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Moby recommended Station to Station by David Bowie in Music (curated)
BookInspector (124 KP) rated Thirteen Reasons Why in Books
Sep 24, 2020
I will start with a confession, I requested this book because I knew the TV Series is out, it can’t be bad if it’s on telly right? And guess what, I was right. I loved this book.
This book is a quick read because it is tiny and really gripping. This book carries two stories at once, the story of Hannah and another one of Clay. This novel is filled with feelings and regret. I loved Hannah’s character in this book, yes, even though she is dead, she is still the main character in this book. I loved her courage for this confession and the secrecy and originality of all this “business”. The palette of characters is really wide in this novel and offers a great variety of personalities to choose from. The characters are very realistic, just like ordinary school kids, which most of us faced in our lives. The whole story is told by Clay and Hannah, but that is sufficient to showcase the feelings and powerful meaning of this novel.
I absolutely loved the message of this book, and I think that Jay Asher has done a great Job, by highlighting suicide and its causes. I loved the way he showed, how small and to some, unimportant actions might influence young people and what it can lead to. I loved the difficulty of relationships which Jay Asher was portraying in this book, and how it changed due to particular actions. The narrative of this book is flowing smoothly and there are no much twists or turns, but every chapter has a great cliffhanger, which creates suspense, makes you wonder of what is waiting on the next side of that cassette. One thing that made it difficult for me, was the merging of these two stories, I would’ve preferred that Hanna’s stories would be uninterrupted by Clay’s commentary and thoughts.
The language of this book was easy to read and understandable, and the chapters are reasonable length, so it is easy, quick and very powerful read. The ending of this novel is well-thought throw and shows to all of us, that life goes on. So, to conclude, it is very amusing and extremely deep book, full of friendships and teenage relationships, and I think this book is absolute must read to all the school goers (and others as well), as in my opinion, most of them can relate to this book and learn few great things about life as well.
This book is a quick read because it is tiny and really gripping. This book carries two stories at once, the story of Hannah and another one of Clay. This novel is filled with feelings and regret. I loved Hannah’s character in this book, yes, even though she is dead, she is still the main character in this book. I loved her courage for this confession and the secrecy and originality of all this “business”. The palette of characters is really wide in this novel and offers a great variety of personalities to choose from. The characters are very realistic, just like ordinary school kids, which most of us faced in our lives. The whole story is told by Clay and Hannah, but that is sufficient to showcase the feelings and powerful meaning of this novel.
I absolutely loved the message of this book, and I think that Jay Asher has done a great Job, by highlighting suicide and its causes. I loved the way he showed, how small and to some, unimportant actions might influence young people and what it can lead to. I loved the difficulty of relationships which Jay Asher was portraying in this book, and how it changed due to particular actions. The narrative of this book is flowing smoothly and there are no much twists or turns, but every chapter has a great cliffhanger, which creates suspense, makes you wonder of what is waiting on the next side of that cassette. One thing that made it difficult for me, was the merging of these two stories, I would’ve preferred that Hanna’s stories would be uninterrupted by Clay’s commentary and thoughts.
The language of this book was easy to read and understandable, and the chapters are reasonable length, so it is easy, quick and very powerful read. The ending of this novel is well-thought throw and shows to all of us, that life goes on. So, to conclude, it is very amusing and extremely deep book, full of friendships and teenage relationships, and I think this book is absolute must read to all the school goers (and others as well), as in my opinion, most of them can relate to this book and learn few great things about life as well.
A Far Off Place
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The whole of A Far- Off Place is charged with the power and magic and beauty of Africa. Driven with...
Zero Fail
Book
NEW YORK TIMES BESTSELLER - "This is one of those books that will go down as the seminal work--the...
Whatchareadin (174 KP) rated Leave Me in Books
Apr 9, 2019
As a mother, there are many days that I dream about packing a bag and leaving town for a few days. But I can't do that, not without a plan and a few weeks notice. Maribeth Klein, on the other hand, does just that. She packs her bags, leaves her cell phone and laptop, and a note for her husband and off she goes. When she boards the train in New York, she's not sure where exactly she is headed, but she'll figure it out when she gets there. Two weeks post heart attack and emergency bypass surgery, she's not getting the help she needs at home and so she decides, just to pack it up and move it out and doesn't communicate with anyone for weeks. Not only does she leave behind her husband, but also their two children. Will she be able to get away and find herself again? Will she ever return home? And if she does, will things just go back to being the same way they were before.
Leave Me is a book all women who feel overworked and underappreciated will enjoy. I know I have threatened my family many times to run away from home, but I would never do it. For starters, I don't have the courage and I would feel extremely guilty about doing it. Luckily for Maribeth, she doesn't feel that way. This book was so hard to put down. I could feel myself in Maribeth's shoes. Enjoying the feeling of not having to worry about anyone but herself and getting things done for herself. As mother's we always put ourselves last in everything that we do. There have been many days that my dinner was cold when I ate it making sure that everyone else around the table was taken care of first, or I missed out on something because there was just enough for everyone else.
This is the second book I have read by Gayle Forman. Usually her books are targeted to a slightly younger audience, but she really hit this one on the head. I hope she has plans to continue to write for women like this.
A couple of my favorite lines from the book are:
The first line of the book, "Maribeth Klein was working late, waiting to sign off on the final page proofs of the December issue, when she had a heart attack."
And this line that reminded me of my husband: "My husband used to say that scars were like tattoos but with better stories."
Overall, this is one of the best books I have read this year and will be doing on my favorites list. I hope that every woman with a family will read this book and be able to appreciate the ability to run away.
Leave Me is a book all women who feel overworked and underappreciated will enjoy. I know I have threatened my family many times to run away from home, but I would never do it. For starters, I don't have the courage and I would feel extremely guilty about doing it. Luckily for Maribeth, she doesn't feel that way. This book was so hard to put down. I could feel myself in Maribeth's shoes. Enjoying the feeling of not having to worry about anyone but herself and getting things done for herself. As mother's we always put ourselves last in everything that we do. There have been many days that my dinner was cold when I ate it making sure that everyone else around the table was taken care of first, or I missed out on something because there was just enough for everyone else.
This is the second book I have read by Gayle Forman. Usually her books are targeted to a slightly younger audience, but she really hit this one on the head. I hope she has plans to continue to write for women like this.
A couple of my favorite lines from the book are:
The first line of the book, "Maribeth Klein was working late, waiting to sign off on the final page proofs of the December issue, when she had a heart attack."
And this line that reminded me of my husband: "My husband used to say that scars were like tattoos but with better stories."
Overall, this is one of the best books I have read this year and will be doing on my favorites list. I hope that every woman with a family will read this book and be able to appreciate the ability to run away.
Debbiereadsbook (1389 KP) rated Tales of Bryant in Books
Apr 11, 2019
so bllody sweet, but so SO good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jumping straight in here, cos let me tell ya! This book landed on my kindle at silly o’clock on a Monday morning. I did not have to be at work for a couple of hours, so I jumped into read a few pages before I must move. And boom! Book finished before 930!
I loved this book! Bar one thing, but I will come back to that.
This is actually billed as four shorts, across the four seasons around Bryant Park in New York. It is, though, the story of a relationship that starts in Byrant Park, between Isamu and Brian, which spans the year.
And it is so bloody sweet! I mean, any sweeter, and it would be pure sugar!
Oh, don’t get me wrong, it’s steamy, and sexy. It’s emotional and dreamy. It made me choke up in places and laugh in others. But my underlying feeling (ya’ll know I’m ALL about the book feelings!) was that this book was SWEET.
And I LOVED it!
Isamu is young, a student of film, delivering sweet treats to the park. Brian is an executive (not really clear of what, but hey, who cares!) He’s been oogling Isamu for months, and the feeling is entirely mutual. Isamu makes sure to be the one to deliver Brian’s treats to the park, just to get his own sweet fix. When Brian eventually plucks up courage to ask Isamu on a date, he jumps at the chance. The rest, they say, is history. Until that is, Brian says something that makes Isamu run.
My only niggle, the thing that stopped it getting the full 5 stars? Only Isamu has a say. And I really NEEDED Brian to have a voice! Isamu makes Brian think, challenge his own rules, makes him WANT to have that relationship he swore off so long ago, and I needed to hear him say WHY Isamu does these things. And he doesn’t. I’m all for saying if a single point of view book carries the full 5 stars, but here, I really needed Brian and I don’t get him.
Isamu though, is lovely! A sweet young man, trying to find his muse for his final assessment, his camera going everywhere with him. And I do mean EVERYWHERE! Loved that Brian was not at all phased by the camera in his face a huge amount of the time!
This author is fast becoming a favourite of mine, and I look forward to reading more!
4 very sweet, but very good stars
**same worded review will appear elsewhere**
Jumping straight in here, cos let me tell ya! This book landed on my kindle at silly o’clock on a Monday morning. I did not have to be at work for a couple of hours, so I jumped into read a few pages before I must move. And boom! Book finished before 930!
I loved this book! Bar one thing, but I will come back to that.
This is actually billed as four shorts, across the four seasons around Bryant Park in New York. It is, though, the story of a relationship that starts in Byrant Park, between Isamu and Brian, which spans the year.
And it is so bloody sweet! I mean, any sweeter, and it would be pure sugar!
Oh, don’t get me wrong, it’s steamy, and sexy. It’s emotional and dreamy. It made me choke up in places and laugh in others. But my underlying feeling (ya’ll know I’m ALL about the book feelings!) was that this book was SWEET.
And I LOVED it!
Isamu is young, a student of film, delivering sweet treats to the park. Brian is an executive (not really clear of what, but hey, who cares!) He’s been oogling Isamu for months, and the feeling is entirely mutual. Isamu makes sure to be the one to deliver Brian’s treats to the park, just to get his own sweet fix. When Brian eventually plucks up courage to ask Isamu on a date, he jumps at the chance. The rest, they say, is history. Until that is, Brian says something that makes Isamu run.
My only niggle, the thing that stopped it getting the full 5 stars? Only Isamu has a say. And I really NEEDED Brian to have a voice! Isamu makes Brian think, challenge his own rules, makes him WANT to have that relationship he swore off so long ago, and I needed to hear him say WHY Isamu does these things. And he doesn’t. I’m all for saying if a single point of view book carries the full 5 stars, but here, I really needed Brian and I don’t get him.
Isamu though, is lovely! A sweet young man, trying to find his muse for his final assessment, his camera going everywhere with him. And I do mean EVERYWHERE! Loved that Brian was not at all phased by the camera in his face a huge amount of the time!
This author is fast becoming a favourite of mine, and I look forward to reading more!
4 very sweet, but very good stars
**same worded review will appear elsewhere**
Lucy Buglass (45 KP) rated Lion (2017) in Movies
Jun 20, 2019
Upon discovering this short film, I was impressed with how well it had performed. During its first year of distribution, it has won 126 awards at a variety of film festivals which is quite the selling point. Walking in to the film, I didn’t know much about it but the air of mystery made my viewing experience even better. The film is set in an isolated cabin, on a snowy night, which creates the perfect backdrop for a horror tale…
From the very first scene you can tell this cabin is not a happy place to be. Straight away we’re created with sounds of domestic violence, making the viewer feel instantly uncomfortable. The father in the film is repulsive and lives in a squalor, with cigarette butts, leftover pizza and empty cans of beer dotted everywhere. Michael Segal really brought this character to life, showing us that not all villains are supernatural or machete wielding psychopaths. Some evil can be found in the average home, behind closed doors, where violence takes over. Sometimes humans can be more terrifying than anything else.
The way Lion deals with domestic violence, particularly against children, was done incredibly well. It’s not an easy topic to cover but this short makes an impact without going too far and making it gratuitous. Part of what makes this film so good is what you don’t see on screen, and how your imagination runs wild. It has a slow burning narrative that builds up the suspense and finally unleashes the climactic moment with only a few minutes to spare, providing closure and satisfaction for the spectator.
I really liked the use of special effects throughout the film, because they blended in nicely with the rest of the scene and weren’t overdone at any point. Cinematically it hits all the right notes for a horror film through it’s use of low-lighting, tense creeping moments, and an excellent use of music. Jump scares and gore weren’t needed in Lion, because it manages to deliver real horror in a much more subtler, but effective way. The presence of the lion throughout was a good motif to use as well, as they’re synonymous with courage and being a fighter. You’ll see what I mean when you watch it.
Lion is an incredibly important short film that I believe is a must watch, even for those who don’t tend to reach for horrors. The final card at the end reiterates the important message that is present throughout the film, and it really resonated with me. It’s a film with fantasy elements, yet still deep rooted within reality that it makes you want to stand up and take action in any way you can.
https://jumpcutonline.co.uk/lion-short/
From the very first scene you can tell this cabin is not a happy place to be. Straight away we’re created with sounds of domestic violence, making the viewer feel instantly uncomfortable. The father in the film is repulsive and lives in a squalor, with cigarette butts, leftover pizza and empty cans of beer dotted everywhere. Michael Segal really brought this character to life, showing us that not all villains are supernatural or machete wielding psychopaths. Some evil can be found in the average home, behind closed doors, where violence takes over. Sometimes humans can be more terrifying than anything else.
The way Lion deals with domestic violence, particularly against children, was done incredibly well. It’s not an easy topic to cover but this short makes an impact without going too far and making it gratuitous. Part of what makes this film so good is what you don’t see on screen, and how your imagination runs wild. It has a slow burning narrative that builds up the suspense and finally unleashes the climactic moment with only a few minutes to spare, providing closure and satisfaction for the spectator.
I really liked the use of special effects throughout the film, because they blended in nicely with the rest of the scene and weren’t overdone at any point. Cinematically it hits all the right notes for a horror film through it’s use of low-lighting, tense creeping moments, and an excellent use of music. Jump scares and gore weren’t needed in Lion, because it manages to deliver real horror in a much more subtler, but effective way. The presence of the lion throughout was a good motif to use as well, as they’re synonymous with courage and being a fighter. You’ll see what I mean when you watch it.
Lion is an incredibly important short film that I believe is a must watch, even for those who don’t tend to reach for horrors. The final card at the end reiterates the important message that is present throughout the film, and it really resonated with me. It’s a film with fantasy elements, yet still deep rooted within reality that it makes you want to stand up and take action in any way you can.
https://jumpcutonline.co.uk/lion-short/
Gareth von Kallenbach (980 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
Ross (3284 KP) rated The Eleven in Books
Apr 23, 2020
Fantastic characters and original story
* I received an advance reader copy from the author and netgalley in exchange for an honest review *
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
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BEST BOXING GAME ON THE APP STORE!! READY FOR AN OLD FASHIONED BEATDOWN? As the K.O. Kid, you...