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Haley Mathiot (9 KP) rated Colorful Crochet Lace: 22 Chic Garments & Accessories in Books
Apr 27, 2018
Generally speaking when I get a craft book, I like 99% of the patterns. There are always a few that I’m not big on, or just not impressed by. But this book is different: I love every single pattern, and want to make them all in a bunch of different colors. Like I’m not even joking. And I even got my boyfriend to look through all the pictures too and he was like “oooh you should make that. Ooh that would be so pretty on you. Oooh look at that one.” It was kind of adorable.
There were a few things that made me really love this book. Yes the patterns themselves were lovely, but one of the things about them was the hook size wasn’t microscopic. When I go online and search for “Crochet lace,” a lot of times the patterns I find are very tight-gauge. Fingering weight yarn, tiny hooks, itty bitty details, slow progress. These patterns were mostly G, H, and I hooks, so they will work up pretty quickly.
Another thing I really liked was the French names and theme running through the book. All the patterns were elegant, light, delicate, and sweet. Some of them were gorgeous and sexy in addition! Even the layout of the patterns themselves was elegant.
Lastly there was both graphs for the lace, and the written instructions, for both kinds of people. I can’t just follow a pattern, and I can’t just look at a graph. But with both, I’m good.
I’m super excited about this book. Check back with me in a few weeks to see what I’ve made!
There were a few things that made me really love this book. Yes the patterns themselves were lovely, but one of the things about them was the hook size wasn’t microscopic. When I go online and search for “Crochet lace,” a lot of times the patterns I find are very tight-gauge. Fingering weight yarn, tiny hooks, itty bitty details, slow progress. These patterns were mostly G, H, and I hooks, so they will work up pretty quickly.
Another thing I really liked was the French names and theme running through the book. All the patterns were elegant, light, delicate, and sweet. Some of them were gorgeous and sexy in addition! Even the layout of the patterns themselves was elegant.
Lastly there was both graphs for the lace, and the written instructions, for both kinds of people. I can’t just follow a pattern, and I can’t just look at a graph. But with both, I’m good.
I’m super excited about this book. Check back with me in a few weeks to see what I’ve made!
Tara (6 KP) rated Ink Iron and Glass in Books
Jul 3, 2018
Has some twists you don't see coming! Keeps you guessing. Keeps building to the end. Makes you wish you had the next book ready so you can find out what happens next. (1 more)
Wasn't a complete cliffhanger, but it did leave you with questions. General curiosity to how the story will continue.
Keep with it!
Book Sleeve Description -
Can she write a world gone wrong?
A certain pen, a certain book, and a certain person can craft entirely new worlds through a branch of science called scriptology. Elsa comes from one such world that was written into creation, where her mother - a noted scriptologist - constantly alters and expands their reality.
But when her home is attacked and her mother kidnapped, Elsa is forced to cross into the real world and use her own scriptology gifts to find her. In an alternative Victorian Italy, Elsa finds a secret society of young scientists with a gift for mechanics, alchemy, or scriptology - and meets Leo, a gorgeous mechanist with a smart mouth and tragic past. She recruits the help of these fellow geniuses just as an assassin arrives on their doorstep.
In this thrilling debut, worlds collide as Elsa unveils a deep political conspiracy seeking to unlock the most dangerous weapon ever created - and only she can stop it.
Wish I had the second book so I can find out what happens!
New type of YA story.
Refreshing.
Can start off slow...trust me...stick with it!
Can she write a world gone wrong?
A certain pen, a certain book, and a certain person can craft entirely new worlds through a branch of science called scriptology. Elsa comes from one such world that was written into creation, where her mother - a noted scriptologist - constantly alters and expands their reality.
But when her home is attacked and her mother kidnapped, Elsa is forced to cross into the real world and use her own scriptology gifts to find her. In an alternative Victorian Italy, Elsa finds a secret society of young scientists with a gift for mechanics, alchemy, or scriptology - and meets Leo, a gorgeous mechanist with a smart mouth and tragic past. She recruits the help of these fellow geniuses just as an assassin arrives on their doorstep.
In this thrilling debut, worlds collide as Elsa unveils a deep political conspiracy seeking to unlock the most dangerous weapon ever created - and only she can stop it.
Wish I had the second book so I can find out what happens!
New type of YA story.
Refreshing.
Can start off slow...trust me...stick with it!
CJ (8 KP) rated 2001: A Space Odyssey (1968) in Movies
Aug 26, 2018
Visit space at your local IMAX
This review is specifically about the IMAX re-release in 2018.
Never having seen this film before, I was psyched to hear it was coming to IMAX. Raised in museums, I have a strong predisposition to watch movies set in space or in the ocean on IMAX screens. In that respect, this movie does not disappoint. If your idea of a great time is watching space craft drift through space to classical music on a screen so big you feel like you’re there, you will LOVE this movie. The cinematography is stunning, and I found myself enjoying shifting back and forth between space and 1960’s set design. 2001 is, if nothing else, a feast on for the eyes.
This movie has a reputation for being confusing, and it does earn it. This is particularly true of the last half our or so.
Because this was originally made for Cinerama (a style that was projected onto a heavily curved screen using 3 synchronized projectors) a few scenes looked a little squished or bent in places. It’s barely noticable, and probably unavoidable in translating from the curved to flat screen. Still, this was remarkably well done.
Still, regardless what you think of the story and meaning of this film, you will be doing yourself a favor to see it in IMAX before it leaves!
Never having seen this film before, I was psyched to hear it was coming to IMAX. Raised in museums, I have a strong predisposition to watch movies set in space or in the ocean on IMAX screens. In that respect, this movie does not disappoint. If your idea of a great time is watching space craft drift through space to classical music on a screen so big you feel like you’re there, you will LOVE this movie. The cinematography is stunning, and I found myself enjoying shifting back and forth between space and 1960’s set design. 2001 is, if nothing else, a feast on for the eyes.
This movie has a reputation for being confusing, and it does earn it. This is particularly true of the last half our or so.
Because this was originally made for Cinerama (a style that was projected onto a heavily curved screen using 3 synchronized projectors) a few scenes looked a little squished or bent in places. It’s barely noticable, and probably unavoidable in translating from the curved to flat screen. Still, this was remarkably well done.
Still, regardless what you think of the story and meaning of this film, you will be doing yourself a favor to see it in IMAX before it leaves!
LeftSideCut (3778 KP) rated Get Out (2017) in Movies
Feb 18, 2020
Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
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