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Kristin (149 KP) rated Concealed in the Shadows in Books
Dec 7, 2018
Disclaimer: I received an e-copy of this book in exchange for an honest review.
Sydney's been waiting for her 18th birthday for a long time. It's a special day for her, as it's the day she can apply for guardianship of her sister. The world's different from how we know it after Congress separated the nation and laid down the law on population growth, and all Sydney wants is to reunite with her sister and hopefully escape from Miles County. However, as always happens, there's a kink in the plan, and things go awry fairly quickly for poor Sydney. How will she handle all the new information being thrown at her? What will become of her and her sister? And what is she to do about these strange new feelings for a man she barely knows?
First things first: This cover just grabbed me from the very start. I felt like her eyes were seeing right through me, and I couldn't wait to read about the person depicted in the picture. Sydney's a strong young woman, having been through more in her 18 years than most people see and endure in a couple lifetimes. However, she's done it all to help her sister Evvie survive in this world, and now she's fighting to be her sole guardian. The relationship between the two, and the way the bond is described that Sydney has for Evvie, was a very palpable thing. I could just sit back and picture the two going through life, Sydney always a couple steps ahead, checking to make sure everything was perfect for her little sister. But, the world is a much different place, and Sydney soon learns that things aren't always what they seem. I might consider this book somewhat dystopian, rather similar to Hunger Games, in that it's a futuristic setting (although not too distant) where the government has seized control and divided the nation into much smaller, easier-to-manage portions. It's a very intriguing premise, and I'm anxious to see what happens next for Sydney and Evvie.
4 1/2 stars
Sydney's been waiting for her 18th birthday for a long time. It's a special day for her, as it's the day she can apply for guardianship of her sister. The world's different from how we know it after Congress separated the nation and laid down the law on population growth, and all Sydney wants is to reunite with her sister and hopefully escape from Miles County. However, as always happens, there's a kink in the plan, and things go awry fairly quickly for poor Sydney. How will she handle all the new information being thrown at her? What will become of her and her sister? And what is she to do about these strange new feelings for a man she barely knows?
First things first: This cover just grabbed me from the very start. I felt like her eyes were seeing right through me, and I couldn't wait to read about the person depicted in the picture. Sydney's a strong young woman, having been through more in her 18 years than most people see and endure in a couple lifetimes. However, she's done it all to help her sister Evvie survive in this world, and now she's fighting to be her sole guardian. The relationship between the two, and the way the bond is described that Sydney has for Evvie, was a very palpable thing. I could just sit back and picture the two going through life, Sydney always a couple steps ahead, checking to make sure everything was perfect for her little sister. But, the world is a much different place, and Sydney soon learns that things aren't always what they seem. I might consider this book somewhat dystopian, rather similar to Hunger Games, in that it's a futuristic setting (although not too distant) where the government has seized control and divided the nation into much smaller, easier-to-manage portions. It's a very intriguing premise, and I'm anxious to see what happens next for Sydney and Evvie.
4 1/2 stars
Gareth von Kallenbach (980 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
Gareth von Kallenbach (980 KP) rated Neighbors (2014) in Movies
Aug 6, 2019
When I first saw the trailer for Neighbors, I thought, “Great, another lack luster comedy ruined by the trailer showing all the funny parts.” Seriously, Seth Rogan (Knocked Up) is dangerously flirting with the, “keep getting them checks” period of his career. Plus, pair him up with High School Musical famed pretty boy Zac Efron…Really? Needless to say I had low expectations for this film. That being said, I am delighted to write that this film far excited my expectations and delivers, in my opinion, the best comedy of the year so far.
The premise of Neighbors is simple. A couple in their early thirties has their first born child when suddenly a local fraternity buys the house next door. The couple tries to be “cool” with the young “hip” crowd, only the constant loud partying is terrible for their baby. They can’t afford to move, so instead they try to get the frat suspended. Shenanigans ensue, Simple.
As far as comedies go, watching this film reminded me of the first time I watched Old School. Not just because of the fraternity similarity, but rather because there were constant jokes and gags running throughout the film that kept you constantly laughing. Even with the simple premise.
Seth Rogen basically delivers his typical quick witted stoner comedic style and plays well across his on screen wife Rose Bryne (Get Him to the Greek). Together they are a pair of adults who are struggling with growing up and having real responsibilities. Their chemistry and banter is amusing and the work well together. But it is the ensemble fraternity members, Led by Zac Efron, Dave Franco (21 Jump Street), Christopher Mintz-Plasse (Super bad) and relative new comer Jerrod Carmichael, who provide some of the most hilarious moments in this film. These frat boys deliver enough comedic variety with their styles and provide constant laughs that never feel stale or boring. Even the jokes that fail to hit their mark provide at the very least, chuckles and are usually quickly followed by something else that makes up for the misses. They are the reason I would recommend this film to anyone who may not be a Rogen fan, but is looking for a hilarious comedy.
The premise of Neighbors is simple. A couple in their early thirties has their first born child when suddenly a local fraternity buys the house next door. The couple tries to be “cool” with the young “hip” crowd, only the constant loud partying is terrible for their baby. They can’t afford to move, so instead they try to get the frat suspended. Shenanigans ensue, Simple.
As far as comedies go, watching this film reminded me of the first time I watched Old School. Not just because of the fraternity similarity, but rather because there were constant jokes and gags running throughout the film that kept you constantly laughing. Even with the simple premise.
Seth Rogen basically delivers his typical quick witted stoner comedic style and plays well across his on screen wife Rose Bryne (Get Him to the Greek). Together they are a pair of adults who are struggling with growing up and having real responsibilities. Their chemistry and banter is amusing and the work well together. But it is the ensemble fraternity members, Led by Zac Efron, Dave Franco (21 Jump Street), Christopher Mintz-Plasse (Super bad) and relative new comer Jerrod Carmichael, who provide some of the most hilarious moments in this film. These frat boys deliver enough comedic variety with their styles and provide constant laughs that never feel stale or boring. Even the jokes that fail to hit their mark provide at the very least, chuckles and are usually quickly followed by something else that makes up for the misses. They are the reason I would recommend this film to anyone who may not be a Rogen fan, but is looking for a hilarious comedy.
A Wolf in Sheep's Clothing
Book
Barbara Unkovi? is a keen and perceptive observer of the human condition, as her previous...
Jesters_folly (230 KP) rated Girl On The Third Floor (2019) in Movies
Nov 1, 2020
Contains spoilers, click to show
Girl on the third floor is a slow paced film about a man, Don Koch who is renovating a rundown house. Of course there is something strange going on.
The film has Amityville vibes, with leaking plug sockets and bleeding walls but also vibes with Fatal Attraction, it's true that there are strange things about the house but it doesn't necessarily mean it's haunted, right, and, this way the film does leave you wondering what is happening. At least for a short while.
Like a lot of haunted house movies, Girl on the third floor, starts slow, there are weird stains and sounds, the dog barks at nothing and marbles roll around. Occasionally you can catch a glimpse of something in a mirror or something moves in the back ground but these are all well used tropes and the film plays on a lot of familiar tropes. This doesn't mean that it is a bad film but I found myself trying to work out where certain characters fitted in.
One thing 'Girl on the third floor' does do well is only feed you the information you need, giving you a chance to work out what is happening before it puts most of the peace's together because there is one character I'm not sure about and one thing about the ending that I'm... Well I'm not going to spoil that but, if they did what I think they did then it's been done better.
I did see reviews saying that 'Girl on the third floor' was one of the films that is so disturbing that you watch it to the end but I didn't find that true. True it is atmospheric and there are a couple of scenes that are a bit gross and a couple of the themes push things a bit but they are only briefly mentioned or cut away from. Maybe I've just seen too many horrors but it was well watchable, I think something like 'Hereditary' was much more disturbing.
Girl on the third floor is a good film but I found that it had all been done before, nether the less it is probably above average.
The film has Amityville vibes, with leaking plug sockets and bleeding walls but also vibes with Fatal Attraction, it's true that there are strange things about the house but it doesn't necessarily mean it's haunted, right, and, this way the film does leave you wondering what is happening. At least for a short while.
Like a lot of haunted house movies, Girl on the third floor, starts slow, there are weird stains and sounds, the dog barks at nothing and marbles roll around. Occasionally you can catch a glimpse of something in a mirror or something moves in the back ground but these are all well used tropes and the film plays on a lot of familiar tropes. This doesn't mean that it is a bad film but I found myself trying to work out where certain characters fitted in.
One thing 'Girl on the third floor' does do well is only feed you the information you need, giving you a chance to work out what is happening before it puts most of the peace's together because there is one character I'm not sure about and one thing about the ending that I'm... Well I'm not going to spoil that but, if they did what I think they did then it's been done better.
I did see reviews saying that 'Girl on the third floor' was one of the films that is so disturbing that you watch it to the end but I didn't find that true. True it is atmospheric and there are a couple of scenes that are a bit gross and a couple of the themes push things a bit but they are only briefly mentioned or cut away from. Maybe I've just seen too many horrors but it was well watchable, I think something like 'Hereditary' was much more disturbing.
Girl on the third floor is a good film but I found that it had all been done before, nether the less it is probably above average.
Jesters_folly (230 KP) rated Saw III (2006) in Movies
Apr 6, 2021
Contains spoilers, click to show
Following on (sort of) from Saw 2 we find Jigsaw testing more people in another convoluted and gory game whilst Amanda (the pig) also runs her own games, only this time she has changed the rules.
This is an odd film for couple of reasons:
First up it does a really good job of build on some of the characters . We find out a lot more about Amanda, her relationship with Jigsaw and how his games have affected her. Then we have Eric Matthews & Kerry, two of the characters from the previous films who are killed off at the beginning of this one (although, as always, some things are not as they seem) and so we have two characters who also grown and used to add to the plot just disposed of. I would have liked to see more of Kerry but then I would also have liked to see more of Officer Tapp from the first film (still, he lives on, along with another character in the game 'Dead by Daylight).
Second, this is the most gory Saw so far, Amanda's games have a lot of blood but some of the most disturbing scenes are not part of the games but of Jigsaw having surgery. I think that is due to the fact that that is more real than the games.
There are a couple of times that the effects look a bit ropy but over all the blood and gore is still quite realistic.
As with the other films, Saw 3 is not for the faint hearted with scenes of mutilation, self harm, threat and (dead) pigs being minced it defiantly relies on gore and disturbing images to upset the audience. However Saw 3 does continue to build on what went before, it moves on from the previous films quite quickly but also flashes back to them when necessary.
It goes without saying that, if you're not a fan of gore then this is not for you but, if you have seen any of the others then you will know what to expect.
This is an odd film for couple of reasons:
First up it does a really good job of build on some of the characters . We find out a lot more about Amanda, her relationship with Jigsaw and how his games have affected her. Then we have Eric Matthews & Kerry, two of the characters from the previous films who are killed off at the beginning of this one (although, as always, some things are not as they seem) and so we have two characters who also grown and used to add to the plot just disposed of. I would have liked to see more of Kerry but then I would also have liked to see more of Officer Tapp from the first film (still, he lives on, along with another character in the game 'Dead by Daylight).
Second, this is the most gory Saw so far, Amanda's games have a lot of blood but some of the most disturbing scenes are not part of the games but of Jigsaw having surgery. I think that is due to the fact that that is more real than the games.
There are a couple of times that the effects look a bit ropy but over all the blood and gore is still quite realistic.
As with the other films, Saw 3 is not for the faint hearted with scenes of mutilation, self harm, threat and (dead) pigs being minced it defiantly relies on gore and disturbing images to upset the audience. However Saw 3 does continue to build on what went before, it moves on from the previous films quite quickly but also flashes back to them when necessary.
It goes without saying that, if you're not a fan of gore then this is not for you but, if you have seen any of the others then you will know what to expect.
LeftSideCut (3776 KP) rated A Christmas Horror Story (2015) in Movies
Dec 24, 2020
As far as anthology horrors go, A Christmas Horror Story is so-so. It tells four seperate tales, all connected to each other in someway, not to dissimilar to Trick R' Treat in terms of structure.
They vary in quality of course. One of them is a ghost story, as three students go about exploring the abandoned crime scene of two people murdered in ritual sacrifice on Christmas the year before. This one was plain boring. It was creepy in places, and is presented occasionally in a found footage style. The characters here are pretty unlikable, and doesn't really offer much to the overall film bar a couple of predictable jump scares.
Another revolves around a couple who's child goes missing whilst chopping down a Christmas tree for their home. They find the child, but eventually find out that he is in fact a shapeshifting troll. Chaos ensues. This one was ok, some good performances by Adrian Holmes and Olunike Adeliyi certainly help it carry more gravitas.
A third story revolves around Krampus preying on a family trying to make amends with some long lost relatives. Again, this one was ok. It's quite visually pleasing in its setting, but it's a pretty standard short revolving around a story we've already heard a hundred times. Krampus looks good enough considering it's a dude in make up.
And the the fourth story is easily the best of the bunch. It revolves around Santa fending off his elves in Christmas Eve when they succumb to a zombie style virus. Santa stomping around decapitating zombie elves by the bucket load is exactly what I signed up for. It also has the films best twist, which is pretty damn bleak, and features a Santa vs Krampus showdown. The film's worth watching for this segment alone!
Overall, A Christmas Horror Story is entertaining enough to justify a Yuletide watch. It has half decent production values (if you ignore the occasional piss poor CGI), some passable gore, and all the stories are inter cut by mother fucking William Shatner of all people, who actually seems to be having a good time here. Don't go in expecting a masterpiece and I'm sure you'll find something to enjoy.
They vary in quality of course. One of them is a ghost story, as three students go about exploring the abandoned crime scene of two people murdered in ritual sacrifice on Christmas the year before. This one was plain boring. It was creepy in places, and is presented occasionally in a found footage style. The characters here are pretty unlikable, and doesn't really offer much to the overall film bar a couple of predictable jump scares.
Another revolves around a couple who's child goes missing whilst chopping down a Christmas tree for their home. They find the child, but eventually find out that he is in fact a shapeshifting troll. Chaos ensues. This one was ok, some good performances by Adrian Holmes and Olunike Adeliyi certainly help it carry more gravitas.
A third story revolves around Krampus preying on a family trying to make amends with some long lost relatives. Again, this one was ok. It's quite visually pleasing in its setting, but it's a pretty standard short revolving around a story we've already heard a hundred times. Krampus looks good enough considering it's a dude in make up.
And the the fourth story is easily the best of the bunch. It revolves around Santa fending off his elves in Christmas Eve when they succumb to a zombie style virus. Santa stomping around decapitating zombie elves by the bucket load is exactly what I signed up for. It also has the films best twist, which is pretty damn bleak, and features a Santa vs Krampus showdown. The film's worth watching for this segment alone!
Overall, A Christmas Horror Story is entertaining enough to justify a Yuletide watch. It has half decent production values (if you ignore the occasional piss poor CGI), some passable gore, and all the stories are inter cut by mother fucking William Shatner of all people, who actually seems to be having a good time here. Don't go in expecting a masterpiece and I'm sure you'll find something to enjoy.
Mark @ Carstairs Considers (2346 KP) rated Christmas Cocoa Murder in Books
Sep 26, 2019
Snuggle Up for this Christmas Novella Collection
Kensington has released another Christmas novella collection, this time featuring three authors that haven’t been featured before. All three stories feature hot cocoa is some capacity. Up first is “Christmas Cocoa Murder” by Carlene O’Connor, which takes place in an Irish village leading up to Christmas. Her series main character, Siobhan O’Sullivan, is just a couple of weeks away from joining the police force, but she gets pulled in early when the village’s Santa’s stunt at the annual panto goes horribly wrong and he’s found floating in a dunk tank filled with hot cocoa. Next, we get “Christmas Cocoa and a Corpse” by Maddie Day. Robbie Jordan, the star of the Country Store Mysteries, is looking forward to a quiet Christmas, but first she must figure out what happened to Jed Greenburg who was found dead while out walking a dog and drinking some of Robbie’s special hot chocolate mix. Finally, comes “Death by Hot Cocoa” by Alex Erickson. Krissy Hancock, his main character, has been talked into doing a Christmas themed escape room, but when she and the rest of the participants finish the first part, they find themselves locked in a second room with the body of their host next to a puddle of hot chocolate.
All three of these stories are fun. The only series I read regularly is Maddie Day’s, but that didn’t keep me from enjoying all of them. The plots are all wonderfully constructed and perfect for the shorter novella format. I did feel a little lost with some of the series regular characters in the first story, but that’s to be expected since I haven’t read the series before. However, it didn’t hamper my overall enjoyment at all. The main characters all come to life in the stories, and the suspects are just as vivid. Each story is filled with Christmas detail that will put you in the holiday spirit no matter what time of year you read them. A couple of the stories even feature some recipes, including two different versions of hot chocolate. So, make yourself a cup of hot chocolate (or maybe not given the theme of this book) and snuggle up and enjoy.
All three of these stories are fun. The only series I read regularly is Maddie Day’s, but that didn’t keep me from enjoying all of them. The plots are all wonderfully constructed and perfect for the shorter novella format. I did feel a little lost with some of the series regular characters in the first story, but that’s to be expected since I haven’t read the series before. However, it didn’t hamper my overall enjoyment at all. The main characters all come to life in the stories, and the suspects are just as vivid. Each story is filled with Christmas detail that will put you in the holiday spirit no matter what time of year you read them. A couple of the stories even feature some recipes, including two different versions of hot chocolate. So, make yourself a cup of hot chocolate (or maybe not given the theme of this book) and snuggle up and enjoy.
Kara Skinner (332 KP) rated Same Time Next Year in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Contemporary
Word Count: 4,560
Average Goodreads Rating: 3.27/5 stars
My rating: 4.5/5 stars
It’s not often a book can surprise me. But Same Time Next Year totally took me off guard.
Every year, for the past either years, Regina White and Tyler Harrison meet at the same hotel, in two connecting rooms for one night.
The receptionist, Elizabeth, thinks she has the whole situation figured out. But she doesn’t know what this night means to the mysterious couple. And somehow she can’t stop thinking about them anyway.
You can read Same Time Next Year for free on Smashwords.
At first I thought I wasn’t going to like this story. I thought it was about two people leaving their depressing and dull lives to have one night of infidelity and debauchery a year, like some sort of modern day fairy tale. On top of that, the “good” character, Elizabeth, is kind of a bitch who is quick to condemn and judge Regina, but smile and admire Tyler.
It’s one thing to disapprove of adultery, it’s another thing to have double standards about it.
But despite my misgivings at first, I got sucked into the very hot sex scene quickly.
“No, I don’t want champagne. I want you. Naked. And wet. And begging.”
Gotta love good dirty talk. Unfortunately the scene ends abruptly and before the couple gets to the really good part, if you know what I mean. 😉
For such a short story there is actually a lot of character development. We learn that Tyler and Regina met at a conference years ago, when they had those two hotel rooms by coincidence. Tyler loves how Regina’s strong and confident in public, but a little submissive in the bedroom. Regina loves how Tyler still wants her, and how he’s always willing to please her. They have great chemistry together and I love how they’re still attracted to each other after all those years, and always come back to the same hotel.
My only complaint, aside from the abrupt end to the sex scene, is Elizabeth. I get why she’s necessary to the story, but she’s undeveloped and unlikeable, and I wish she was gone.
Word Count: 4,560
Average Goodreads Rating: 3.27/5 stars
My rating: 4.5/5 stars
It’s not often a book can surprise me. But Same Time Next Year totally took me off guard.
Every year, for the past either years, Regina White and Tyler Harrison meet at the same hotel, in two connecting rooms for one night.
The receptionist, Elizabeth, thinks she has the whole situation figured out. But she doesn’t know what this night means to the mysterious couple. And somehow she can’t stop thinking about them anyway.
You can read Same Time Next Year for free on Smashwords.
At first I thought I wasn’t going to like this story. I thought it was about two people leaving their depressing and dull lives to have one night of infidelity and debauchery a year, like some sort of modern day fairy tale. On top of that, the “good” character, Elizabeth, is kind of a bitch who is quick to condemn and judge Regina, but smile and admire Tyler.
It’s one thing to disapprove of adultery, it’s another thing to have double standards about it.
But despite my misgivings at first, I got sucked into the very hot sex scene quickly.
“No, I don’t want champagne. I want you. Naked. And wet. And begging.”
Gotta love good dirty talk. Unfortunately the scene ends abruptly and before the couple gets to the really good part, if you know what I mean. 😉
For such a short story there is actually a lot of character development. We learn that Tyler and Regina met at a conference years ago, when they had those two hotel rooms by coincidence. Tyler loves how Regina’s strong and confident in public, but a little submissive in the bedroom. Regina loves how Tyler still wants her, and how he’s always willing to please her. They have great chemistry together and I love how they’re still attracted to each other after all those years, and always come back to the same hotel.
My only complaint, aside from the abrupt end to the sex scene, is Elizabeth. I get why she’s necessary to the story, but she’s undeveloped and unlikeable, and I wish she was gone.
Kristy H (1252 KP) rated My Kind Of People in Books
May 21, 2020
This novel cemented Duffy as one of my absolute favorite writers. This is a lovely and touching read, bringing to life the group of islanders who come together to care for Sky. Duffy builds her worlds so perfectly: I was lost on Ichabod Island with these characters--all of whom are so uniquely them. This book will go straight to your heart.
I fell immediately for sweet Sky. We learn that Brian and Ann are Sky's adoptive parents, so she's basically been orphaned twice. She is troubled as her parents were fighting a lot right before they died--going against the town view of them as the "perfect couple." While this novel is mostly a deep dive into its characters, there is a touch of mystery here. Why were Sky's parents fighting, and did it have anything to do with the car crash that caused their death? Also, a mysterious woman arrives in town--what is her role to play in the story? Duffy weaves together all of these plot points so well; I was captivated by the book and even though I wanted to slow down and savor it, I also wanted to know what had happened, to find out what would happen to Sky and Leo.
"A fearless girl who doesn't just think she's safe alone in the dark on an island in the Atlantic. She knows it."
I love that Duffy included a gay couple in her novel--and treats them like regular people. Leo is a wonderful character: complex and struggling with new parenthood. In the end, you feel like you know the entire neighborhood block, from sweet Joe; to Maggie, who is coming into her own in her '50s; to longtime resident Agnes, who is set in her ways; to Sky's tough best friend Frankie; and Sky's newly found grandmother, Lillian. All of these characters play a real role in this story: not an easy feat when the focus is on Leo and Sky.
Overall, this is a wonderfully written novel that covers family, marriage, tragedy, love, and so much more. Duffy's characters are beautiful, and she has an amazing way of bringing you right into the world she has created. I will always read anything she writes. 4.5 stars.
I fell immediately for sweet Sky. We learn that Brian and Ann are Sky's adoptive parents, so she's basically been orphaned twice. She is troubled as her parents were fighting a lot right before they died--going against the town view of them as the "perfect couple." While this novel is mostly a deep dive into its characters, there is a touch of mystery here. Why were Sky's parents fighting, and did it have anything to do with the car crash that caused their death? Also, a mysterious woman arrives in town--what is her role to play in the story? Duffy weaves together all of these plot points so well; I was captivated by the book and even though I wanted to slow down and savor it, I also wanted to know what had happened, to find out what would happen to Sky and Leo.
"A fearless girl who doesn't just think she's safe alone in the dark on an island in the Atlantic. She knows it."
I love that Duffy included a gay couple in her novel--and treats them like regular people. Leo is a wonderful character: complex and struggling with new parenthood. In the end, you feel like you know the entire neighborhood block, from sweet Joe; to Maggie, who is coming into her own in her '50s; to longtime resident Agnes, who is set in her ways; to Sky's tough best friend Frankie; and Sky's newly found grandmother, Lillian. All of these characters play a real role in this story: not an easy feat when the focus is on Leo and Sky.
Overall, this is a wonderfully written novel that covers family, marriage, tragedy, love, and so much more. Duffy's characters are beautiful, and she has an amazing way of bringing you right into the world she has created. I will always read anything she writes. 4.5 stars.