Search
Search results
Gareth von Kallenbach (980 KP) rated The Back-up Plan (2010) in Movies
Aug 8, 2019
Ah, the story of Mr. Right appearing just in the nick of time, well almost. Zoe (Jennifer Lopez) has spent her life looking for the perfect guy but he has never shown up. Now she wants a baby and decides to become pregnant on her own through artificial insemination. It would just figure that right after deciding to use her backup plan a new man enters the picture forcing her life to adjust once again.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
Gareth von Kallenbach (980 KP) rated Date Night (2010) in Movies
Aug 8, 2019
Date Night, directed by Shawn Levy (Night at the Museum), is a surprisingly funny film. More often than not, you can determine the quality of a film by the time you finish watching its trailer. This movie was a nice wake-up call that what you see isn’t always what you get.
Steve Carell and Tiny Fey have an unexpected amount of on-screen chemistry. This affinity is most evident in a clever dining scene in the beginning of the film, during which they each ad-lib other restaurant patrons’ conversations (be sure to stay in your seats during the credits for several hilarious out-takes of this scene). Carell and Fey genuinely feel like a couple in a bit of a slump in their marriage. Romantic comedies are often guilty of betraying a stunning lack of subtlety when it comes to heartfelt dialogue, but not in this case. The way they work through it during the countless shenanigans of their date night never comes across as trite or clichéd.
I was surprised the type of humor varied quite a bit during this film. Each of us have a different type of funny bone, so while some jokes fell relatively flat on me personally, these same moments were met with a good amount of laughter from others in the theater. Don’t come into this movie expecting a singular form of comedy. Visual humor, situational comedy, unexpected irony, running gags (involving Mark Wahlberg), and several obviously bad jokes told with fearless gusto pushed this movie to unanticipated levels of laughter.
After a few questionable plot events, the ending was something of a deus ex machina. The writer, Josh Klausner, ended up working the implausibility into the story nicely for a decent finish to a funny film.
Steve Carell and Tiny Fey have an unexpected amount of on-screen chemistry. This affinity is most evident in a clever dining scene in the beginning of the film, during which they each ad-lib other restaurant patrons’ conversations (be sure to stay in your seats during the credits for several hilarious out-takes of this scene). Carell and Fey genuinely feel like a couple in a bit of a slump in their marriage. Romantic comedies are often guilty of betraying a stunning lack of subtlety when it comes to heartfelt dialogue, but not in this case. The way they work through it during the countless shenanigans of their date night never comes across as trite or clichéd.
I was surprised the type of humor varied quite a bit during this film. Each of us have a different type of funny bone, so while some jokes fell relatively flat on me personally, these same moments were met with a good amount of laughter from others in the theater. Don’t come into this movie expecting a singular form of comedy. Visual humor, situational comedy, unexpected irony, running gags (involving Mark Wahlberg), and several obviously bad jokes told with fearless gusto pushed this movie to unanticipated levels of laughter.
After a few questionable plot events, the ending was something of a deus ex machina. The writer, Josh Klausner, ended up working the implausibility into the story nicely for a decent finish to a funny film.
Gareth von Kallenbach (980 KP) rated Edge of Darkness (2010) in Movies
Aug 8, 2019
Mel Gibson is back on the screen in the winter thriller “Edge of Darkness”. Boston cop Thomas Craven (Gibson) is excited about his daughter Emma’s (Bojana Novakovic) visit home from her first post college employment position. Yet from the very start something seems wrong. Before dinner is even served a masked assailant kills Emma in cold blood on the porch of her father’s house leaving Officer Craven determined to figure out who killed his daughter and why which requires Craven to do this with or without the help of the law.
This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.
Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.
This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.
Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.
This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
Deborah (162 KP) rated Fatal Colours in Books
Dec 21, 2018
Overall I thought this was a good book written in a very readable style. I've only given it 3 stars, however, as it does fall down in a number of ways.
First and foremost, the title of the book is a bit misleading. The Battle of Towton itself accounts for probably no more than a quarter of the text. I'm not saying the the rest of the book is bad, because it deals with the whole 'first half' of the Wars of the Roses and looks at how Henry VI's incapacity to rule (and the reasons for this) where in some degree responsible for the conflict, but it might be disappointing if you were expecting a full on coverage of Towton. You could try Andrew Boardman's book instead if you were interested in the battle.
My second disappointment was the introduction. Why would you ask Starkey, a well known Tudor historian, with a typical Tudor historian rabid anti-Yorkist views to write an introduction to a book ostensibly about one of the great Yorkist victories? This was one reason I held off buying this book for quite some time, not helped by the fact that the Kindle download sample was just part of this introduction, which wasn't helpful at all.
Goodwin delivered his own Coup de Grace in my eyes right at the end where he almost offhandedly accused Richard III of both the murder of his nephews (hotly debated, I admit, but without a shred of solid evidence) and then saying he 'probably' murdered Henry VI!!! Unless you take Shakespeare as gospel, there is absolutely no evidence at all for this and it's most unlikely. These couple of throwaway comments severely undermined Goodwin's credibility, which was a shame, as I felt that the book overall was good, but it makes me wonder if there was other sloppy research in there?
First and foremost, the title of the book is a bit misleading. The Battle of Towton itself accounts for probably no more than a quarter of the text. I'm not saying the the rest of the book is bad, because it deals with the whole 'first half' of the Wars of the Roses and looks at how Henry VI's incapacity to rule (and the reasons for this) where in some degree responsible for the conflict, but it might be disappointing if you were expecting a full on coverage of Towton. You could try Andrew Boardman's book instead if you were interested in the battle.
My second disappointment was the introduction. Why would you ask Starkey, a well known Tudor historian, with a typical Tudor historian rabid anti-Yorkist views to write an introduction to a book ostensibly about one of the great Yorkist victories? This was one reason I held off buying this book for quite some time, not helped by the fact that the Kindle download sample was just part of this introduction, which wasn't helpful at all.
Goodwin delivered his own Coup de Grace in my eyes right at the end where he almost offhandedly accused Richard III of both the murder of his nephews (hotly debated, I admit, but without a shred of solid evidence) and then saying he 'probably' murdered Henry VI!!! Unless you take Shakespeare as gospel, there is absolutely no evidence at all for this and it's most unlikely. These couple of throwaway comments severely undermined Goodwin's credibility, which was a shame, as I felt that the book overall was good, but it makes me wonder if there was other sloppy research in there?
Fred (860 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jul 2, 2019
A different Pokemon movie
If you're expecting this film to be about a Pokemon trainer, who battles other trainers, then let me say, you're gonna be surprised. This film is a different kind of Pokemon film. There are a couple of Pokemon fights, but otherwise, since the movie takes place in a city where Pokemon fights and pokeballs are not allowed, there are no fights. In fact, all of the Pokemon roam free. Well, free with their trainers.
Truth be told, the story is not that deep or original. But the main characters hold the movie together. Ryan Reynold's Pikachu is great. He's a bit sarcastic, but not a jerk. And the human characters are performed very well, especially Justice Smith as Tim. And you can never beat Bill Nighy. There are many funny parts. The Mr. Mime scene is absolutely hilarious.
The movie is a Pokemon fan's dream. There are some scenes where there are so many Pokemon on the screen, it's like over-load! Can't wait until I'm able to pause these scenes to see if I can name them all. Gotta name them alllll!!!!
The world is a wonder to see & it makes you think how great it would be, as well as how terrifying it would be, to have a world full of Pokemon. Every single Pokemon is adorable.
Naturally, there is a bad guy. He tries to do something bad, and the good guys try to stop them. Can they do it?
My bottom line, if you like Pokemon, you'll like this. If you don't, you'll probably still like it, but not as much. As for myself, I can't wait to see more movies set in this world.
Truth be told, the story is not that deep or original. But the main characters hold the movie together. Ryan Reynold's Pikachu is great. He's a bit sarcastic, but not a jerk. And the human characters are performed very well, especially Justice Smith as Tim. And you can never beat Bill Nighy. There are many funny parts. The Mr. Mime scene is absolutely hilarious.
The movie is a Pokemon fan's dream. There are some scenes where there are so many Pokemon on the screen, it's like over-load! Can't wait until I'm able to pause these scenes to see if I can name them all. Gotta name them alllll!!!!
The world is a wonder to see & it makes you think how great it would be, as well as how terrifying it would be, to have a world full of Pokemon. Every single Pokemon is adorable.
Naturally, there is a bad guy. He tries to do something bad, and the good guys try to stop them. Can they do it?
My bottom line, if you like Pokemon, you'll like this. If you don't, you'll probably still like it, but not as much. As for myself, I can't wait to see more movies set in this world.
LeftSideCut (3776 KP) rated X-Men: The Last Stand (2006) in Movies
Jul 4, 2019 (Updated Jul 30, 2019)
It's all just a bit...meh
The Last Stand is not completely awful, but there is an absolutely huge setback here - the writers tried to cram the epic Dark Phoenix saga into one film.
Couple this with an interrupted production and you have a messy result.
A fair amount of what is likable about the first two is still intact - the strongest asset here being the strong cast, doing their absolute best with a sub par script and story.
As for newcomers - Kelsey Grammer is a welcome addition as Beast, as is Ellen Page as Shadowcat - unfortunately Angel is pretty wasted here, as are characters like Psylocke, who is relegated to an extended cameo. Whoever decided to cast Vinnie Jones as Juggernaut deserves a good slapping.
The Dark Phoenix storyline in the comics is pretty epic, a lot of it takes place in space, and the tragedy of the X-Men fighting one of their own is fleshed out very well - something that the movie adaption practically ignores. After being hinted at the end of X2, Jean Grey is promptly bought back, and turns to the dark side very quickly, without any real build up.
Some character story arcs are concluded abruptly and in emotionless ways, as the film just sort of limps along to a pretty underwhelming conclusion.
Bryan Singer left production midway through to helm Superman Returns, and it shows.
The slickness and solid narrative of X2 is replaced by a choppy mess, full of quips that don't land ("I'm the Juggernaut bitch" anyone!?), and Brett Ratners involvement was just a misfire.
This particular comic arc deserves so much better (and judging by what I've heard about the 2019 effort, this is still the case!)
Couple this with an interrupted production and you have a messy result.
A fair amount of what is likable about the first two is still intact - the strongest asset here being the strong cast, doing their absolute best with a sub par script and story.
As for newcomers - Kelsey Grammer is a welcome addition as Beast, as is Ellen Page as Shadowcat - unfortunately Angel is pretty wasted here, as are characters like Psylocke, who is relegated to an extended cameo. Whoever decided to cast Vinnie Jones as Juggernaut deserves a good slapping.
The Dark Phoenix storyline in the comics is pretty epic, a lot of it takes place in space, and the tragedy of the X-Men fighting one of their own is fleshed out very well - something that the movie adaption practically ignores. After being hinted at the end of X2, Jean Grey is promptly bought back, and turns to the dark side very quickly, without any real build up.
Some character story arcs are concluded abruptly and in emotionless ways, as the film just sort of limps along to a pretty underwhelming conclusion.
Bryan Singer left production midway through to helm Superman Returns, and it shows.
The slickness and solid narrative of X2 is replaced by a choppy mess, full of quips that don't land ("I'm the Juggernaut bitch" anyone!?), and Brett Ratners involvement was just a misfire.
This particular comic arc deserves so much better (and judging by what I've heard about the 2019 effort, this is still the case!)
Phil Leader (619 KP) rated In Harm's Way in Books
Nov 15, 2019
Three siblings, all with troubled marriages. Adele and Blair appear to be the perfect couple, but he has started claiming to have to work late. Adele suspects he is having an affair. Gavin and Monica have a new baby and that is putting a strain on their relationship. Mackenzie and Derek.... well Mackenzie is an alcoholic and Derek has seen her getting into a strange car.
She also claims to have a stalker, although in a drunken outburst at a party she claims he's her lover. When she leaves Derek and disappears, nobody seems to be bothered other than Gavin, who gets DS Andrew Geddes involved. But how far can the investigation get when nobody thinks she's actually missing? Meanwhile Mackenzie finds herself chained in a cellar at the mercy of her abductor...
All this might sound like its giving away important plot points but it really isn't; all of this is obvious from the first few pages. What follows is the story of the three relationships, the six people involved key to the story. The abduction itself is just part of the much bigger story, a story about relationships both between married couples and within families.
Added to this is Andrew Geddes, the world weary but sharp police detective previously seen in the Charlie Cameron novels. It is so good to see him with a case of his own to solve, especially as this is one that may be impossible to prove is actually a case at all.
As with his other books, Mullen carefully misdirects the reader all the way through providing twists and turns both small and large. He skillfully hides clues in plain sight then removes the blindfold from the reader's eyes with one deft phrase or scene.
This is a masterful piece of work from one of the best thriller writers out there.
She also claims to have a stalker, although in a drunken outburst at a party she claims he's her lover. When she leaves Derek and disappears, nobody seems to be bothered other than Gavin, who gets DS Andrew Geddes involved. But how far can the investigation get when nobody thinks she's actually missing? Meanwhile Mackenzie finds herself chained in a cellar at the mercy of her abductor...
All this might sound like its giving away important plot points but it really isn't; all of this is obvious from the first few pages. What follows is the story of the three relationships, the six people involved key to the story. The abduction itself is just part of the much bigger story, a story about relationships both between married couples and within families.
Added to this is Andrew Geddes, the world weary but sharp police detective previously seen in the Charlie Cameron novels. It is so good to see him with a case of his own to solve, especially as this is one that may be impossible to prove is actually a case at all.
As with his other books, Mullen carefully misdirects the reader all the way through providing twists and turns both small and large. He skillfully hides clues in plain sight then removes the blindfold from the reader's eyes with one deft phrase or scene.
This is a masterful piece of work from one of the best thriller writers out there.
Phil Leader (619 KP) rated The Last City in Books
Nov 18, 2019
In the far future humankind has spread into space but a series of wars together with the harsh realities of living beyond the solar system has taken its toll. Amongst the scattering of colonies the Last City is the final bastion against extinction. Ruled over by the autocratic and ruthless Toros Strand, society exists in a rigid hierarchy defined by which level they occupy. From Strand himself on the 100th floor down to those who live in the lower levels - and below - the city there are many stories to be told.
The simple setup allows a number of current science fiction authors to stretch their imagination as they investigate the workings of the Last City. Each story looks at a different aspect - although most of them concentrate on the lower levels. A very noir private detective who is more than he seems. A secret route through the city for those who wish to disappear. Hunting for lost areas to loot and claim. A dangerous race across the outside where the stakes are high. There are also a couple of tales which show how the city appears to those who are beyond it.
The standard is high and every new story feels as fresh and interesting as the one before. All are packed with great ideas, enabling not only some stories dealing with straight forward science fiction themes but also ones covering social hierarchies and injustice, intolerance of 'outsiders' and the harsh tactics employed by totalitarian regimes to keep their populace in check.
I've tried to think of a science fiction short story collection I've enjoyed more, but there simply isn't one. I'd say there were plenty more stories to be told in this universe, perhaps another short story collection or novella wouldn't go amiss. Authors willing of course...
The simple setup allows a number of current science fiction authors to stretch their imagination as they investigate the workings of the Last City. Each story looks at a different aspect - although most of them concentrate on the lower levels. A very noir private detective who is more than he seems. A secret route through the city for those who wish to disappear. Hunting for lost areas to loot and claim. A dangerous race across the outside where the stakes are high. There are also a couple of tales which show how the city appears to those who are beyond it.
The standard is high and every new story feels as fresh and interesting as the one before. All are packed with great ideas, enabling not only some stories dealing with straight forward science fiction themes but also ones covering social hierarchies and injustice, intolerance of 'outsiders' and the harsh tactics employed by totalitarian regimes to keep their populace in check.
I've tried to think of a science fiction short story collection I've enjoyed more, but there simply isn't one. I'd say there were plenty more stories to be told in this universe, perhaps another short story collection or novella wouldn't go amiss. Authors willing of course...
LeftSideCut (3776 KP) rated the PlayStation 4 version of Layers of Fear in Video Games
Nov 19, 2019 (Updated Nov 19, 2019)
On the surface, Layers of Fear seems like a game that was designed purely for YouTubers to play and scream at, and I think that's a fair enough assumption based on the sheer amount of jumpscares throughout (some are cheap, some are effective).
But look a little deeper and you will be rewarded with more that you might expect.
You play as a Victorian era painter, trying to paint his magnum opus, unlocking more to your painting as you dive ever deeper into his fractured psyche.
It's one of those games that leaves a lot up to you to interpret, only finding more concrete plot pointers if you care enough to explore and find clues.
Visually, Layers of Fear is great. It captures the feeling of spiralling madness perfectly, with some decent graphics to go with it.
The constant presence of subtly morphing paintings scattered along the walls is suitably creepy, and creates a general feeling of unease as you navigate through dimly lit hallways.
The classic first person perspective adds to this unease as you constantly feel little to no control over what you're seeing, as the house shifts around you regularly.
The further you venture into the artists mind, the darker the narrative insinuations become, as the visions turn increasingly twisted.
Layers of Fear can be finished in a couple of hours, and isn't particularly challenging, but the addition of multiple endings will keep you coming back, just out of shear intrigue.
The jump scares feel a little excessive after a while but if you are a fan of the recent wave of first person horror exploration games (in the wake of P.T.) then Layers of Fear is worth seeking out.
But look a little deeper and you will be rewarded with more that you might expect.
You play as a Victorian era painter, trying to paint his magnum opus, unlocking more to your painting as you dive ever deeper into his fractured psyche.
It's one of those games that leaves a lot up to you to interpret, only finding more concrete plot pointers if you care enough to explore and find clues.
Visually, Layers of Fear is great. It captures the feeling of spiralling madness perfectly, with some decent graphics to go with it.
The constant presence of subtly morphing paintings scattered along the walls is suitably creepy, and creates a general feeling of unease as you navigate through dimly lit hallways.
The classic first person perspective adds to this unease as you constantly feel little to no control over what you're seeing, as the house shifts around you regularly.
The further you venture into the artists mind, the darker the narrative insinuations become, as the visions turn increasingly twisted.
Layers of Fear can be finished in a couple of hours, and isn't particularly challenging, but the addition of multiple endings will keep you coming back, just out of shear intrigue.
The jump scares feel a little excessive after a while but if you are a fan of the recent wave of first person horror exploration games (in the wake of P.T.) then Layers of Fear is worth seeking out.
Mark @ Carstairs Considers (2322 KP) rated Ghosts of Painting Past in Books
Nov 20, 2019
Uncovering the Past at Christmas
The house across the street from Rory is being torn down, so she is trying to drown out the sound of construction vehicles with Christmas carols when the sound suddenly stops. The crew has found bones buried under a building in the backyard. It isn’t long before the police have been able to identify the bones, but their identity puts Rory’s father in the role of suspect. Rory tries to help out with a variety of holiday events planned in the community, including finishing up her own ornaments to sell at the craft fair despite what is happening in town, but when a new body turns up, the stakes are raised. Can she figure out what happened in the past and how that is impacting the present?
Mysteries that involve the past can be great when there is a compelling reason for the characters to care about it today. That’s definitely the case here. Rory has a couple of reasons to make sure this case is wrapped up in time for Christmas, and she gets plenty of clues and red herrings to keep her guessing. The pace is fast, and the climax answers all our questions. The series’ tone is a bit darker overall, and that’s the case here again as well, but we do have some Christmas fun to help lighten the mood. I really enjoyed the fact that this book is set in Southern California, so, while we get plenty of holiday spirit, we do it without snow. I could relate. The main characters continue to grow, and the new characters are just as strong. With Christmas fast approaching, now is the perfect time to pick up this book.
Mysteries that involve the past can be great when there is a compelling reason for the characters to care about it today. That’s definitely the case here. Rory has a couple of reasons to make sure this case is wrapped up in time for Christmas, and she gets plenty of clues and red herrings to keep her guessing. The pace is fast, and the climax answers all our questions. The series’ tone is a bit darker overall, and that’s the case here again as well, but we do have some Christmas fun to help lighten the mood. I really enjoyed the fact that this book is set in Southern California, so, while we get plenty of holiday spirit, we do it without snow. I could relate. The main characters continue to grow, and the new characters are just as strong. With Christmas fast approaching, now is the perfect time to pick up this book.