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LeftSideCut (3778 KP) rated Knives Out (2019) in Movies
Sep 5, 2020
Rian Johnson is back with a bang with Knives Out, a classic Clue like murder mystery, packed with twists that will keep you on your toes, even when it seems that everything is figured out.
There's really nothing bad to say, Knives Out is a thoroughly entertaining movie. The cast for one is just stacked - Daniel Craig and Ana de Armas are the two leads here and are both great. The supporting cast features the likes of Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Christopher Plummer, Toni Collette, Lakeith Stanfield, Frank Oz - it's an ensemble cast oozing with quality.
The whole film is shot beautifully, and has a gorgeous setting. It's easy to look at for sure. The plot is masterfully written as well - as mentioned, providing plenty of twists, but presented in a clever way, from multiple perspectives, with different accounts of events being told as the truth slowly unravels. The screenplay is fantastic and often funny, helped immensely by all of the cast and the strong chemistry they share.
Knives Out is definitely not one to miss, easily Rian Johnson's finest film as far as I'm concerned.
There's really nothing bad to say, Knives Out is a thoroughly entertaining movie. The cast for one is just stacked - Daniel Craig and Ana de Armas are the two leads here and are both great. The supporting cast features the likes of Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Christopher Plummer, Toni Collette, Lakeith Stanfield, Frank Oz - it's an ensemble cast oozing with quality.
The whole film is shot beautifully, and has a gorgeous setting. It's easy to look at for sure. The plot is masterfully written as well - as mentioned, providing plenty of twists, but presented in a clever way, from multiple perspectives, with different accounts of events being told as the truth slowly unravels. The screenplay is fantastic and often funny, helped immensely by all of the cast and the strong chemistry they share.
Knives Out is definitely not one to miss, easily Rian Johnson's finest film as far as I'm concerned.
BankofMarquis (1832 KP) rated Glass Onion: A Knives Out Mystery (2022) in Movies
Dec 31, 2022
Not "just" a Murder Mystery
Move over, James Bond, Daniel Craig has another series to star in.
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated Knives Out (2019) in Movies
Nov 28, 2019
Bravura Agatha Christie pastiche from Rian Johnson. A successful writer turns up dead in suspicious circumstances, and a renowned private detective finds himself retained to investigate the situation. There are various unpleasant and scheming relatives and an implausibly convoluted plot unfolds before the denouement: the film is almost self-consciously modern in many ways, but hits all the right beats for a whodunnit in the classic style.
It mainly manages this thanks to Johnson's mastery of tone - this is a sly, playful movie, full of big performances as comically grotesque characters. Daniel Craig is clearly having rather too much fun as the Poirot-proxy and I can imagine him wanting to play this fellow again once he's finished with that other well-known role of his. An impressive performance from Ana de Armas as well. Pure entertainment, superbly done: lots and lots of fun.
It mainly manages this thanks to Johnson's mastery of tone - this is a sly, playful movie, full of big performances as comically grotesque characters. Daniel Craig is clearly having rather too much fun as the Poirot-proxy and I can imagine him wanting to play this fellow again once he's finished with that other well-known role of his. An impressive performance from Ana de Armas as well. Pure entertainment, superbly done: lots and lots of fun.
Blazing Minds (92 KP) rated Knives Out (2019) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
I have to say that with its brilliant cast including Daniel Craig, Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Ana de Armas and of course Christopher Plummer, Knives Out, for me is one of the best Whodunit movies that I have seen for a long time on the big screen, I’ve seen many theatre productions in this genre and the last movie that I saw like this that had me as excited as Knives Out was Clue with Tim Curry.
This is a movie that has everything you could want from the genre, the mystery, the shifty money-grabbing family, the backstabbing and of course the intrigue of who committed the crime in the first place, yes there are those moments when you do start putting one and one together yourself, but with the subtle twists and turns in Knives Out it still keeps you guessing.
This is a movie that has everything you could want from the genre, the mystery, the shifty money-grabbing family, the backstabbing and of course the intrigue of who committed the crime in the first place, yes there are those moments when you do start putting one and one together yourself, but with the subtle twists and turns in Knives Out it still keeps you guessing.
Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Bob Mann (459 KP) rated Knives Out (2019) in Movies
Dec 4, 2019
If they were to give it a go, this movie should justifiably be Rian's redemption from the harshest of his previous critics. For this is a really entertaining film. I found myself smiling with glee through a sizable proportion of the running time.
Multi-millionaire crime-fiction author Harlan Thrombey (the wonderful Christopher Plummer) is celebrating his 85th birthday with three generations of his family in his "Cludo-like" mansion. But all is not well with the family harmonic and the next morning Harlan is found dead in his room by his nurse Marta (Ana de Armas). Apparently, it's a suicide, but when private detective Benoit Blanc (Daniel Craig) arrives on the scene he starts turning over stones "oin seearch ov tha troooth" (sic) and dark secrets begin to emerge.
Key to success of this Agatha Christie-style movie is a dense portmanteau cast and a well-plotted script. Both are here present.
In terms of the cast, this is another candidate for the SAG Ensemble Cast award. For the cast is suitably stellar with Chris "Cap" Evans, Toni Collette, Michael Shannon, Jamie Lee Curtis and Don Johnson vying for the top billing with Craig and Plummer. They bounce off each other joyously, with Collette taking my prize for top acting kudos. She's just deliciously over the top as the scheming hippy chick with the rasping voice and the cutting one-liners.
With a starring role is Cuban bombshell Ana de Armas, here notching down the glamour to play the plainly dressed nurse. But she has a magnetic screen presence and is perfectly cast as the girl at the heart of all the action. She has the doe-eyed innocence that Alfred Hitchcock was always looking for in his leading ladies. Interestingly, she is soon to appear with Craig again as Bond-girl Paloma in "No Time to Die".
Elsewhere in the cast are some interesting cameos: the family's lawyer is none other than Frank "Yoda" Oz; and the ancient security guard is M. Emmet Walsh, who has an amazing filmography going back to the late 60's.
Writer/director is clearly his 'thing'. But Rian Johnson here pulls off a neat trick with the script which is brilliantly twisty and turny and 100% entertaining. Although it's presented as cuts between the 'present time' and versions of the night in question, the whole doughnut is never entirely in view until the final reel. It's a satisfying story, and some of the dialogue is laugh-out-loud funny.
A nice plot point is the inability for young Marta to tell a lie without vomiting. Wouldn't the UK General Elections be Sooooo much more colourful if that was a general trait!!
I've only the one real criticism of the movie, and that's Daniel Craig's appalling Southern drawl. It's really quite distracting. Aside from some witty lines of dialogue ("What is this? CSI KFC?") nothing would have been lost to cast him as an urbane English detective instead. They could have slipped in some Brexit jokes instead! I appreciate Craig wants to distance himself from Bond somewhat. He did the same thing as Joe Bang in "Logan Lucky". But - sorry - it didn't really work for me then and it doesn't work now either.
In summary, this is a really fun movie that a whole family with older children (the rating is 12+) can go and enjoy together. There's limited violence; limited swearing and sexual innuendo; and no sex (save for the Hitler youth in the bathroom!). But there is a whole lot of sleuthing fun to be had. Bravo Mr Johnson, bravo! For that reason it comes with a bob-the-movie-man "Highly recommended" tag.
(For the full graphical review please check out https://bob-the-movie-man.com/2019/12/04/one-manns-movies-film-review-knives-out-2019/).
Multi-millionaire crime-fiction author Harlan Thrombey (the wonderful Christopher Plummer) is celebrating his 85th birthday with three generations of his family in his "Cludo-like" mansion. But all is not well with the family harmonic and the next morning Harlan is found dead in his room by his nurse Marta (Ana de Armas). Apparently, it's a suicide, but when private detective Benoit Blanc (Daniel Craig) arrives on the scene he starts turning over stones "oin seearch ov tha troooth" (sic) and dark secrets begin to emerge.
Key to success of this Agatha Christie-style movie is a dense portmanteau cast and a well-plotted script. Both are here present.
In terms of the cast, this is another candidate for the SAG Ensemble Cast award. For the cast is suitably stellar with Chris "Cap" Evans, Toni Collette, Michael Shannon, Jamie Lee Curtis and Don Johnson vying for the top billing with Craig and Plummer. They bounce off each other joyously, with Collette taking my prize for top acting kudos. She's just deliciously over the top as the scheming hippy chick with the rasping voice and the cutting one-liners.
With a starring role is Cuban bombshell Ana de Armas, here notching down the glamour to play the plainly dressed nurse. But she has a magnetic screen presence and is perfectly cast as the girl at the heart of all the action. She has the doe-eyed innocence that Alfred Hitchcock was always looking for in his leading ladies. Interestingly, she is soon to appear with Craig again as Bond-girl Paloma in "No Time to Die".
Elsewhere in the cast are some interesting cameos: the family's lawyer is none other than Frank "Yoda" Oz; and the ancient security guard is M. Emmet Walsh, who has an amazing filmography going back to the late 60's.
Writer/director is clearly his 'thing'. But Rian Johnson here pulls off a neat trick with the script which is brilliantly twisty and turny and 100% entertaining. Although it's presented as cuts between the 'present time' and versions of the night in question, the whole doughnut is never entirely in view until the final reel. It's a satisfying story, and some of the dialogue is laugh-out-loud funny.
A nice plot point is the inability for young Marta to tell a lie without vomiting. Wouldn't the UK General Elections be Sooooo much more colourful if that was a general trait!!
I've only the one real criticism of the movie, and that's Daniel Craig's appalling Southern drawl. It's really quite distracting. Aside from some witty lines of dialogue ("What is this? CSI KFC?") nothing would have been lost to cast him as an urbane English detective instead. They could have slipped in some Brexit jokes instead! I appreciate Craig wants to distance himself from Bond somewhat. He did the same thing as Joe Bang in "Logan Lucky". But - sorry - it didn't really work for me then and it doesn't work now either.
In summary, this is a really fun movie that a whole family with older children (the rating is 12+) can go and enjoy together. There's limited violence; limited swearing and sexual innuendo; and no sex (save for the Hitler youth in the bathroom!). But there is a whole lot of sleuthing fun to be had. Bravo Mr Johnson, bravo! For that reason it comes with a bob-the-movie-man "Highly recommended" tag.
(For the full graphical review please check out https://bob-the-movie-man.com/2019/12/04/one-manns-movies-film-review-knives-out-2019/).
Andy K (10821 KP) rated Brawl In Cell Block 99 (2017) in Movies
Mar 3, 2018
This ain't no Wedding Crashers
Having just watched Bone Tomahawk (you must watch it) and learning writer/director S. Craig Zahler also helmed this film, I was even more anxious to see.
After Vince Vaughn loses his job, he is forced into a life as a drug runner. His big score goes wrong, he makes some tough decisions and ends up in prison. He is then manipulated and has to make even more intense decisions in order to make events happen in his favor.
Vaughn is believable as a tough, abrasive husband trying to save his family. His morality is questionable and you can't decide whether to root for him pr hate him. Don Johnson is also a standout as the warden.
I found it fascinating and exhilarating at the same time. Some of the fight scenes are maybe a little excessively violent, but that is the nature of prison life I imagine.
Zahler is slowly making a name for himself with these two films. He also has Dragged Across Concrete coming out later this year.
He hasn't reached Tarantino status quite yet, but he is off to a good start.
After Vince Vaughn loses his job, he is forced into a life as a drug runner. His big score goes wrong, he makes some tough decisions and ends up in prison. He is then manipulated and has to make even more intense decisions in order to make events happen in his favor.
Vaughn is believable as a tough, abrasive husband trying to save his family. His morality is questionable and you can't decide whether to root for him pr hate him. Don Johnson is also a standout as the warden.
I found it fascinating and exhilarating at the same time. Some of the fight scenes are maybe a little excessively violent, but that is the nature of prison life I imagine.
Zahler is slowly making a name for himself with these two films. He also has Dragged Across Concrete coming out later this year.
He hasn't reached Tarantino status quite yet, but he is off to a good start.
BankofMarquis (1832 KP) rated Knives Out (2019) in Movies
Jan 3, 2020
Original and Quirky...enough
KNIVES OUT was one of the films I had circled on my calendar as a "must see". It seemed to be a perfect antidote to the CGI-Fest films that are very prevalent in the multi-plex today. So...when life got in the way and I couldn't get to this film for about a month, I tried (and succeeded) in not getting this movie spoiled for me in my various Social Media feeds.
And I'm glad I went to such lengths, for I found KNIVES OUT to be a truly original and entertaining film that kept me guessing throughout the length of the film - right up to the "big reveal."
So...if you haven't seen this film...stop reading this now...go see it...and come back.
Still here (or are you back)? Okay...let's continue...
Directed by Rian Johnson (known by many as the Director of THE LAST JEDI, but I think this movie owes more of it's heritage to his breakthrough film BRICK or his Sci-Fi action flick, LOOPER), KNIVES OUT is an old-fashioned, Agatha Christie-type murder mystery complete with an oddball Detective trying to figure out "whodunnit" that features an All-Star cast of suspects as well as an Oscar winning murder victim.
As I stated above, Johnson has traversed a murder mystery-type film before in his neo-noir homage BRICK, but in this film he really let's his wings fly as he plays, marvelously, with the drawing room murder mystery pastiche. Johnson wrote and directed this film and the twists and turns and originality of his vision is apparent on screen, playing with expectations without being too clever.
He has assembled an All-Star cast of actors playing interesting characters. Jamie Lee Curtis, Michael Shannon, Chris Evans, Toni Colette, Don Johnson and Jacob Trombley all bring star power and charisma to their roles and each one COULD have been the murderer. As often happens in these types of films, each one gets A scene to shine, but only the one "whodunnit" really gets to step out.
As the Law Enforcement on their trail, Lakeith Stanfield (GET OUT) and Noah Segan (LOOPER) play off each other well and they play off of Daniel Craig (James Bond, of course) very well. Craig plays Private Detective Benoit Blanc with some sort of Cajun-type accent that works more than it doesn't, I enjoyed his performance enough to find it charming and not annoying.
Special notice needs to be made of the performances of Christopher Plummer - as the murder victim (I'm not spoiling anything here, it's in the trailer) and Frank Oz (the famous Muppeteer and Director). Both are "old pros" who bring a grounding to the proceedings. Their performances are almost down to earth commentaries on the other characters/performances and they both helped out this film tremendously.
Finally, the film revolves around the journey that Ana de Armas' character, Maria Cabrera, is on in this film. She is the audience's eyes and ears into this story, having clues and plot points revealed to her as we, the audience, have them revealed to us. I fell in love with de Armas when she played Joi in BLADE RUNNER: 2049 and she is pleasant enough company here to search out this mystery with.
With all these pieces - and characters - to put together and move around, I did find that this film suffered a bit by "too much" and "too fast" at times that caused me not to care about certain people and circumstances (especially at the beginning), but that was quickly forgotten/forgiven as the film progressed and I was engrossed in the mystery - a mystery that I did not know how it was going to end.
And that, is unique and rare enough for me.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And I'm glad I went to such lengths, for I found KNIVES OUT to be a truly original and entertaining film that kept me guessing throughout the length of the film - right up to the "big reveal."
So...if you haven't seen this film...stop reading this now...go see it...and come back.
Still here (or are you back)? Okay...let's continue...
Directed by Rian Johnson (known by many as the Director of THE LAST JEDI, but I think this movie owes more of it's heritage to his breakthrough film BRICK or his Sci-Fi action flick, LOOPER), KNIVES OUT is an old-fashioned, Agatha Christie-type murder mystery complete with an oddball Detective trying to figure out "whodunnit" that features an All-Star cast of suspects as well as an Oscar winning murder victim.
As I stated above, Johnson has traversed a murder mystery-type film before in his neo-noir homage BRICK, but in this film he really let's his wings fly as he plays, marvelously, with the drawing room murder mystery pastiche. Johnson wrote and directed this film and the twists and turns and originality of his vision is apparent on screen, playing with expectations without being too clever.
He has assembled an All-Star cast of actors playing interesting characters. Jamie Lee Curtis, Michael Shannon, Chris Evans, Toni Colette, Don Johnson and Jacob Trombley all bring star power and charisma to their roles and each one COULD have been the murderer. As often happens in these types of films, each one gets A scene to shine, but only the one "whodunnit" really gets to step out.
As the Law Enforcement on their trail, Lakeith Stanfield (GET OUT) and Noah Segan (LOOPER) play off each other well and they play off of Daniel Craig (James Bond, of course) very well. Craig plays Private Detective Benoit Blanc with some sort of Cajun-type accent that works more than it doesn't, I enjoyed his performance enough to find it charming and not annoying.
Special notice needs to be made of the performances of Christopher Plummer - as the murder victim (I'm not spoiling anything here, it's in the trailer) and Frank Oz (the famous Muppeteer and Director). Both are "old pros" who bring a grounding to the proceedings. Their performances are almost down to earth commentaries on the other characters/performances and they both helped out this film tremendously.
Finally, the film revolves around the journey that Ana de Armas' character, Maria Cabrera, is on in this film. She is the audience's eyes and ears into this story, having clues and plot points revealed to her as we, the audience, have them revealed to us. I fell in love with de Armas when she played Joi in BLADE RUNNER: 2049 and she is pleasant enough company here to search out this mystery with.
With all these pieces - and characters - to put together and move around, I did find that this film suffered a bit by "too much" and "too fast" at times that caused me not to care about certain people and circumstances (especially at the beginning), but that was quickly forgotten/forgiven as the film progressed and I was engrossed in the mystery - a mystery that I did not know how it was going to end.
And that, is unique and rare enough for me.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Matthew Krueger (10051 KP) rated Knives Out (2019) in Movies
Dec 9, 2019
The Donut Hole
Contains spoilers, click to show
So i watched the trailer and i really liked it and i went in thinking it will be really good and i would really enjoy it. I went thinking that was okay, not the greatest, not the best.
Some Spoilers..
Their are somethings that i liked...
1. Daniel Craig and his southern draw. He was the best in this movie.
2. The Rest of the cast.
3. Some of the comedy.
4. The Action
5. The Donut Joke, this to me was the best part of the movie.
Their are something that i didnt like...
1. Its confusing
2. You really have to invest into the plot to get it.
3. The Ending, how did Daniel Craig figure out all of that shit. He's like this happen than that happen than this happen. Its like how did you figure all of that shit out, least than a hour you said "i have no suspects" and than in the end its like "op you have done it", How!!!
4. Some of the comedy.
5. The Whodunit- this movie is a ripoff of clue. Clue is one of my all time favorite movies and this just said remember clue, where just going to be like that.
6. Wishing that someone else was the villian, i like chris evans but if it was michael shannon or don johnson or jamie lee curis or katherine langord or ana de armas. I would of cared more and gotten inresting more. In the end i was ohh really he done it, could see it a mile awhile, he wasnt in half of the movie, so of course he did it.
Overall Knives Out, to me was way overhyped and way overhyped to be as the next clue. This will never ever be like clue. Clue is 10x better than this. You might of just have waiting for it to come out on dvd.
Some Spoilers..
Their are somethings that i liked...
1. Daniel Craig and his southern draw. He was the best in this movie.
2. The Rest of the cast.
3. Some of the comedy.
4. The Action
5. The Donut Joke, this to me was the best part of the movie.
Their are something that i didnt like...
1. Its confusing
2. You really have to invest into the plot to get it.
3. The Ending, how did Daniel Craig figure out all of that shit. He's like this happen than that happen than this happen. Its like how did you figure all of that shit out, least than a hour you said "i have no suspects" and than in the end its like "op you have done it", How!!!
4. Some of the comedy.
5. The Whodunit- this movie is a ripoff of clue. Clue is one of my all time favorite movies and this just said remember clue, where just going to be like that.
6. Wishing that someone else was the villian, i like chris evans but if it was michael shannon or don johnson or jamie lee curis or katherine langord or ana de armas. I would of cared more and gotten inresting more. In the end i was ohh really he done it, could see it a mile awhile, he wasnt in half of the movie, so of course he did it.
Overall Knives Out, to me was way overhyped and way overhyped to be as the next clue. This will never ever be like clue. Clue is 10x better than this. You might of just have waiting for it to come out on dvd.
