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Haley Mathiot (9 KP) rated Crime and Punishment in Books
Apr 27, 2018
**spoilers**
Crime and Punishment by Fyodor Dostoevsky. read by Anthony Heald.
Genre: Fiction, classic
Rating: 5
Sin, Sentence, and Salvation
The allegory of Crime and Punishment
Crime and Punishment, one of the more famous works of Fyodor Dostoevsky, is considered “the first great novel of his mature period,” (Frank, 1995) and is one of his more famous books, rivaled only by The Brothers Karamazov. What makes Crime and Punishment such a classic? Perhaps because it is a picture of the only classic, and greatest story of all time. Crime and Punishment is an allegory of Salvation.
Self-justified
The main character, Rodion Romanovich Raskolnikov, was a poor student at a university, and was overcome with hate toward an old pawnbroker, and decided to rid the world of her for the greater good of everyone. He believed that she was a “louse,” and since everyone would be happier without her, his actions would be justified. He believed that he had broken the letter of the law only, but that it didn’t have any authority over him anyway because it was written by people just as low as himself. He didn’t believe in God, and in prison he was convinced that he didn’t deserve his treatment, and that it was something he simply needed to get over with. He had no higher authority, so he said “my conscience is at rest.” This is a picture of man before he is touched by the merciful salvation of Christ.
A Troubled Man
Although Raskolnikov justified his actions in killing the old woman, he still felt an overwhelming sense of guilt and fear over what he did. He worked very hard at keeping it a secret, and at first he thought he could live with the guilt that sat in back of his mind, but he was wrong. Raskolnikov had horrible dreams, was always sick, and one of the other characters noticed that he was constantly “set off by little things” for no apparent reason (though the reader knew that it was only because it reminded him of his crime). This represents a man who knows in his heart that he is a sinner, but who will not turn and repent from his sin.
Unending Love
Sonya Semyonovna Marmeladov was the daughter of a drunkard who “took the yellow card” and prostituted herself to support her family. Throughout the book, Sonya began to love Raskolnikov. Eventually, Raskolnikov told Sonya his secret. Sonya was horrified, but still loved him and forgave him after her initial shock wore off. As Raskolnikov was fighting inside with his conscience and his sins, he repeatedly snapped at her, refused her comfort, yelled at her, and so on. He was a bitter, angry, hateful man—and yet Sonya forgave him for everything he did to her, and everything he had done in his past. What redeeming quality Sonya saw in the wretch and why she forgave him, one cannot begin to comprehend; aside from the simple truth that Sonya was a loving, gentile, merciful girl. She saw that Raskolnikov needed someone to love him and she reached out to him, even when he repeatedly pushed her away. Sonya’s love for him is a picture of Christ’s unending and perfect love to His sinful people.
A Silent Witness
When Raskolnikov finally broke down and confessed his crime, Sonya moved to Siberia with him. Raskolnikov expected this, and knew that telling her not to come would be fruitless. She visited him often in prison and wrote to his family for him. But although Raskolnikov expected her to preach to him and push the Gospel in his face, she did not. Sonya followed the scripture’s instruction to Christian wives with non-Christian husbands in 1 Peter 3:1—“ Wives, in the same way be submissive to your husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives…” The verse tells women to be good examples of Christ to their non-Christian husbands rather than to preach to them and try to convert them, and that is exactly what Sonya did, even though she was not married to him. She did not try to convert him with words; rather she won him with her love. She did not push the Testament into Raskolnikov’s hands, he asked for it. When she did bring it, she did not pester him to read it. She had faith, and showed Raskolnikov the love of Christ through her actions. In the end, it paid off. Although Dostoevsky does not specifically say that Raskolnikov was converted, he does imply that he eventually became a Christian when he mused “Can not her own convictions now be mine?”
The truth will set you free
When Raskolnikov finally realized that he loved Sonya, he accepted that he was a criminal, and a murderer. When he finally accepted that he was a sinner, he repented and had a new life in him. He said he felt like “he had risen again” and that Sonya “lived only in his life.” By life, Dostoevsky refers to his mentality. Before, he had been a living dead man in prison. He was hated by his inmates, was almost killed by them in an outbreak, was unaffected by anything that happened to him or his family, and eventually became ill from it all. But after his resurrection, he repented from his sins, learned to move on with his life, and started to change. He began to converse with his inmates, and they no longer hated him. Sonya was alive in his “life” because of her love for him. When he was changed, she was so happy that she became sick with joy, to the point that she was ill in bed. Dostoevsky paints a picture of a redeemed man at the end of his novel—redeemed both by the law, and by God. This picture symbolizes the miracle of salvation through Christ.
An amazing Allegory
Dostoevsky was a wonderful writer because of his use of dialogue to tell the story, his descriptive scenes, his powerfully developed characters, and their inner dialogue. He often times told you that something was happening by only telling you what the character who was speaking at the time said in response to what was going on. For example, if Sonya was standing up, Dostoevsky would write “… ‘hey, what do you stand for?’ for Sonya had stood.”
He also painted such good descriptions of his characters, that by the middle of the book he didn’t have to say that Raskolnikov was musing in the corner of the room, glaring at anyone who was brave enough to look at him, while he stewed in grief under his old ratted cap, because you knew from how well he was described earlier and how well his character was developed from the dialogue, that he was doing exactly that.
His characters are so real, they almost frighten you because you see the things they do and feel and experience reflected in your own life. They are not perfect—in fact they are all incredibly flawed, but they are a joy to read.
His ending is superb, because he closes the story without actually telling you everything. He never says that Raskolnikov was converted, he never says when he got out of prison, and he never says that Sonya and he were married, but you know that it happened. The last scene of the story is so superb, it makes you want to read it again, just to experience the joy all over again.
But what really made Crime and Punishment the classic that it was is the picture of the best story in the world, the classic story of the world, showing through. The story of the Gospel, of Jesus Christ’s unending love and sin and salvation is clearly portrayed, and makes a joyous read.
Works cited:
Quotes are from Crime and Punishment by Fyodor Dostoevsky, 1886
Frank, Joseph (1995). Dostoevsky: The Miraculous Years, 1865–1871. Princeton University Press. ISBN 0-691-01587-2. (source found and taken from Wikipedia.com)
1 Peter 3:1 New International Version of The Holy Bible
Audio review: I had a hard time reading the book, simply because it was so huge that it was intimidating. I bought (ouch) the audio book of Crime and Punishment, recorded by Anthony Heald who did a fantastic job reading. His voices for the characters perfectly matched them, he felt for them, and he acted them. None of them were cheesy (yeah you all know how lame some male readers are at acting female voices). He read fast enough that the story didn't drag at all, but not so fast that you'd feel like you'd miss something if you didn't listen hard. I will definitely re-listen to the audio book.
Content: some gruesome descriptions of blood from the murder
Recommendation: Ages 14+
Crime and Punishment by Fyodor Dostoevsky. read by Anthony Heald.
Genre: Fiction, classic
Rating: 5
Sin, Sentence, and Salvation
The allegory of Crime and Punishment
Crime and Punishment, one of the more famous works of Fyodor Dostoevsky, is considered “the first great novel of his mature period,” (Frank, 1995) and is one of his more famous books, rivaled only by The Brothers Karamazov. What makes Crime and Punishment such a classic? Perhaps because it is a picture of the only classic, and greatest story of all time. Crime and Punishment is an allegory of Salvation.
Self-justified
The main character, Rodion Romanovich Raskolnikov, was a poor student at a university, and was overcome with hate toward an old pawnbroker, and decided to rid the world of her for the greater good of everyone. He believed that she was a “louse,” and since everyone would be happier without her, his actions would be justified. He believed that he had broken the letter of the law only, but that it didn’t have any authority over him anyway because it was written by people just as low as himself. He didn’t believe in God, and in prison he was convinced that he didn’t deserve his treatment, and that it was something he simply needed to get over with. He had no higher authority, so he said “my conscience is at rest.” This is a picture of man before he is touched by the merciful salvation of Christ.
A Troubled Man
Although Raskolnikov justified his actions in killing the old woman, he still felt an overwhelming sense of guilt and fear over what he did. He worked very hard at keeping it a secret, and at first he thought he could live with the guilt that sat in back of his mind, but he was wrong. Raskolnikov had horrible dreams, was always sick, and one of the other characters noticed that he was constantly “set off by little things” for no apparent reason (though the reader knew that it was only because it reminded him of his crime). This represents a man who knows in his heart that he is a sinner, but who will not turn and repent from his sin.
Unending Love
Sonya Semyonovna Marmeladov was the daughter of a drunkard who “took the yellow card” and prostituted herself to support her family. Throughout the book, Sonya began to love Raskolnikov. Eventually, Raskolnikov told Sonya his secret. Sonya was horrified, but still loved him and forgave him after her initial shock wore off. As Raskolnikov was fighting inside with his conscience and his sins, he repeatedly snapped at her, refused her comfort, yelled at her, and so on. He was a bitter, angry, hateful man—and yet Sonya forgave him for everything he did to her, and everything he had done in his past. What redeeming quality Sonya saw in the wretch and why she forgave him, one cannot begin to comprehend; aside from the simple truth that Sonya was a loving, gentile, merciful girl. She saw that Raskolnikov needed someone to love him and she reached out to him, even when he repeatedly pushed her away. Sonya’s love for him is a picture of Christ’s unending and perfect love to His sinful people.
A Silent Witness
When Raskolnikov finally broke down and confessed his crime, Sonya moved to Siberia with him. Raskolnikov expected this, and knew that telling her not to come would be fruitless. She visited him often in prison and wrote to his family for him. But although Raskolnikov expected her to preach to him and push the Gospel in his face, she did not. Sonya followed the scripture’s instruction to Christian wives with non-Christian husbands in 1 Peter 3:1—“ Wives, in the same way be submissive to your husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives…” The verse tells women to be good examples of Christ to their non-Christian husbands rather than to preach to them and try to convert them, and that is exactly what Sonya did, even though she was not married to him. She did not try to convert him with words; rather she won him with her love. She did not push the Testament into Raskolnikov’s hands, he asked for it. When she did bring it, she did not pester him to read it. She had faith, and showed Raskolnikov the love of Christ through her actions. In the end, it paid off. Although Dostoevsky does not specifically say that Raskolnikov was converted, he does imply that he eventually became a Christian when he mused “Can not her own convictions now be mine?”
The truth will set you free
When Raskolnikov finally realized that he loved Sonya, he accepted that he was a criminal, and a murderer. When he finally accepted that he was a sinner, he repented and had a new life in him. He said he felt like “he had risen again” and that Sonya “lived only in his life.” By life, Dostoevsky refers to his mentality. Before, he had been a living dead man in prison. He was hated by his inmates, was almost killed by them in an outbreak, was unaffected by anything that happened to him or his family, and eventually became ill from it all. But after his resurrection, he repented from his sins, learned to move on with his life, and started to change. He began to converse with his inmates, and they no longer hated him. Sonya was alive in his “life” because of her love for him. When he was changed, she was so happy that she became sick with joy, to the point that she was ill in bed. Dostoevsky paints a picture of a redeemed man at the end of his novel—redeemed both by the law, and by God. This picture symbolizes the miracle of salvation through Christ.
An amazing Allegory
Dostoevsky was a wonderful writer because of his use of dialogue to tell the story, his descriptive scenes, his powerfully developed characters, and their inner dialogue. He often times told you that something was happening by only telling you what the character who was speaking at the time said in response to what was going on. For example, if Sonya was standing up, Dostoevsky would write “… ‘hey, what do you stand for?’ for Sonya had stood.”
He also painted such good descriptions of his characters, that by the middle of the book he didn’t have to say that Raskolnikov was musing in the corner of the room, glaring at anyone who was brave enough to look at him, while he stewed in grief under his old ratted cap, because you knew from how well he was described earlier and how well his character was developed from the dialogue, that he was doing exactly that.
His characters are so real, they almost frighten you because you see the things they do and feel and experience reflected in your own life. They are not perfect—in fact they are all incredibly flawed, but they are a joy to read.
His ending is superb, because he closes the story without actually telling you everything. He never says that Raskolnikov was converted, he never says when he got out of prison, and he never says that Sonya and he were married, but you know that it happened. The last scene of the story is so superb, it makes you want to read it again, just to experience the joy all over again.
But what really made Crime and Punishment the classic that it was is the picture of the best story in the world, the classic story of the world, showing through. The story of the Gospel, of Jesus Christ’s unending love and sin and salvation is clearly portrayed, and makes a joyous read.
Works cited:
Quotes are from Crime and Punishment by Fyodor Dostoevsky, 1886
Frank, Joseph (1995). Dostoevsky: The Miraculous Years, 1865–1871. Princeton University Press. ISBN 0-691-01587-2. (source found and taken from Wikipedia.com)
1 Peter 3:1 New International Version of The Holy Bible
Audio review: I had a hard time reading the book, simply because it was so huge that it was intimidating. I bought (ouch) the audio book of Crime and Punishment, recorded by Anthony Heald who did a fantastic job reading. His voices for the characters perfectly matched them, he felt for them, and he acted them. None of them were cheesy (yeah you all know how lame some male readers are at acting female voices). He read fast enough that the story didn't drag at all, but not so fast that you'd feel like you'd miss something if you didn't listen hard. I will definitely re-listen to the audio book.
Content: some gruesome descriptions of blood from the murder
Recommendation: Ages 14+
MaryAnn (14 KP) rated An Hour Unspent (Shadows Over England, #3) in Books
Mar 5, 2019
Once London’s top thief, Barclay Pearce has turned his back on his life of crime and now uses his skills for a nation at war. But not until he rescues a clockmaker’s daughter from a mugging does he begin to wonder what his future might hold.
Evelina Manning has constantly fought for independence but she certainly never meant for it to inspire her fiancé to end the engagement and enlist in the army. When the intriguing man who saved her returns to the Manning residence to study clockwork repair with her father, she can’t help being interested. But she soon learns that nothing with Barclay Pearce is as simple as it seems.
As 1915 England plunges ever deeper into war, the work of an ingenious clockmaker may give England an unbeatable military edge—and Germany realizes it as well. Evelina’s father soon finds his whole family in danger—and it may just take a reformed thief to steal the time they need to escape it.
My Thoughts: This is an intriguing and entertaining book. From the first chapter to the last, it has the reader completely enamored. This is the third book in the series and if the reader like myself hasn't read the first two, they will be able to read along easily. The setting takes place during the first world war and grabs the readers attention from the first page. The characters are fun, witty and down to earth.
I believe that this book is to teach us what family really is and to appreciate and to hold on tight and love our famililies. It's a book about serving others and putting family first.
I believe that readers will truly enjoy this novel, especially those who love historical fiction.
Evelina Manning has constantly fought for independence but she certainly never meant for it to inspire her fiancé to end the engagement and enlist in the army. When the intriguing man who saved her returns to the Manning residence to study clockwork repair with her father, she can’t help being interested. But she soon learns that nothing with Barclay Pearce is as simple as it seems.
As 1915 England plunges ever deeper into war, the work of an ingenious clockmaker may give England an unbeatable military edge—and Germany realizes it as well. Evelina’s father soon finds his whole family in danger—and it may just take a reformed thief to steal the time they need to escape it.
My Thoughts: This is an intriguing and entertaining book. From the first chapter to the last, it has the reader completely enamored. This is the third book in the series and if the reader like myself hasn't read the first two, they will be able to read along easily. The setting takes place during the first world war and grabs the readers attention from the first page. The characters are fun, witty and down to earth.
I believe that this book is to teach us what family really is and to appreciate and to hold on tight and love our famililies. It's a book about serving others and putting family first.
I believe that readers will truly enjoy this novel, especially those who love historical fiction.
Erika Kehlet (21 KP) rated Trust No One in Books
Feb 19, 2018
***NOTE: I was provided a free copy of this book from the publisher and Netgalley in exchange for an honest review***
Jerry Grey is a best-selling crime writer who writes under the pen name of Henry Cutter. He is 49 years old, and has been diagnosed with early onset Alzheimer’s. Jerry can’t always remember what is reality and what is fiction. Sometimes he believes that he is Henry. Sometimes he talks to Henry. And sometimes he confuses his real life with the lives of his characters. He confesses to crimes that never happened except within the confines of his books. At least that what everyone keeps telling him…
Several women have been killed recently at times when Jerry has gone wandering away from the nursing home where he now resides. He may know what has happened to them, but he can’t trust his memory of events. Can he trust what he’s written in his “madness journal”? And how can he be sure people are telling him the truth about what has happened during times that he has no memory of?
Trust No One is a very fast-paced, suspenseful novel. This book kept me guessing right up to the end. Just when I thought I knew who did what, something would happen to make me think that I must be wrong.
I would recommend Trust No One to any thriller or suspense fan, but if you like stories told by unreliable narrators, such as Before I Sleep or Girl on the Train, then you really must read this one!
Warnings: occasional explicit language, violence, and those who have a loved one suffering from Alzheimer’s may be uncomfortable reading about the disease’s devastating effects on Jerry and his ability to function
Jerry Grey is a best-selling crime writer who writes under the pen name of Henry Cutter. He is 49 years old, and has been diagnosed with early onset Alzheimer’s. Jerry can’t always remember what is reality and what is fiction. Sometimes he believes that he is Henry. Sometimes he talks to Henry. And sometimes he confuses his real life with the lives of his characters. He confesses to crimes that never happened except within the confines of his books. At least that what everyone keeps telling him…
Several women have been killed recently at times when Jerry has gone wandering away from the nursing home where he now resides. He may know what has happened to them, but he can’t trust his memory of events. Can he trust what he’s written in his “madness journal”? And how can he be sure people are telling him the truth about what has happened during times that he has no memory of?
Trust No One is a very fast-paced, suspenseful novel. This book kept me guessing right up to the end. Just when I thought I knew who did what, something would happen to make me think that I must be wrong.
I would recommend Trust No One to any thriller or suspense fan, but if you like stories told by unreliable narrators, such as Before I Sleep or Girl on the Train, then you really must read this one!
Warnings: occasional explicit language, violence, and those who have a loved one suffering from Alzheimer’s may be uncomfortable reading about the disease’s devastating effects on Jerry and his ability to function
Phil Leader (619 KP) rated Grey Areas - The Saga (Books 1-4) in Books
Nov 14, 2019
The Grey Areas saga encompasses 4 books - each pretty long in themselves - which can be read separately or all in one go, as each follows directly from the last.
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
Sarah (7799 KP) rated The Stranger in TV
Feb 10, 2020
Intriguing and twisty
Pretty much everyone I know is watching this at the moment. Mainly because it's set in a fictional Greater Manchester town and was actually filmed in many locations across Greater Manchester, including my own town. I wasn't too bothered to see it though until I saw the trailer, which sucked me in just enough to start watching.
I've never read the book, so had no preconceptions whatsoever other than a general view on Harlan Coben. I've read that there are some differences, but for me this show really worked. The smaller local setting works, and it's a fun, intriguing twist filled crime thriller with a great cast. There is a lot to take in with this, with a lot of smaller stories and scenes that all mix in together with the wider main plot about the mysterious stranger. Whilst I wouldn't say it gets confusing as such, you really have to focus to keep track of everything that's going on and all the different intersecting story arcs of all the characters. It may be a little on the unbelievable side, but it is fiction after all! The only thing I was really disappointed about was the ending - the Stranger's motivations and the reveal about what happened to Corinne, whilst good, weren't entirely surprising. There are some great actors in this, Siobhan Finneran's cop with her natural Oldham accent is a riot and it's always good to see Richard Armitage on screen. I just wish there had been more Anthony Head!
The extra appeal about watching this was trying to identify all of the local areas and places it had been filmed in. It was incredibly devastating to see that both Richard Armitage and Anthony Head had been in numerous places in my town without my knowledge. I was so close to seeing Giles in the flesh!
I've never read the book, so had no preconceptions whatsoever other than a general view on Harlan Coben. I've read that there are some differences, but for me this show really worked. The smaller local setting works, and it's a fun, intriguing twist filled crime thriller with a great cast. There is a lot to take in with this, with a lot of smaller stories and scenes that all mix in together with the wider main plot about the mysterious stranger. Whilst I wouldn't say it gets confusing as such, you really have to focus to keep track of everything that's going on and all the different intersecting story arcs of all the characters. It may be a little on the unbelievable side, but it is fiction after all! The only thing I was really disappointed about was the ending - the Stranger's motivations and the reveal about what happened to Corinne, whilst good, weren't entirely surprising. There are some great actors in this, Siobhan Finneran's cop with her natural Oldham accent is a riot and it's always good to see Richard Armitage on screen. I just wish there had been more Anthony Head!
The extra appeal about watching this was trying to identify all of the local areas and places it had been filmed in. It was incredibly devastating to see that both Richard Armitage and Anthony Head had been in numerous places in my town without my knowledge. I was so close to seeing Giles in the flesh!
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Hazel (2934 KP) rated Before The Storm (DCI Lorimer #18) in Books
Mar 28, 2021
Where have I been living and why have I never read anything by Alex Gray before? This is book 18 for heaven's sake!!! I must have been living under a rock and walking around with my eyes closed to have missed this series because if the previous 17 are anything close to being as good as this, I really have been missing out on a treat. I was a little concerned that coming into an already well established series wasn't a good idea but I needn't have worried as this worked really well as a standalone.
This is an excellent police procedural with a very up-to-date and relevant story line. It is not a white-knuckle, action packed story and it's not full of swearing, violence or gory details but it is written at a steady pace with a growing sense of tension and urgency which makes it a compulsive and riveting read.
The characters are so good and so well developed that I really felt I knew them. I read a lot of crime fiction and police procedurals and I have to say that it is refreshing for the main character not to be full of his own troubles or issues or who is in conflict with either his colleagues or his bosses. Daniel was an excellent addition and his relationship with his neighbour, Netta, was a joy to read ... I do hope that these 2 make an appearance in subsequent books.
I thoroughly enjoyed this and would very much recommend this to everyone and I must thank The Little, Brown Book Group and NetGalley for my copy in return for an unbiased and unedited review.
Alex Gray is definitely on my watchlist now!
This is an excellent police procedural with a very up-to-date and relevant story line. It is not a white-knuckle, action packed story and it's not full of swearing, violence or gory details but it is written at a steady pace with a growing sense of tension and urgency which makes it a compulsive and riveting read.
The characters are so good and so well developed that I really felt I knew them. I read a lot of crime fiction and police procedurals and I have to say that it is refreshing for the main character not to be full of his own troubles or issues or who is in conflict with either his colleagues or his bosses. Daniel was an excellent addition and his relationship with his neighbour, Netta, was a joy to read ... I do hope that these 2 make an appearance in subsequent books.
I thoroughly enjoyed this and would very much recommend this to everyone and I must thank The Little, Brown Book Group and NetGalley for my copy in return for an unbiased and unedited review.
Alex Gray is definitely on my watchlist now!