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Energy Sprawl Solutions: Balancing Global Development and Conservation
Davide E. Naugle and Joseph M. Kiesecker
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An innovative approach to balancing the concerns of energy development with sustainability and...
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REFERENCE GUIDE TO THE SYMBOLS USED ON ELECTRONIC (ECDIS) NAUTICAL CHARTS SPECIFIED BY THE...
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For more than 31 years, Guitar World has served as North America's leading publication for rock...
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Ah, the forest, such a magical place! In this particular forest, Banja and her friends are waiting...
The Byline Bible
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Newspaper, magazine, and web editors are desperate for new voices and anyone, in any field, can...
Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones
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Tiny Changes, Remarkable Results No matter your goals, Atomic Habits offers a proven framework...
Craig Davidson (18 KP) rated Aliens (1986) in Movies
May 11, 2019 (Updated May 11, 2019)
Hudson (3 more)
Pulse rifle
Alien queen
Marines
Stop ya grinning and drop ya linen
Contains spoilers, click to show
So what can I say about aliens. Since its release in 1986 it's become probably one of my favourite and go to films. James Cameron at his best.
The whole cast are amazing and although the movie is a little yawn until the marines come in to it I just adore it.
The movie picks up where alien finished finding Riley in the escape craft form the nostromo 57 years later. She is picked up by a salvage craft and taken back to be grilled by the Weyland-Yutani Corporation (nooooo) as to why she destroyed the nostromo.
As usual the big wigs do not believe the story and inform Ripley that the planet LV-426 is now inhabited by terraformers who are changing the planet to be more earth kike. Soooo after the grilling Ripley gets Carter Burke (slimey weasel corporate man ) sends people from Hadleys Hope station to investigate the coordinates where the alien ship was first encountered. And of course Newts dad ends up with a beauty of a face hugger on his mush. This starts the chain of events that basically wipes out the whole station.
So after a while Burke and Lt Gorman. track down Ripely to ask her to join them as an advisor and go back to LV-426. She of course says no until she has a dream and leaves her ginger pussy at home.
So now the film really begins and the USS Sulaco comes in to shit looking like a giant gun.
We then meet the colonial marines including Android bishop and my favourite film character of all time hudson.
They all arrive and on the planet and eventually come across the little girl Newt (Rebecca but no body calls her that ,except her brother ) who has survived the alien invasion by crawling around the air ducts.
The marines eventually find the rest of the colony via there trackers and head to collect them. Of course they find the colony people stuck to the walls by some sort of secreted resin ( but secreted by why what ?) With there chest cavities well open exposing there inner organs. They then find a live one ( in a shit ya pants moment) and we get to see the alien push through the poor woman's chest.
The marines torch the little git and then all hell breaks loose. But we get to hear the iconic sound of the pulse rifle and get to hear Vasquez shout "let's rock" as they try to sort out the pesky bug problem by spraying the whole place with bullets.
We loose slot of the secondary cast in this scene and they also crack one of the nuclear reactors which will blow up soon.
The marines fight hard but they end up loosing the drop ship and are stranded. So the plan is hatched to remote a new drip ship down from the sulaco.
The android bishop has to crawl down a very long pipe in a very claustrophobic scene to get a signal to use the remote control.
The rest of the people left alive Ripley ,Hicks ,Gorman ,Hudson ,Vasquez ,Newt and the horrible Burke at left in the station to set up and defend themselves and fortify the area.
But the alien have there clever mama and they attack in force.
It's is in this attack we see how brave the loudmouth marine Hudson is in what is my opinion one of the greatest last scenes ever of a character "fuck you " being his last words.
After this the rest are lost apart from Hicks and Ripley and newt and bishop .
Newt takes a slide down a vent and gets lost , Ripley then goes and gets her and comes across the bad ass bitch that's has been laying the alien eggs . A fight happens and Ripley gets newt out and back to the drop ship and back to USS Sulaco with hicks and bishop. But ohhhhh no the mama alien was on board and rips bishop in half and covers the place in milk. Ripley beats the crap out of the mama alien with a really cool fork lift then they all go to sleep.
Aliens for me is a classic and better than the original.
The whole cast are amazing and although the movie is a little yawn until the marines come in to it I just adore it.
The movie picks up where alien finished finding Riley in the escape craft form the nostromo 57 years later. She is picked up by a salvage craft and taken back to be grilled by the Weyland-Yutani Corporation (nooooo) as to why she destroyed the nostromo.
As usual the big wigs do not believe the story and inform Ripley that the planet LV-426 is now inhabited by terraformers who are changing the planet to be more earth kike. Soooo after the grilling Ripley gets Carter Burke (slimey weasel corporate man ) sends people from Hadleys Hope station to investigate the coordinates where the alien ship was first encountered. And of course Newts dad ends up with a beauty of a face hugger on his mush. This starts the chain of events that basically wipes out the whole station.
So after a while Burke and Lt Gorman. track down Ripely to ask her to join them as an advisor and go back to LV-426. She of course says no until she has a dream and leaves her ginger pussy at home.
So now the film really begins and the USS Sulaco comes in to shit looking like a giant gun.
We then meet the colonial marines including Android bishop and my favourite film character of all time hudson.
They all arrive and on the planet and eventually come across the little girl Newt (Rebecca but no body calls her that ,except her brother ) who has survived the alien invasion by crawling around the air ducts.
The marines eventually find the rest of the colony via there trackers and head to collect them. Of course they find the colony people stuck to the walls by some sort of secreted resin ( but secreted by why what ?) With there chest cavities well open exposing there inner organs. They then find a live one ( in a shit ya pants moment) and we get to see the alien push through the poor woman's chest.
The marines torch the little git and then all hell breaks loose. But we get to hear the iconic sound of the pulse rifle and get to hear Vasquez shout "let's rock" as they try to sort out the pesky bug problem by spraying the whole place with bullets.
We loose slot of the secondary cast in this scene and they also crack one of the nuclear reactors which will blow up soon.
The marines fight hard but they end up loosing the drop ship and are stranded. So the plan is hatched to remote a new drip ship down from the sulaco.
The android bishop has to crawl down a very long pipe in a very claustrophobic scene to get a signal to use the remote control.
The rest of the people left alive Ripley ,Hicks ,Gorman ,Hudson ,Vasquez ,Newt and the horrible Burke at left in the station to set up and defend themselves and fortify the area.
But the alien have there clever mama and they attack in force.
It's is in this attack we see how brave the loudmouth marine Hudson is in what is my opinion one of the greatest last scenes ever of a character "fuck you " being his last words.
After this the rest are lost apart from Hicks and Ripley and newt and bishop .
Newt takes a slide down a vent and gets lost , Ripley then goes and gets her and comes across the bad ass bitch that's has been laying the alien eggs . A fight happens and Ripley gets newt out and back to the drop ship and back to USS Sulaco with hicks and bishop. But ohhhhh no the mama alien was on board and rips bishop in half and covers the place in milk. Ripley beats the crap out of the mama alien with a really cool fork lift then they all go to sleep.
Aliens for me is a classic and better than the original.
Movie Metropolis (309 KP) rated Blade Runner 2049 (2017) in Movies
Jun 10, 2019
A Visual Treat
It was always going to be a tricky proposition to craft a sequel to Ridley Scott’s divisive 1982 film, Blade Runner. By divisive, I mean that while it has gained a cult following in the decades since its initial release, the film’s initial box-office run resulted in a gross that many would label ‘disappointing.’
Stuck in development hell for well over 20 years, Blade Runner 2049 as it’s now known entered the hands of sci-fi aficionado Denis Villeneuve since 2015. But has a wait of over three decades been kind to the finished film?
Officer K (Ryan Gosling), a new blade runner tasked with tracking down old replicants for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who’s been missing for 30 years.
Visually, Blade Runner 2049 is an absolute masterpiece but from the director of the equally stunning Arrival, this was to be expected. Tasked with taking the first film and crafting a worthy sequel was never going to be an easy ride for Villeneuve and he almost makes it out the other side unscathed, almost.
Our cast is one of the film’s strongest suits with Gosling in particular being as magnetic a presence as ever. It’s also nice to see the wonderful Dave Bautista sink his teeth into something a little grittier than his well-worn Drax persona. Unfortunately, despite being an ever-present feature in the trailers, Harrison Ford is disappointingly underused, though he does appear in 2049’s best sequences.
The cinematography is absolutely beautiful, there really is no other word for it. Bizarrely grounded in reality, the year 2049 is a place that doesn’t feel too far away from the world as we know it. Villeneuve’s metropolis’ live and breathe right before our very eyes with a desolate Las Vegas in particular being a highlight, bathed in an eerie orange glow.
The CGI too is staggering and some of the best seen in the genre. Holograms litter the cityscapes and detail pours out of every frame – Blade Runner 2049 has been meticulously crafted to an incredibly high standard by someone who clearly cares about the legacy this film will leave.
Elsewhere, the score by Hans Zimmer and Benjamin Wallfisch is exquisite. Blending nostalgic tones with a modern edge, the music is one of the film’s high points and couples with each frame almost perfectly.
So, to look at and to listen to, it’s spectacular. But how does the rest of this sequel fare? Well, not too bad at all really. The story feels linked to the first film in a way that doesn’t tread on its toes. Many long-awaited sequels feel it necessary to shred what came before and try far too hard to craft their own paths. Thankfully, 2049 honours its predecessor in more ways than just sickly nostalgia.
Unfortunately, it’s far too long. At 163 minutes, this is a real slog by anyone’s standards and while it’s true the pacing is spot on, there’s no getting away from the fact that this is a long film and feels it. It would’ve been pretty easy to shave a couple of minutes from the run-time here and there, though it’s not too much of an issue.
My only other bugbear is a pretty big one. Ridley Scott’s ’82 masterpiece was a film that had a soul, despite its plot focusing on those to the contrary. Here, the sheen, the glitz and the polish are all super impressive but much like the replicants our blade runner must hunt, it all feels a touch soulless.
Ultimately, Blade Runner 2049 is a fine sequel to a film that’s been crying out for one since 1982. Ryan Gosling and Harrison Ford make a fine pairing despite the latter’s limited screen time but what this film is lacking is heart, and that’s something that can’t be made with stunning cinematography.
https://moviemetropolis.net/2017/10/06/blade-runner-2049-review/
Stuck in development hell for well over 20 years, Blade Runner 2049 as it’s now known entered the hands of sci-fi aficionado Denis Villeneuve since 2015. But has a wait of over three decades been kind to the finished film?
Officer K (Ryan Gosling), a new blade runner tasked with tracking down old replicants for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who’s been missing for 30 years.
Visually, Blade Runner 2049 is an absolute masterpiece but from the director of the equally stunning Arrival, this was to be expected. Tasked with taking the first film and crafting a worthy sequel was never going to be an easy ride for Villeneuve and he almost makes it out the other side unscathed, almost.
Our cast is one of the film’s strongest suits with Gosling in particular being as magnetic a presence as ever. It’s also nice to see the wonderful Dave Bautista sink his teeth into something a little grittier than his well-worn Drax persona. Unfortunately, despite being an ever-present feature in the trailers, Harrison Ford is disappointingly underused, though he does appear in 2049’s best sequences.
The cinematography is absolutely beautiful, there really is no other word for it. Bizarrely grounded in reality, the year 2049 is a place that doesn’t feel too far away from the world as we know it. Villeneuve’s metropolis’ live and breathe right before our very eyes with a desolate Las Vegas in particular being a highlight, bathed in an eerie orange glow.
The CGI too is staggering and some of the best seen in the genre. Holograms litter the cityscapes and detail pours out of every frame – Blade Runner 2049 has been meticulously crafted to an incredibly high standard by someone who clearly cares about the legacy this film will leave.
Elsewhere, the score by Hans Zimmer and Benjamin Wallfisch is exquisite. Blending nostalgic tones with a modern edge, the music is one of the film’s high points and couples with each frame almost perfectly.
So, to look at and to listen to, it’s spectacular. But how does the rest of this sequel fare? Well, not too bad at all really. The story feels linked to the first film in a way that doesn’t tread on its toes. Many long-awaited sequels feel it necessary to shred what came before and try far too hard to craft their own paths. Thankfully, 2049 honours its predecessor in more ways than just sickly nostalgia.
Unfortunately, it’s far too long. At 163 minutes, this is a real slog by anyone’s standards and while it’s true the pacing is spot on, there’s no getting away from the fact that this is a long film and feels it. It would’ve been pretty easy to shave a couple of minutes from the run-time here and there, though it’s not too much of an issue.
My only other bugbear is a pretty big one. Ridley Scott’s ’82 masterpiece was a film that had a soul, despite its plot focusing on those to the contrary. Here, the sheen, the glitz and the polish are all super impressive but much like the replicants our blade runner must hunt, it all feels a touch soulless.
Ultimately, Blade Runner 2049 is a fine sequel to a film that’s been crying out for one since 1982. Ryan Gosling and Harrison Ford make a fine pairing despite the latter’s limited screen time but what this film is lacking is heart, and that’s something that can’t be made with stunning cinematography.
https://moviemetropolis.net/2017/10/06/blade-runner-2049-review/
Ravit - Ravelry on the hop
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Ravit is a fun new app that enables you to discover inspirational patterns and yarns, and update...