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== As featured in Huffingtonpost.com & Out.com == My Virtual Gay boyfriend is fabulously fun and...
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Meet Ari. He's on a journey to rescue his sister, Ina, who has been kidnapped in the mysterious...
MaryAnn (14 KP) rated Cowboy Bodyguard (Gold Country Cowboys #3) in Books
Mar 5, 2019
In this Gold Country Cowboys novel, Jack Thorn gets a surprise call from the woman he married in secret years ago. Shannon Livingston needs his protection for herself and the baby she’s hiding from a biker gang targeting the mother. Now Jack must help Shannon, even if shielding her means pretending to be a true husband to the only woman he’s ever loved.
My Thoughts: It's difficult enough being an ER doctor, but when your patient happens to be part of the most notorious biker gangs, you have to have nerves of steel. That's what Shannon Livingston was made of. That's how her past shaped her... to be the best no matter what or at what cost.
This novel will take you on a roller coaster ride, it's full of suspense, mystery and with cowboys, lots of shooting! The plot of this story is fantastic. Who would have thought cowboys and biker gangs? It works so well and keeps the reader guessing with all the turns and twists in the plot.
The reader will fall in love with the Thorn family, not to mention the Thorn brothers, but then who can resist a cowboy?
As I was reading, I was getting annoyed with Shannon, when she was putting her career ahead of her marriage and denying her feelings for her husband. Who doesn't want to be loved by someone like Jake Thorn? Why does she keep holding back? Why couldn't she compromise?
The author is an excellent writer and she brings you into the story; the reader truly feels like they are a part of the Thorn family. The reader can feel the suspense and action that is happening.
What I took away from this novel is the theme of God's love; His love for us, and how we should love others. It's about putting our full faith in Him and letting Him direct our paths. Not taking each hurt we have, holding on to it, but giving everything to God and letting go. That means letting the past be in the past and moving on to the future. It means forgiving.
I thoroughly enjoyed this novel and I look forward to reading more from Dana Mentink.
My Thoughts: It's difficult enough being an ER doctor, but when your patient happens to be part of the most notorious biker gangs, you have to have nerves of steel. That's what Shannon Livingston was made of. That's how her past shaped her... to be the best no matter what or at what cost.
This novel will take you on a roller coaster ride, it's full of suspense, mystery and with cowboys, lots of shooting! The plot of this story is fantastic. Who would have thought cowboys and biker gangs? It works so well and keeps the reader guessing with all the turns and twists in the plot.
The reader will fall in love with the Thorn family, not to mention the Thorn brothers, but then who can resist a cowboy?
As I was reading, I was getting annoyed with Shannon, when she was putting her career ahead of her marriage and denying her feelings for her husband. Who doesn't want to be loved by someone like Jake Thorn? Why does she keep holding back? Why couldn't she compromise?
The author is an excellent writer and she brings you into the story; the reader truly feels like they are a part of the Thorn family. The reader can feel the suspense and action that is happening.
What I took away from this novel is the theme of God's love; His love for us, and how we should love others. It's about putting our full faith in Him and letting Him direct our paths. Not taking each hurt we have, holding on to it, but giving everything to God and letting go. That means letting the past be in the past and moving on to the future. It means forgiving.
I thoroughly enjoyed this novel and I look forward to reading more from Dana Mentink.
Phillip McSween (751 KP) rated Toy Story (1995) in Movies
Jan 22, 2018
Classic
Toy Story's magic amazingly manages to hold decades after its 1995 release. Woody (Tom Hanks), a toy cowboy, is used to being king of the roost in owner Andy's home. When a shiny new toy shows up by the name of Buzz Lightyear (Tim Allen), Buzz and Woody have to figure out a way to coexist in Andy's room.
While the movie largely revolves around the big characters of Buzz and Woody, Toy Story would be nothing without the rest of its fun and lovable crew. My personal favorite was Rex (Wallace Shawn) a T-Rex scared of disappointing any and everyone. His numerous moments of distress keep the comedy level ramped up. He is the antithesis of a film that stresses living in the now as he is always worried about what's going to happen next.
It's an adventure that takes you all over the place while breaking animation barriers in the process. You'll explore an exciting world through the eyes of tiny toys where everything is much bigger. From racing through Pizza Planet and escaping "The Claw" (Ohhhhhhh) to harrowing escapes from attack dogs and evil neighbor kids, you're never bored from one moment to the next. Seriously, what's not to like?
There are so many classic scenes, it's hard to keep track. One scene in particular saw Woody trying to communicate with the other toys from neighbor Sid's window. He's trying to prove that Buzz is still alive but only has Buzz's arm. All hell breaks loose when the other toys realize the truth. The scene is less than two minutes, but easily one of the most memorable.
I saw this film for the first time when I was eleven and the message was lost on me then. Years later, it's staring me dead in the face: It's about not trying to be something you aren't but rather focusing on being the best YOU you can be. It's a magical film that takes us back to a time before video games were everything. The first of one of the best trilogies ever done, I give it a solid 98.
While the movie largely revolves around the big characters of Buzz and Woody, Toy Story would be nothing without the rest of its fun and lovable crew. My personal favorite was Rex (Wallace Shawn) a T-Rex scared of disappointing any and everyone. His numerous moments of distress keep the comedy level ramped up. He is the antithesis of a film that stresses living in the now as he is always worried about what's going to happen next.
It's an adventure that takes you all over the place while breaking animation barriers in the process. You'll explore an exciting world through the eyes of tiny toys where everything is much bigger. From racing through Pizza Planet and escaping "The Claw" (Ohhhhhhh) to harrowing escapes from attack dogs and evil neighbor kids, you're never bored from one moment to the next. Seriously, what's not to like?
There are so many classic scenes, it's hard to keep track. One scene in particular saw Woody trying to communicate with the other toys from neighbor Sid's window. He's trying to prove that Buzz is still alive but only has Buzz's arm. All hell breaks loose when the other toys realize the truth. The scene is less than two minutes, but easily one of the most memorable.
I saw this film for the first time when I was eleven and the message was lost on me then. Years later, it's staring me dead in the face: It's about not trying to be something you aren't but rather focusing on being the best YOU you can be. It's a magical film that takes us back to a time before video games were everything. The first of one of the best trilogies ever done, I give it a solid 98.
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RəX Regent (349 KP) rated The Big Trail (1930) in Movies
Feb 19, 2019
“The Indians are my friends…” Breck Coleman – John Wayne
Not exactly a statement that would exemplify the Career of a man rightly or wrongly associated as being the Cowboy of the Cowboy and Indian movies. But there is no doubt that John Wayne was certainly one of the biggest western stars of cinema.
And The Big Trail is where it really begins for Wayne, but this 1930’s classic was a box office failure, coming not only at the dawn of sound film, but at the time of The Great Depression. It would be another decade by the time “The Duke” wold be born and John Wayne would take his crown as the western superstar which we all know today.
But The Big Trail, originally entitled The Oregon Trail, is not really a John Wayne vehicle. He was a relative unknown actor alongside stage talent, many of whom were drafted into Hollywood at this time simply because they could give a decent vocal performance, as many a silent star was falling, failing to adapt the talkies.
But again, sound is not the selling point of this movie. This was one of a handful of films which pioneered the 70mm film format, in this case, Fox Grandeur, or Grandeur 70. A none anamorphic widescreen format, which whilst not the first attempt, nor the first 70mm film format, it was the nearest to which would succeed later.
2oth Century Fox would change cinema in 1953 with the release of the first CinemaScope film, The Robe, a year after the debut of Cinerama, but Grandeur more closest resembles Todd AO, a format which is still technically used today though in a somewhat different way. The secret to CinemaScope’s later success was in many ways the reason for the failure of Grandeur and that was the fact that CinemaScope was an anamorphic process, screening the image from a regular 35mm film and expanding with the lens, therefore making it a lot cheaper to adapt existing projectors and auditoriums.
Grandeur on the other hand was a larger film format and required a complete upgrade to theatres and therefore, especially at the dawn of the depression era, was financially untenable. Only two theatres in the U.S. would ever show this film in its widescreen glory, with rest showing the alternate 35mm Academy version.
And this film, had SIX versions shot simultaneously, in four different languages, 35mm and 70mm, each requiring different takes with different cameras or casts. This was an incredible feet but one which would soon be reduced with the use of audio dubbing, subtitles and ability to pan and scan.
The problem with this film is simple. It has a loose plot but no real twists and turns. This is almost a documentary following the wagon train trail across the west as group of pioneers make their way to the better life and building the United States, or at least personifying the romantic version of it.
But the film’s pacing and visual style works best through the widescreen lens, a beautiful journey with the untamed west as backdrop, but this is not the the version that most people have seen. The majority only saw the 35mm version which is 20 minutes shorter, edited more quickly and simply doesn’t have the visual flare of the Grandeur version. And without this vast visual canvas, the thousands of extras and props are almost cut from the film, a film with now feels a bit pointless and bit wayward.
Starring an unknown, though despite his hammy acting, Wayne manages to hold his own, the pacing is rushed and the fact that this is an epic journey which we are embarking on with them is somewhat lost.
The widescreen version’s main failing is the sound, which is inferior and poorly mixed in comparison to the 35mm cut, which is crisper and louder, but sound was never going to this movie’s strength and it was still rudimentary at this point. But on a visual level, considering the age of the print, the cinematography is up there as being some of the best, with scale and dare I say, “grandeur” about it.
This is an interesting film to watch now, though unless you are a strong western fan, I would say that it will not thrill, though as a peace of cinematic history, it is littered with footnotes and it very watchable.
And The Big Trail is where it really begins for Wayne, but this 1930’s classic was a box office failure, coming not only at the dawn of sound film, but at the time of The Great Depression. It would be another decade by the time “The Duke” wold be born and John Wayne would take his crown as the western superstar which we all know today.
But The Big Trail, originally entitled The Oregon Trail, is not really a John Wayne vehicle. He was a relative unknown actor alongside stage talent, many of whom were drafted into Hollywood at this time simply because they could give a decent vocal performance, as many a silent star was falling, failing to adapt the talkies.
But again, sound is not the selling point of this movie. This was one of a handful of films which pioneered the 70mm film format, in this case, Fox Grandeur, or Grandeur 70. A none anamorphic widescreen format, which whilst not the first attempt, nor the first 70mm film format, it was the nearest to which would succeed later.
2oth Century Fox would change cinema in 1953 with the release of the first CinemaScope film, The Robe, a year after the debut of Cinerama, but Grandeur more closest resembles Todd AO, a format which is still technically used today though in a somewhat different way. The secret to CinemaScope’s later success was in many ways the reason for the failure of Grandeur and that was the fact that CinemaScope was an anamorphic process, screening the image from a regular 35mm film and expanding with the lens, therefore making it a lot cheaper to adapt existing projectors and auditoriums.
Grandeur on the other hand was a larger film format and required a complete upgrade to theatres and therefore, especially at the dawn of the depression era, was financially untenable. Only two theatres in the U.S. would ever show this film in its widescreen glory, with rest showing the alternate 35mm Academy version.
And this film, had SIX versions shot simultaneously, in four different languages, 35mm and 70mm, each requiring different takes with different cameras or casts. This was an incredible feet but one which would soon be reduced with the use of audio dubbing, subtitles and ability to pan and scan.
The problem with this film is simple. It has a loose plot but no real twists and turns. This is almost a documentary following the wagon train trail across the west as group of pioneers make their way to the better life and building the United States, or at least personifying the romantic version of it.
But the film’s pacing and visual style works best through the widescreen lens, a beautiful journey with the untamed west as backdrop, but this is not the the version that most people have seen. The majority only saw the 35mm version which is 20 minutes shorter, edited more quickly and simply doesn’t have the visual flare of the Grandeur version. And without this vast visual canvas, the thousands of extras and props are almost cut from the film, a film with now feels a bit pointless and bit wayward.
Starring an unknown, though despite his hammy acting, Wayne manages to hold his own, the pacing is rushed and the fact that this is an epic journey which we are embarking on with them is somewhat lost.
The widescreen version’s main failing is the sound, which is inferior and poorly mixed in comparison to the 35mm cut, which is crisper and louder, but sound was never going to this movie’s strength and it was still rudimentary at this point. But on a visual level, considering the age of the print, the cinematography is up there as being some of the best, with scale and dare I say, “grandeur” about it.
This is an interesting film to watch now, though unless you are a strong western fan, I would say that it will not thrill, though as a peace of cinematic history, it is littered with footnotes and it very watchable.
Goddess in the Stacks (553 KP) rated American Hippo (River of Teeth, #1-2) in Books
Jan 30, 2019
I actually read these volumes as separate books, so I have two separate reviews here.
River of Teeth (Part 1):
I somehow missed that this was a novella, every time I looked at it online. It wasn't until I checked it out from the library and was shocked at how small it was that I made that discovery. It was a welcome one, since I checked out seven other books that day, and finding something short was a relief!
And I AM SO GLAD I finally read this, because it's AMAZING. It opens on Winslow seducing a federal agent, and quickly moves to him gathering up a crew to drive feral hippos out of a marsh in Louisiana. I was expected a fun hippo-cowboy romp, and I got that - what I wasn't expected was strong, deadly women, a bisexual male hero, a nonbinary love interest, and hippo steeds. I don't know why hippo steeds didn't occur to me - it's not like they could wrangle hippos from atop horses! There is so much goodness packed into this little volume.
River of Teeth: short and sweet, action-packed with amazing characters and a fascinating, bizarre, but historical premise.
Taste of Marrow (Part 2):
Another quick novella, Taste of Marrow is the sequel to the bizarre alternate history novella River of Teeth. It picks up a few months after the ending of the first - people have had a chance to heal their injuries from the explosive ending of the first book, and hippos have begun to spread to previously safe waterways. The cast of this book consists of the surviving characters from the first, plus only one more semi-important character.
It's not quite as good as the first - no explosions and it's less of a rollercoaster - but there is some character development, and a deeper exploration of a few characters than we saw in the first book. I wish my library had the omnibus edition, because it includes two short stories set in the same world, and I'm very curious which aspects of the world she explored in those.
But this is a fun pair of books, very quick, easy reads, and it's just fun to say you're reading a book about hippos and cowboys!
You can find all my reviews at http://goddessinthestacks.com
River of Teeth (Part 1):
I somehow missed that this was a novella, every time I looked at it online. It wasn't until I checked it out from the library and was shocked at how small it was that I made that discovery. It was a welcome one, since I checked out seven other books that day, and finding something short was a relief!
And I AM SO GLAD I finally read this, because it's AMAZING. It opens on Winslow seducing a federal agent, and quickly moves to him gathering up a crew to drive feral hippos out of a marsh in Louisiana. I was expected a fun hippo-cowboy romp, and I got that - what I wasn't expected was strong, deadly women, a bisexual male hero, a nonbinary love interest, and hippo steeds. I don't know why hippo steeds didn't occur to me - it's not like they could wrangle hippos from atop horses! There is so much goodness packed into this little volume.
River of Teeth: short and sweet, action-packed with amazing characters and a fascinating, bizarre, but historical premise.
Taste of Marrow (Part 2):
Another quick novella, Taste of Marrow is the sequel to the bizarre alternate history novella River of Teeth. It picks up a few months after the ending of the first - people have had a chance to heal their injuries from the explosive ending of the first book, and hippos have begun to spread to previously safe waterways. The cast of this book consists of the surviving characters from the first, plus only one more semi-important character.
It's not quite as good as the first - no explosions and it's less of a rollercoaster - but there is some character development, and a deeper exploration of a few characters than we saw in the first book. I wish my library had the omnibus edition, because it includes two short stories set in the same world, and I'm very curious which aspects of the world she explored in those.
But this is a fun pair of books, very quick, easy reads, and it's just fun to say you're reading a book about hippos and cowboys!
You can find all my reviews at http://goddessinthestacks.com
Lesemotivation: Tiramisu Rex in New York
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“Reading Motivation - Tiramisu Rex in New York” is an educational reading game, which motivates...
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