"Coming to America. Duh. We [can] leave it at that. I’ll start with the “duh” connotation. It’s an awesome movie. I can’t exactly remember the first time I saw it. I think I was really, really young, when it came on television — I think when it came on HBO or something. I don’t know that I was old enough to see it in the theaters. I doubt it. When I did see it at home, it was when cable first came out. There was only so many movies that would get played over and over again. Thank God Coming to America was one of them. I can quote it from the beginning to the end to this day. It was Eddie Murphy in his prime. Arsenio at his most confident. It was just an awesome concept. Super duper rich African dudes coming to Queens, trying to live regular. While you got Mr. McDowell thinking that he’s the king of the hill and stuff like that. It was a really funny movie. So much character work. I really appreciated those dudes –especially in the end credits, seeing how many characters they really played. I already kinda knew. But it was an awesome surprise to find out that Eddie was the little old man in the barbershop and stuff like that."

"One of my great all-time loves in cinema, and I’ve seen it three times, is Bondarchuk’s War and Peace. Not a lot of people may have seen that film. It was made during the Soviet era. I’d be happy to see it again — it is, however, 12 hours long. It took 10 years to make, and some actors lived and died during the period of making the movie. It’s a little bit influenced by being a ’60s film, so it’s got a bit of a trippy edge to it; it’s a little bit abstract. But it has some of the finest examples of Russian acting of that era. I was profoundly affected by the Russian theater and the style of Russian acting. It was shot on cameras and film stock that we simply never have access to. If I’m not mistaken, during the opening credits the camera is in a cosmonaut’s space capsule being shot into Earth. It’s probably the biggest crane shot of all time. At first you think, “Well this is going to be tedious,” but stay with it and I think you’ll find yourself drawn in. And the girl who played Natasha [Lyudmila Savelyeva] is a dead ringer for Audrey Hepburn and she’s one of the most luminous stars that ever found herself on the screen."