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Darren (1599 KP) rated The Book of Henry (2017) in Movies
Oct 2, 2019
Characters – Susan is the mother of the house, though she doesn’t have the full responsibility in the house as she lets her genius son Henry handle the finances in the home. She is a single working mother that does everything she can to help her kids, enjoys a drink with her best friend Sheila and videos to release the stress, she must go through a difficult process when Henry becomes sick and wants to follow his book to do the right thing. Henry is a genius 12-year-old boy, he keeps his family together while trying to leave his own legacy, he knows how to work the stock market which keeps the family a float and when he sees wrong in the world he wants to help change it, this brings him to write a book to stop the abuse of his neighbour by her stepfather. Peter is the younger brother to Henry, he always looks up to him and wants to help him with his innocent being the only thing that lets Henry have fun. Sheila is the best friend and work colleague of Susan, she enjoys herself a drink and has great banter with Henry. Glenn is the neighbour and police chief living next door to the Carpenter family, he has a stepdaughter that he is abusing though he position of power makes it nearly impossible for him to get investigated. Dr Daniels is the man that must treat Henry, he must help the family through the difficult decision.
Performances – Naomi Watts in the leading role is great through this film, we see how her character needs to develop after what happens to Henry. Jaeden continues to show us he is a fast-rising child star along with Jacob Tremblay who are both going to be talked about as a couple of the best of the current generations. Silverman, Morris and Pace give us good supporting performances throughout the film too.
Story – The story here follows a genius son that helps run the family to help take the pressure of his single mother, he plans long term and wants to make the world a better place, though when sees abuse he wants to step in and help. He doesn’t expect the short term though, leaving his legacy to his mother to help solve the abuse he sees the neighbour going through. We do have moments that make the children feel like they are in ‘Pay it Forward’ which does have a better message about, doing something to make the world a better place, this story does get that message over and does make you want to help bring calm to the world. if I was being honest with the way the story is told, I feel it would have been nice to mix the planning Henry does with the actual plan rather than showing his plan before the incident.
Crime – The film does have a crime base to everything going on, we get to see how Henry sees a crime being committed and the only way he can solve it is to have someone commit a crime for him.
Settings – The film shows us the simple life the Carpenter family are currently living and how Henry is happy with this even though he can make them rich with a blink of an eye, he wants family over anything.
Scene of the Movie – Take the shot.
That Moment That Annoyed Me – The kids are way to talent in the talent contest.
Final Thoughts – This is a film that has taken a beating by the critics and sure there are a couple of weaknesses in this film, but the core of the story is one of the most interesting ways to show a child genius doing the right thing in life, well-acted and one people should be giving a chance too.
Overall: Nice story about leaving a legacy.
Performances – Naomi Watts in the leading role is great through this film, we see how her character needs to develop after what happens to Henry. Jaeden continues to show us he is a fast-rising child star along with Jacob Tremblay who are both going to be talked about as a couple of the best of the current generations. Silverman, Morris and Pace give us good supporting performances throughout the film too.
Story – The story here follows a genius son that helps run the family to help take the pressure of his single mother, he plans long term and wants to make the world a better place, though when sees abuse he wants to step in and help. He doesn’t expect the short term though, leaving his legacy to his mother to help solve the abuse he sees the neighbour going through. We do have moments that make the children feel like they are in ‘Pay it Forward’ which does have a better message about, doing something to make the world a better place, this story does get that message over and does make you want to help bring calm to the world. if I was being honest with the way the story is told, I feel it would have been nice to mix the planning Henry does with the actual plan rather than showing his plan before the incident.
Crime – The film does have a crime base to everything going on, we get to see how Henry sees a crime being committed and the only way he can solve it is to have someone commit a crime for him.
Settings – The film shows us the simple life the Carpenter family are currently living and how Henry is happy with this even though he can make them rich with a blink of an eye, he wants family over anything.
Scene of the Movie – Take the shot.
That Moment That Annoyed Me – The kids are way to talent in the talent contest.
Final Thoughts – This is a film that has taken a beating by the critics and sure there are a couple of weaknesses in this film, but the core of the story is one of the most interesting ways to show a child genius doing the right thing in life, well-acted and one people should be giving a chance too.
Overall: Nice story about leaving a legacy.
Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
BankofMarquis (1832 KP) rated Ticket to paradise (2022) in Movies
Nov 10, 2022
Charismatic Leads Saves This Underwritten Film
Have you watched one of the two ABBA Musical MAMA MIA films (MAMA MIA or MAMA MIA: HERE WE GO AGAIN) and thought to yourself, “I want more of this, but with no music”.
If so, do I have a film for you.
The George Clooney/Julie Roberts Romantic Family Comedy TICKET TO PARADISE is a slight, somewhat fun lightweight film that won’t eat up too many brain cells while watching, but you’ll walk away satisfied and entertained if this sort of thing is in your wheelhouse. It is a movie geared towards older adults who just want to get away from the world and watch beautiful people in beautiful costumes tromping around beautiful scenery.
Written and Directed by Ol Parker (MAMA MIA: HERE WE GO AGAIN, naturally), TICKET TO PARADISE tells the tale of an unhappily divorced couple (Clooney and Roberts, of course) who must overcome their differences and join together to stop their daughter from a hasty marriage - a mistake they both think they made when they married each other.
The opening of this movie is frenetic and tries just a bit too hard to establish the hate/hate competitive relationship between these 2 characters. Roberts fairs better in this part as she settles into her character fairly quickly - and she becomes the rock of the film. From the get go you understand her character and when all else fails in a scene, you know that Roberts will be there to rescue things. It is a steady, sturdy performance that shows that Roberts “still has it” as a movie star.
Clooney has more of a rollercoaster of a performance. For my tastes he tries to hard to be comedically funny in the first part of the film (a fault of his that can be scene in such Clooney comedic failures as O BROTHER WHERE ART THOU and BURN AFTER READING), but once we get past the initial scenes, Clooney settles down to be a somewhat comedic version of the calm, suave and sophisticated Clooney that we have grown to know and love.
The supporting characters are underwritten and are thin and nondescript with character arcs that really go nowhere. This is a shame for Billie Lourd (as the Best Friend of Clooney and Roberts’ daughter) and the couple that plays the grooms parents were interesting characters that could have/should have been fleshed out more.
The script and Direction by Parker are nothing special. It’s not bad but it also doesn’t elevate the proceedings above the pleasantness that it is - with one key exception. About 1/3 of the way through the film, Clooney launches into a monologue about how he and Roberts’ seemingly wonderful love fell apart, leading to divorce. It is a beautifully shot and directed scene and Clooney absolutely nails the speech mixing in anger and regret skillfully. This scene made me sit up in my chair thinking that maybe this film was taking a deeper, more dramatic turn at this point and it is shifting from a RomCom to a family drama.
But, alas, we head into a scene where Clooney and Roberts get drunk and shenanigans ensue. True…it looks like good friends Clooney and Roberts are having a good time playing with each other in the beautiful location of this film…but this fun never really translates to the audience.
The perfect airplane film - there is no intricate plot points that you’ll miss if you dose off for a moment or 2 - but perfectly, acceptably entertaining, this TICKET TO PARADISE could be worse…but could have been better.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
If so, do I have a film for you.
The George Clooney/Julie Roberts Romantic Family Comedy TICKET TO PARADISE is a slight, somewhat fun lightweight film that won’t eat up too many brain cells while watching, but you’ll walk away satisfied and entertained if this sort of thing is in your wheelhouse. It is a movie geared towards older adults who just want to get away from the world and watch beautiful people in beautiful costumes tromping around beautiful scenery.
Written and Directed by Ol Parker (MAMA MIA: HERE WE GO AGAIN, naturally), TICKET TO PARADISE tells the tale of an unhappily divorced couple (Clooney and Roberts, of course) who must overcome their differences and join together to stop their daughter from a hasty marriage - a mistake they both think they made when they married each other.
The opening of this movie is frenetic and tries just a bit too hard to establish the hate/hate competitive relationship between these 2 characters. Roberts fairs better in this part as she settles into her character fairly quickly - and she becomes the rock of the film. From the get go you understand her character and when all else fails in a scene, you know that Roberts will be there to rescue things. It is a steady, sturdy performance that shows that Roberts “still has it” as a movie star.
Clooney has more of a rollercoaster of a performance. For my tastes he tries to hard to be comedically funny in the first part of the film (a fault of his that can be scene in such Clooney comedic failures as O BROTHER WHERE ART THOU and BURN AFTER READING), but once we get past the initial scenes, Clooney settles down to be a somewhat comedic version of the calm, suave and sophisticated Clooney that we have grown to know and love.
The supporting characters are underwritten and are thin and nondescript with character arcs that really go nowhere. This is a shame for Billie Lourd (as the Best Friend of Clooney and Roberts’ daughter) and the couple that plays the grooms parents were interesting characters that could have/should have been fleshed out more.
The script and Direction by Parker are nothing special. It’s not bad but it also doesn’t elevate the proceedings above the pleasantness that it is - with one key exception. About 1/3 of the way through the film, Clooney launches into a monologue about how he and Roberts’ seemingly wonderful love fell apart, leading to divorce. It is a beautifully shot and directed scene and Clooney absolutely nails the speech mixing in anger and regret skillfully. This scene made me sit up in my chair thinking that maybe this film was taking a deeper, more dramatic turn at this point and it is shifting from a RomCom to a family drama.
But, alas, we head into a scene where Clooney and Roberts get drunk and shenanigans ensue. True…it looks like good friends Clooney and Roberts are having a good time playing with each other in the beautiful location of this film…but this fun never really translates to the audience.
The perfect airplane film - there is no intricate plot points that you’ll miss if you dose off for a moment or 2 - but perfectly, acceptably entertaining, this TICKET TO PARADISE could be worse…but could have been better.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Werewolves Within (2021) in Movies
Dec 14, 2021
An incredible ensemble cast. (2 more)
Plot stays true to the classic 'whodunit' formula.
Milana Vayntrub.
Not enough horror. (2 more)
Not enough werewolves.
The burning desire for a hard R-rating.
A Sleepover with Guns
A horror comedy film based on the 2016 Red Storm Entertainment developed, Ubisoft published multiplayer VR video game of the same name, Werewolves Within keeps the same mystery/whodunit element of the game by introducing audiences to a small town under attack from a werewolf and leaving them to wonder which of the townsfolk could be the actual lycanthrope.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Beckie Shelton (40 KP) rated Copycat in Books
Oct 6, 2017
OMG!!!! I bloody loved Copycat By Alex Lake. It was one of those books that when you pick it up it's practically impossible to put back down.
And this is what actually happened to me, I decided to read the first couple chapters at midnight to get a feel for it and Wham!!! that was it, I finished in the early hours of the morning, couldn't put it down, it was such addictive reading. a real page-turner.
So the story is about Sarah Havenant a doctor married to Ben, British and a lawyer living in Maine with their three adorable children, the picture-perfect life.
So Sarah gets a friend request from a girl she used to go to school with and she asks Sarah which is her real facebook profile.
Transpires there is another Sarah Havenant using pictures of her children, her husband and from her own house seriously weird and scary.
As events escalate it turns out this is only the start as Sarah's whole world implodes, people around her including her husband start to doubt her sanity.
Sarah and Ben's marriage buckle's under the strain and poor Sarah has no idea who to trust and where to turn when even her own husband is doubting her.
So this is the sort of Psychological mindtwist I adore and Copycat kept me guessing throughout.
I had absolutely no idea who was stalking Sarah and only just guessed right before the shocking reveal.
And to say I was gobsmacked is an understatement, what a conclusion.
sorry for the vagueness I'm trying to keep this spoiler-free.
I would definitely recommend this to my fellow psychological thriller lovers, this one is super fast, its excellently written and the story just flows brilliantly, with never a dull minute to be had here.
Thank you to Netgalley, the publisher and the author for providing me with an arc of Copycat By Alex Lake, this is my own honest unbiased opinion.
And this is what actually happened to me, I decided to read the first couple chapters at midnight to get a feel for it and Wham!!! that was it, I finished in the early hours of the morning, couldn't put it down, it was such addictive reading. a real page-turner.
So the story is about Sarah Havenant a doctor married to Ben, British and a lawyer living in Maine with their three adorable children, the picture-perfect life.
So Sarah gets a friend request from a girl she used to go to school with and she asks Sarah which is her real facebook profile.
Transpires there is another Sarah Havenant using pictures of her children, her husband and from her own house seriously weird and scary.
As events escalate it turns out this is only the start as Sarah's whole world implodes, people around her including her husband start to doubt her sanity.
Sarah and Ben's marriage buckle's under the strain and poor Sarah has no idea who to trust and where to turn when even her own husband is doubting her.
So this is the sort of Psychological mindtwist I adore and Copycat kept me guessing throughout.
I had absolutely no idea who was stalking Sarah and only just guessed right before the shocking reveal.
And to say I was gobsmacked is an understatement, what a conclusion.
sorry for the vagueness I'm trying to keep this spoiler-free.
I would definitely recommend this to my fellow psychological thriller lovers, this one is super fast, its excellently written and the story just flows brilliantly, with never a dull minute to be had here.
Thank you to Netgalley, the publisher and the author for providing me with an arc of Copycat By Alex Lake, this is my own honest unbiased opinion.
Merissa (11950 KP) rated Down on the Farm (Ames Bridge #1) in Books
Oct 24, 2017
Down on the Farm (Ames Bridge #1) by Silvia Violet
Down on the Farm is the first book in the Ames Bridge series, and we meet Beck, who has returned to the town he grew up in to sort out his grandma's home, and get some respite from the stress that he has been under recently. The only trouble is his grandma's house is right next door to the guy that Beck had a crush on when he was younger, but who bullied Beck whenever he saw him.
This story got me from the start. Beck and Cal have an instant spark between them that everyone else can see. Cal is worried, with reason, about how being 'out' and dating will affect his farm. He already struggles because of his sexuality, and thinks dating will just make it even harder. Beck has to learn that Cal has changed from his younger days, and perhaps, there is a chance for them both.
Down on the Farm is full of amazing characters, some huggable, some punchable. Either way, they are never bland, and it does give an insight into just how hard it might be. There is plenty of story, with steamy bits too (gotta say, I loved the barn scene! phew!!) It isn't all about the sex though, but about how these two men have to think about what they want and if they are brave enough to reach out for it.
With no editing or grammatical errors that disrupted my reading flow, I thoroughly enjoyed this book. The pacing was smooth, with enough angst to make it tense in places. Highly recommended by me.
Oh, and one other thing - can I just say how much I loved Elsie and Irene! A couple of stars right there. And I certainly hope they make an appearance in future books.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story got me from the start. Beck and Cal have an instant spark between them that everyone else can see. Cal is worried, with reason, about how being 'out' and dating will affect his farm. He already struggles because of his sexuality, and thinks dating will just make it even harder. Beck has to learn that Cal has changed from his younger days, and perhaps, there is a chance for them both.
Down on the Farm is full of amazing characters, some huggable, some punchable. Either way, they are never bland, and it does give an insight into just how hard it might be. There is plenty of story, with steamy bits too (gotta say, I loved the barn scene! phew!!) It isn't all about the sex though, but about how these two men have to think about what they want and if they are brave enough to reach out for it.
With no editing or grammatical errors that disrupted my reading flow, I thoroughly enjoyed this book. The pacing was smooth, with enough angst to make it tense in places. Highly recommended by me.
Oh, and one other thing - can I just say how much I loved Elsie and Irene! A couple of stars right there. And I certainly hope they make an appearance in future books.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Steven Sklansky (231 KP) rated Life (2017) in Movies
Jan 8, 2018
Who knew finding an alien life form on another planet wasn't going to end badly. Well I would think everyone. I like that they also told the whole world that they found it too, and they gave it a name. If you know anything about finding an animal, once you give it a name its harder to let it go. The other problem is if it does get to earth an cause chaos now you know who to blame.
This movie was just like every other alien movie out there. I don't think I saw one surprise the whole time. The end was sort of, but you could have seen it coming. The one thing that I did like was the alien itself. How it grew, how it fed and how smart it was. Usually you don't get that from a alien movie. Its mostly seek and destroy.
The acting was just ok. For the cast that was chosen I think it could have been better. Also I thought there should have been a love story with a couple crew members, it would have added a little more drama. I also think if you send a team to space they really should have all been on the same page with firewalls.
I liked the graphics and the CGI. The way it was filmed was cool too. Being able to film the whole movie with it looking like they were in space was great. I thought you could totally believe they were floating around.
I think this movie could totally have a sequel if they do it correctly. Because they include the Earth at the beginning of the movie, I think it would be cool to find out what happened.
As far as alien movies go, it wasn't the worst. It was entertaining. I would say if you are looking for something sci-fi to watch or you just like the cast, go for it. As always, enjoy the show.
This movie was just like every other alien movie out there. I don't think I saw one surprise the whole time. The end was sort of, but you could have seen it coming. The one thing that I did like was the alien itself. How it grew, how it fed and how smart it was. Usually you don't get that from a alien movie. Its mostly seek and destroy.
The acting was just ok. For the cast that was chosen I think it could have been better. Also I thought there should have been a love story with a couple crew members, it would have added a little more drama. I also think if you send a team to space they really should have all been on the same page with firewalls.
I liked the graphics and the CGI. The way it was filmed was cool too. Being able to film the whole movie with it looking like they were in space was great. I thought you could totally believe they were floating around.
I think this movie could totally have a sequel if they do it correctly. Because they include the Earth at the beginning of the movie, I think it would be cool to find out what happened.
As far as alien movies go, it wasn't the worst. It was entertaining. I would say if you are looking for something sci-fi to watch or you just like the cast, go for it. As always, enjoy the show.
Whatchareadin (174 KP) rated First Love in Books
May 10, 2018
First Love is a story of two young people, Alexandra and Robinson. Axi is sitting at Ernie's, a cafe in their small town, waiting for Robinson. Next week, she has finals for her two AP classes. Now, normally, this straight laced, straight A student would be studying for those finals, but today she has something else on her mind. As Robinson enters the store, all thoughts of finals escape her mind and a smile spreads across her face. He has that skill, to brighten her mood whenever he is around. As he sits down, worry starts to envelope Axi. What if her plan backfires? What if Robinson isn't interested in what she has to say? She takes a deep breath and says..."Let's Run Away".
All over the country they travel, breaking the rules and trying not to get hurt or arrested along the way. When this carefree trip takes a devastating turn, Axi comes to realize that life is way too short.
We all remember our first love. I know at that time, there was almost nothing I wouldn't do for mine. Would you lie, steal, cheat? Would you sacrifice your own life for their happiness? First Love is definitely not your typical James Patterson book. While he does have other books that are non-crime/police drama, they are few and far between. This was a cute story about teens trying to make the best out of a bad situation. Time is of the essence for them and they intend to ride it until the wheels fall off. Penning themselves Bonnie and Clyde, Axi and Robinson take a cross-country tour neither of them will ever forget. Starting in Oregon and ending in North Carolina they cross the country seeing the sites and trying to avoid the police. If you're interested in a quick, cute love story about a couple of kids, then you will enjoy this story!
All over the country they travel, breaking the rules and trying not to get hurt or arrested along the way. When this carefree trip takes a devastating turn, Axi comes to realize that life is way too short.
We all remember our first love. I know at that time, there was almost nothing I wouldn't do for mine. Would you lie, steal, cheat? Would you sacrifice your own life for their happiness? First Love is definitely not your typical James Patterson book. While he does have other books that are non-crime/police drama, they are few and far between. This was a cute story about teens trying to make the best out of a bad situation. Time is of the essence for them and they intend to ride it until the wheels fall off. Penning themselves Bonnie and Clyde, Axi and Robinson take a cross-country tour neither of them will ever forget. Starting in Oregon and ending in North Carolina they cross the country seeing the sites and trying to avoid the police. If you're interested in a quick, cute love story about a couple of kids, then you will enjoy this story!
graveyardgremlin (7194 KP) rated Dead Sexy Dragon (Dragon Heat, #1) in Books
Feb 15, 2019
I recently went back to NetGalley after a long duration and saw this was still sitting on my shelf. About two and a half years later. Oops. I sent it to my Kindle again and was surprised to see it show up. I figured it was high time I read and reviewed the story. Luckily it's about novella length, maybe shorter, so I thought it'd be fast and easy.
<b>Dead Sexy Dragon</b> is the first book in a paranormal series featuring shape-shifting (you guessed it!) dragons. Cora's the heroine fleeing from some trouble to her late brother's best friend and old Marine buddy, Stig Wyvern (I see what you did thar). Unfortunately for the both of them, it's his time of the month. Just kidding, but he goes through a nine-day period every three years where he's in heat. Sadly it's not called <a href="http://memory-alpha.wikia.com/wiki/Pon_farr"; target="_blank">pon farr</a>.
<IMG src="http://rs32.pbsrc.com/albums/d6/satilanna/spock_pon_farr_by_monicaaofthesand_zps9ne2inv0.png?w=480&h=480&fit=clip">;
Anywho, they've been hot for each other for years but neither of them knows it. Naturally. Pretty soon, like the next day, they have loads of sex after she finds out he's a dragon. The sexual interactions take up around 40% of the book and treads the line between romance and erotica. Some stuff happens that I don't want to give away, but Cora ends up in peril, and then Stig. It's a romance so obviously you know how it ends.
The story is pretty rushed, and the first couple of pages were a bit rough, but there are some interesting ideas here, so I just might pick up the next book and see where it's going. In the end, it didn't rock my socks, but it was an entertaining way to spend an hour or so.
Received from Netgalley for review.
<b>Dead Sexy Dragon</b> is the first book in a paranormal series featuring shape-shifting (you guessed it!) dragons. Cora's the heroine fleeing from some trouble to her late brother's best friend and old Marine buddy, Stig Wyvern (I see what you did thar). Unfortunately for the both of them, it's his time of the month. Just kidding, but he goes through a nine-day period every three years where he's in heat. Sadly it's not called <a href="http://memory-alpha.wikia.com/wiki/Pon_farr"; target="_blank">pon farr</a>.
<IMG src="http://rs32.pbsrc.com/albums/d6/satilanna/spock_pon_farr_by_monicaaofthesand_zps9ne2inv0.png?w=480&h=480&fit=clip">;
Anywho, they've been hot for each other for years but neither of them knows it. Naturally. Pretty soon, like the next day, they have loads of sex after she finds out he's a dragon. The sexual interactions take up around 40% of the book and treads the line between romance and erotica. Some stuff happens that I don't want to give away, but Cora ends up in peril, and then Stig. It's a romance so obviously you know how it ends.
The story is pretty rushed, and the first couple of pages were a bit rough, but there are some interesting ideas here, so I just might pick up the next book and see where it's going. In the end, it didn't rock my socks, but it was an entertaining way to spend an hour or so.
Received from Netgalley for review.
graveyardgremlin (7194 KP) rated Dark Protector (Paladins of Darkness, #1) in Books
Feb 15, 2019
Dark Protector introduces an interesting new concept in the paranormal romance field. If there are other books that deal with something like a paladin and this sort of plot, I don't know about them and haven't ever come across anything similar.
Laurel and Devlin were nice characters but that was about it; there wasn't much depth to them or back story. I would have liked to know more about Devlin and how he came to be a paladin exactly (at least I don't think it was mentioned). I mean he was about three times Laurel's age, so he had to have lived some outside the paladin world. You don't just start fighting in diapers. What is the whole history of the paladins and how do they come back? Also, I'd love to know more about the Others, which I suspect is to come, but they sound so intriguing! Why do they cause chaos to the human world? Why are they on the other side? What are they like? Were they really humans long ago but were sent/punished/whatever to be on the other side?(My hypothesis) I hope Ms. Morgan answers these questions in the future!
I still can't help but feel that there was something missing (besides my before mentioned questions :P) - I'm not sure what it was, maybe because the whole book was an introduction to the paladins and the rest of the series, but I don't know. Or it could be the relationship itself, which wasn't quite believable - nice but not something I'll remember. Still, I will read more in the series, especially Trahern's and Cullen's books, and hope they progress nicely in the future.
3.5 stars
*note
Excuse me if I've missed things mentioned in the actual book but I had started it a couple months ago, couldn't concentrate on reading at all, and just picked it back up yesterday.
Laurel and Devlin were nice characters but that was about it; there wasn't much depth to them or back story. I would have liked to know more about Devlin and how he came to be a paladin exactly (at least I don't think it was mentioned). I mean he was about three times Laurel's age, so he had to have lived some outside the paladin world. You don't just start fighting in diapers. What is the whole history of the paladins and how do they come back? Also, I'd love to know more about the Others, which I suspect is to come, but they sound so intriguing! Why do they cause chaos to the human world? Why are they on the other side? What are they like? Were they really humans long ago but were sent/punished/whatever to be on the other side?(My hypothesis) I hope Ms. Morgan answers these questions in the future!
I still can't help but feel that there was something missing (besides my before mentioned questions :P) - I'm not sure what it was, maybe because the whole book was an introduction to the paladins and the rest of the series, but I don't know. Or it could be the relationship itself, which wasn't quite believable - nice but not something I'll remember. Still, I will read more in the series, especially Trahern's and Cullen's books, and hope they progress nicely in the future.
3.5 stars
*note
Excuse me if I've missed things mentioned in the actual book but I had started it a couple months ago, couldn't concentrate on reading at all, and just picked it back up yesterday.