the vast majority of the movie handcuffed to the bed and she gives an absolutely stellar performance, possibly the best of her career. She goes though a vast array of emotions in convincing, believable form and shows everything, from despair, to sadness, to anger, to fear, to resilience. I donât think anyone has ever been Oscar nominated for a straight-to-Netflix movie, but if there is one performance that deserves to be, it is this one.
If you havenât seen the movie yet, please donât read on past this point as I am going to have to delve into spoilers in order to discuss the other aspects of the movie that I enjoyed. I thought the way that Gerald appeared to Jessie as a sort of devil on her shoulder was really effective and Greenwood delivered the required level of intense cruelty perfectly. Then the fact that Jessie appeared to herself as a sort of angel on the shoulder to oppose Geraldâs negative thoughts, meant that Gugino was required to deliver a dual character performance, on top of the already challenging role of being chained to the bed.
Flashback sequences in movies can go either way for me. They usually either tend to detract from the story at hand and become an unnecessary tangent, or they compliment what is going on and add to the movie overall. Thankfully in this movie, it is the latter. The flashback scenes are uncomfortable and hard to watch, but they do add context to what is going on in the characterâs mind and make for a more interesting dissection of the effect that child abuse can have on a person in later life and how psychologically, even as adults people are still affected by the dreadful things that occurred in their past.
I also thought that this film was extremely effective in terms of its fear factor. As opposed to IT, which was scary at the start, but became repetitive and managed to desensitise its audience for what to expect by the halfway mark, Geraldâs game retains an unpredictable level of uneasiness throughout.
As far as the viewer knows during the first half of the movie, the main conflict facing the protagonist is starvation and the dog that is gnawing on Geraldâs dead body, but then things take a much more sinister turn. In what is possibly the creepiest scene I have seen in a movie this year, Jessie wakes up during the night after passing out for a few hours and she looks into the corner of the room, squinting her eyes. The camera follows where she is looking and the general shape of something can be made out. Then the shape begins to move forwards into the moonlight and is revealed to be a huge, deformed man holding a trinket box. This was so unexpected and freaky, and I loved it. I thought it was so effective in the context of the movie and was executed perfectly to be as disturbing as possible. It is also a relatable scare, as we have all experienced that moment; glancing at the corner of the room, something catches our eye and looks off in the darkness, but you just brush it off and fall back asleep. Jessieâs worst fears are confirmed here though, as she really did see something in the corner of the room and she is helpless to get away from it.
It also throws a twist into a story that has so far been based in what could be a real situation. You start to wonder, is Jessie experiencing something supernatural, or is she just hallucinating due to lack of food and water? Then the Gerald hallucination asks her if âThe Moonlight Man,â that she saw isnât real, then why did the dog run away when he was in the room? Just like Jessie, the audience starts to wonder if he could be real, perhaps he is death and he has come to take Jessie to hell. All of these questions add to the already intense and disturbing tone of the movie and I thought it worked perfectly.
Eventually the movie wraps up with Jessie having an epiphany that if she smashes the glass of water and cuts her wrist, the blood can help her slip her hand out of the cuffs. What follows is a gory, brutal, difficult to watch de-gloving scene that will have you wincing and watching through your fingers. Then in true Stephen King fashion, the movie goes on to reveal another twist. It is revealed that âThe Moonlight Man,â really was in the room with Jessie. He was a serial killer that collected various body parts form dead people and he was taking parts from Geraldâs body while Jessie was chained to the bed. I can see why this ending could be polarizing for some, but I loved it and I thought it added an extra layer of craziness to the already insane sequence of events that we just witnessed.
Overall, Geraldâs Game is fantastic. A truly unsettling, chilling Stephen King adaption that showcases fantastic performances from its cast, makes the most of its minimal setting and managed to creep me out way more than any other horror movie I have seen this year.