Awix (3310 KP) rated Justice League (2017) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
Now, you can scratch your head at some of the creative choices made here - Why the all-pervading atmosphere of heavy metal gloom? Why these particular characters? Where's Green Lantern? Why not use a better-known villain? And so on - but on its own terms, this is a competently assembled film, for the most part. (This may be due to the fact that credited director Zach Snyder departed the production prematurely and was replaced by Joss Whedon.)
I stress 'for the most part' as there are still bits of this movie which just plain make no sense whatsoever, and there's a 'plot twist' (in the broadest sense of the term) which feels contrived and tonally wrong on pretty much every level. But at least they seem to be trying to treat these iconic characters with respect, and while this isn't up to the same standard as Wonder Woman it could have been much, much worse.
Mark @ Carstairs Considers (2200 KP) rated Dying for a Taste (A Sally Solari Mystery #1) in Books
Mar 9, 2018
I really enjoyed this debut. It got off to a bit of a slow start as Sally dealt with the aftermath of having a relative die, but this section does help develop her character and sets up suspects. Once she fully commits to the investigation things pick up. We are introduced to several viable suspects. The story touches on some other issues as well, presenting them in a well-rounded manner and never forgetting that this is a murder mystery, both of which I greatly appreciated. The climax was creative and fun. I’m definitely looking forward to finding out what happens to Sally next.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/12/book-review-dying-for-taste-by-leslie.html">Carstairs Considers</a>.
Awix (3310 KP) rated Venom (2018) in Movies
Oct 11, 2018
Generally a very good reminder of all the reasons why Sony were so wise to hand the actual creative side of the Spider-Man movies back to Marvel, because the script of this movie goes clunk-clunk-clunk from beginning to end; character motivations change in the twinkling of an eye and key plot points are merrily ignored when they become inconvenient. The only reason to watch the movie is Tom Hardy, who finds unexpected reserves of comedy in rather unlikely places. Still a bit of a mess though, certainly compared to the main sequence Marvel films.
Cori June (3033 KP) rated The Serpent and the Light (Abscondita Est Magicae Book 1) in Books
Aug 13, 2019 (Updated Sep 28, 2020)
I was hooked on this story in the first page. It is an extremely creative story set in Tulsa, Oklahoma involving a cult of Chuthlu, death, college students, pot, police. Told from 4 different POVs. It is hard not to have some sort of reaction to the characters whether it be from disgust, dislike, or wanting to encourage them and afraid for them. There are also a few twists that may take you by surprise.
Warning:
This story is graphic and can get uncomfortable with it's descriptions. Without too much of a spoiler there are some disturbing scenes and situations.
There's a pretty good balance of humor, fear, amazement, and horror.
I can't wait to read the next book
Awix (3310 KP) rated Bombshell (2019) in Movies
Jan 20, 2020
To be honest, I was kind of expecting something more like The Big Short or Vice - angry and smart, but also blackly funny and formally creative. After a fairly sparky first act this just becomes quite a serious drama about sexual harassment. Nothing wrong with that, of course, but the thing is that it does become a bit issue-led. Some very good performances, though, and the prosthetics are fun too, I suppose (most of these people are unknown in the UK, though - did like Malcolm McDowell's Rupert Murdoch). Very watchable.
Awix (3310 KP) rated Waves (2019) in Movies
Jan 22, 2020
For the first hour and half or so, this is like watching a car crash in slow motion: it's almost unbearable to watch the main character go off the rails, but you can't look away either. It concludes with the kind of incident you hear about as a brief item on the news, but here the film puts flesh on those bones and the scale of the tragedy is made clear. The third act is a definite change of pace: no less artfully made or moving, but less focused, and the outcome of the film remains in doubt until the very end. I'm hugely surprised this hasn't featured on the Academy Awards shortlist: a tremendous film in so many ways.
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