"This adaptation of the D. H. Lawrence novel examines the relationships between two sisters and their respective romantic partners in post–World War I England. Ken Russell does a fascinating job of exploring themes of jealousy, lust, homosexuality, fidelity, and social class in a challenging and often pointed way. He turns the notion of virtuous love on its head and, in true Russell fashion, throttles the characters and the audience, unflinchingly asking them the deeper questions that we typically dare not even ask ourselves. There are breathtaking locations, arresting cinematography, and a wrestling scene that makes Viggo Mortensen’s nude knife fight in Eastern Promises look tame. As with all Ken Russell movies, be prepared to have this one on your mind for a while after the credits have rolled."

"This is from a Brian De Palma movie. It’s a pretty scary film, and the soundtrack… ok if you want to freak yourself out, turn out all the lights and sit in the middle of the room and listen to this. You won’t last a minute. When I’m first thinking about a movie I’ll start looking for songs that reflect the personality of the movie, I’ll start looking for songs which can reflect the personality of the movie. The record I think most about is the one which plays during the opening credits, because that’s the one which sets the tone of the movie. Like in Reservoir Dogs, when you see the guys all walking out of the diner, and that bass line from ‘Little Green Bag’ kicks in – you just know there’s gonna be trouble."