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Kirk Bage (1775 KP) rated Detective Story (1951) in Movies

Mar 3, 2020  
Detective Story (1951)
Detective Story (1951)
1951 | Classics, Drama, Mystery
8
8.0 (1 Ratings)
Movie Rating
Adapted from a stage play that he loved, Detective story typifies the kind of roles of a man under pressure that Douglas came to be indelibly identified with. This time it was his co-star Eleanor Parker who got the Academy Award nomination, but it was their chemistry that really drew the eye. The troubles of life, and the task of being a good man in the face of a bad world were the themes Douglas tackled here. The setting of crime fighting over one day in the 21st precinct is secondary to the personal fight of the “hard-nosed” Jim McLeod, who does his best but can never get ahead. There are shadows of such films as Miller’s Crossing, LA Confidential and even Blade Runner in here. Notable for some gorgeous film-noir photography, and the obligatory Douglas breakdown speech.
  
    Private Eye

    Private Eye

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    TV Show

    This is a detective series set in 1950's Hollywood. Jack Cleary is a (virtuous) cop and his virtue...

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Pat Healy recommended The Killing (1956) in Movies (curated)

 
The Killing (1956)
The Killing (1956)
1956 | Crime, Drama, Film-Noir
8.4 (11 Ratings)
Movie Favorite Watch

"Outside of 2001: A Space Odyssey, these are my favorite Kubrick films. The Killing is a tense and lean noir starring the great Sterling Hayden and a cast of character actors (Marie Windsor, Elisha Cook Jr., Jay C. Flippen, Timothy Carey, et al.), each of whom possesses his or her own special brand of menace and pathos. The film’s dialogue is by the best crime writer who ever lived, Jim Thompson (who worked with Kubrick and Calder Willingham on Paths of Glory as well), and it’s the music in Kubrick’s nonlinear racetrack heist caper, which I think is the best noir ever made. Hayden is one of the most curious creatures to ever grace the screen. I can never take my eyes off him, and as gruff as he is, I always feel for him. The tragic, cosmic joke at the end of this movie will break your heart—even when you’re wondering why you wanted this bum to get away with the crime. Johnny Clay is the ultimate “beautiful loser.” Paths of Glory is, in my humble opinion, the finest war film ever made. While not concerned primarily with combat and focusing instead on its multilayered consequences, the drama is as explosive as any battlefield action you’ll ever see. It lays bare the blatant hypocrisy of the powers that be, who never get their hands dirty but put innocent and well-intentioned men in the trenches to fight their battles for them. Kubrick takes us through the trenches with dazzling tracking shots that show us the weathered faces of the men who fought the Great War, some of whom will later be brought to trial and executed for “cowardice” after not being able to pull off an impossible mission. Kirk Douglas has never been better. And if the final scene in the battered cabaret, featuring Kubrick’s future wife, Christiane, singing a German folk song, doesn’t destroy you completely, you are probably some hideous sun demon."

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