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Saw II (2005)
Saw II (2005)
2005 | Horror, Mystery
Guttural. Few other horror franchises loathe their characters as deeply and as passionately as 𝘚𝘢𝘸 - not even two minutes into the movie and it already proceeds to chuck these people down the garbage disposal without remorse. Has the worst outlook possible on life as a whole, revels in such an instantaneous breakdown of the human body and mind. Trades out the 'knucklehead Shakespeare' vibes of the original to double down on its endlessly creative gore, which is a fair tradeoff if we can't get both I guess. Can't believe this is the same Darren Lynn who directed 𝘚𝘱𝘪𝘳𝘢𝘭 - which I not only am beginning to dislike more and more with each revisit to the originals, but which also gets next to no points for being pro-ACAB when this one did it first *and* better 16 years prior. Filled with a multitude of anxious cuts and cool-as-hell camera trickeries (plus such a tantalizing MTV filth aesthetic), often unfairly shunned for being amateurish I'd actually argue the opposite - quick flashes of people in agony, everyone turning against each other and scrambling for answers with each passing second, visually emulating the final stages of a person's fight-or-flight mode like no other horror series before or after. The hypodermic needle pit still remains an all-time skin-crawler. In an age filled with such intolerably self-conscious bleakness in cinema, it's refreshing to see it done so sincerely with these.
  
Here Come the Warm Jets by Brian Eno
Here Come the Warm Jets by Brian Eno
1974 | Rock
9.0 (4 Ratings)
Album Favorite

"When I was about 15, Danny and Mick [Quinn, Supergrass bassist] lived in this row of cottages that was literally 10 metres from my family house. That was our base; we’d get together in Mick’s living room. I feel very lucky to have been in a band at that time because we were still approaching music – playing live, writing and recording – the way they had since the beginning; it was the last little window where there was only two-inch tape recording, just a few A&R men around who would come to gigs and stuff, no internet, mobile phones. It seems weird now! We were in the house getting stoned and playing loads of records, everything from Pink Floyd to Gong, Muppets albums, Zappa and Patti Smith. A big one for us was Brian Eno’s Here Come The Warm Jets – it was one we were really hooked on. For somebody so experimental he had killer melodies and the way he double-tracked his voice is just really cool. The production and instrumentation are kind of understated and hint at lo-fi, but in an honest way. We had a meeting with him in New York in the early 00s about producing us. I don’t think it was anything creative that was the issue, it was a boring calendar thing from what I remember, but it was great to meet him and have a chat."

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