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Superconductivity: A New Approach Based on the Bethe-Salpeter Equation in the Mean-Field Approximation
Book
Given the Debye temperature of an elemental superconductor (SC) and its Tc, BCS theory enables one...
Ross (3284 KP) rated The Harrowing of Doom in Books
Jan 7, 2021
Good book, but no real insight to Doom
As I am currently wading my way through the early 90s Infinity Gauntlet/War saga and all the crossover issues of comics, I was intrigued at the sometime villain, complex character that is Victor Von Doom. This book seemed to be the perfect chance to put some meat on the bones of this intriguing powerful character.
The book starts on Walpurgis night, as Doom looks towards the coming midsummer and his annual battle with Mephisto's forces of Hell as he tries to reclaim his mother's soul. Beaten once more, Doom hits on a plan to take the fight to Hell on his own terms.
Meanwhile, Doom's mother's previously defeated foe, a prince, seeks to take back control of the country, using terror attacks while Doom is distracted with his Hellish fight.
The story has some good characters, in the few people trusted with helping Doom to accomplish his plan (his mother's former ally and now recluse, a priest with heretical powers and his security chief) which help to tell the story. However, throughout the book we are treated to the same sense of mystery of the insides of Doom's mind that we see in the comics.
The book is good, an interesting one where an over-powered character is undone by refusing to delegate or being too egotistical, and it is something of a page-turner. But as a Doom-focused book, it left me wanting more.
I received an advance eARC of this book from the publishers and NetGalley in exchange for an honest review.
The book starts on Walpurgis night, as Doom looks towards the coming midsummer and his annual battle with Mephisto's forces of Hell as he tries to reclaim his mother's soul. Beaten once more, Doom hits on a plan to take the fight to Hell on his own terms.
Meanwhile, Doom's mother's previously defeated foe, a prince, seeks to take back control of the country, using terror attacks while Doom is distracted with his Hellish fight.
The story has some good characters, in the few people trusted with helping Doom to accomplish his plan (his mother's former ally and now recluse, a priest with heretical powers and his security chief) which help to tell the story. However, throughout the book we are treated to the same sense of mystery of the insides of Doom's mind that we see in the comics.
The book is good, an interesting one where an over-powered character is undone by refusing to delegate or being too egotistical, and it is something of a page-turner. But as a Doom-focused book, it left me wanting more.
I received an advance eARC of this book from the publishers and NetGalley in exchange for an honest review.
Delightfulee: The Life and Music of Lee Morgan
Book
This book tells the story of one of the most individual jazz stylists of his time.Lee Morgan began...
Love & Hip Hop: Miami - Season 1
TV Season Watch
The latest installment of the hit franchise will explore the hip hop, Latin, and reggaeton music...
reality tv music
Audio Culture: Readings in Modern Music
Christoph Cox and Daniel Warner
Book
The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback...
Jez Williams recommended track Truckdrivin' Neighbors Downstairs (Yellow Sweat) by Beck in Mellow Gold by Beck in Music (curated)
Joe Goodhart (27 KP) rated Hawkeye, Volume 4: Rio Bravo in Books
Nov 30, 2020
So, this afternoon, I took it upon myself to nom-nom-nom on this nugget, instead of leaving it for my "pre-sleep time read". Let's just say that I have no regrets for this decision.
All four volumes of the Matt Fraction HAWKEYE run were a re-read for me. This volume, and the previous volume, Vol. 3: "L.A. Woman", were compiled slightly out of order. The issues in the Vol. 3 were all part of Kate Bishop's story, as she and Lucky went out to L.A. The issues in this final volume, while out of order, help continue the story, concluding with Kate's return for the series finale (not a spoiler, if you read Volume 3, which if you didn't, I am very disappointed in you. Tch!).
The volume, as a whole, flows like a well-crafted indie action-adventure flick. There is plenty of white-knuckle tense scenes, as well as some genuine "kick ya in the feels" moments. Heck, there's even a small amount of chuckles, too! All in all, a perfect ending to a perfect series!
In addition to Katie-Kate's return, it also brings back David Aja, whose art on the series' run, was nothing short of brilliant! Aja brought a pulp feel to the art, a style that suited Fraction's portrayal of Clint Barton.
All in all, the entire run is worth your time, not just this fourth, and final, volume of the series! In an era where Marvel thinks constantly rebooting series, as well as offering way too many meaningless crossover events, is how you put out quality material, it warms my nerdy comic lovin' heart to still return to good stuff like Matt Fraction's HAWKEYE run! Thank you, Matt, and thank you to all the excellent art choices you assembled for this run!
All four volumes of the Matt Fraction HAWKEYE run were a re-read for me. This volume, and the previous volume, Vol. 3: "L.A. Woman", were compiled slightly out of order. The issues in the Vol. 3 were all part of Kate Bishop's story, as she and Lucky went out to L.A. The issues in this final volume, while out of order, help continue the story, concluding with Kate's return for the series finale (not a spoiler, if you read Volume 3, which if you didn't, I am very disappointed in you. Tch!).
The volume, as a whole, flows like a well-crafted indie action-adventure flick. There is plenty of white-knuckle tense scenes, as well as some genuine "kick ya in the feels" moments. Heck, there's even a small amount of chuckles, too! All in all, a perfect ending to a perfect series!
In addition to Katie-Kate's return, it also brings back David Aja, whose art on the series' run, was nothing short of brilliant! Aja brought a pulp feel to the art, a style that suited Fraction's portrayal of Clint Barton.
All in all, the entire run is worth your time, not just this fourth, and final, volume of the series! In an era where Marvel thinks constantly rebooting series, as well as offering way too many meaningless crossover events, is how you put out quality material, it warms my nerdy comic lovin' heart to still return to good stuff like Matt Fraction's HAWKEYE run! Thank you, Matt, and thank you to all the excellent art choices you assembled for this run!
Audio Culture: Readings In Modern Music
Book
The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback...
Merissa (12897 KP) rated Journey (The Chosen One Trilogy #2) in Books
Apr 15, 2023
This is the second in The Chosen One trilogy and picks up where Crossover finished. You are straight back in the action with Hayden and Jasper as they fight for what they believe in and against being used by someone else. The choices that Hayden has to make never become easier but as a person, she grows and becomes more comfortable with the decisions she has to make. Jasper is by her side, supporting her in everything she does and I pity the person who tries to come between them.
This is very well-written although the perspective changes from Hayden to Jasper without warning which I personally found a bit jarring. However, saying that, it was good to get Jasper's perspective on things so I liked it, but a title or note at the beginning of each chapter would have made it smoother in my opinion.
The plot advances swiftly and time skips over 'dead time' occasionally as the plot moves forward. the character development is good and I am looking forward to learning more about the bond between Hayden and Alex, the bond between the Queen and the cats etc. So much information is given to you in this book and yet I am still left wanting more. I need the third book in this fabulous series!
In short, this is a brilliant book that shows the depth and sacrifice entailed with deep and enduring love. I love the world-building and the characters and can't wait to reimmerse myself in Hayden's world. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 9, 2015
This is very well-written although the perspective changes from Hayden to Jasper without warning which I personally found a bit jarring. However, saying that, it was good to get Jasper's perspective on things so I liked it, but a title or note at the beginning of each chapter would have made it smoother in my opinion.
The plot advances swiftly and time skips over 'dead time' occasionally as the plot moves forward. the character development is good and I am looking forward to learning more about the bond between Hayden and Alex, the bond between the Queen and the cats etc. So much information is given to you in this book and yet I am still left wanting more. I need the third book in this fabulous series!
In short, this is a brilliant book that shows the depth and sacrifice entailed with deep and enduring love. I love the world-building and the characters and can't wait to reimmerse myself in Hayden's world. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 9, 2015
David McK (3562 KP) rated Superman and Lois in TV
Apr 10, 2022
I don't know about you, but when I think of Superman I tend to think of his Clark Kent early Daily Planet days, back when he was a reporter and when Lois didn't know his alter-ego.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.