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Mark @ Carstairs Considers (2423 KP) rated 26 Below in Books
Sep 13, 2024 (Updated Sep 13, 2024)
Can Darcie and Jason Stop a Villain Cold?
Darcie Phillips is thrilled to be leading the new Emergency Operations Center in Fairbanks, Alaska. On the team is Jason Myers, a cybersecurity expert. But they’ve just barely begun their jobs when a strange woman appears in town warning about something happening when the temperature drops to 26 below. Since winter is coming, that will be soon. Can Darcie and Jason figure out a way to deal with this crisis?
I was intrigued by this premise, so I decided to give this book a try. Unfortunately, I found this book uneven. There is more buildup than pay off, and some of that buildup gets swept under the rug. I did like Darci and Jason and find them compelling characters, although the rest of the team are fairly one note. This is a Christian novel, and I found that aspect refreshing and emotionally touching in ways I wasn’t expecting. I think this is more of a character study than a thriller, and I wasn’t expecting that. There are a couple of small timeline issues, made more obvious by the way each scene is headlined with date and time. But I had to laugh at how much of a cold weather wimp I am while reading how these characters felt about the weather in Alaska. I am still considering picking up the next book since I am intrigued by the threads left opened here. If you are looking for strong characters in a light thriller, you should consider picking this book up.
I was intrigued by this premise, so I decided to give this book a try. Unfortunately, I found this book uneven. There is more buildup than pay off, and some of that buildup gets swept under the rug. I did like Darci and Jason and find them compelling characters, although the rest of the team are fairly one note. This is a Christian novel, and I found that aspect refreshing and emotionally touching in ways I wasn’t expecting. I think this is more of a character study than a thriller, and I wasn’t expecting that. There are a couple of small timeline issues, made more obvious by the way each scene is headlined with date and time. But I had to laugh at how much of a cold weather wimp I am while reading how these characters felt about the weather in Alaska. I am still considering picking up the next book since I am intrigued by the threads left opened here. If you are looking for strong characters in a light thriller, you should consider picking this book up.
Mark @ Carstairs Considers (2423 KP) rated A Midnight Puzzle in Books
May 18, 2024
Litigious Customer Murdered
Secret Staircase Construction is being sued by their latest customer. He maintains that his wife’s accidental fall down the stairs was the result of their shoddy construction. Tempest Raj doesn’t believe a word of it and thinks he may have tried to kill his wife and blame them. Before they can figure out what to do the man dies at the theater where Tempest is preparing for her farewell tour – a theater with a connection to the Raj family’s tragic past. While the police are initially looking elsewhere, Tempest knows it is just a matter of time before they look at her family. Can she figure out what really happened?
This book wraps up an arc that Tempest has been on, which means fans of the series will be satisfied. If you are new to the series, there is some background, but you might not fully understand some of what happens here. The pacing in this book is off, with things a little slow in the second act. Unfortunately, it means that the third act, while it does logically wrap things up, also feels very rushed. We needed a little more time to fully absorb the twists. Still, I love the premise of this series, and Tempest and her friends and family are always a joy to spend time around. As usual, there are a couple of recipes at the end. Fans will be looking forward to the next entry when they finish this one.
This book wraps up an arc that Tempest has been on, which means fans of the series will be satisfied. If you are new to the series, there is some background, but you might not fully understand some of what happens here. The pacing in this book is off, with things a little slow in the second act. Unfortunately, it means that the third act, while it does logically wrap things up, also feels very rushed. We needed a little more time to fully absorb the twists. Still, I love the premise of this series, and Tempest and her friends and family are always a joy to spend time around. As usual, there are a couple of recipes at the end. Fans will be looking forward to the next entry when they finish this one.
Calvin (Almstead Island: Newcomer's Club #2)
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What could go right with a Daddy who doesn’t know how to be one, and a boy who’s scared to let...
Contemporary MM Romance Daddy kink Content Warnings: Daddy/boy parental death
Mark @ Carstairs Considers (2423 KP) rated Nemesis in Books
Jul 8, 2025 (Updated Jul 8, 2025)
Orphan Versus Friend
One of Evan’s few friends is Tommy, who also happens to be his weapons dealer. But after discovering some of Tommy’s weapons on an assassin that Evan was fighting, he is mad at his friend for not following Evan’s strict code. Their initial conversation doesn’t go well, but things get complicated with other assassins and a young man that Tommy is trying to help. Will the two be able to solve their differences? Or will they wind up killing each other?
This series is a definite break from my cozy diet, but one I usually love despite the rather graphic violence we get. In this case, the book has too many flaws. The entire plot could have been resolved with a couple of conversations. There are great stretches in the middle where nothing really happens – we’re just dealing with repetitive scenes that don’t go anywhere. Evan is more evil than usual. I get that it was supposed to lead to some growth, but it didn’t work for me. And the ending? I really felt like it let me down. We get some ripped from the headline politics in this book, but it leads to cliches and doesn’t feel like there is much point to it. I feel like the series is marking time in some ways since the initial arc was resolved, and this is worse than normal. The writing is still wonderful. Lots of others seem to still love it, but this one is best for only the diehard fans.
This series is a definite break from my cozy diet, but one I usually love despite the rather graphic violence we get. In this case, the book has too many flaws. The entire plot could have been resolved with a couple of conversations. There are great stretches in the middle where nothing really happens – we’re just dealing with repetitive scenes that don’t go anywhere. Evan is more evil than usual. I get that it was supposed to lead to some growth, but it didn’t work for me. And the ending? I really felt like it let me down. We get some ripped from the headline politics in this book, but it leads to cliches and doesn’t feel like there is much point to it. I feel like the series is marking time in some ways since the initial arc was resolved, and this is worse than normal. The writing is still wonderful. Lots of others seem to still love it, but this one is best for only the diehard fans.
Mark @ Carstairs Considers (2423 KP) rated Killer Kung Pao in Books
Jul 30, 2025 (Updated Jul 30, 2025)
Did an Accident Lead to a Shocking Murder?
All Lana Lee wanted on that particular Friday night was to leave work to go hang out with her boyfriend, Detective Adam Trudeau. Instead, she witnesses an auto accident in the parking lot of Asia Village. When the participants, June Yi and Millie Mao, start threatening each other, Lana wonders what is behind their animosity.
But the next morning, Lana’s hair appointment gives her a ringside seat as the two start to go at it again in the shopping center’s salon. Then Millie is electrocuted. The whispers that June is guilty begin almost immediately, but Lana thinks that’s too easy. She may not personally like June, but she doesn’t want to see the woman sent to prison for a crime she didn’t commit. Can Lana find the truth?
I started this book on a holiday weekend, so I didn’t have as much reading time as normal. I felt like it started a little slowly, but that might have been me. Either way, when Lana started investigating, I was hooked, as she tried to find viable suspects and motives. The ending made perfect sense. I liked getting to see more of the supporting players since we were in Asia Village for much of the action. We get growth in a couple of them, a scene that left me laughing hard, and a subplot that I can’t wait to see where goes. It’s easy to see why this series is so popular. Hopefully, I can get to the next one soon.
But the next morning, Lana’s hair appointment gives her a ringside seat as the two start to go at it again in the shopping center’s salon. Then Millie is electrocuted. The whispers that June is guilty begin almost immediately, but Lana thinks that’s too easy. She may not personally like June, but she doesn’t want to see the woman sent to prison for a crime she didn’t commit. Can Lana find the truth?
I started this book on a holiday weekend, so I didn’t have as much reading time as normal. I felt like it started a little slowly, but that might have been me. Either way, when Lana started investigating, I was hooked, as she tried to find viable suspects and motives. The ending made perfect sense. I liked getting to see more of the supporting players since we were in Asia Village for much of the action. We get growth in a couple of them, a scene that left me laughing hard, and a subplot that I can’t wait to see where goes. It’s easy to see why this series is so popular. Hopefully, I can get to the next one soon.
Mothergamer (1592 KP) rated Puppeteer in Video Games
Apr 3, 2019
I was perusing games on Amazon when the game Puppeteer was suggested to me. I was intrigued by the cover and looked at the game description to see what it was about. It sounded interesting and it was on sale so I purchased it. I started playing the game and I was blown away by it because it's not like any game I've played before. The whimsical aspect of it is charming and it made me think of Little Big Planet which is also a fun and whimsical game. If you're a fan of Little Big Planet like I am, you will enjoy Puppeteer.
Puppeteer is a side scrolling platform game and you play as a boy turned into an animated puppet who loses his head named Kutaro. Kutaro gains a variety of puppet heads to replace his own throughout the game. You have three puppet heads and when you lose a head, you have thirty seconds to grab the head and put it back on or you lose it forever. Your heads are basically like lives so when you lose all three heads/lives it's game over.
The story takes place in a fantasy world representing Earth's moon which is inhabited by a myriad of folklore style characters and they are all puppets as well. The game is set up to look like a faux stage with red curtains and you can hear an audience reacting to the events that happen in the story along with commentary from the narrator. It adds to the charm of Puppeteer, making it feel like a complete theater experience while playing a video game. The first half of the game is on the dark side of the moon while the second half is on the Earth side. When Kutaro's story begins, the narrator explains that the Moon Goddess was overthrown by by her servant Little Bear who then seized her black moonstone and the scissors called Calibrus and dubbed himself the Moon Bear King.
Kutaro exploring the first level of the game.
The Moon Bear King is the main villain, but there are several villains you have to battle before you get to him; twelve of his generals based on the twelve animals of the Chinese Zodiac. Each of them has a piece of the Goddess' white moonstone which Kutaro must get from them. Kutaro does get tools that can help him and eventually he does get Calibrus which are essentially a weapon for him. There are creative ways in which they are used besides as a weapon such as jumping to cut clouds to get to a high ledge or cutting seams to move faster while battling an enemy. They are also used to free the other animated children like Kutaro by cutting the puppet strings so they can return home.
There are other tools that are used as well such as ninja bombs which can open pathways for you and a pirate hook which can hook items or secret doors. They are smartly and creatively used with simple puzzles in various levels of the game which makes the game play entertaining and interesting.
Talking with Ezma Potts, one of the many characters in Puppeteer.
The environments in Puppeteer are bright, colorful, and filled with beautifully done imaginative things. They're fun to explore and you can go back and play previously beaten levels because there are so many puppet heads and bonus items to collect. A couple of levels were my favorites such as the pirate one and the Halloween one because they put a smile on my face while playing and the Halloween one gave a Nightmare Before Christmas vibe that I loved. There are a few moments of frustration here and there with a couple of the boss battles and depth perception issues in a couple of levels, but it's not a huge deal because the execution of how the game plays and how well the story flows makes Puppeteer worth playing.
Avast! Hanging out with pirates.
The game is about nine or ten hours of story and if you really want to explore to get every single puppet head out there, all the trophies, and bonus stages that can add a little more extra time and keep you pretty busy. The voice acting and music for the game is superb and there are even moments of humor that will cause you to laugh. It's quite clear that the developers of Puppeteer loved this game and enjoyed designing it and their imaginations really shine throughout the entire game; making Puppeteer a wonderful gem for gamers like myself who appreciate the fun and whimsy.
While some of the art can be dark and spooky like the Halloween level, there's plenty of light and fun levels making the game enjoyable for people of all ages. Overall, Puppeteer is a delightfully charming game and so much fun to play. It is worth buying and playing more than once because it doesn't take itself seriously, celebrates all things whimsical and fun, and is a terrific game.
Puppeteer is a side scrolling platform game and you play as a boy turned into an animated puppet who loses his head named Kutaro. Kutaro gains a variety of puppet heads to replace his own throughout the game. You have three puppet heads and when you lose a head, you have thirty seconds to grab the head and put it back on or you lose it forever. Your heads are basically like lives so when you lose all three heads/lives it's game over.
The story takes place in a fantasy world representing Earth's moon which is inhabited by a myriad of folklore style characters and they are all puppets as well. The game is set up to look like a faux stage with red curtains and you can hear an audience reacting to the events that happen in the story along with commentary from the narrator. It adds to the charm of Puppeteer, making it feel like a complete theater experience while playing a video game. The first half of the game is on the dark side of the moon while the second half is on the Earth side. When Kutaro's story begins, the narrator explains that the Moon Goddess was overthrown by by her servant Little Bear who then seized her black moonstone and the scissors called Calibrus and dubbed himself the Moon Bear King.
Kutaro exploring the first level of the game.
The Moon Bear King is the main villain, but there are several villains you have to battle before you get to him; twelve of his generals based on the twelve animals of the Chinese Zodiac. Each of them has a piece of the Goddess' white moonstone which Kutaro must get from them. Kutaro does get tools that can help him and eventually he does get Calibrus which are essentially a weapon for him. There are creative ways in which they are used besides as a weapon such as jumping to cut clouds to get to a high ledge or cutting seams to move faster while battling an enemy. They are also used to free the other animated children like Kutaro by cutting the puppet strings so they can return home.
There are other tools that are used as well such as ninja bombs which can open pathways for you and a pirate hook which can hook items or secret doors. They are smartly and creatively used with simple puzzles in various levels of the game which makes the game play entertaining and interesting.
Talking with Ezma Potts, one of the many characters in Puppeteer.
The environments in Puppeteer are bright, colorful, and filled with beautifully done imaginative things. They're fun to explore and you can go back and play previously beaten levels because there are so many puppet heads and bonus items to collect. A couple of levels were my favorites such as the pirate one and the Halloween one because they put a smile on my face while playing and the Halloween one gave a Nightmare Before Christmas vibe that I loved. There are a few moments of frustration here and there with a couple of the boss battles and depth perception issues in a couple of levels, but it's not a huge deal because the execution of how the game plays and how well the story flows makes Puppeteer worth playing.
Avast! Hanging out with pirates.
The game is about nine or ten hours of story and if you really want to explore to get every single puppet head out there, all the trophies, and bonus stages that can add a little more extra time and keep you pretty busy. The voice acting and music for the game is superb and there are even moments of humor that will cause you to laugh. It's quite clear that the developers of Puppeteer loved this game and enjoyed designing it and their imaginations really shine throughout the entire game; making Puppeteer a wonderful gem for gamers like myself who appreciate the fun and whimsy.
While some of the art can be dark and spooky like the Halloween level, there's plenty of light and fun levels making the game enjoyable for people of all ages. Overall, Puppeteer is a delightfully charming game and so much fun to play. It is worth buying and playing more than once because it doesn't take itself seriously, celebrates all things whimsical and fun, and is a terrific game.
Lee Ronaldo recommended Anthem of the Sun by Grateful Dead in Music (curated)
Eilidh G Clark (177 KP) rated A Portable Shelter in Books
May 13, 2017
‘…there’s no other way to give you the truth except to hide it in a story and let you find your own way inside.’
‘…there’s no other way to give you the truth except to hide it in a story and let you find your own way inside.’
Kirsty Logan’s first collection of short stories, The Rental Heart and Other Fairytales, published by Salt in 2014, won the Polari First Book Prize in 2015. A Portable Shelter is her second collection. Set in a small cottage in the rural north coast of Scotland, Ruth and Liska are expecting their first child. The couple believe that their unborn baby will have a better chance of survival away from the harshness of suburban life. They make a pact with one another, that they will only ever tell their child the truth. Yet while Liska is asleep or Ruth is at work, each whispers secret stories to their unborn child. Delving into fantastical tales about people from their past and re-telling stories that span from generation to generation, the couple unfold the horrors of the real world. Whilst these tales, laced in myth and legend, and fattened with the magic of the imagination, demonstrate the art of oral storytelling, Logan reaches further to show the reader why storytelling is important.
While this book is primarily a collection of short stories, its novel like structure frames each story with a preceding monologue from either Ruth or Liska. The monologues offer delightful morsels of description that bring the harshness of Mother Nature into the safety of the couple’s bedroom, “right now our home is speaking to you. The walls creak their approval in the wind. The rain applauds on the roof. The lighthouse beam swoops, swoops, swoops. The tide breathes loud and slow like a giant. If you listen carefully, perhaps you can even hear the moon hum.” The pace of these sentences, combined with the delicacy of language demonstrates Logan’s skill at describing the sublime spirit of the natural world, which brings the narrative to life.
Most impressive though, is Logan’s poetic language and carefully crafted sentences which create the most beautiful imagery. In ‘Flinch,’ for example – James is a fisherman struggling with his identity, yet his affiliation with the land is locked into his first-person point of view where the reader gets to closely experience what he sees, “The sky is pinkish-grey like the insides of shells. Speckled bonxies wheel overhead. Seals loll on the rocks, fat as kings. The rising mist is cool and milky.” Any of these lines could easily be arranged into a poem and with sentences that are squeezed tight; they create a wonderful poetic rhythm. Logan uses this technique throughout her novel, demonstrating the precision and craft in her work. There are definite similarities in her writing style to fellow Scottish novelist and poet Jenni Fagan. Both authors use rich language, which is well crafted and smattered with vernacular. Furthermore, combining this with the reoccurring theme of identity, the oral storytelling tradition, landscape, folklore, and myth, it is clear to see why these authors contribute to the growing canon in Scottish literature.
This is a book that I will read over and over again because I know that in each reading, I will find something new. A Portable Shelter, I feel, deserves a place on my ‘keep’ book shelf.
A Portable Shelter, Kirsty Logan, London: Vintage, 2015
Kirsty Logan’s first collection of short stories, The Rental Heart and Other Fairytales, published by Salt in 2014, won the Polari First Book Prize in 2015. A Portable Shelter is her second collection. Set in a small cottage in the rural north coast of Scotland, Ruth and Liska are expecting their first child. The couple believe that their unborn baby will have a better chance of survival away from the harshness of suburban life. They make a pact with one another, that they will only ever tell their child the truth. Yet while Liska is asleep or Ruth is at work, each whispers secret stories to their unborn child. Delving into fantastical tales about people from their past and re-telling stories that span from generation to generation, the couple unfold the horrors of the real world. Whilst these tales, laced in myth and legend, and fattened with the magic of the imagination, demonstrate the art of oral storytelling, Logan reaches further to show the reader why storytelling is important.
While this book is primarily a collection of short stories, its novel like structure frames each story with a preceding monologue from either Ruth or Liska. The monologues offer delightful morsels of description that bring the harshness of Mother Nature into the safety of the couple’s bedroom, “right now our home is speaking to you. The walls creak their approval in the wind. The rain applauds on the roof. The lighthouse beam swoops, swoops, swoops. The tide breathes loud and slow like a giant. If you listen carefully, perhaps you can even hear the moon hum.” The pace of these sentences, combined with the delicacy of language demonstrates Logan’s skill at describing the sublime spirit of the natural world, which brings the narrative to life.
Most impressive though, is Logan’s poetic language and carefully crafted sentences which create the most beautiful imagery. In ‘Flinch,’ for example – James is a fisherman struggling with his identity, yet his affiliation with the land is locked into his first-person point of view where the reader gets to closely experience what he sees, “The sky is pinkish-grey like the insides of shells. Speckled bonxies wheel overhead. Seals loll on the rocks, fat as kings. The rising mist is cool and milky.” Any of these lines could easily be arranged into a poem and with sentences that are squeezed tight; they create a wonderful poetic rhythm. Logan uses this technique throughout her novel, demonstrating the precision and craft in her work. There are definite similarities in her writing style to fellow Scottish novelist and poet Jenni Fagan. Both authors use rich language, which is well crafted and smattered with vernacular. Furthermore, combining this with the reoccurring theme of identity, the oral storytelling tradition, landscape, folklore, and myth, it is clear to see why these authors contribute to the growing canon in Scottish literature.
This is a book that I will read over and over again because I know that in each reading, I will find something new. A Portable Shelter, I feel, deserves a place on my ‘keep’ book shelf.
A Portable Shelter, Kirsty Logan, London: Vintage, 2015
Phillip McSween (751 KP) rated Glengarry Glen Ross (1992) in Movies
Feb 21, 2019
Solid Gold Movie
Chaos ensues when a bunch or salesman at a real estate agency are forced into a high-stakes game where they either become top closers or get fired.
Acting: 10
Beginning: 10
You think the beginning is going to be weak…until Blake (Alec Baldwin) walks in. He is filled with such passion and rage, but the one thing he is lacking is fucks. Blake has zero fucks to give about anyone’s feelings or their jobs. “Fuck you, that’s my name!” he screams at someone thinking they will get the upperhand on him. Classic.
Characters: 10
Aside from Blake, the rest of the characters add depth to the movie. With their different personalities, each character has a distinctly different approach to the way that they sell and go about winning. Their choices and reactions hold sway over which direction the movie turns and what the audience thinks is going to happen next. As things unfold and they end up being questioned by the Detective (Jude Ciccolella), it’s interesting to watch them have different responses to the pressure.
Cinematography/Visuals: 9
I love the cinematic work here. The entire film has a dreary feel, almost like there’s a fog being cast over the characters and their dilemma. The light comes in small glimpses and you mostly see rain throughout. It has a suffocating feel, adding even more certainty that the characters are resigned to their own fate.
Conflict: 10
Look, I’m in sales and few things institute conflict like sales situations. Tell a bunch of guys that they either hit their numbers or they’re fired and there’s bound to be problems. As the film drags on, the desperation becomes even heavier. You feel for these guys, but not so much so that you don’t get the enjoyment of watching them crumble in high pressure situations. As douchey as it sounds, it’s actually kind of fun.
Genre: 7
Memorability: 7
Pace: 10
Once Blake enters the scene, the movie maintains its pace from start to finish. Fueled by conflict and desperation, the characters ultimately create a mystery that you want to get to the bottom of before the movie reaches its end. It’s refreshing when you watch a movie that doesn’t have any dead spots and director James Foley succeeded in making that a reality.
Plot: 10
What happens when you put a bunch of different personalities in a room and tell them they have a certain amount of time to complete a goal or else? The story is ultimately moved by how people respond to pressure situations. I can imagine when this was written, the direction may have changed directions a couple of times due to the personalities of the characters. Memorable characters can alter the direction of a plot for the sake of staying true to the characters.
Resolution: 4
Overall: 87
I hadn’t even heard of this movie until a couple of years ago. It’s funny, this movie was recommended to me by a Sales Manager who thought, “This is how the sales team should go after it!” After watching it, I thought, “This isn’t how selling should be at all!” Glengarry Glen Ross succeeds because it appeals to people for different reasons. Some see it as a cautionary tale while others view it as inspiration. I am in the camp of the former. I’m also in the popular majority that think the movie is awesome.
Acting: 10
Beginning: 10
You think the beginning is going to be weak…until Blake (Alec Baldwin) walks in. He is filled with such passion and rage, but the one thing he is lacking is fucks. Blake has zero fucks to give about anyone’s feelings or their jobs. “Fuck you, that’s my name!” he screams at someone thinking they will get the upperhand on him. Classic.
Characters: 10
Aside from Blake, the rest of the characters add depth to the movie. With their different personalities, each character has a distinctly different approach to the way that they sell and go about winning. Their choices and reactions hold sway over which direction the movie turns and what the audience thinks is going to happen next. As things unfold and they end up being questioned by the Detective (Jude Ciccolella), it’s interesting to watch them have different responses to the pressure.
Cinematography/Visuals: 9
I love the cinematic work here. The entire film has a dreary feel, almost like there’s a fog being cast over the characters and their dilemma. The light comes in small glimpses and you mostly see rain throughout. It has a suffocating feel, adding even more certainty that the characters are resigned to their own fate.
Conflict: 10
Look, I’m in sales and few things institute conflict like sales situations. Tell a bunch of guys that they either hit their numbers or they’re fired and there’s bound to be problems. As the film drags on, the desperation becomes even heavier. You feel for these guys, but not so much so that you don’t get the enjoyment of watching them crumble in high pressure situations. As douchey as it sounds, it’s actually kind of fun.
Genre: 7
Memorability: 7
Pace: 10
Once Blake enters the scene, the movie maintains its pace from start to finish. Fueled by conflict and desperation, the characters ultimately create a mystery that you want to get to the bottom of before the movie reaches its end. It’s refreshing when you watch a movie that doesn’t have any dead spots and director James Foley succeeded in making that a reality.
Plot: 10
What happens when you put a bunch of different personalities in a room and tell them they have a certain amount of time to complete a goal or else? The story is ultimately moved by how people respond to pressure situations. I can imagine when this was written, the direction may have changed directions a couple of times due to the personalities of the characters. Memorable characters can alter the direction of a plot for the sake of staying true to the characters.
Resolution: 4
Overall: 87
I hadn’t even heard of this movie until a couple of years ago. It’s funny, this movie was recommended to me by a Sales Manager who thought, “This is how the sales team should go after it!” After watching it, I thought, “This isn’t how selling should be at all!” Glengarry Glen Ross succeeds because it appeals to people for different reasons. Some see it as a cautionary tale while others view it as inspiration. I am in the camp of the former. I’m also in the popular majority that think the movie is awesome.
