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The Sims™ FreePlay
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From the creators of The Sims™ series of best-selling simulation games comes a complete Sims...

Connie math educational game 2nd grade
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Connie Fun Learning: Everything for second grade: Math. Developed with pedagogical support. ...

Carma (21 KP) rated She's the One (Just Everyday Heroes: Night Shift, #1) in Books
Jun 17, 2019
Shes the One is the 1st book in a 5 part Counting on Love series by Erin Nicholas. It is apparently a continuation of sorts to Nicholas Bradford series with some characters bridging the gap. I havent read the Bradford series as of yet but with some characters Ive met I definitely will start asap.
Amanda Dixon is the oldest of her 3 sisters. Her brother Connor is their oldest sibling and has been a father figure in their lives since their Dad died unexpectedly years ago. She is the leader, the mother hen, the one she wants her sister to come to for advice, help or anything really. She doesnt want to let her brother or sisters down, even as she has a secret in her past only Connor knows about. She knows she needs to have more of a life for herself but she cant seem to stop. Can she find a way to work and have fun too?
Ryan Kaye is an all around manly man. He is a top-notch paramedic, football player and party guy. He knows the Dixon sisters as well as their brother Connor, his quarterback, and can honestly say he is interested. Emma has flirted with him in the past but theyve never hooked up, not that he corrects the assumptions on that rumor.
Amanda assumes Ryan and her sister Emma have hooked up in the past, she envys Emma and how she handles herself. During a birthday party for her youngest sister, Olivia makes a birthday wish that Amanda and Emma trade places for one weekend. Each living life the way the other one would. That leads Amanda to make some wild choices for her weekend and she wants Ryan along for the ride. A motto of WWED (What Would Emma Do) makes her realize she had the wild child inside already.
Ryan cant believe Amanda wants him to be a part of her wild weekend. He is definitely the man for the job. What he doesnt count on is being the tame one during their night out. He realizes Amanda needs to get something out of her system and he doesnt like the way she thinks about him and his past. He does the hardest thing by walking away. Can he make her realize she needs him for more than just one wild night?
They have quite a few obstacles to overcome, Connor, a car accident and missed signals but Amanda and Ryan are both strong characters who know what they want.
I read this book 2nd after reading book #2 first. I can honestly say that usually bugs the heck out of me. Not so with this author and this series. Each book is individual even though part of a series. You can easily read each on its own and know pretty much all there is to know to enjoy the story. I love that about books in a series. It doesnt always help my OCD with reading order but it wasnt unbearable.
I will most certainly read more from Erin Nicholas (and have already).

Hazel (1853 KP) rated Dreaming of Antigone in Books
Dec 17, 2018
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.

JT (287 KP) rated Escape Plan (2013) in Movies
Mar 23, 2020
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.

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