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Heather Cranmer (2721 KP) created a post

Dec 19, 2022  
Read the first chapter from the Christian Western romance novel FINDING MY DESTYNEE by Natalie Bright & Denise F. McAllister on my blog. If you like what you read, enter the giveaway for a chance to win the full Rafter O Rancher series in eBook format!

https://alltheupsandowns.blogspot.com/2022/12/book-blog-tour-and-giveaway-finding-my.html

**BOOK SYNOPSIS**
True heart’s desire cannot be ignored.

Destynee Olsen has always done what her mother asked, but the road to stardom could mean leaving behind a piece of her heart.

Travis Olsen tries desperately to honor his vow to support his wife. Watching their son grow up without a mother is asking too much and his resentment builds. A marriage alone and single parenting is not what he signed up for.

The line has been drawn between a woman who has been told that her destiny to be a star is more important than she is and a cowboy who refuses to destroy his wife’s dream. Destynee and Travis have to decide what’s important. Can they discover the life they were meant to have at the risk of denying their own hearts?
      
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Heather Cranmer (2721 KP) created a post

Mar 15, 2021  
Sneak a peek at the Western historical fiction novel ALL THE COWBOYS AIN'T GONE by John J. Jacobson on my blog, and enter the giveaway to win your own print copy of the book - five winners!

https://alltheupsandowns.blogspot.com/2021/03/book-blog-tour-and-giveaway-all-cowboys.html

**BOOK SYNOPSIS**
All the Cowboys Ain’t Gone is the rollicking adventure story of Lincoln Smith, a young Texan living at the beginning of the twentieth century, who thinks of himself as the last true cowboy. He longs for the days of the Old West, when men like his father, a famous Texas Ranger, lived by the chivalric code. Lincoln finds himself hopelessly out of time and place in the fast-changing United States of the new century. When he gets his heart broken by a sweetheart who doesn’t appreciate his anachronistic tendencies, he does what any sensible young romantic would do: he joins the French Foreign Legion.

On his way to an ancient and exotic country at the edge of the Sahara, Lincoln encounters a number of curious characters and strange adventures, from a desert hermit who can slow up time to a battle with a crocodile cult that worships the god of death. He meets them all with his own charming brand of courage and resourcefulness.
      
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James Franco recommended My Own Private Idaho (1991) in Movies (curated)

 
My Own Private Idaho (1991)
My Own Private Idaho (1991)
1991 | International, Drama
7.0 (1 Ratings)
Movie Favorite

"Even before I started acting, this was a very important film to me. Obviously I was really drawn to the performances and characters, but the whole film just kept bringing it back. Gus has changed his style somewhat beginning with Gerry and all this Bela Tarr and Chantal Akerman influence, which I love too. But back then it was really about collage. Idaho actually started as three different projects – three scripts – through Orson Welles‘ Chimes at Midnight, which was a distillation of Shakespeare, and this other story about street kids in Portland, and then something else about a kid finding his parents in Italy. And then this whole narcoleptic thing that was influenced by George Eliot. He’s got all that just in the script, and then there’s the way it’s shot – he had two DPs, plus time-lapse for the cloud sequences and 8mm for the dream sequences. I love all of Gus’ movies. I think Drugstore Cowboy is a hilarious movie. I love how he can take a situation like that and make it funny. I think Matt Dillon gives one of the best comedic performances in that movie. Gus is taking a very personal approach in the film – from the look of Bob Yeoman‘s cinematography to the way Gus captures Portland on screen."

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Lev Kalman recommended The American Friend (1977) in Movies (curated)

 
The American Friend (1977)
The American Friend (1977)
1977 | Crime
8.0 (2 Ratings)
Movie Favorite

"Déclassé doubles being kinda a Ripley thing, The American Friend has a trashy yet seductive sister called Ripley’s Game, which, if you haven’t seen it, has John Malkovich and a very GoldenEye vibe. I watch both on regular rotation. But it’s really so wild that The American Friend is the older film, because where Ripley’s Game is like a classic Hollywood cash-in, The American Friend is a radical reinterpretation of the material. It says all the loud parts quiet in a way that deepens the pathos and significance of the Ripley cycle. Rather than being a social-climbing dandy, Dennis Hopper’s Ripley is a mumbling cowboy hipster—it’s maybe his most likable role. And Bruno Ganz’s Jonathan, who can so easily just be a pathetic sucker, is instead an existential hero. But for all its understatement and the arty languid pacing, when the film needs to be—as in the train scene—it’s as taut and calculated as Hitchcock. Oh man, and that stuff about the Beatles and Hamburg is so damn smart. It’s crazy that a director whose work is all over the place could produce a film so totally organic and emotionally satisfying. Honestly it’s not fair."

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