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M (Movie) (1931)
M (Movie) (1931)
1931 |
8
8.5 (2 Ratings)
Movie Rating
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.

Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
  
A Dangerous Man
A Dangerous Man
Robert Crais | 2019 | Mystery
8
8.0 (1 Ratings)
Book Rating
“We Know Your Secret.”
Joe Pike’s trip to the bank for a routine deposit ends when he witnesses two men try to kidnap his teller, Isabel Roland. Joe being Joe, he jumps into action and rescues her. However, when the kidnappers are released from jail, they are both murdered. Was kidnapping Isabel a crime of opportunity, or was she a target? Is she safe? Why would someone target her?

Those familiar with the series will notice a similar set up to a previous entry, but that’s where the similarity ends. This book takes off in some unexpected places, and author Robert Crais uses multiple viewpoints well to hook us as events unfold. This is a thriller that kept me glued the entire time. While we don’t learn much new about PI partners Elvis Cole or Joe Pike, it is wonderful to spend time with them and see them in action again. Most of the new characters are wonderful and fully developed, but a few very minor characters are very annoying. Likewise, I don’t find John Chen, a recurring character in the series, that funny. I’m sure the characters who annoy me are supposed to be comic relief, but I just don’t get it. While the book certainly has more language and violence than the cozies I normally read, I didn’t feel it was excessive here. Elvis and Joe have a huge following, and I’m sure there many fans will be thrilled with this book. Pick it up and hang on because it is going to be a very wild ride you won’t want to put down.
  
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David McK (3865 KP) rated The Amazing Spider-Man (2012) in Movies

Feb 20, 2022 (Updated Aug 9, 2026)  
The Amazing Spider-Man (2012)
The Amazing Spider-Man (2012)
2012 | Action, Sci-Fi
7
6.9 (33 Ratings)
Movie Rating
Spider-man, Spider-man, does whatever a spider can ...
*2026 update* Tom Holland has now done more than 3 movie - 4, maybe 5?


To do, there have been three actors starring as Spider-man on the big screen: Tobey Maguire (who had 3 movies), Andrew Garfield (2 movies) and Tom Holland (3 movies, not counting his various cameos or team-ups).

This is the first of the two Andrew Garfield (so pre Spider-man in the MCU) starring movies, again set during the early days of his crime-fighting career and telling how he got his powers: this time around, though, the first villain he faces is The Lizard rather than the Green Goblin. it also takes - at least in the very early parts of the movie - more of a thriller approach to his (Peter Parker's) story, laying the groundwork with an explanation of how he comes to live with his Aunt and Uncle (a groundwork which is seemingly forgotten about by the mid-way point of the movie), and with Garfields Parker coming across more as a 'cool kid' - skateboard and all! - than the nerdy Maguire version.

That's not the only differences: there's no MJ Watson (with her role replaced by Gwen Stacey), we're back to having his web-shooters being non-organic, and this Spider-man does seem quippier than Maguire's version whilst there's also several first-person POV segments throughout (the early 2010s, remember - 3d was still a thing).

Unfortunately, there's also no stand-out moments: nothing to rival the upside-down kiss (from Spider-Man), the train fight (Spider-Man 2) or even the Venom sequences from Spider-Man 3