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ClareR (5885 KP) rated The Long Long Afternoon in Books
Mar 2, 2021
The Long, Long Afternoon really gives a sense of time and place - and I loved that about this book. We’re steeped in the 1950’s suburban world of perfect housewives, dosed up on their happy pills, trapped in their blissful domestic lives, keeping a perfect home and looking their best at all times for their hardworking husbands. Meanwhile, they employ black maids for a pitiful wage, taking advantage of them and treating them appallingly.
Ruby Wright arrives to start her afternoons work at Joyce Hanley’s house, and instead finds her young daughter outside and a screaming toddler upstairs in her bedroom. When Ruby goes in to the kitchen, she is confronted with a room awash with blood and signs of a struggle.
When the police arrive, they arrest Ruby for murder. After all, she was the first person there - and she’s black.
Detective Mick Blanke takes on the case. It’s an interesting book, because not only is Mick solving the crime (with some considerable help from Ruby), he’s also showing the social divides in the USA at this time - rich and poor, black and white. He’s clearly not comfortable about the way that white people treat black people in Santa Monica, but he’s still not quite brave enough to call people out on their racism.
This is an engaging, quick read - or perhaps I read it quickly because I didn’t want to put it down. It’s a clever, unpredictable story. In all, it’s a book I’d recommend without hesitation!
Ruby Wright arrives to start her afternoons work at Joyce Hanley’s house, and instead finds her young daughter outside and a screaming toddler upstairs in her bedroom. When Ruby goes in to the kitchen, she is confronted with a room awash with blood and signs of a struggle.
When the police arrive, they arrest Ruby for murder. After all, she was the first person there - and she’s black.
Detective Mick Blanke takes on the case. It’s an interesting book, because not only is Mick solving the crime (with some considerable help from Ruby), he’s also showing the social divides in the USA at this time - rich and poor, black and white. He’s clearly not comfortable about the way that white people treat black people in Santa Monica, but he’s still not quite brave enough to call people out on their racism.
This is an engaging, quick read - or perhaps I read it quickly because I didn’t want to put it down. It’s a clever, unpredictable story. In all, it’s a book I’d recommend without hesitation!
Eleanor Luhar (47 KP) rated Batman: Gotham After Midnight in Books
Jun 24, 2019
This novel contains 12 episodes of Batman stories, each full of action and crime and excitement. It includes Man-Bat, Axe-Man, Clayface, The Joker, Killer Croc, Catwoman, Scarecrow and the new villain, Midnight. At first, Batman is trying to figure out why his villains are suddenly changing their patterns. But then Midnight comes into the scene...
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
The Key Lime Crime
8.0
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National bestselling author Lucy Burdette's tenth Key West Food Critic mystery is piping hot with...
Shadow Ridge (Jo Wyatt Mystery #1)
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Death is one click away when a string of murders rocks a small Colorado town in the first...
Mystery Crime Police Procedural
A Killer Carol
9.0
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Heavenly, PA has been transformed into a Christmas wonderland, and Claire is delighted to celebrate...
Midwinter Mysteries
Linda Stratmann, Cora Harrison, David Field, Graham Brack, Marilyn Todd, J. C. Briggs, Keith Moray, Seàn Gibbons, Gaynor Torrance and Kim Fleet
5.5
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Eleven authors. Eleven stories. One festive collection! Perfect for fans of crime fiction, short...
Mark @ Carstairs Considers (2355 KP) rated The Bootlegger’s Daughter in Books
May 2, 2024
Danger in Prohibition-era Los Angeles
It’s 1927, and Letty Hart is struggling to keep the family vineyard afloat on the outskirts of Los Angeles. When their contract to provide sacramental wine is canceled abruptly, the discovery of some illegal alcohol her father left behind seems too good to pass up. Meanwhile, Annabel Forman is trying to prove she deserves the promotion to detective in the LAPD. She is assigned a joke of a case, but she quickly begins to think she’s stumbled on a connection between several murdered bootleggers.
Obviously, these two women are destined to meet. The story along the way is enjoyable, and the further I got into the book, the more I wanted to keep reading. There are some surprises on the way to a suspenseful climax. I did feel like a few aspects of the plot were rushed, but that’s a minor complaint overall. We get the story from three different character’s points of view, Letty in first person and the other two in third person. These changes happen at chapter breaks and are all clearly labeled. The book is written in present tense, and once my brain got used to it, it didn’t matter. Many of the supporting characters don’t get much page time to be fully developed, but they feel real in the time they have. Letty and Annabel, however, are wonderful characters, and I enjoyed watching them deal with what life has given them. If you are looking for a historic crime story, you’ll be glad you picked this one up.
Obviously, these two women are destined to meet. The story along the way is enjoyable, and the further I got into the book, the more I wanted to keep reading. There are some surprises on the way to a suspenseful climax. I did feel like a few aspects of the plot were rushed, but that’s a minor complaint overall. We get the story from three different character’s points of view, Letty in first person and the other two in third person. These changes happen at chapter breaks and are all clearly labeled. The book is written in present tense, and once my brain got used to it, it didn’t matter. Many of the supporting characters don’t get much page time to be fully developed, but they feel real in the time they have. Letty and Annabel, however, are wonderful characters, and I enjoyed watching them deal with what life has given them. If you are looking for a historic crime story, you’ll be glad you picked this one up.
The Disappointing Mr. Whicher...or is it the Wandering Ms. Summerscale? No, I've got it! The Bloated Book of Everything Victorian!
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
Sassy Brit (97 KP) rated The Island (Hidden Iceland #2) in Books
Jun 5, 2019
After reading the previous Detective Inspector Hulda Hermannsdóttir story (The Darkness) of which I really enjoyed, I was pleased to be offered this book to review by Penguin UK (Michael Joseph) via NetGalley. Here’s my review:
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!