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Becoming Rain (Burying Water, #2)
8.0
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The second novel in nationally bestselling author K.A. Tucker’s breathtaking romantic suspense...
Dune: House Secrets
Tabletop Game
Featuring the co-operative game system used in Portal's award-winning Detective: A Modern Crime...
The Girl Next Door
Book
The dazzling new novel from Ruth Rendell. When the bones of two severed hands are discovered in a...
The Burning Wire (Lincoln Rhyme #9)
8.0
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The weapon is invisible and omnipresent. Without it, modern society grinds to a halt. It is the...
Debbiereadsbook (1444 KP) rated Fall to Pieces in Books
Dec 11, 2021
loved the back seat the romance takes!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I liked this book, I liked it a lot!
Xavier is sent to assess Alexandra's mental capacity to do her job, following the suicide of her detective husband. But things are not as they seem and Xavier and Alex are soon fighting her department as well as a child killer hellbent on driving Alex mad.
This is a dark book. Suicide, child murder and abuse. How cops deal with stress. And I liked that. I liked that it made me think about those things. I have no triggers though, and some readers might not like it.
Both Alex and Xavier have a say, and they have a lot to say about a lot of things! Both of them are suffering from things that happened but while Alex' is (mostly) clear from the start, it takes time to get the whole picture. Xavier's pain is far deeper and we don't get the whole picture there til much later. I like being made to wait.
The romance between Alex and Xavier takes a back seat to the crime aspect of the book and I loved the twist that took. I did think Alex would push Xavier away more than once and, Lord she tries! But Xavier is strong and even though the reasons he comes into Alex' life are beyond his control, keeping her safe is within his control and he will do that.
I liked this, a lot. It's the first I've read of this author, I would like to read more.
4 stars
*same worded review ill appear elsewhere
I liked this book, I liked it a lot!
Xavier is sent to assess Alexandra's mental capacity to do her job, following the suicide of her detective husband. But things are not as they seem and Xavier and Alex are soon fighting her department as well as a child killer hellbent on driving Alex mad.
This is a dark book. Suicide, child murder and abuse. How cops deal with stress. And I liked that. I liked that it made me think about those things. I have no triggers though, and some readers might not like it.
Both Alex and Xavier have a say, and they have a lot to say about a lot of things! Both of them are suffering from things that happened but while Alex' is (mostly) clear from the start, it takes time to get the whole picture. Xavier's pain is far deeper and we don't get the whole picture there til much later. I like being made to wait.
The romance between Alex and Xavier takes a back seat to the crime aspect of the book and I loved the twist that took. I did think Alex would push Xavier away more than once and, Lord she tries! But Xavier is strong and even though the reasons he comes into Alex' life are beyond his control, keeping her safe is within his control and he will do that.
I liked this, a lot. It's the first I've read of this author, I would like to read more.
4 stars
*same worded review ill appear elsewhere
Murder on the Steel Pier (A Tess Mancini Time Travel Mystery #1)
Book
Greetings from the Nifty Fifties… The morning after a blowout birthday celebration in Atlantic...
Historical Mystery Time Travel
Gareth von Kallenbach (980 KP) rated Motherless Brooklyn (2019) in Movies
Oct 31, 2019
With all the recent big action blockbuster movie releases recently, there is a genre that has been overlooked for some time, a good detective story. Most movies that take place in the 50’s tend to focus more on mob related backdrops and ruthless hits to draw in audiences. Motherless Brooklyn written, directed and starring Edward Norton looks to tell a story that harkens back to the day where gumshoes spoke to key individuals and followed the clues to get to the bottom of the case. This is long before forensics was a thing, and there were no fancy computer databases or DNA matching to utilize to narrow down the suspect pool. This was when it took the skills and abilities of the individual themselves to follow the clues and piece them together like a puzzle to solve each and every case.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Deborah (162 KP) rated Seeking Mr Hare in Books
Dec 21, 2018
I've not read anything by Maurice Leitch before, but like most people I've heard of Burke & Hare, so thought this would be worth a read.
Overall it was very well written. As well as the historical Mr Hare, Thomas de Quincey (Confessions of An English Opium Eater) makes an appearance. The novel starts with Hare still held in gaol and we see him turn King's Evidence and be allowed to go free while his partner in crime (pun intended!) goes to the gallows. A plaster cast is taken of Hare's head and a phrenologist has a good feel of his skull!
Being somewhat notorious and with many people being outraged with his perceived escape from justice, Hare has some difficulty in getting away and he has little money and few possessions to his name.
So much for Hare's half of the narrative. His account is interspersed with chapters in the form of letters or journal entries from Mr Speed, a former police detective. He had been charged by a Lord with an interest in science and criminology to track Hare down. This is the weak point for me - I don't quite understand why. Hare was imprisoned while the trial was going on, so why is it only after he is released he has to be tracked down. What is Speed supposed to do for him employer if and when he catches up with Hare? What exact;y does he want to know? This isn't clear to me and so the book as a whole rather loses its point. I can't say much more as it will end up spoiling things, but the ending did seem very anti-climactic to me.
Overall it was very well written. As well as the historical Mr Hare, Thomas de Quincey (Confessions of An English Opium Eater) makes an appearance. The novel starts with Hare still held in gaol and we see him turn King's Evidence and be allowed to go free while his partner in crime (pun intended!) goes to the gallows. A plaster cast is taken of Hare's head and a phrenologist has a good feel of his skull!
Being somewhat notorious and with many people being outraged with his perceived escape from justice, Hare has some difficulty in getting away and he has little money and few possessions to his name.
So much for Hare's half of the narrative. His account is interspersed with chapters in the form of letters or journal entries from Mr Speed, a former police detective. He had been charged by a Lord with an interest in science and criminology to track Hare down. This is the weak point for me - I don't quite understand why. Hare was imprisoned while the trial was going on, so why is it only after he is released he has to be tracked down. What is Speed supposed to do for him employer if and when he catches up with Hare? What exact;y does he want to know? This isn't clear to me and so the book as a whole rather loses its point. I can't say much more as it will end up spoiling things, but the ending did seem very anti-climactic to me.
Gareth von Kallenbach (980 KP) rated The Happytime Murders (2017) in Movies
Jul 2, 2019
As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Who Is The Killer (Episode I)
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"We would personally recommend everyone to try this game, especially those who love brain teasers....