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Mark @ Carstairs Considers (2613 KP) rated Murder on Bedford Street in Books
Aug 9, 2023 (Updated Aug 9, 2023)
Rescuing a Woman from a Mental Institute
Frank Malloy is hired by Hugh Breedlove who is convinced that his niece, Julia, has been sent to an insane asylum because her husband is abusive and evil. When Frank and his wife Sarah go to visit Julia, she certainly appears sane. But can they prove it to a judge?
It’s always a pleasure to travel back to New York City in 1901 with this series. I thought I knew where this story was going early on, but I turned out to be wrong. Instead, I got a great story that turned into a thriller by the end. It’s always wonderful to spend time with these characters, we even got to see a couple of the recurring characters and some of the regular characters played a different role than normal. The multiple view points are use perfectly to advance the story. I get lost in the time period as I read this story, and that happened here again as well. It’s a little hard to believe I’m caught up on the series, but I’m happy to see the next book in the series will be out in the spring, so I won’t have to wait too long to visit these characters again.
It’s always a pleasure to travel back to New York City in 1901 with this series. I thought I knew where this story was going early on, but I turned out to be wrong. Instead, I got a great story that turned into a thriller by the end. It’s always wonderful to spend time with these characters, we even got to see a couple of the recurring characters and some of the regular characters played a different role than normal. The multiple view points are use perfectly to advance the story. I get lost in the time period as I read this story, and that happened here again as well. It’s a little hard to believe I’m caught up on the series, but I’m happy to see the next book in the series will be out in the spring, so I won’t have to wait too long to visit these characters again.
Mark @ Carstairs Considers (2613 KP) rated Murder Under the Mistletoe in Books
Dec 14, 2023
Meeting the Father Turns Deadly
It’s December of 1926, and Jane Wunderly is accompanying her fiancé, Redvers, to his home in a small English village to meet his father. The two men have grown apart, so it is news to Redvers that his father is also engaged and planning to wed on Christmas morning. However, this bride-to-be is twice widowed and rumor has it that her previous husbands didn’t die of natural causes. Then an attack is followed up by a suspicious death at a Christmas party. Can Jane and Redvers figure out what is happening?
When I learned that we were getting a between the books novella this Christmas, I had to read it. And I enjoyed it. We see a couple supporting characters in addition to Jane and Redvers. Plus, the new characters are great. The plot kept me guessing, even when I thought I had a handle on what was going on. While not all the Christmas traditions are the same, it still felt familiar enough that I enjoyed the dose of Christmas spirit in December. Whether you already like this series or are looking for a quick Christmas read, you’ll be glad you picked up this ebook only novella.
When I learned that we were getting a between the books novella this Christmas, I had to read it. And I enjoyed it. We see a couple supporting characters in addition to Jane and Redvers. Plus, the new characters are great. The plot kept me guessing, even when I thought I had a handle on what was going on. While not all the Christmas traditions are the same, it still felt familiar enough that I enjoyed the dose of Christmas spirit in December. Whether you already like this series or are looking for a quick Christmas read, you’ll be glad you picked up this ebook only novella.
Murder at Blackwater Bend
Book
Wild-hearted Kentuckian Stella Kendrick cautiously navigates the strict demands of British high...
Mark @ Carstairs Considers (2613 KP) rated The Pigeon Will Ride the Roller Coaster! in Books
Nov 8, 2022
Will the Pigeon Enjoy a Roller Coaster?
Pigeon is ready to ride a roller coaster. He knows he will need a ticket. He knows he will need to wait in line. And he knows it will be scary as it twists and turns at high speed. But he is ready. Is he really ready for what will happen next?
This is a mostly fun entry for fans of Pigeon. It’s told in typical style with illustrations and dialogue only. There isn’t quite as much interaction for us, but Pigeon still carries the book by himself. The story didn’t go quite the way I thought it would, but once I adjusted my expectations, I had to laugh at the outcome, especially the final page. And it provides a good lesson for all that sometimes things you are looking forward to turn into disappointments. I think the biggest issue with the book will be some of the vocabulary choices, which will be a bit beyond the target audience. Yes, I get the concept of stretching a vocabulary, but I think a couple of the words are a bit too abstract for the age group. Still, fans of Pigeon will be glad they picked it up.
This is a mostly fun entry for fans of Pigeon. It’s told in typical style with illustrations and dialogue only. There isn’t quite as much interaction for us, but Pigeon still carries the book by himself. The story didn’t go quite the way I thought it would, but once I adjusted my expectations, I had to laugh at the outcome, especially the final page. And it provides a good lesson for all that sometimes things you are looking forward to turn into disappointments. I think the biggest issue with the book will be some of the vocabulary choices, which will be a bit beyond the target audience. Yes, I get the concept of stretching a vocabulary, but I think a couple of the words are a bit too abstract for the age group. Still, fans of Pigeon will be glad they picked it up.
Merissa (14102 KP) rated Soul Journey (Soul Series #1) in Books
Jun 8, 2023
We start off this book with Annisa and Landon being a couple when a new brother and sister move in next door to Annisa. She feels an immediate pull to Chase but doesn't do anything as she is with Landon - even though he acts like a jerk at times. It all becomes clear and Landon's behaviour is explained. Annisa and Chase are together, and so are Penelope and Landon. This leads to a fast-paced fantasy adventure, as they learn more about themselves, who can help them, who is out to hinder them, and who wants to actually harm them.
Well written, with a full range of teenage emotions and reactions, this is a story that will sweep you away as you stay mainly with Chase and Annisa as they learn just who they are and what they are capable of.
With no editing or grammatical errors that I found, this was an enjoyable story from start to finish and I look forward to continuing their story!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 25, 2016
Well written, with a full range of teenage emotions and reactions, this is a story that will sweep you away as you stay mainly with Chase and Annisa as they learn just who they are and what they are capable of.
With no editing or grammatical errors that I found, this was an enjoyable story from start to finish and I look forward to continuing their story!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 25, 2016
Mark @ Carstairs Considers (2613 KP) rated Hidden Beneath in Books
Jun 29, 2023 (Updated Jun 29, 2023)
What Happened to Ginny?
It’s another busy summer for the Snowden Family Clambake, but Julia quickly agrees when her mother, Jacqueline, asks Julia to join her for a memorial for a friend who vanished five years ago. Since it’s been five years, Ginny has been officially declared dead. Something about her disappearance feels off to Jacqueline, so she asks Julia what she can find out. Will Julia find any answers after all this time?
As a long time reader of the series, I enjoyed that this book continued a couple of ongoing storylines. I was satisfied with how things played out in them. As always, the characters are fantastic. I was smiling within pages of starting the book at getting to spend more time with these old friends. The plot spends a little time laying a foundation before it really takes off, but I was hooked the entire time and couldn’t turn the pages fast enough by the end. We get five recipes at the end as well. This is a favorite series of mine. If you enjoy it, you’ll be thrilled with the latest entry. If you aren’t yet a fan, pick up a book today, and you’ll get hooked.
As a long time reader of the series, I enjoyed that this book continued a couple of ongoing storylines. I was satisfied with how things played out in them. As always, the characters are fantastic. I was smiling within pages of starting the book at getting to spend more time with these old friends. The plot spends a little time laying a foundation before it really takes off, but I was hooked the entire time and couldn’t turn the pages fast enough by the end. We get five recipes at the end as well. This is a favorite series of mine. If you enjoy it, you’ll be thrilled with the latest entry. If you aren’t yet a fan, pick up a book today, and you’ll get hooked.
Hiss Me Deadly
Book
Charlie and Diesel must catch a killer before he strikes another deadly note in this latest...
Merissa (14102 KP) rated Orbit: A Lunar Wolves Novella in Books
Jul 4, 2023
ORBIT is a Lunar Wolves Novella - it says so in the title. It is also the first book I have read in this series or by the author. I was told I wouldn't need to read the series to enjoy this book but I'm afraid I think that was wrong.
This is a short novella and, for me, you really didn't learn anything about the world or the characters so having some knowledge would have been helpful. Callum and Vaughan were a cute couple but also a paradox. On the one hand, they communicated nicely. Callum, in particular, helped Vaughan with his social anxiety. But then, on the other, neither of them talks when there's a problem, which I found odd, especially when it could be linked to said social anxiety.
The ending is quite abrupt. I'm guessing we will see more of them in future books but, as a novella, it's more of a meet-cute and not much more.
A good read but I would definitely recommend reading the series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 4, 2023
This is a short novella and, for me, you really didn't learn anything about the world or the characters so having some knowledge would have been helpful. Callum and Vaughan were a cute couple but also a paradox. On the one hand, they communicated nicely. Callum, in particular, helped Vaughan with his social anxiety. But then, on the other, neither of them talks when there's a problem, which I found odd, especially when it could be linked to said social anxiety.
The ending is quite abrupt. I'm guessing we will see more of them in future books but, as a novella, it's more of a meet-cute and not much more.
A good read but I would definitely recommend reading the series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 4, 2023
Mark @ Carstairs Considers (2613 KP) rated Lost and Clowned in Books
Jun 17, 2026 (Updated Jun 17, 2026)
Finding a Killer is a Circus
Pi Steely is the business manager for her uncle’s traveling circus. They are spending their Christmas break in a small California coastal town, putting on a rare holiday performance while there. The next morning, Pi finds a body on the beach. The police think the someone in the troop could be responsible. As Pi begins to dig in, she finds secrets from the past that might be related. Can she figure out what is going on?
The characters are grounded for a circus setting; in fact, the book is a bit more serious in tone than I was expecting. It took me a bit to get all the characters straight, but I was soon able to. Pi felt a bit immature to me a time or two, but it was minor. Likewise, the pacing stalled a couple of times, but nothing that lasted long. There were some good surprises and twists along the way to the logical climax. I enjoyed the Northern California setting. This appears to be a rare cozy standalone, but if we get a sequel, I will gladly revisit these characters. Those looking for an unusual cozy will be glad they picked this one up.
The characters are grounded for a circus setting; in fact, the book is a bit more serious in tone than I was expecting. It took me a bit to get all the characters straight, but I was soon able to. Pi felt a bit immature to me a time or two, but it was minor. Likewise, the pacing stalled a couple of times, but nothing that lasted long. There were some good surprises and twists along the way to the logical climax. I enjoyed the Northern California setting. This appears to be a rare cozy standalone, but if we get a sequel, I will gladly revisit these characters. Those looking for an unusual cozy will be glad they picked this one up.
Piper (13 KP) rated Halloween (2018) in Movies
Nov 27, 2019
Strong Characters (3 more)
Clever Camerawork
Myers is Finally Threatening Again
Callbacks and Subversions
"You're The New Doctor Loomis" (3 more)
Plot Holes
Predictable
Too Much Off-Screen Action
Halloween: Predictably Unpredictable
Contains spoilers, click to show
After the nightmare of a film that was Rob Zombie’s 2007 remake, I refused to bother seeing the new Halloween on its release, choosing instead to pick up a DVD when the price got knocked down significantly enough - after all, we’ve had sixty-three Halloween films now and only half of them were worth watching (really, Season of the Witch?) and this looked, in all honesty, like just another slasher-film-reboot that wasn’t worth the time. Now don’t get me wrong, it absolutely was just another slasher film, but I wish I’d seen it in the cinema. And a year earlier than I did, too, because I missed out big-time with this one.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.







