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CJ (8 KP) rated 2001: A Space Odyssey (1968) in Movies

Aug 26, 2018

2001: A Space Odyssey (1968)

1968 | Classics, Sci-Fi

8.0

(48 Ratings)

Movie Rating Watch

Long scenes of drifting through space. Amazing on an IMAX screen. (0 more)

Plot sometimes seems like an afterthought (see above long images of drifting through space.) This is not a neat ending. You will most likely be confused. (0 more)

Visit space at your local IMAX

This review is specifically about the IMAX re-release in 2018.

Never having seen this film before, I was psyched to hear it was coming to IMAX. Raised in museums, I have a strong predisposition to watch movies set in space or in the ocean on IMAX screens. In that respect, this movie does not disappoint. If your idea of a great time is watching space craft drift through space to classical music on a screen so big you feel like you’re there, you will LOVE this movie. The cinematography is stunning, and I found myself enjoying shifting back and forth between space and 1960’s set design. 2001 is, if nothing else, a feast on for the eyes.
This movie has a reputation for being confusing, and it does earn it. This is particularly true of the last half our or so.
Because this was originally made for Cinerama (a style that was projected onto a heavily curved screen using 3 synchronized projectors) a few scenes looked a little squished or bent in places. It’s barely noticable, and probably unavoidable in translating from the curved to flat screen. Still, this was remarkably well done.
Still, regardless what you think of the story and meaning of this film, you will be doing yourself a favor to see it in IMAX before it leaves!

Kudos

LeftSideCut (3776 KP) rated Get Out (2017) in Movies

Feb 18, 2020

Get Out (2017)

2017 | Horror, Thriller

8.0

(207 Ratings)

Movie Rating

Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.

He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.

The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.

The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.

With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.