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5 Minute Movie Guy (379 KP) rated Baby Driver (2017) in Movies
Jul 1, 2019
Baby Driver is simply the epitome of cool, and if you’re looking for a fun and frisky thrill-ride of a movie, this is sure to be the ticket!
Edgar Wright’s Baby Driver is a pulse-pounding, jukebox-jamming blast! In this wildly entertaining crime thriller, a young man called Baby is the perennial pedal-pushing getaway driver for an Atlanta crime boss known as Doc. The two of them have worked countless jobs together, and in Doc’s mind, Baby is the only one worthy behind the wheel. Unbeknownst to Doc, however, Baby plans to wipe his hands clean and hit the road for good as soon as the opportunity arrives. Tensions steadily rise as this perfect getaway driver tries to find a way out and get away from his life of crime.
The premise in Baby Driver is a familiar one, although the movie itself is anything but. Sure, it features the cliché of one last job, but the motives here are a bit different and morality is a big focus. I’ll spare the details, but this crime movie has a heart and a conscience, and at its core, it’s really more of a love story, as Baby tries to make a daring dash for freedom all in the name of romance. After meeting a nice girl named Debora at a local diner, Baby has finally found a reason to want to break free from his past so he can live a life of love. With its romantic drive, its high-octane action, and its fresh and funky soundtrack, Baby Driver is an action thriller that would make for a perfect date night movie.
While I did very much enjoy Baby Driver, it did leave a worrisome first impression. One of the earliest scenes verges on the borderline of being a musical, and as well-crafted as the one-take scene may be, it sort of rubbed me the wrong way by making Baby look like a goofball. It was trying too hard to be cool and to me it ended up feeling pretty pretentious. Really what got me engaged in the movie was the film’s stellar supporting cast, led by Jamie Foxx, Jon Hamm, and Jon Bernthal, all of whom play bank robbers working for Doc. By the time the film’s second robbery rolled around, all else was forgiven, and I was eagerly strapped in for the ride.
The cast in this movie is outstanding. Foxx steals the show in every scene he’s in, playing a violent loose-cannon thug known as Bats. His intensity, wit, and strong distrust of others make Bats a character you won’t want to take your eyes off of. Hamm’s character Buddy is less abrasive, but no less intimidating when he’s angry. I really loved watching his nice guy façade crumble away when things got personal. Ansel Elgort, the teenage heartthrob from The Fault in Our Stars, has enough charm and coolness to make Baby an easy character to root for. Meanwhile, Kevin Spacey does a wonderful job balancing the complexity of his character, Doc. Eiza González is lovely and cool as Buddy’s girlfriend Darling, and Jon Bernthal truly makes the most out of his limited screen-time. All in all, I have nothing but praise for the actors as well as their well-written characters.
A big part of what makes Baby Driver so cool is its killer soundtrack, and it’s not just the music, but the way that it’s incorporated into the movie. The music itself is practically a character in the movie, as Baby is always playing songs through his iPod to drown out the ringing in his ears caused by a condition known as tinnitus. It’s used to great effect in terms of both plot and action. The movie’s eclectic music mix features over 40 songs, and much of the action is brilliantly synced up to the beat. The timing really ratchets up the fun factor and makes for a uniquely wild experience. I don’t know a good half of the songs in the movie, but this diversity helps give Baby Driver an identity of its own, and I look forward to taking the soundtrack for another spin.
Baby Driver is so fresh, fun, and entertaining that you’ve really just got to go see it for yourself. Edgar Wright has really made something special with his upbeat, funky crime thriller. The characters are compelling, the action is superb, and the comedy is hysterical. It’s one of the most laugh-out-loud funny movies of the year, but also full of edge-of-your-seat excitement. The movie builds tension so well, and it rarely takes its foot off the gas. I particularly loved the final act when Baby propels the intensity to new heights by taking charge of his own destiny, bringing forth an exciting and unpredictable turn of events. It puts an exhilarating and frantic twist on what is already a wild movie.
That’s not to say it’s a perfect movie, though. The ending itself left me feeling pretty unsatisfied. It forgoes the predictable ending for something different, and as respectable as that may be, it went on for too long and was a little too hokey and hard to believe for my taste. After riding high on Baby Driver’s adrenaline for so long, the ending botches the film’s momentum by devoting too much time to unnecessary explanation. While I even like the way the story concludes, I wish it could have gotten there a little more smoothly.
Bumpy start and finish aside, I really had a great time Baby Driver. It is an incredibly fun and energetic experience that the whole audience seemed to enjoy. It’s rhythmic, it’s stylish, and it’s not like any other film you’ll see this year. Baby Driver is simply the epitome of cool, and if you’re looking for a fun and frisky ride in theaters this summer, Baby Driver is sure to be the ticket.
The premise in Baby Driver is a familiar one, although the movie itself is anything but. Sure, it features the cliché of one last job, but the motives here are a bit different and morality is a big focus. I’ll spare the details, but this crime movie has a heart and a conscience, and at its core, it’s really more of a love story, as Baby tries to make a daring dash for freedom all in the name of romance. After meeting a nice girl named Debora at a local diner, Baby has finally found a reason to want to break free from his past so he can live a life of love. With its romantic drive, its high-octane action, and its fresh and funky soundtrack, Baby Driver is an action thriller that would make for a perfect date night movie.
While I did very much enjoy Baby Driver, it did leave a worrisome first impression. One of the earliest scenes verges on the borderline of being a musical, and as well-crafted as the one-take scene may be, it sort of rubbed me the wrong way by making Baby look like a goofball. It was trying too hard to be cool and to me it ended up feeling pretty pretentious. Really what got me engaged in the movie was the film’s stellar supporting cast, led by Jamie Foxx, Jon Hamm, and Jon Bernthal, all of whom play bank robbers working for Doc. By the time the film’s second robbery rolled around, all else was forgiven, and I was eagerly strapped in for the ride.
The cast in this movie is outstanding. Foxx steals the show in every scene he’s in, playing a violent loose-cannon thug known as Bats. His intensity, wit, and strong distrust of others make Bats a character you won’t want to take your eyes off of. Hamm’s character Buddy is less abrasive, but no less intimidating when he’s angry. I really loved watching his nice guy façade crumble away when things got personal. Ansel Elgort, the teenage heartthrob from The Fault in Our Stars, has enough charm and coolness to make Baby an easy character to root for. Meanwhile, Kevin Spacey does a wonderful job balancing the complexity of his character, Doc. Eiza González is lovely and cool as Buddy’s girlfriend Darling, and Jon Bernthal truly makes the most out of his limited screen-time. All in all, I have nothing but praise for the actors as well as their well-written characters.
A big part of what makes Baby Driver so cool is its killer soundtrack, and it’s not just the music, but the way that it’s incorporated into the movie. The music itself is practically a character in the movie, as Baby is always playing songs through his iPod to drown out the ringing in his ears caused by a condition known as tinnitus. It’s used to great effect in terms of both plot and action. The movie’s eclectic music mix features over 40 songs, and much of the action is brilliantly synced up to the beat. The timing really ratchets up the fun factor and makes for a uniquely wild experience. I don’t know a good half of the songs in the movie, but this diversity helps give Baby Driver an identity of its own, and I look forward to taking the soundtrack for another spin.
Baby Driver is so fresh, fun, and entertaining that you’ve really just got to go see it for yourself. Edgar Wright has really made something special with his upbeat, funky crime thriller. The characters are compelling, the action is superb, and the comedy is hysterical. It’s one of the most laugh-out-loud funny movies of the year, but also full of edge-of-your-seat excitement. The movie builds tension so well, and it rarely takes its foot off the gas. I particularly loved the final act when Baby propels the intensity to new heights by taking charge of his own destiny, bringing forth an exciting and unpredictable turn of events. It puts an exhilarating and frantic twist on what is already a wild movie.
That’s not to say it’s a perfect movie, though. The ending itself left me feeling pretty unsatisfied. It forgoes the predictable ending for something different, and as respectable as that may be, it went on for too long and was a little too hokey and hard to believe for my taste. After riding high on Baby Driver’s adrenaline for so long, the ending botches the film’s momentum by devoting too much time to unnecessary explanation. While I even like the way the story concludes, I wish it could have gotten there a little more smoothly.
Bumpy start and finish aside, I really had a great time Baby Driver. It is an incredibly fun and energetic experience that the whole audience seemed to enjoy. It’s rhythmic, it’s stylish, and it’s not like any other film you’ll see this year. Baby Driver is simply the epitome of cool, and if you’re looking for a fun and frisky ride in theaters this summer, Baby Driver is sure to be the ticket.
Gareth von Kallenbach (980 KP) rated The Little Things (2021) in Movies
Jan 26, 2021
Academy Award Winners Denzel Washington, Jared Leto, and Remi Malik star in the new thriller “The Little Things” and combine to make very gripping and memorable performances.
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
Billie Wichkan (118 KP) rated Darkest Truth: She refused to be silenced in Books
May 22, 2019
He'll do anything to protect his secrets. She'll stop at nothing to expose the truth.
It only takes one person to break the silence.
When solicitor Finn Fitzpatrick is approached by a man to investigate the death of his daughter, her first instinct is to refuse.
The father is grieving, and unable to accept that his daughter committed suicide. And yet something about the mans story chimes with Finn.
Why did a bright, confident, beautiful young girl suddenly drop out of school? Could the answer lie in her relationship with Ireland's most famous film director?
The deeper Finn goes into the case, the more dark, twisted and dangerous the picture becomes.
Because these are powerful people she is trying to expose. And they're willing to do anything to keep the truth hidden.
This is a brilliant crime thriller debut from Catherine Kirwan featuring Finola 'Finn' Fitzpatrick, a solicitor, set in the small town of Cork in Ireland
This is a fast-paced and gripping novel.
This one's written from a really interesting perspective of a slightly eccentric solicitor rather than a cop.
The story is written very well and the characters are interesting and jump off the page.
Kirwan hits on one of the hottest issues in our contemporary world, and handles it sensitively as she weaves a hugely compelling novel around it.
Definitely a worthwhile read and I look forward to reading more by this author.
Many thanks to Netgalley/Catherine Kirwan/Random House UK, Cornerstone for a digital copy of this title.
It only takes one person to break the silence.
When solicitor Finn Fitzpatrick is approached by a man to investigate the death of his daughter, her first instinct is to refuse.
The father is grieving, and unable to accept that his daughter committed suicide. And yet something about the mans story chimes with Finn.
Why did a bright, confident, beautiful young girl suddenly drop out of school? Could the answer lie in her relationship with Ireland's most famous film director?
The deeper Finn goes into the case, the more dark, twisted and dangerous the picture becomes.
Because these are powerful people she is trying to expose. And they're willing to do anything to keep the truth hidden.
This is a brilliant crime thriller debut from Catherine Kirwan featuring Finola 'Finn' Fitzpatrick, a solicitor, set in the small town of Cork in Ireland
This is a fast-paced and gripping novel.
This one's written from a really interesting perspective of a slightly eccentric solicitor rather than a cop.
The story is written very well and the characters are interesting and jump off the page.
Kirwan hits on one of the hottest issues in our contemporary world, and handles it sensitively as she weaves a hugely compelling novel around it.
Definitely a worthwhile read and I look forward to reading more by this author.
Many thanks to Netgalley/Catherine Kirwan/Random House UK, Cornerstone for a digital copy of this title.
A detailed look into the world of forensic pathology.
I don’t read a lot on non-fiction and when I do it is rarely an autobiography or memoir but when I happened to see Unnatural Causes I decided to jump in and hopefully get a better understanding of a profession so often touched on in my beloved crime thriller books. I didn’t regret it for a second.
Dr Richard Shepherd, as one of the UK’s top forensic pathologists, has performed over 23,000 postmortems; that’s a lot of dead bodies! Fascinated by cracking the puzzle of what killed each one this book covers a whole host of unusual cases. Clearing up many misconceptions of the world of forensic pathology we get a great insight into a job few people could stomach.
As he covers many interesting cases we get a unique behind the curtain look into some famous murders and disasters. Shipman, Stephen Lawrence, the Hungerford massacre, the Marchioness disaster, he is even involved in Diana’s inquest. The look into the very difficult area of the death of babies shows a complicated area where everything is not as black and white as we’d like it to be.
His single minded quest for the truth and the very distressing nature of his work takes a toll on his mental health and family life. Although not as fascinating as the cases themselves it’s important to cover this, bring into sharp focus the debt society owes to those willing to surround themselves in such a grim profession.
Dr Richard Shepherd, as one of the UK’s top forensic pathologists, has performed over 23,000 postmortems; that’s a lot of dead bodies! Fascinated by cracking the puzzle of what killed each one this book covers a whole host of unusual cases. Clearing up many misconceptions of the world of forensic pathology we get a great insight into a job few people could stomach.
As he covers many interesting cases we get a unique behind the curtain look into some famous murders and disasters. Shipman, Stephen Lawrence, the Hungerford massacre, the Marchioness disaster, he is even involved in Diana’s inquest. The look into the very difficult area of the death of babies shows a complicated area where everything is not as black and white as we’d like it to be.
His single minded quest for the truth and the very distressing nature of his work takes a toll on his mental health and family life. Although not as fascinating as the cases themselves it’s important to cover this, bring into sharp focus the debt society owes to those willing to surround themselves in such a grim profession.
Sassy Brit (97 KP) rated Right Behind You in Books
Jun 5, 2019
In Lisa Gardner’s next thriller following her runaway New York Times bestseller Find Her — Right Behind You sees the return of (now retired) FBI Profiler Pierce Quincy and his wife Rainie Conner who have now adopted Sharlah. Several years ago her older brother Telly Ray Nash killed their drunken father to protect them.
But when it appears that Telly has killed again, this time it can’t be for her protection, can it? Especially as it is later discovered he’s also killed his foster parents.
This story is a lot slower than other Lisa Gardner books. I still enjoyed it, but as the story unravelled I found myself more drawn to the relationships of families involved – the abuse that went on – the secrets and lies. It’s like the author has gone from fast-paced FBI police procedural crime novel to a character driven story. Nothing wrong with that, it’s just not what I expected.
Rainie and Quincy still make a great couple, the writing style is enjoyable and easy to read. It may be light on the FBI profile and police procedural aspects, but
Right Behind You still made for a great read because the characters were so endearing, and quite often physically and emotionally vulnerable.
I’m interested to see what Lisa Gardner’s next book (comes out Feb. 19 2019) titled NEVER TELL, is going to be like. It apparently features Detective D.D. Warren joining forces with vigilante Flora Dane to investigate the murder of known associate of Flora’s infamous kidnapper.
But when it appears that Telly has killed again, this time it can’t be for her protection, can it? Especially as it is later discovered he’s also killed his foster parents.
This story is a lot slower than other Lisa Gardner books. I still enjoyed it, but as the story unravelled I found myself more drawn to the relationships of families involved – the abuse that went on – the secrets and lies. It’s like the author has gone from fast-paced FBI police procedural crime novel to a character driven story. Nothing wrong with that, it’s just not what I expected.
Rainie and Quincy still make a great couple, the writing style is enjoyable and easy to read. It may be light on the FBI profile and police procedural aspects, but
Right Behind You still made for a great read because the characters were so endearing, and quite often physically and emotionally vulnerable.
I’m interested to see what Lisa Gardner’s next book (comes out Feb. 19 2019) titled NEVER TELL, is going to be like. It apparently features Detective D.D. Warren joining forces with vigilante Flora Dane to investigate the murder of known associate of Flora’s infamous kidnapper.
Hazel (2934 KP) rated Sticks and Stones in Books
Nov 24, 2018
This is the debut novel for this author and, I think, a pretty accomplished one at that; a little unbelievable at times I admit but quite a satisfying read. Dealing with the difficult subject matter of domestic violence, this book is more about the subtleties of this abhorrent crime rather than the "in your face" violence although there is some violence.
The books starts with the funeral of a decorated Police Officer but thoroughly unpleasant man - Phillip - and "mourning" his death are 3 women; Ruby, Imogen and Naomi.
Ruby is the first wife who has never moved on and remains under Phillip's spell.
Imogen is the current but estranged wife and mother of their son.
Naomi is the girlfriend and soon to be third wife.
Phillip is an absolute a**hole; a master at manipulation and control, a bully and downright despicable person however, the tables are turned when Imogen manages to lock him in the cellar and so begins the story of the developing relationship between the three women, their growing strength and confidence and their common goal of getting revenge on the man that has caused them so much pain and heartache ... but, how did he die?
Well written with a good pace and well developed characters, this is a great debut psychological thriller and Jo Jakeman is certainly an author I will watch out for.
My thanks go to the publisher, Random House UK Vintage, via NetGalley for my copy in return for an honest review.
The books starts with the funeral of a decorated Police Officer but thoroughly unpleasant man - Phillip - and "mourning" his death are 3 women; Ruby, Imogen and Naomi.
Ruby is the first wife who has never moved on and remains under Phillip's spell.
Imogen is the current but estranged wife and mother of their son.
Naomi is the girlfriend and soon to be third wife.
Phillip is an absolute a**hole; a master at manipulation and control, a bully and downright despicable person however, the tables are turned when Imogen manages to lock him in the cellar and so begins the story of the developing relationship between the three women, their growing strength and confidence and their common goal of getting revenge on the man that has caused them so much pain and heartache ... but, how did he die?
Well written with a good pace and well developed characters, this is a great debut psychological thriller and Jo Jakeman is certainly an author I will watch out for.
My thanks go to the publisher, Random House UK Vintage, via NetGalley for my copy in return for an honest review.
Phil Leader (619 KP) rated Murphy's Heist (John McBride #1) in Books
Nov 21, 2019
Murphy's Heist is the first of the John McBride series of thrillers. Eamonn Murphy used to be a big man in the shady world of terrorism in Northern Ireland during the troubles. Now more-or-less retired and living in Cheshire he cannot resist planning a bullion robbery on the mainland. However John McBride, artist and former soldier, stumbles upon the plot. Murphy has to quickly change his plans as the net tightens.
As with the other McBride books the emphasis is on realism rather than spectacle. Although there are explosions, gun battles and chases they are very low-key which lends an air of authenticity which is missing from more adrenaline-fuelled thrillers.
The book is paced well, alternating between Murphy and associates attempting to get away with the crime and McBride and the authorities attempts to apprehend them. Murphy is a slippery and wily customer and McBride must use ingenuity and not a little luck.
This definitely shows as the first book in the series - McBride is just an ex-soldier, not ex-SAS and farms out the more 'special forces' duties to an ex-colleague, the extra developments of his past and his occasional desire for adventure beyond the sedate world of watercolours comes later and allows him to operate independently in challenging environments. But this is a good solid opening gambit clearly layout out the template for a more realistic thriller.
As a novel this isn't as good as my favourite so far - Find My Brother - but it certainly makes for a good read.
As with the other McBride books the emphasis is on realism rather than spectacle. Although there are explosions, gun battles and chases they are very low-key which lends an air of authenticity which is missing from more adrenaline-fuelled thrillers.
The book is paced well, alternating between Murphy and associates attempting to get away with the crime and McBride and the authorities attempts to apprehend them. Murphy is a slippery and wily customer and McBride must use ingenuity and not a little luck.
This definitely shows as the first book in the series - McBride is just an ex-soldier, not ex-SAS and farms out the more 'special forces' duties to an ex-colleague, the extra developments of his past and his occasional desire for adventure beyond the sedate world of watercolours comes later and allows him to operate independently in challenging environments. But this is a good solid opening gambit clearly layout out the template for a more realistic thriller.
As a novel this isn't as good as my favourite so far - Find My Brother - but it certainly makes for a good read.
AJaneClark (3975 KP) rated A Faint Cold Fear (Grant County, #3) in Books
Apr 26, 2020
From the back of the book: Sara Linton, Oh examiner in the small town of Heartsdale, is called out to an apparent suicide on the local college campus. The mutilated body provides a little in the way of clues - And the college authorities are keen to avoid a scandal - but for Sara and police chief Jeffrey Tolliver, things don’t add up.
Two more suspicious suicides follow, and a young woman is brutally attacked. For Sara, the violence strikes far too close to home. And as Jeffrey pursues the sadistic killer, he discovers that ex-police detective Lena Adams, now a security guard on campus, may be in possession of crucial information. But, bruised and angered by her expulsion from the force, Lena seems to be barely capable of protecting herself , let alone saving the next victim…
This was my first time reading a Karin Slaughter novel. I didn’t realise until halfway through that this was the third in a series, however I was able to pick up some of the previous relationships and how it all linked together. I quite enjoyed reading this book although found it slow to start, but after about 100 pages in found myself unable to put the book down.
As an avid reader of crime and thriller novels I have to admit that even I did not pick up on who was guilty of committing the crimes. Slaughter’s writing Is very graphic and descriptive, including some very realistic forensic details would definitely like to carry on reading this series. Most enjoyable!
Two more suspicious suicides follow, and a young woman is brutally attacked. For Sara, the violence strikes far too close to home. And as Jeffrey pursues the sadistic killer, he discovers that ex-police detective Lena Adams, now a security guard on campus, may be in possession of crucial information. But, bruised and angered by her expulsion from the force, Lena seems to be barely capable of protecting herself , let alone saving the next victim…
This was my first time reading a Karin Slaughter novel. I didn’t realise until halfway through that this was the third in a series, however I was able to pick up some of the previous relationships and how it all linked together. I quite enjoyed reading this book although found it slow to start, but after about 100 pages in found myself unable to put the book down.
As an avid reader of crime and thriller novels I have to admit that even I did not pick up on who was guilty of committing the crimes. Slaughter’s writing Is very graphic and descriptive, including some very realistic forensic details would definitely like to carry on reading this series. Most enjoyable!
The Mitford Murders
Book
'True and glorious indulgence. A dazzling example of a Golden Age mystery' Daisy Goodwin Lose...
mystery thriller
