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Midge (525 KP) rated The Next to Die in Books
Feb 17, 2019
Original And Very Unique
Five well deserved stars! This is such a good book for me - the witticisms, the sarcastic put-downs, as well as the hilarious musings and anecdotes, all help this book along for me. It’s nothing like any other novel that I can recall reading before and it is especially refreshing for a crime novel.
I love novels that feature out of the ordinary protagonists, so this one fitted right into that category. The story is actually told from the points of view of two people - stand up comedian, Kim Tribbeck & DC Simon Waterhouse.
Quirky Kim Tribbeck has a dark side, and I really enjoyed the insight into her world as told through her POV. Her contribution is told through an autobiographical book called “Origami.” DC Simon Waterhouse, the other protagonist, is inspired, well respected, and talented as a detective and he doesn’t like public speaking. The story is also told via a number of newspaper articles and random emails.
The chapters vary between different characters, excerpts from “Origami”, the emails, newspaper columns, short stories, and letters. In addition to the burning question, “Who Is Billy Dead Mates?” (the nickname of the killer who appears to be targeting pairs of best friends), there is an obsessed journalist who claims the victims have been murdered by a mad misogynist. Before they die, each of the victims is given a small white book.
I particularly loved the chapters that were told from Kim’s point-of-view. For me, Sophie Hannah’s portrayal of Kim was brilliant. She turned this novel into something much more than a police procedural. In THE NEXT TO DIE, Hannah managed to combine a wonderfully clever and complex plot with some extremely unforgettable characters.
THE NEXT TO DIE by Sophie Hannah is a highly recommended, layered mystery with a surprising and fulfilling ending.
{Thank you to Edelweiss and William Morrow for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I love novels that feature out of the ordinary protagonists, so this one fitted right into that category. The story is actually told from the points of view of two people - stand up comedian, Kim Tribbeck & DC Simon Waterhouse.
Quirky Kim Tribbeck has a dark side, and I really enjoyed the insight into her world as told through her POV. Her contribution is told through an autobiographical book called “Origami.” DC Simon Waterhouse, the other protagonist, is inspired, well respected, and talented as a detective and he doesn’t like public speaking. The story is also told via a number of newspaper articles and random emails.
The chapters vary between different characters, excerpts from “Origami”, the emails, newspaper columns, short stories, and letters. In addition to the burning question, “Who Is Billy Dead Mates?” (the nickname of the killer who appears to be targeting pairs of best friends), there is an obsessed journalist who claims the victims have been murdered by a mad misogynist. Before they die, each of the victims is given a small white book.
I particularly loved the chapters that were told from Kim’s point-of-view. For me, Sophie Hannah’s portrayal of Kim was brilliant. She turned this novel into something much more than a police procedural. In THE NEXT TO DIE, Hannah managed to combine a wonderfully clever and complex plot with some extremely unforgettable characters.
THE NEXT TO DIE by Sophie Hannah is a highly recommended, layered mystery with a surprising and fulfilling ending.
{Thank you to Edelweiss and William Morrow for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Zuky the BookBum (15 KP) rated I'm Travelling Alone in Books
Mar 15, 2018
I read this novel as my BookBum Club book for November! Check out this page to find out more about my very own Book Club!
I had heard so many great things about this novel from family and online, it’s got a great average rating on Goodreads, so I thought I was going to really love it, unfortunately it didn’t do much for me. For me, this was nothing more than your standard police procedural, a sub-genre in crime that I’m not a huge fan of.
What drew me to this one other than the recommendations was the title. I really like how striking and eerie it is! This, obviously, lead me to read the synopsis and I definitely thought the plot was a unique one in a genre that’s so heavily populated. The storyline, in the end, didn’t live completely up to my expectations, but it was a great twisty and turny story. I did have my suspicions about the killer from quite early on, which turned out to be correct, so for that reason I can’t personally see why so many people are stunned by the conclusion. However, I didn’t have any theory as to why the killer was doing what they were doing so it was interesting to find out!
I liked the characters in this one, but sometimes they felt a little clunky and unbelievable, which might be down to translation issues or regional differences… I mean, do Norwegian people really wink at each other during every conversation? There was a lot of winking going on!
Personally, I felt more connected to Holger Munch in this one than I did with Mia Kruger. I understood her position in life, but sometimes I was sick of hearing how sorry for herself she felt. I really do hate the cliche police officer in these kinds of books and she really fit the part perfectly.
The writing for this one was good, but like I said earlier, maybe some of the thrill of it was lost in translation because I never got that heart-racing feeling I usually do with books about catching a killer. Some of the nail-biting conversations happening felt rushed and all bunched together at the end of a chapter which, for me, ruined any kind of atmosphere it was meant to have.
I seem to be swimming in a sea of mediocre books at the moment, and it sucks! I wish I had liked this one way more… my dad and nan will be disappointed when they see my review.
I had heard so many great things about this novel from family and online, it’s got a great average rating on Goodreads, so I thought I was going to really love it, unfortunately it didn’t do much for me. For me, this was nothing more than your standard police procedural, a sub-genre in crime that I’m not a huge fan of.
What drew me to this one other than the recommendations was the title. I really like how striking and eerie it is! This, obviously, lead me to read the synopsis and I definitely thought the plot was a unique one in a genre that’s so heavily populated. The storyline, in the end, didn’t live completely up to my expectations, but it was a great twisty and turny story. I did have my suspicions about the killer from quite early on, which turned out to be correct, so for that reason I can’t personally see why so many people are stunned by the conclusion. However, I didn’t have any theory as to why the killer was doing what they were doing so it was interesting to find out!
I liked the characters in this one, but sometimes they felt a little clunky and unbelievable, which might be down to translation issues or regional differences… I mean, do Norwegian people really wink at each other during every conversation? There was a lot of winking going on!
Personally, I felt more connected to Holger Munch in this one than I did with Mia Kruger. I understood her position in life, but sometimes I was sick of hearing how sorry for herself she felt. I really do hate the cliche police officer in these kinds of books and she really fit the part perfectly.
The writing for this one was good, but like I said earlier, maybe some of the thrill of it was lost in translation because I never got that heart-racing feeling I usually do with books about catching a killer. Some of the nail-biting conversations happening felt rushed and all bunched together at the end of a chapter which, for me, ruined any kind of atmosphere it was meant to have.
I seem to be swimming in a sea of mediocre books at the moment, and it sucks! I wish I had liked this one way more… my dad and nan will be disappointed when they see my review.
Gotham is the kind of show where I wonder whether they tried to save money by just having the interns write the script. It's got that stilted, on-the-nose kind of dialogue that makes me just feel bad for the actors. For a while I thought the quality of the writing varied from scene to scene, but it was really just that a certain few actors (those that play Fish Mooney, Ed Nygma, and Harvey Bullock spring to mind) that were able to transcend the material they were working with, while others struggled and some just seemed to give up.
Season one starts off promisingly enough for a superhero themed crime show. The premise is solid - we get to watch how these superheroes and supervillians come to be. And that is really the draw that keeps me watching - the character driven moments where we see Nygma descend into madness, the Penguin rise through the ranks of the underworld, Mooney wrestle to keep control of her little patch of Gotham. The conflict James Gordon faces in the first season - a Lawful Good character up against rampant, insidious, and impossible to root up corruption throughout every level of Gotham's government is genuinely interesting and feels like a relevant emotional thread that keeps you going through all of the schlocky and improbable events. All three seasons seem to have a firm grasp of their season plot arc and tentpole moments, setting up the next season nicely for whatever main villain and evil will be explored, but I feel like the tone of the show has shifted wildly. The show can't decide if it's gritty or campy, whether it's a comic book or a crime procedural. It handwaves technology and superpowers in a way that fails to establish in-world rules or limitations. So every super power is all-powerful until plot convenient. I also just personally hate the third season "blood virus" arc and the non-canonical Mad Hatter who speaks in rhyming couplets.
Speaking of which, I'd love to tell the writers that a mass of contradictory, plot-convenient impulses does not a strong female character make. Barbara Kean's story arc makes absolutely no sense. Lee Thompkins seems only to exist to push Gordon to do things he wouldn't otherwise, and Selina Kyle is easily swapped out with every spunky street urchin ever.
I almost want to be offended that every single queer character is, or ends up being, a baddie, but honestly I think that's probably just because the antagonists are more interesting and fleshed out characters to begin with. Still, there's some serious issues with representation (shocker). The third season introduces a really icky variant of the Born Sexy Yesterday trope (watch the video by the Pop Culture Detective, it's worth it.)
Still, I think the casting is pretty great, acting ability aside. The costuming is good, although everything is hampered by the show's refusal to nail down any sort of time period. The dream sequences in the first two seasons are beautiful. I love Oswald Cobblepot and Ed Nygma, and I'd love to see the actor who plays Bruce Wayne master more than just his admittedly very good "holding back tears" expression.
If you're looking for something campy, if you like your villians and your superheroes, and if you need something to watch while you fold laundry or go to sleep, I would recommend this show. It's a show that thrives on tired old tropes, but it lifts those tropes from its source material, so fans of comics might enjoy it, or might be aggrieved at the retconning of beloved old character's backstories.
Whatever you do, don't call Nymga insane. He's better now. He has a certificate.
Season one starts off promisingly enough for a superhero themed crime show. The premise is solid - we get to watch how these superheroes and supervillians come to be. And that is really the draw that keeps me watching - the character driven moments where we see Nygma descend into madness, the Penguin rise through the ranks of the underworld, Mooney wrestle to keep control of her little patch of Gotham. The conflict James Gordon faces in the first season - a Lawful Good character up against rampant, insidious, and impossible to root up corruption throughout every level of Gotham's government is genuinely interesting and feels like a relevant emotional thread that keeps you going through all of the schlocky and improbable events. All three seasons seem to have a firm grasp of their season plot arc and tentpole moments, setting up the next season nicely for whatever main villain and evil will be explored, but I feel like the tone of the show has shifted wildly. The show can't decide if it's gritty or campy, whether it's a comic book or a crime procedural. It handwaves technology and superpowers in a way that fails to establish in-world rules or limitations. So every super power is all-powerful until plot convenient. I also just personally hate the third season "blood virus" arc and the non-canonical Mad Hatter who speaks in rhyming couplets.
Speaking of which, I'd love to tell the writers that a mass of contradictory, plot-convenient impulses does not a strong female character make. Barbara Kean's story arc makes absolutely no sense. Lee Thompkins seems only to exist to push Gordon to do things he wouldn't otherwise, and Selina Kyle is easily swapped out with every spunky street urchin ever.
I almost want to be offended that every single queer character is, or ends up being, a baddie, but honestly I think that's probably just because the antagonists are more interesting and fleshed out characters to begin with. Still, there's some serious issues with representation (shocker). The third season introduces a really icky variant of the Born Sexy Yesterday trope (watch the video by the Pop Culture Detective, it's worth it.)
Still, I think the casting is pretty great, acting ability aside. The costuming is good, although everything is hampered by the show's refusal to nail down any sort of time period. The dream sequences in the first two seasons are beautiful. I love Oswald Cobblepot and Ed Nygma, and I'd love to see the actor who plays Bruce Wayne master more than just his admittedly very good "holding back tears" expression.
If you're looking for something campy, if you like your villians and your superheroes, and if you need something to watch while you fold laundry or go to sleep, I would recommend this show. It's a show that thrives on tired old tropes, but it lifts those tropes from its source material, so fans of comics might enjoy it, or might be aggrieved at the retconning of beloved old character's backstories.
Whatever you do, don't call Nymga insane. He's better now. He has a certificate.