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Kirk Bage (1775 KP) rated Making A Murderer - Season 1 in TV
Mar 3, 2020
The phenomenon of “true crime” as entertainment is disturbing. What we are saying when we subscribe to watch these compellingly morbid shows is that, of course, we don’t “enjoy” or condone the crimes themselves. But, we do increasingly expect that without the grotesque detail of primary crime scene evidence, documented visually, we can switch over to another show that will give us our macabre kick. So, it is a dangerous precedent to say that without that factor we won’t engage.
What does make us want to know, and solve, and understand the worst criminal minds of the last century? Do we place ourselves as amateur sleuths and psychologists, so we can have our own opinions on a difficult subject, or do we just want to see the very worst of humanity to satisfy a need to be shocked? One thing for sure is that there is no end to this kind of docu-drama available, especially on Netflix, if we choose to stomach it.
I watched three recently in quick succession, and do feel like I have something to say about it…
First, was the extension of the Making A Murderer case of Steven Avery, which can be credited for re-imagining the scope of this kind of “reality” show on Netflix in late 2015. Without a doubt, the draw of the first series was in showing how corrupt, ambiguous and vague the American criminal system can be. We know this from circus shows such as the OJ Simpson case, that capture a curiosity in the public that must be explored and documented. There is no point in saying, no don’t do it, because eventually we have to know, and current forensic science and film techniques allow us to approach it. Carefully. Oh, so carefully!
In this case, the much criticised production extracts further detail from an undeniably fascinating case of criminal negligence and injustice, without ever providing a new revelation enough to definitively say we now know enough to put it to bed. It focuses largely on the power of Kathleen Zellner as a lawyer of impeccable motives and results to prove the innocence of convicted men.
What we then get is 10 episodes of contrivance that increasingly try to convince us further that this is a miscarriage of justice that must be addressed. The continual message is that there is a conspiracy here, which makes for good TV. Someone doesn’t want this show to have an influence. Who is covering up what? And why is the justice system adamant in disallowing the revelations this show throws up so regularly? In the end it becomes less about the victim and the crime, as an indictment of a process that does not want to be examined. The power of this show has always been that something is rotten in Denmark. But what exactly?
There is no doubt at all that once involved you have to keep watching. It is exceptionally presented, and therefore successful as an entertainment because of that. The complexity of the argument comes not in the real recordings of conversations and evidence, but in the form of presentation as a TV show. A question, I am certain, the film-makers themselves constantly ask. It is about finding “truth” for the families of the victims; a crusade that may or may not include individuals wrongly accused of a crime.
What does make us want to know, and solve, and understand the worst criminal minds of the last century? Do we place ourselves as amateur sleuths and psychologists, so we can have our own opinions on a difficult subject, or do we just want to see the very worst of humanity to satisfy a need to be shocked? One thing for sure is that there is no end to this kind of docu-drama available, especially on Netflix, if we choose to stomach it.
I watched three recently in quick succession, and do feel like I have something to say about it…
First, was the extension of the Making A Murderer case of Steven Avery, which can be credited for re-imagining the scope of this kind of “reality” show on Netflix in late 2015. Without a doubt, the draw of the first series was in showing how corrupt, ambiguous and vague the American criminal system can be. We know this from circus shows such as the OJ Simpson case, that capture a curiosity in the public that must be explored and documented. There is no point in saying, no don’t do it, because eventually we have to know, and current forensic science and film techniques allow us to approach it. Carefully. Oh, so carefully!
In this case, the much criticised production extracts further detail from an undeniably fascinating case of criminal negligence and injustice, without ever providing a new revelation enough to definitively say we now know enough to put it to bed. It focuses largely on the power of Kathleen Zellner as a lawyer of impeccable motives and results to prove the innocence of convicted men.
What we then get is 10 episodes of contrivance that increasingly try to convince us further that this is a miscarriage of justice that must be addressed. The continual message is that there is a conspiracy here, which makes for good TV. Someone doesn’t want this show to have an influence. Who is covering up what? And why is the justice system adamant in disallowing the revelations this show throws up so regularly? In the end it becomes less about the victim and the crime, as an indictment of a process that does not want to be examined. The power of this show has always been that something is rotten in Denmark. But what exactly?
There is no doubt at all that once involved you have to keep watching. It is exceptionally presented, and therefore successful as an entertainment because of that. The complexity of the argument comes not in the real recordings of conversations and evidence, but in the form of presentation as a TV show. A question, I am certain, the film-makers themselves constantly ask. It is about finding “truth” for the families of the victims; a crusade that may or may not include individuals wrongly accused of a crime.
Gareth von Kallenbach (980 KP) rated The Man From U.N.C.L.E. (2015) in Movies
Aug 6, 2019
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
NCIS: Hidden Crimes
Games
6.0
Rate It
App
Time to find your first clue, probie! Join Gibbs, Abby and other NCIS agents to investigate crimes...
Past Crimes
7.0
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Book
When his estranged grandfather is shot and left for dead, an Army Ranger plunges into the criminal...
Suswatibasu (1703 KP) rated Signs Preceding the End of the World in Books
Nov 9, 2017 (Updated Nov 9, 2017)
Darkly magical
Signs Preceding the End of the World is a moving novel about borders, identity and the world to come.
Yuri Herrera, a Mexican writer, packs a dense and colourful world, woven into a fast-paced narrative adventure. It is a powerful and poignant depiction of a complicated world-in-becoming whose bloody and fertile veins run through the US-Mexican border.
In this short novel, Makina, a young Mexican woman, is ordered by her mother to sneak across the US border in search of her brother, who has disappeared. To do so, she seeks the help of a local criminal gang, who agree to help her if she takes on a mission for them, too. In Makina, Herrera has created a remarkable and endearing character: self-assured, plucky, confident, capable of handling herself in a crisis yet still eminently human and full of fears and desires of her own.
Herrera casts bare the essence of the border zone where the action takes place. It's more than just a border. In a hundred pages he succeeds in portraying this world in greater depth and complexity.
Yuri Herrera, a Mexican writer, packs a dense and colourful world, woven into a fast-paced narrative adventure. It is a powerful and poignant depiction of a complicated world-in-becoming whose bloody and fertile veins run through the US-Mexican border.
In this short novel, Makina, a young Mexican woman, is ordered by her mother to sneak across the US border in search of her brother, who has disappeared. To do so, she seeks the help of a local criminal gang, who agree to help her if she takes on a mission for them, too. In Makina, Herrera has created a remarkable and endearing character: self-assured, plucky, confident, capable of handling herself in a crisis yet still eminently human and full of fears and desires of her own.
Herrera casts bare the essence of the border zone where the action takes place. It's more than just a border. In a hundred pages he succeeds in portraying this world in greater depth and complexity.
Sawyer (231 KP) rated Star Wars Legacy in Books
Dec 17, 2017
Set hundreds of years after the death of Darth Vader the Jedi order was rebuilt all is well but history is
destined to repeat itself and the Sith Empire returns stronger than ever the Jedis are being purged and hunted the last son of the Sky Walker Clan Witnesses the death of his father and barely escapes the destruction of
his training grounds the lost and hopeless child of Force is picked up by a band of Smugglers and Pirates
We fast-forward to years later Skywalker and two of his childhood Brothers in Arms are doing well for thenselfs as bounty Hunters using his force abilities to take down Jedi refugees
Things become complicated when the Sky Walker crosses paths with his former Jedi Master who was presumed dead the lone master is on a mission to deliver intelligence that could turn the tide of the war
A conflicted Skywalker must decide to embrace his Heritage or continue living his comfortable makeshift life as a criminal
This is a great original twist on the Star Wars story great art by Dark Horse Comics best and refreshing new characters with lots of sass personality and wit
destined to repeat itself and the Sith Empire returns stronger than ever the Jedis are being purged and hunted the last son of the Sky Walker Clan Witnesses the death of his father and barely escapes the destruction of
his training grounds the lost and hopeless child of Force is picked up by a band of Smugglers and Pirates
We fast-forward to years later Skywalker and two of his childhood Brothers in Arms are doing well for thenselfs as bounty Hunters using his force abilities to take down Jedi refugees
Things become complicated when the Sky Walker crosses paths with his former Jedi Master who was presumed dead the lone master is on a mission to deliver intelligence that could turn the tide of the war
A conflicted Skywalker must decide to embrace his Heritage or continue living his comfortable makeshift life as a criminal
This is a great original twist on the Star Wars story great art by Dark Horse Comics best and refreshing new characters with lots of sass personality and wit
Sara Cox (1845 KP) rated Girl Without a Face in Books
Jul 23, 2019
Contains spoilers, click to show
A young woman's life is destroyed when she becomes a victim of an acid attack. The police seem to be getting nowhere with the investigation when a letter pops through her door. One of the gang members is remorseful and wants to meet. She starts secretly filming the gang members, with the inside knowledge of their whereabouts, and exposing their criminal activities. Her video becomes a documentary and her career soars as she exposes how easily it is to obtain materials for these attacks.
This story had so much potential. An amazing storyline and characters that could have been inspiring. But I feel like it wasn't written well and this let down the story. There were questions left unanswered. There were scenes that seemed out of place. And situations that seemed unrealistic and just forced idealism. The story felt unfinished and there was no ending for the main male character. And as petty as this may sound, the book needs another proof-reading. The male lead's name changes (it took me a while to figure out who this extra character was) and there are obvious word errors.
This story had so much potential. An amazing storyline and characters that could have been inspiring. But I feel like it wasn't written well and this let down the story. There were questions left unanswered. There were scenes that seemed out of place. And situations that seemed unrealistic and just forced idealism. The story felt unfinished and there was no ending for the main male character. And as petty as this may sound, the book needs another proof-reading. The male lead's name changes (it took me a while to figure out who this extra character was) and there are obvious word errors.
Phil Leader (619 KP) rated Messages From Henry in Books
Nov 20, 2019
When Evelyn Bury is kidnapped, her abductor is unaware that Henry, her friendly homing pigeon, is able to track her. As law enforcement track the criminal down with Henry's help the poor victim is moved from place to place.
This is told from the point of view of Tammy, Evelyn's neighbour who first realises that Henry is carrying messages from Evelyn and Henry does come out as the hero, defying the odds to save his mistress.
A short story for younger readers (but not too young due to the subject matter which at times could be distressing for them) this will especially appeal to animal lovers. The story is written to be both sympathetic and dramatic and having Tammy narrate as a friend to the hostage works well.
The story flows at a good pace and the reader will be waiting for Henry to arrive almost as much as Tammy and each time hope that Evelyn is finally rescued.
A good read for those just under the target audience for most 'young adult' stories and short enough that it doesn't seem a chore to read.
This is told from the point of view of Tammy, Evelyn's neighbour who first realises that Henry is carrying messages from Evelyn and Henry does come out as the hero, defying the odds to save his mistress.
A short story for younger readers (but not too young due to the subject matter which at times could be distressing for them) this will especially appeal to animal lovers. The story is written to be both sympathetic and dramatic and having Tammy narrate as a friend to the hostage works well.
The story flows at a good pace and the reader will be waiting for Henry to arrive almost as much as Tammy and each time hope that Evelyn is finally rescued.
A good read for those just under the target audience for most 'young adult' stories and short enough that it doesn't seem a chore to read.
The Wicked Mr Hall: The Deathbed Confessions of Serial Killer Roy Archibald Hall
Book
Growing up in Glasgow in the 1930s, Roy Archibald Hall was a natural thief. After moving to London,...
Straight Flush
Book
Straight Flush is the true story of a group of University of Montana frat brothers who turned a...