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New Frontiers
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In New Frontiers, a standalone game in the Race for the Galaxy family, players build galactic...
Race for The Galaxy
LoganCrews (2861 KP) rated One Missed Call (2003) in Movies
Oct 28, 2021
Ah, okay - so it's like 𝘗𝘶𝘭𝘴𝘦 without any of the themes (or at least more reductive ones in their place) or terrifically written characters, trying to cash in on the exact same story premise/structure as 𝘙𝘪𝘯𝘨𝘶 and 𝘑𝘶-𝘰𝘯: 𝘛𝘩𝘦 𝘎𝘳𝘶𝘥𝘨𝘦. Seemed doomed from the start, but enter reliable workhorse Takashi Miike - who manages to make this a terrifying masterclass in what a good horror movie should look and sound like. My fifth film of his down in my ill-fated quest to watch as many films from his gargantuan filmography that can reasonably be acquired on physical media, and stylistically it's my favorite by a mile thus far. Even his better films I confess tend to look a little flat to me but this is just *drenched* in dread: unnerving music, ripper practical effects, and gripping cinematography among many other positives. The opening ten minutes are flawless and the entire last act (end credits included) is fucking outstanding, had me glued to my seat begging for more. Stuff in the middle rocks too, go figure (the third death in particular is not only perfectly anticipated, but a real screamer too). Like a lot of Miike, scenes here can go on for a little too long - but when the final product is otherwise put together this expertly it's impossible to argue with. I'm sure the American remake sucks ass as much as this kicks it.
David McK (3425 KP) rated Spider-Man: No Way Home (2021) in Movies
Jan 3, 2022 (Updated Dec 24, 2023)
There's a famous (and controversial) Marvel comic run called 'One Last Day', where - following his self-unmasking during the previous 'Civil War' run - Peter Parker ends up making a deal with Mephisto (Marvel's version of the devil) that everybody would forget his true identity, following Aunt May being shot by an assassin.
Sound at all familiar?
Yes, it's used as the building blocks for this movie, where Peter's identity ahs been revealed to the world by Mysterio during the end-credits of the previous movie ('Far from Home'), with a knock-on effect on friends and family.
Instead of Mephisto, however, Peter seeks help from Doctor Strange, who agrees (for reasons) to cast a spell in order that everyone would forget who Peter was - a spell that goes awry, and that leads to characters from the previous non-MCU iterations of the Spider-Man films finally joining the MCU. Some of those characters are more effectively scary here than they were previously ...
This is maybe a little bit slow getting started, with plenty of nods and Easter Eggs throughout (including FEAST, where Aunt May works) to both the comics, games, and previous Spider-Man movies, and ends with, effectively, the character of Spider-Man being reset: no longer part of The Avengers; no longer with MJ, Aunt May, Ned or even 'Happy' Hogan knowing his identity, back to being your 'friendly neighbourhood Spider-Man'.
Sound at all familiar?
Yes, it's used as the building blocks for this movie, where Peter's identity ahs been revealed to the world by Mysterio during the end-credits of the previous movie ('Far from Home'), with a knock-on effect on friends and family.
Instead of Mephisto, however, Peter seeks help from Doctor Strange, who agrees (for reasons) to cast a spell in order that everyone would forget who Peter was - a spell that goes awry, and that leads to characters from the previous non-MCU iterations of the Spider-Man films finally joining the MCU. Some of those characters are more effectively scary here than they were previously ...
This is maybe a little bit slow getting started, with plenty of nods and Easter Eggs throughout (including FEAST, where Aunt May works) to both the comics, games, and previous Spider-Man movies, and ends with, effectively, the character of Spider-Man being reset: no longer part of The Avengers; no longer with MJ, Aunt May, Ned or even 'Happy' Hogan knowing his identity, back to being your 'friendly neighbourhood Spider-Man'.
Sarah (7798 KP) rated Airplane! (1980) in Movies
Dec 8, 2020
Surely you can't be serious?
Film #6 on the 100 Movies Bucket List: Airplane!
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
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Lenard (726 KP) rated Pet Sematary (2019) in Movies
Apr 9, 2019
A Boston doctor moves his family to what is believed to be a quiet town in Maine. He soon discovers that the town has a secret past and supernatural powers. A good horror movie requires an atmosphere and a good movie based on the book makes you want to read the book to see what was left out. Neither requirement is met in this version of "Pet Sematary." The setting of the atmosphere I may have missed due to longer credits attached to "Shazam" that my gig required me to view. When I entered the theater, the family was already in their Maine house. In the short time I was not there, two things were established, the gas trucks that constantly careen through the town, a ominous sign of accidents to come and the family move to Maine to get away from the hustle of the city. The shadow of death could not have come until I was already in the theater. This aspect of the family dynamic was firmly established later when Ellie sees an animal dead on the road. The titular pet cemetary was also introduced while I was in attendance. The directors did not set up any foreboding specters for the cemetary or the family past, a sign of people in need of paying attention to their own creation. Throughout the film, there should be moments that terrify you from Church to the zombie child to Judd's mysteriously dead wife. None of these approach master level suspense.
Sarah (7798 KP) rated The Meg (2018) in Movies
May 10, 2019
Isn’t even entertainingly bad
You know to have low expectations when watching a Jason Statham film, especially one about giant sharks. I had hoped for something similar to Sharknado, a proper cheesy laughingly bad B movie, but sadly The Meg can’t even live up to these very low standards.
For starters, I don’t think this film has any idea what it’s meant to be. Is it serious, is it silly? It ends up being a bizarre mixture of the two which just doesn’t work as both aspects just seem out of place. Whilst I absolutely love the Thai version of Mickey that plays over the end credits, again it kind of seems a bit confused. The script is awful, and the acting for the most part is horrendous. I wanted it to be entertainingly bad, but sadly it was just cringeworthy to the point I was almost embarrassed for them. The only person who comes out of this relatively unscathed is Cliff Curtis as Mac, who is at least pretty funny although sadly underused. Also, what on earth was going on with Jason Statham’s accent? Was it English or American?! And then there’s the plot. It’s very predictable, the first hour is ridiculously dull and then changes into completely farce and unbelievability at the end, with stupid characters doing silly things that just don’t make any sense. Even the CGI was average and nothing exceptional.
I really wanted to like this, at least in a “it’s so bad it’s good” way, but sadly this is just plain old bad.
For starters, I don’t think this film has any idea what it’s meant to be. Is it serious, is it silly? It ends up being a bizarre mixture of the two which just doesn’t work as both aspects just seem out of place. Whilst I absolutely love the Thai version of Mickey that plays over the end credits, again it kind of seems a bit confused. The script is awful, and the acting for the most part is horrendous. I wanted it to be entertainingly bad, but sadly it was just cringeworthy to the point I was almost embarrassed for them. The only person who comes out of this relatively unscathed is Cliff Curtis as Mac, who is at least pretty funny although sadly underused. Also, what on earth was going on with Jason Statham’s accent? Was it English or American?! And then there’s the plot. It’s very predictable, the first hour is ridiculously dull and then changes into completely farce and unbelievability at the end, with stupid characters doing silly things that just don’t make any sense. Even the CGI was average and nothing exceptional.
I really wanted to like this, at least in a “it’s so bad it’s good” way, but sadly this is just plain old bad.
Ross (3284 KP) rated Black Panther (2018) in Movies
Feb 20, 2018
Black Panther exploded into the MCU during the Captain America: Civil War and was a breath of fresh air for the franchise. Finally someone to rival Wolverine for fighting skill and claws. This film follows on from there where Prince T'Challa looks to be crowned as the new king of Wakanda. Wakanda has long hidden its true riches and technological worth from the world and is thought of as a nation of poor farmers. King T'Challa must choose whether to continue the selfish tradition or help the world by sharing their natural resources and technology.
The Black Panther is backed up by an excellent cast of sidekicks and helpers as he looks to crack down on illegal trade of Wakanda's vibranium and retain the throne from a worthy challenger.
My main gripe was some of the CGI. Like with Spiderman, I feel at times there is too much detail, eg when flipping over a car his legs sway around like he's in space. To my mind, he would be more focused and all his limbs would be exactly where they need to be. Also in these instances the feeling of which way up is the right way up got a little lost, which shouldn't happen.
I also felt that Andy Serkis was a little under-used in his role as Claue, similar to CrossBones in Civil War.
I am seriously looking forward to Infinity Wars now!
PS - I don't think the post-credits scene is worth the long wait.
The Black Panther is backed up by an excellent cast of sidekicks and helpers as he looks to crack down on illegal trade of Wakanda's vibranium and retain the throne from a worthy challenger.
My main gripe was some of the CGI. Like with Spiderman, I feel at times there is too much detail, eg when flipping over a car his legs sway around like he's in space. To my mind, he would be more focused and all his limbs would be exactly where they need to be. Also in these instances the feeling of which way up is the right way up got a little lost, which shouldn't happen.
I also felt that Andy Serkis was a little under-used in his role as Claue, similar to CrossBones in Civil War.
I am seriously looking forward to Infinity Wars now!
PS - I don't think the post-credits scene is worth the long wait.
Andy K (10821 KP) rated Hereditary (2018) in Movies
Jul 19, 2019
I'm going to piss people off with this one! (Nothing personal)
I will agree with some who have said either this film is weird, not for everyone or horror is a tough genre to get correct. I felt kind of like I was watching Drag Me To Hell or even Suspiria toward the end of this creepy thriller/horror film, but I was along for the ride.
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
JT (287 KP) rated Angel Has Fallen (2019) in Movies
Mar 10, 2020
The Fallen franchise has always been an enjoyable romp. It hasn’t taken itself too seriously – at least not until this third instalment. Gerard Butler returns as secret service agent Mike Banning, this time shadowing Morgan Freeman‘s President Trumbull who has worked his way up from Speaker of the House (Olympus Has Fallen) to Vice President (London Has Fallen) to his seat in Oval Office.
Banning is a broken-down mess of migraines and pills, currently on the verge of collapse. When the President’s fishing trip is rudely interrupted by a flock (not sure what the terminology is) of high tech exploding drones, Banning is framed for the assassination attempt and must go on the run to clear his name.
It’s a meat and potatoes kind of action flick. You always know where you stand when it comes to the plot and there is nothing complex to make you lose track of what is going on.
The action is over the top and at times executed lazily. With a $40m budget, you would have expected something a little bit slicker. Danny Huston is OK as the not-to-be-trusted old friend who ultimately goes bad, but his performance is easily forgotten.
Unlike the previous two films, there are no lame quips or one-liners (except for a rather humorous mid credits scene). Instead, the writers try and give us something with a little more emotion to it, tugging on the heartstrings when Banning Snr (Nick Nolte) is introduced ‘explosively’ into the fray.
Banning is a broken-down mess of migraines and pills, currently on the verge of collapse. When the President’s fishing trip is rudely interrupted by a flock (not sure what the terminology is) of high tech exploding drones, Banning is framed for the assassination attempt and must go on the run to clear his name.
It’s a meat and potatoes kind of action flick. You always know where you stand when it comes to the plot and there is nothing complex to make you lose track of what is going on.
The action is over the top and at times executed lazily. With a $40m budget, you would have expected something a little bit slicker. Danny Huston is OK as the not-to-be-trusted old friend who ultimately goes bad, but his performance is easily forgotten.
Unlike the previous two films, there are no lame quips or one-liners (except for a rather humorous mid credits scene). Instead, the writers try and give us something with a little more emotion to it, tugging on the heartstrings when Banning Snr (Nick Nolte) is introduced ‘explosively’ into the fray.