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Rachel King (13 KP) rated The Elvenbane (Halfblood Chronicles, #1) in Books
Feb 11, 2019
The world that the writing team of Norton and Lackey crafts is quite fascinating in its detail and description. The timeline and history of this world seems to place it sort of after the end of our present world, as a kind of post-apocalypse in which first the dragons found and then the elves, with the latter taking over and enslaving the remaining humans. I found the passage of time to be bothersome at times, since the authors seem to almost skip over the climaxes in favor of just relaying the information through the memories of the characters after the fact. More than once, I wished the writers could have written out this passage of time so that I can actually experience it as it happens.
The characters were all well-developed and unique, as the size of the book allowed the writers to spend lots of time focusing on a single character, even if his or her purpose seemed to end rather abruptly with death, such as Shana's mother, Serina Daeth. Normally, I have no trouble picking characters that I favored over the others, but with this book, no character seemed to jump out at me as so much better than the others, even the main character Shana, who seemed to lack in maturity as much as a pre-teen, with how she behaves around some of the other characters.
There were several over-arching themes in the book, such as the need for change, the call for justice, and how every rule has exceptions. Shana especially seemed to find the latter annoying as she continually found that what she was taught about elves, humans, or dragons was not always true. Even though the legend of the Elvenbane is merely a tall tale crafted by the dragons to stir up trouble with the elves and humans, Shana falls into the role by accident simply because of a dragon's kindness. Ironically, her up-bringing gives her the perfect personality for playing that role, as the main goal of this book was to put her in the perfect position to fill this role for the next book in the series, Elvenblood (Halfblood Chronicles).
The characters were all well-developed and unique, as the size of the book allowed the writers to spend lots of time focusing on a single character, even if his or her purpose seemed to end rather abruptly with death, such as Shana's mother, Serina Daeth. Normally, I have no trouble picking characters that I favored over the others, but with this book, no character seemed to jump out at me as so much better than the others, even the main character Shana, who seemed to lack in maturity as much as a pre-teen, with how she behaves around some of the other characters.
There were several over-arching themes in the book, such as the need for change, the call for justice, and how every rule has exceptions. Shana especially seemed to find the latter annoying as she continually found that what she was taught about elves, humans, or dragons was not always true. Even though the legend of the Elvenbane is merely a tall tale crafted by the dragons to stir up trouble with the elves and humans, Shana falls into the role by accident simply because of a dragon's kindness. Ironically, her up-bringing gives her the perfect personality for playing that role, as the main goal of this book was to put her in the perfect position to fill this role for the next book in the series, Elvenblood (Halfblood Chronicles).
Gareth von Kallenbach (971 KP) rated The Karate Kid (2010) in Movies
Aug 8, 2019
It may not be “use the force”, but the phrase “wax on, wax off” has stood the test of time in popular culture and cinematic fame. Would the newest Karate Kid film do the same? Could I stomach another ghastly remake in a year that seems endlessly full of them? Well, I am happy to report that I didn’t have to.
Jaden Smith crafts an engaging portrayal of the lead character, Dre Parker, a kid trying to fit in and make friends as an African-American in China. Equally impressive was Jackie Chan as maintenance man by day, Kung Fu master by night, Mr. Han. Chan’s performance was surprisingly dramatic and, for once, did not entirely center on his undeniable martial arts appeal. Don’t get me wrong, the martial arts are in there but for Chan this film displays his tenure as a veteran of the big screen.
It seems there is only one thing that could have been better: Tarji P. Hensen who played Dre’s dopey mom, Sherry Parker. No parent could seem this self-absorbed and unaware of a situation yet maintain wholesome parental figure status, and the acting was poor to boot. Overshadowing Hensen’s lame interjections was Dre’s adorable love interest, Meiying (played by Wenwen Han). The performance of Meiying managed to captured not only Dre’s heart but also that of the entire audience while staying on the film’s well-plotted course.
“The Karate Kid” is emotionally charged and action packed, there is really no denying it. And so what if the whole thing also looks a lot like a tourist film for China, the great landscapes and classic shots only add to the imagery.
Film buffs and fans of the original Karate Kid series will enjoy the mix of subtly-placed and more blatant references to the original films. Better yet it quickly becomes clear that Jackie Chan is not trying to top the legendary performance of Pat Morita but manages to prove that the story we all got so wrapped up in 1984 is still relevant in today’s modern world.
Jaden Smith crafts an engaging portrayal of the lead character, Dre Parker, a kid trying to fit in and make friends as an African-American in China. Equally impressive was Jackie Chan as maintenance man by day, Kung Fu master by night, Mr. Han. Chan’s performance was surprisingly dramatic and, for once, did not entirely center on his undeniable martial arts appeal. Don’t get me wrong, the martial arts are in there but for Chan this film displays his tenure as a veteran of the big screen.
It seems there is only one thing that could have been better: Tarji P. Hensen who played Dre’s dopey mom, Sherry Parker. No parent could seem this self-absorbed and unaware of a situation yet maintain wholesome parental figure status, and the acting was poor to boot. Overshadowing Hensen’s lame interjections was Dre’s adorable love interest, Meiying (played by Wenwen Han). The performance of Meiying managed to captured not only Dre’s heart but also that of the entire audience while staying on the film’s well-plotted course.
“The Karate Kid” is emotionally charged and action packed, there is really no denying it. And so what if the whole thing also looks a lot like a tourist film for China, the great landscapes and classic shots only add to the imagery.
Film buffs and fans of the original Karate Kid series will enjoy the mix of subtly-placed and more blatant references to the original films. Better yet it quickly becomes clear that Jackie Chan is not trying to top the legendary performance of Pat Morita but manages to prove that the story we all got so wrapped up in 1984 is still relevant in today’s modern world.
Lonely Planet Hawaii
Lonely Planet, Amy C. Balfour, Adam Karlin and Sara Benson
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Hawaii is your passport to...
Lonely Planet Kyoto
Lonely Planet and Chris Rowthorn
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Kyoto is your passport to...
Andy K (10821 KP) rated The Host (Gwoemul) (2007) in Movies
Oct 23, 2019
Darn formaldehyde!
Guess what happens when a scientist orders a large amount of formaldehyde dumped down the drain? It makes its way through the sewer system and into the Han River in Korea. Several years later, it is revealed the substance has caused the mutated formation of a large sea monster creature which reveals itself when it emerges and begins an onslaught of carnage.
A local family which runs a food stand near the location of the attack races to get to safety, but, unfortunately a man grabs the hand of the wrong child instead of his daughter by mistake. The creature procures the young child and escapes with her back into the water. Further chaos ensues when it is revealed the creature is not only a menace, but also the source of a horrible infectious disease now rampant among the population.
Somehow, the child survives her journey back in the sewers with the creature who deposits her in a secluded location. Her father now has to get past government quarantine and survive battling the creature in order to try and save his child.
Director Bong Joon-ho, who has also given us the fantastic Snowpiercer and the current critic favorite Parasite, crafts a well made film which has many exciting elements.
For a movie like this it is only as good as its creature and this one does the job. Despite having a modest budget, the sea creature is well developed, has an interesting personality and does not look like bad CGI. As the audience, you are trying to figure out what the creature wants, what it is doing with the children it kidnaps and stores away while also rooting for the title family to not only survive the disease and run ins with the police to eventually attempt a rescue.
There is a good amount of action including a few intense scenes with the creature and also with one of the family members who also happens to be a famed archer. There is some comedy as well which rounds out the action and provides some down time between scenes.
I really enjoyed The Host much more than I thought I would since I hadn't heard much about it beforehand. Please check it out.
A local family which runs a food stand near the location of the attack races to get to safety, but, unfortunately a man grabs the hand of the wrong child instead of his daughter by mistake. The creature procures the young child and escapes with her back into the water. Further chaos ensues when it is revealed the creature is not only a menace, but also the source of a horrible infectious disease now rampant among the population.
Somehow, the child survives her journey back in the sewers with the creature who deposits her in a secluded location. Her father now has to get past government quarantine and survive battling the creature in order to try and save his child.
Director Bong Joon-ho, who has also given us the fantastic Snowpiercer and the current critic favorite Parasite, crafts a well made film which has many exciting elements.
For a movie like this it is only as good as its creature and this one does the job. Despite having a modest budget, the sea creature is well developed, has an interesting personality and does not look like bad CGI. As the audience, you are trying to figure out what the creature wants, what it is doing with the children it kidnaps and stores away while also rooting for the title family to not only survive the disease and run ins with the police to eventually attempt a rescue.
There is a good amount of action including a few intense scenes with the creature and also with one of the family members who also happens to be a famed archer. There is some comedy as well which rounds out the action and provides some down time between scenes.
I really enjoyed The Host much more than I thought I would since I hadn't heard much about it beforehand. Please check it out.
William Morris and Red House: A Collaboration Between Architect and Owner
Book
Red House occupies an extraordinary place in British architectural history. It was the first and...
Charlie Cobra Reviews (1840 KP) rated Toy Story 4 (2019) in Movies
Jul 7, 2020
Funny, Heartwarming, And Beautifully Animated
Toy Story 4 is a 2019 CG/comedy movie directed by Josh Cooley and based on screenplay written by Andrew Stanton, and Stephany Folsom; along with John Lasseter, Rashida Jones, Will McCormack, Valerie LaPointe, and Martin Hynes. It was produced by Picard Animation Studios for Walt Disney Pictures and distributed by Walt Disney Studios Motion Pictures. The film stars Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele and Keanu Reeves.
Woody (Tom Hanks) and the other toys are happy in their new life after Andy donates his toys to Bonnie; but Woody worries Bonnie will feel overwhelmed at school when she starts kindergarten. Woody sneaks into her backpack and recovers her arts and crafts supplies when a classmate throws them away. She uses the supplies, including a spork Woody grabbed to create a handmade toy she names "Forky" (Tony Hale). And when Bonnie and her family go on a road trip, Forky jumps out of the window setting off a chain of events that will change the group forever.
This movie was funny, stunningly animated, and emotionally touching. They really were shooting to impress with the amount of detail they had in this movie, from the glossy porcelain shine of Bopeep, to the fur on the cat, to all the other toys little details. I liked how the action was very character driven and how the storytelling was really well done. The character growth/arc for Bopeep was one of my favorites and I really enjoyed the cast of new characters and how they were incorporated as well like, Keanu Reeves and Key and Peele. This was such a great movie and it got me choked up at the end of the movie and I couldn't find anything to really complain about but then I read an article that made me question how I felt about it and what I saw. I'll see if I can add the link to it at the end of my review. It ultimately made me drop my rating by a point, I almost gave this movie a 9, but I give it a 8/10. But I do give it my "Must See Seal Of Approval".
Here is the link to the article: https://www.gamespot.com/articles/theres-a-problem-with-toy-story-4-opinion/1100-6468073/
Woody (Tom Hanks) and the other toys are happy in their new life after Andy donates his toys to Bonnie; but Woody worries Bonnie will feel overwhelmed at school when she starts kindergarten. Woody sneaks into her backpack and recovers her arts and crafts supplies when a classmate throws them away. She uses the supplies, including a spork Woody grabbed to create a handmade toy she names "Forky" (Tony Hale). And when Bonnie and her family go on a road trip, Forky jumps out of the window setting off a chain of events that will change the group forever.
This movie was funny, stunningly animated, and emotionally touching. They really were shooting to impress with the amount of detail they had in this movie, from the glossy porcelain shine of Bopeep, to the fur on the cat, to all the other toys little details. I liked how the action was very character driven and how the storytelling was really well done. The character growth/arc for Bopeep was one of my favorites and I really enjoyed the cast of new characters and how they were incorporated as well like, Keanu Reeves and Key and Peele. This was such a great movie and it got me choked up at the end of the movie and I couldn't find anything to really complain about but then I read an article that made me question how I felt about it and what I saw. I'll see if I can add the link to it at the end of my review. It ultimately made me drop my rating by a point, I almost gave this movie a 9, but I give it a 8/10. But I do give it my "Must See Seal Of Approval".
Here is the link to the article: https://www.gamespot.com/articles/theres-a-problem-with-toy-story-4-opinion/1100-6468073/
Lite For Facebook
Social Networking and Lifestyle
App
Use this popular social network through a much lighter app that's better suited for every iOS device...
FarmVille: Tropic Escape
Entertainment and Games
8.0
Rate It
App
Friends, food and adorable animals in an island paradise! Escape and create your own island...
Gareth von Kallenbach (971 KP) rated Gone Girl (2014) in Movies
Aug 6, 2019
Let me start by saying that the novel Gone Girl is a fantastic piece of literature. Author Gillian Flynn writes a wickedly deceptive story through the use of characterization and voice that is not only a rousing read, but also a gripping one that allows the reader to understand just exactly who the players are in this thrilling story.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.