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Matthew Krueger (10051 KP) rated Joker (2019) in Movies
Nov 4, 2019 (Updated Nov 4, 2019)
The Killing Joke
I finally saw Joker yesterday with a full crowd of people in the theater. Which i was surpise of because it has been out for a month now. But the crowd and i loved Joker.
This is my favorite movie so far of this year. It is psychological, horrorfying, and it takes the Joker charcter on a whole nother level. Joker takes place in the 80's and as a origin movie, Joker is dark, twisted, moody, and terrorfying movie.
Joaquin Phoenix, Frances Conroy and Robert De Niro are excellent in this movie. Both Joaquin Phoenix and Frances Conroy should get nomiated for the oscars.
Joaquin Phoenix takes elements from Cesar Ramero's Joker, Jack Nicolson's Joker and Heath Ledgar and make its it his own. His laugh is perfect. Its scary and so phenomal.
Lets talk about the plot: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
The way their protray Gotham City in the 80's is perfect. Gotham City, this time is New York City and I think thats perfect.
Joker is the first live-action theatrical Batman film to receive an R-rating from the Motion Picture Association of America, due to its violent and disturbing content. It is also the best DC film since The Dark Knight Rises.
Joker is a memorizing movie, it is psychological, it is twisted, dark and gloomy.
Joker is a highly reccordmend movie, if you havent seen it yet, than i highly reccordmend you see it.
This is my favorite movie so far of this year. It is psychological, horrorfying, and it takes the Joker charcter on a whole nother level. Joker takes place in the 80's and as a origin movie, Joker is dark, twisted, moody, and terrorfying movie.
Joaquin Phoenix, Frances Conroy and Robert De Niro are excellent in this movie. Both Joaquin Phoenix and Frances Conroy should get nomiated for the oscars.
Joaquin Phoenix takes elements from Cesar Ramero's Joker, Jack Nicolson's Joker and Heath Ledgar and make its it his own. His laugh is perfect. Its scary and so phenomal.
Lets talk about the plot: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
The way their protray Gotham City in the 80's is perfect. Gotham City, this time is New York City and I think thats perfect.
Joker is the first live-action theatrical Batman film to receive an R-rating from the Motion Picture Association of America, due to its violent and disturbing content. It is also the best DC film since The Dark Knight Rises.
Joker is a memorizing movie, it is psychological, it is twisted, dark and gloomy.
Joker is a highly reccordmend movie, if you havent seen it yet, than i highly reccordmend you see it.
Debbiereadsbook (1202 KP) rated Salvaging Love (Rescue Me #1) in Books
Jan 7, 2020
warm and fuzzies and fluffers too!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Faced with the destruction of her beloved neighbourhood, Ellie is given a month to persuade lawyer and new block owner Jackson to renovate, rather than rebuild.
This appears to be only the second book Ms Ohlin has written. And I really rather enjoyed it!
It's light a fluffy in places, and dark and deadly in others. It's funny and sexy in places, its heavy and emotional in others. It spans a huge range of emotions and all are extremely well portrayed and delivered.
Ellie is a vet (as in animal doctor, not ex service person) and Jackson is lawyer to the criminal underworld in town. Jackson is jaded and buys the block as a new career. Ellie loves her community and fights Jackson all the way. But Jackson is, quite literally, smitten as a kitten with Ellie and it really doesn't take much for Jackson to see what Ellie does.
Jackson's job clashes with his personal life in a way I so did NOT see coming at me and I loved that! I absolutely did NOT have a clue that was coming at me, and I must have shouted out, cos my daughter stuck her head round the door and asked if I was ok! It was a blinder of a plot twist! Very well played, there, Ms Ohlin, very well played!
It does carry some darker story lines: parental/spousal abuse, as well as animal abuse. Some of this is described in great detail. Readers may have triggers.
Both Ellie and Jackson have a say, and I loved that they did. Ya'll know I need to hear from everyone!
This is billed as book one in the Rescue Me series, and I cannot wait to see who comes next, and what Ms Ohlin pulls out of her hat for them!
4 very VERY good stars
**same worded review will appear elsewhere**
Faced with the destruction of her beloved neighbourhood, Ellie is given a month to persuade lawyer and new block owner Jackson to renovate, rather than rebuild.
This appears to be only the second book Ms Ohlin has written. And I really rather enjoyed it!
It's light a fluffy in places, and dark and deadly in others. It's funny and sexy in places, its heavy and emotional in others. It spans a huge range of emotions and all are extremely well portrayed and delivered.
Ellie is a vet (as in animal doctor, not ex service person) and Jackson is lawyer to the criminal underworld in town. Jackson is jaded and buys the block as a new career. Ellie loves her community and fights Jackson all the way. But Jackson is, quite literally, smitten as a kitten with Ellie and it really doesn't take much for Jackson to see what Ellie does.
Jackson's job clashes with his personal life in a way I so did NOT see coming at me and I loved that! I absolutely did NOT have a clue that was coming at me, and I must have shouted out, cos my daughter stuck her head round the door and asked if I was ok! It was a blinder of a plot twist! Very well played, there, Ms Ohlin, very well played!
It does carry some darker story lines: parental/spousal abuse, as well as animal abuse. Some of this is described in great detail. Readers may have triggers.
Both Ellie and Jackson have a say, and I loved that they did. Ya'll know I need to hear from everyone!
This is billed as book one in the Rescue Me series, and I cannot wait to see who comes next, and what Ms Ohlin pulls out of her hat for them!
4 very VERY good stars
**same worded review will appear elsewhere**
JT (287 KP) rated The Gentlemen (2020) in Movies
Mar 3, 2020
Guy Richie back to doing what he does best (1 more)
Excellent cast
Twists, turns and carnage
Since Snatch Guy Richie hasn’t covered himself in glory with some of his recent films. The likes of Swept Away, Revolver and King Arthur: Legend of the Sword did little to enhance his street cred.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
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