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Lawrence Kasdan recommended Yojimbo (1961) in Movies (curated)

Yojimbo (1961)

1961 | Action, Adventure, Classics

8.4

(9 Ratings)

Movie Favorite

"Yojimbo is the most entertaining movie ever made. Kurosawa’s flat-out entertaining. He said “I wanna make a movie that’s delicious enough to eat,” and that’s the way it is — it’s the most entertaining movie you can possibly think of. It’s been redone, as you know, as Fistful of Dollars, and it owes a lot to Red Harvest: It’s about any stranger that comes in to a corrupt town, and there are a lot forces at work. It’s very much like Red Harvest, Dashiell Hammett’s novel, in which he puts all the bad forces at work against each other. Yojimbo is hilarious. Toshirô Mifune in as great a role as he ever played, and he’s great in about 20 Kurosawa films. It’s just delightful from first shot, which is him walking along the road and then deciding where to go by throwing a stick up in the air and following the direction the stick lands, and he immediately comes upon a peasant boy who’s leaving home and wants a more exciting life, and that boy is seen throughout the film as he becomes involved in the criminal element in town; and at the end Mifune spares his life and tells him to go back to eating rice or whatever he’s complained about at the very beginning. The photography is phenomenal. Kurosawa’s the greatest filmmaker of all time. The use of lenses, the mise en scène — absolutely spectacular."

Source

Kudos

LoganCrews (2861 KP) rated The SpongeBob Musical: Live on Stage! (2019) in Movies

Sep 21, 2020

An overall good musical event, mostly deserving of its Herculean 12 Tony nominations (there should be a criminal investigation into how it only took home one). As someone who's been a die-hard SpongeBob fan since I was a fetus, not only does this capture the essence of what makes the show so great both in appearance *and* in spirit - but I wasn't vetting on this being as timely as it was (tackles prejudice, media vs. government, and takes a jab at climate change deniers just for the hell of it which of course I always endorse). The casting couldn't be better (Ethan Slater is pretty much the human embodiment of SpongeBob), the production is like a vibrant splashpad of childhood wonderment and SpongeBob trademarks brought to life - some of the best aesthetics the theatre has to offer, the songs are good (even if none really stick out), it's very funny, and most importantly it has a deep understanding of the source material and a selfless willingness to please the fans without pandering (they even reference Battle for Bikini Bottom [!!]). The introduction of Tom Kenny's Patchy the Pirate sent my kid self to the moon and back again. This is what happens when you want to make something that's good out of an existing IP. Never cared for Best Day Ever as an SS song but this may have just converted me.

Kudos

Awix (3310 KP) rated Pixie (2020) in Movies

Oct 25, 2020

Pixie (2020)

2020 | Comedy, Thriller

7.3

(3 Ratings)

Movie Rating

Knockabout comedy-thriller set in Northern Ireland. 'What do men see in irritating free spirits?' wondered Julia Roberts in a Tom Hanks movie a few years ago, and the question is still a live one: Olivia Cooke plays Pixie, who is not quite Holly Golightly recast as a feminist criminal mastermind, but getting there. Nearly everyone is entranced by her, including apparently the director, cameraman, and cinematographer, despite the fact she seems to be almost completely amoral: ripping off drug dealers, swindling her friends, and cold-blooded murder all seem to be part of her repertoire. Nevertheless she and her latest enamoured stooges zip about Ireland to a jangly western-style soundtrack while Alec Baldwin phones in a cameo as a gun-toting gangster-priest.

Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.