Search

Search only in certain items:

Ralph Breaks the Internet: Wreck-It Ralph 2 (2018)
Ralph Breaks the Internet: Wreck-It Ralph 2 (2018)
2018 | Adventure, Animation, Comedy
Forgettable
The problem with Ralph Breaks the Internet is that it suffers from a big case of the ‘unnecessary sequels’. Which isn’t a surprise seen as the majority of sequels are the same, but I’ve come to expect more from Disney.

Visually it looks stunning and the voice cast are as good as they were the first time, and it’s wonderful to see Alan Tudyk back again as the best new character KnowsMore. The Disney princesses are by far the best thing about this film, and apart from them the only scenes I really enjoyed and found funny were the 2 credits scenes (one of which had been in the trailer). It’s a little sad that you have to sit through a full 2 hour film before finding something truly enjoyable. Don’t get me wrong, this isn’t a bad film. It’s Disney after all. It’s just that the plot seems a little lacklustre and really quite forgettable. It seems to be missing the magic and the humour from the original, and comes across as very bland and uninteresting. Whilst the internet idea isn’t a bad one and there are some good quirky parts, I don’t feel like it was as well executed as it could’ve been.

The original is a film I adore that never gets old, but sadly this sequel is all too forgettable and not one I’d be interested in watching again.
  
    Farmer's Guardian

    Farmer's Guardian

    Business and Magazines & Newspapers

    (0 Ratings) Rate It

    App

    Farmers Guardian is Agriculture’s National Newspaper with the latest farming news, comment, and...

Jolt (2021)
Jolt (2021)
2021 | Action, Comedy
5
5.6 (5 Ratings)
Movie Rating
The main thing that Jolt has going for it is Kate Beckinsale. Her protagonist is likable enough to just about carry the finished product through the finish line, and into vaguely entertaining territory. The rest of the cast ain't to shabby either - Bobby Cannavale, Stanley Tucci, Laverne Cox, David Bradley - all do pretty well with a patchy script (patchy sure, but I will admit that it made me laugh a few times...)
Other than that though, Jolt feels so familiar. It doesn't do anything new, which wouldn't be such an issue if it was exciting, but it just isn't. The action scenes are underwhelming, and it leans too heavily into the humorous side of things to be a serious thriller, whilst simultaneously trying too hard at the serious thriller aspect to be overly funny. The twist during the films finale is dumb as well - the whole thing would have worked better as a straightforward revenge flick. I also found the obvious sound stage set completely distracting. The scenery looked like and episode of Friends pretty frequently!
Got to admire the ambition to include a blatant set up for a sequel thats probably never going to happen though (complete with a mid credits scene...)

Jolt is a movie that thinks is smarter than it actually is, but it's entertaining enough (thanks in no small part to Kate Beckinsale) to justify a one time watch.
  
The Princess and the Frog (2009)
The Princess and the Frog (2009)
2009 | Animation, Comedy, Family
𝘛𝘩𝘦 𝘗𝘳𝘪𝘯𝘤𝘦𝘴𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘚𝘭𝘰𝘨. Offers wonderful animation and some really good voice work - but predictably so. As in... every chuckle or vividly crafted frame fits precisely in line with such a monotonous, hackneyed formula so not only are none of this film's assets particularly inspired or interesting, but they're all mostly forgotten as soon as that exhausting Ne-Yo song plays during the end credits. Not to mention knowing the exact beats this is going to take before it takes them makes it sadly *so* laborious to get through. Not that convention in these things is bad on its own, I mean these same directors made Moana which I enjoyed a ton despite its familiarity - but I found that one to be better than this one in every conceivable way: charm, storytelling, animation, etc. even if neither of them feel particularly well paced (the *only* thing this does better is that the lead is [[[slightly]]] more developed here). Doesn't help that the songs - I realize I'm in the minority to report - are only alright at best. Though admittedly that one's probably a me thing, since I've never really been a huge jazz guy. The cute little frogs are funny, and I loved the silly Jim Cummings firefly + wide-eyed Charlotte + lanky Keith David villain - but I'm sorry, at a certain point early on I just started waiting for this to be over.
  
Open Water (2003)
Open Water (2003)
2003 | Horror
Admirable for what it had to work with, and I guess it gets points for being one of the most realistic shark movies out there - but why the hell did this terrify everyone back in the day lmfao. It amounts to a somehow pointedly slow 81 minutes (less after credits) of a couple bickering at sea while... like, occasionally seeing a jellyfish or maybe half a second of a shark from far away. This actually works better as an (intentional) comedy than a horror film, and the beginning of this feels like a weird ass porno, too - complete with millimeters away from couples full-frontal nudity in a dingy hotel room. The one thing this has going for it is that they're in *real* ocean water with *real* sharks, and on that front there are some real motherfucker shots in this that made me jump just on principle. There's also just some really terrific footage of various sea + land creatures in this that help add to the realism. When all is said and done I have to give props to that brutally hopeless coda though, Jesus Christ - made my skin crawl and actually made this whole product grow on me a lot more than my initial measure. But it fucks around too much and even though it does what it can decently well, it isn't enough. While I still think it's too unfair of a reaction, I can clearly see why everyone hates this now.
  
Pulse (2006)
Pulse (2006)
2006 | Horror, Mystery
Offensively awful, legitimately reprehensible filmmaking. I challenge anyone to find a worse American remake of Japanese horror than this. Not at all shocking how mercilessly they unceremoniously gutted the original of any sense of breadth, nuance, emotion, horror, intelligence, memorability, you know - all of that stuff that actually makes a half-decent horror film because apparently us dumb Yanks just couldn't handle any ounce of it... but by God did it have to look like moldy garbage too? This may be the worst looking film I've ever seen, whoever color-coded this to look like a chemical reaction between bleach and rotting flesh better have been blacklisted from working in the film industry since. I had to stop somewhere around the halfway point (which still felt like a goddamn century even though this barely touches 90 minutes with credits) because I felt physically ill from stomaching these shit visuals for that long. Of course it's ineptly acted, too. Is this what they thought the original meant? Some doltish technophobic lecture about how cell phones are as evil as murderous demons which also doesn't have a single milliliter of character to its name? The kind of stuff that could feasibly be used in torture chambers to get information out of people. So ironic that it kept the name, because it honestly doesn't have any pulse to speak of. Needed a trigger warning for pure stupidity.