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Gareth von Kallenbach (980 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
Ross (3284 KP) rated The Eleven in Books
Apr 23, 2020
Fantastic characters and original story
* I received an advance reader copy from the author and netgalley in exchange for an honest review *
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Super KO Boxing 2
Games and Sports
App
BEST BOXING GAME ON THE APP STORE!! READY FOR AN OLD FASHIONED BEATDOWN? As the K.O. Kid, you...
Joan of Arc: The Image of Female Heroism
Book
The fame of Joan of Arc began in her lifetime and, though it has dipped a little now and then, she...
BookInspector (124 KP) rated Children of Blood and Bone: Book 1 in Books
Sep 24, 2020
Zelie is a protagonist in this book, but this novel is told from multiple perspectives. I absolutely loved Zelie. I loved her personality, her ambition, and bravery. Her relationship with Amari (princess of Orisha) was very amusing and intriguing to read. I loved their little girly fights. I found Inan (Prince of Orisha) very annoying, but at the same time absolutely absorbing. I really liked reading Inan’s parts in this book, his constant inner fight was a very pleasant way of distraction. Adeyemi chose her characters really well and done an amazing job in developing them. The multiple perspectives allowed the reader to have an insight into different people’s feelings, thoughts and views of the situations, which always gives me more pleasure while reading. All the characters had their individual personalities, which shined through in this book. My least favorite was, of course, the King, he was cruel, idiotic and generally a bastard. 🙂
I adored the narrative of this book. I found it very original, exceptionally written and I think it just sucks you in with all the adventures, journeys, magic and complex relationships. There are so many African cultural nuances, which absolutely mesmerized me, I love learning about different cultures. The setting of this book continuously changes, as the group travels through Orisha, and I really enjoyed the details and the way the author described the places. This novel has so many important topics incorporated, one of them being unnecessary death, and it did leave me upset and sad during those parts. 😦
Tomi Adeyemi is an incredible writer and I loved her writing style in this book. The chapters are a very decent length and the pages just fly by. Every chapter has plenty of action, and my interest was continuously kindled. In this book, the author used different language for the spells, and I would’ve loved the translation for them in the book, I just like to know what things mean. I really loved the way this novel ended, and it still haunts me, I can’t wait for another book!
There are plenty of fabulous things about this novel, that I could write and write, but I will leave it for you to figure out, all I can say, this book is absolutely magical! It has so much to offer! The characters are impeccably crafted and the plot takes you to amazing places and unforgettable adventures, where you can experience courage, love, romance, loss, and deceit. It is an absolute must read and it is a summer read for Jimmy Fallon, so it has to be good, right? 😉 I hope you will get the chance to read it and to enjoy as much as I did 🙂
I adored the narrative of this book. I found it very original, exceptionally written and I think it just sucks you in with all the adventures, journeys, magic and complex relationships. There are so many African cultural nuances, which absolutely mesmerized me, I love learning about different cultures. The setting of this book continuously changes, as the group travels through Orisha, and I really enjoyed the details and the way the author described the places. This novel has so many important topics incorporated, one of them being unnecessary death, and it did leave me upset and sad during those parts. 😦
Tomi Adeyemi is an incredible writer and I loved her writing style in this book. The chapters are a very decent length and the pages just fly by. Every chapter has plenty of action, and my interest was continuously kindled. In this book, the author used different language for the spells, and I would’ve loved the translation for them in the book, I just like to know what things mean. I really loved the way this novel ended, and it still haunts me, I can’t wait for another book!
There are plenty of fabulous things about this novel, that I could write and write, but I will leave it for you to figure out, all I can say, this book is absolutely magical! It has so much to offer! The characters are impeccably crafted and the plot takes you to amazing places and unforgettable adventures, where you can experience courage, love, romance, loss, and deceit. It is an absolute must read and it is a summer read for Jimmy Fallon, so it has to be good, right? 😉 I hope you will get the chance to read it and to enjoy as much as I did 🙂
The Last Ballad
Book
The author of the celebrated bestseller A Land More Kind Than Home returns with this eagerly awaited...
Historical fiction
Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say
Book
A warm, insightful look at the twelve phrases that strengthen and sustain our relationships, from...
women mind and body
BankofMarquis (1832 KP) rated Don't Worry Darling (2022) in Movies
Oct 1, 2022
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Eilidh G Clark (177 KP) rated Serious Sweet: Longlisted for the Man Booker Prize in Books
May 13, 2017
This novel is a work of art, l I would expect nothing less from a Man Booker contender.
‘The trouble was, that Margaret Thatcher got her drunk.’
A.L. Kennedy is an award-winning novelist, short story writer, and comedian. Her most recent novel, Serious Sweet, 2016, was long listed for this year’s Man Booker prize. Prior to reading the novel, I read some reviews and was fascinated by their diversity, comments ranging from disappointing to outright marvellous. This told me that I was about to embark on a work of art, after all I would expect nothing less from a Man Booker contender.
The novel is set in the heart of contemporary London and follows its two main characters, John Sigurdsson and Meg Williams through a single day. John is a fickle character, who at 59-year of age, has recently divorced is adulterous wife, and his professional life is hanging in the balance. Working as a senior civil servant in Westminster, he is attempting to uncover some pretty immoral activity. John has a talent for letter writing, this, he finds, is a romantic way to connect to women, whilst otherwise remaining inconspicuous. This is how he meets Meg.
Meg Williams is a 45-year-old bankrupt accountant, now working in an animal shelter because, ‘people who’ve been damaged by people go and work with salvaged animals because the animals have also been damaged by people’ (128). Meg is a victim of sexual abuse from a previous partner, something that we only learn in smatterings throughout the novel. A struggling alcoholic, Meg is on the wagon then off the wagon and blames her more recent fall on Margaret Thatcher, ‘The trouble was that Margaret Thatcher got her drunk.’
While the novel itself can be read as a political satire, and political corruption is plentiful in the narrative, I feel it is simply a back-story. The real story is the unfolding of the human consciousness and the power of the mind. Kennedy shows the reader the power of will through the thoughts of each character, stripping them back to their rawest and purest selves, and showing real courage and hope.
When John and Meg eventually meet at the end of the novel, it is not without some supercharged emotional turmoil. Connecting initially through letter writing, however, allowed the characters to open up their inner thoughts and feelings and gave a platform to be open and honest without the restrictions of reality. This, I believe, is where hope is born in the story.
Watching these two characters evolve was a real delight for me and I feel that Kennedy did the novel justice. You can almost feel each character battle with their own heads while their consciousness’ begins to intertwine. And let us not forget those beautifully written vignettes between chapters. Kennedy has written a wonderful novel, and Serious Sweet, I believe was worthy of its Man Booker place.
A.L. Kennedy is an award-winning novelist, short story writer, and comedian. Her most recent novel, Serious Sweet, 2016, was long listed for this year’s Man Booker prize. Prior to reading the novel, I read some reviews and was fascinated by their diversity, comments ranging from disappointing to outright marvellous. This told me that I was about to embark on a work of art, after all I would expect nothing less from a Man Booker contender.
The novel is set in the heart of contemporary London and follows its two main characters, John Sigurdsson and Meg Williams through a single day. John is a fickle character, who at 59-year of age, has recently divorced is adulterous wife, and his professional life is hanging in the balance. Working as a senior civil servant in Westminster, he is attempting to uncover some pretty immoral activity. John has a talent for letter writing, this, he finds, is a romantic way to connect to women, whilst otherwise remaining inconspicuous. This is how he meets Meg.
Meg Williams is a 45-year-old bankrupt accountant, now working in an animal shelter because, ‘people who’ve been damaged by people go and work with salvaged animals because the animals have also been damaged by people’ (128). Meg is a victim of sexual abuse from a previous partner, something that we only learn in smatterings throughout the novel. A struggling alcoholic, Meg is on the wagon then off the wagon and blames her more recent fall on Margaret Thatcher, ‘The trouble was that Margaret Thatcher got her drunk.’
While the novel itself can be read as a political satire, and political corruption is plentiful in the narrative, I feel it is simply a back-story. The real story is the unfolding of the human consciousness and the power of the mind. Kennedy shows the reader the power of will through the thoughts of each character, stripping them back to their rawest and purest selves, and showing real courage and hope.
When John and Meg eventually meet at the end of the novel, it is not without some supercharged emotional turmoil. Connecting initially through letter writing, however, allowed the characters to open up their inner thoughts and feelings and gave a platform to be open and honest without the restrictions of reality. This, I believe, is where hope is born in the story.
Watching these two characters evolve was a real delight for me and I feel that Kennedy did the novel justice. You can almost feel each character battle with their own heads while their consciousness’ begins to intertwine. And let us not forget those beautifully written vignettes between chapters. Kennedy has written a wonderful novel, and Serious Sweet, I believe was worthy of its Man Booker place.