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In the Heat of the Night (1967)
In the Heat of the Night (1967)
1967 | Classics, Drama, Mystery
Characters – Virgil Tibbs is one of the best homicide detectives in his home city, he has earnt this position with hard work and higher education. He finds himself stuck in a racial divided town that does require his help, but doesn’t want to accept it. Virgil is strong and creates some of the most iconic scenes in film history. Gillespie is the chief that must reluctantly accept Virgil’s help, he is racist, but knows he needs Virgil’s help when it comes to solving this case, he must learn to be accepting of Virgil while being put under pressure by the supremacist that live in he area to rid the town of Virgil. Sam is the deputy that takes an instant dislike to Virgil, but he is mostly just a lowlife cop that gets past doing the basics of the job. The cast is filled the generic racist characters that don’t want to accept a black man helping with the investigation.

Performances – Sidney Poitier gives us one of the most memorable and powerful performances in any crime film, one that has iconic scenes that will forever stand the test of time. Rod Steiger is brilliant to, he shows us just how conflicted his character is to do the right thing and to keep his backwards mind on racial differences. When we look at the rest of the performances, we see good work from the whole cast.

Story – The story here follows a black detective forced into helping solve a murder in Mississippi while the racial hate between the two whites and blacks still comes off strong. There is two ways to look at this story, first we see how crime takes place and must get solved, which is interesting to keep us guessing throughout because of the large number of potential suspects. That however, isn’t the main story here, the racial divide between the people of town makes this more interesting because seeing how different characters interact with Virgil, some with open smiles, some with gritted smiles and some with pure hate. This shows us how we must witness how America was still filled racial hate in certain states that can point fingers before solving the crimes.

Crime/Mystery – The crime in this movie is murder, though trying to solve this opens up plenty of smaller crimes and deals with the racial hate still going on at the time in Mississippi, the mystery keeps us guessing to just who was the one the committed the crime in the first place.

Settings – The film takes place in Mississippi which for the time was still facing the divide between black and whites, this ups the tension for Virgil trying to solve the crime while also showing us the smaller crimes going on through the town.


Scene of the Movie – They call me Mister.

That Moment That Annoyed Me – The locals can feel too generic.

Final Thoughts – This is one of the greatest crime movies you will ever see, it keeps you guessing from start to finish and deals with the racial hatred that was still going strong in the 1960s America.

 

Overall: Must watch crime mystery.
  
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Awix (3310 KP) rated The Snowman (2017) in Movies

Feb 11, 2018 (Updated Feb 11, 2018)  
The Snowman (2017)
The Snowman (2017)
2017 | Crime, Drama, Horror
Where was Aled Jones?!
Misfiring Scandi crime thriller which was part of Michael Fassbender's attempt to appear in as many dud movies as possible in 2017. There's a serial killer on the loose and a brilliant detective with a troubled personal life (gee, where do they think of these new ideas?) gets on the case.

The film's plot is really lacking in focus and it engages in the usual casual misogyny that seems to be perfectly acceptable on-screen; a baffling subplot featuring flashbacks with Val Kilmer is arguably a mistake (then again, this film is not exactly short of mis-steps). The film's pretensions to be a serious drama are not much helped by the extent to which the Magic Wand of Improbable Coincidences has been waved over the script. It is all a bit grim and muddled.
  
Detective Story (1951)
Detective Story (1951)
1951 | Classics, Drama, Mystery
8
8.0 (1 Ratings)
Movie Rating
Adapted from a stage play that he loved, Detective story typifies the kind of roles of a man under pressure that Douglas came to be indelibly identified with. This time it was his co-star Eleanor Parker who got the Academy Award nomination, but it was their chemistry that really drew the eye. The troubles of life, and the task of being a good man in the face of a bad world were the themes Douglas tackled here. The setting of crime fighting over one day in the 21st precinct is secondary to the personal fight of the “hard-nosed” Jim McLeod, who does his best but can never get ahead. There are shadows of such films as Miller’s Crossing, LA Confidential and even Blade Runner in here. Notable for some gorgeous film-noir photography, and the obligatory Douglas breakdown speech.