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The Bootlegger’s Daughter
The Bootlegger’s Daughter
Nadine Nettmann | 2024 | Mystery
8
8.0 (1 Ratings)
Book Rating
Danger in Prohibition-era Los Angeles
It’s 1927, and Letty Hart is struggling to keep the family vineyard afloat on the outskirts of Los Angeles. When their contract to provide sacramental wine is canceled abruptly, the discovery of some illegal alcohol her father left behind seems too good to pass up. Meanwhile, Annabel Forman is trying to prove she deserves the promotion to detective in the LAPD. She is assigned a joke of a case, but she quickly begins to think she’s stumbled on a connection between several murdered bootleggers.

Obviously, these two women are destined to meet. The story along the way is enjoyable, and the further I got into the book, the more I wanted to keep reading. There are some surprises on the way to a suspenseful climax. I did feel like a few aspects of the plot were rushed, but that’s a minor complaint overall. We get the story from three different character’s points of view, Letty in first person and the other two in third person. These changes happen at chapter breaks and are all clearly labeled. The book is written in present tense, and once my brain got used to it, it didn’t matter. Many of the supporting characters don’t get much page time to be fully developed, but they feel real in the time they have. Letty and Annabel, however, are wonderful characters, and I enjoyed watching them deal with what life has given them. If you are looking for a historic crime story, you’ll be glad you picked this one up.
  
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Mark @ Carstairs Considers (2470 KP) rated Killer Kung Pao in Books

Jul 30, 2025 (Updated Jul 30, 2025)  
Killer Kung Pao
Killer Kung Pao
Vivien Chien | 2020 | Mystery
9
9.0 (1 Ratings)
Book Rating
Did an Accident Lead to a Shocking Murder?
All Lana Lee wanted on that particular Friday night was to leave work to go hang out with her boyfriend, Detective Adam Trudeau. Instead, she witnesses an auto accident in the parking lot of Asia Village. When the participants, June Yi and Millie Mao, start threatening each other, Lana wonders what is behind their animosity.

But the next morning, Lana’s hair appointment gives her a ringside seat as the two start to go at it again in the shopping center’s salon. Then Millie is electrocuted. The whispers that June is guilty begin almost immediately, but Lana thinks that’s too easy. She may not personally like June, but she doesn’t want to see the woman sent to prison for a crime she didn’t commit. Can Lana find the truth?

I started this book on a holiday weekend, so I didn’t have as much reading time as normal. I felt like it started a little slowly, but that might have been me. Either way, when Lana started investigating, I was hooked, as she tried to find viable suspects and motives. The ending made perfect sense. I liked getting to see more of the supporting players since we were in Asia Village for much of the action. We get growth in a couple of them, a scene that left me laughing hard, and a subplot that I can’t wait to see where goes. It’s easy to see why this series is so popular. Hopefully, I can get to the next one soon.
  
The Disappointing Mr. Whicher...or is it the Wandering Ms. Summerscale? No, I've got it! The Bloated Book of Everything Victorian!

I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.

Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.

My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.