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Phil Leader (619 KP) rated Cruise the Storm (John McBride #2) in Books
Nov 12, 2019
A group of terrorist hijackers on board a cruise ship. An ex SAS soldier on board teaching watercolour painting. A huge storm bearing down on the ship.
This might sound like the plot of some Hollywood blockbuster full of explosions and witty one liners from the hero but Chilcott delivers something a lot more cerebral than that. The story and characters have a sense of reality and this is more like a game of chess between the chief hijacker and the crew, a game where the ship is the board and the pawns the passengers which the terrorists are only too willing to dispose of to meet their aims.
Keith Bourne is the founder and leader of the White Christian League, an extreme right wing terrorist organisation who specialise in violent demonstration and the odd mosque burning. Bourne wants cash to further his rather nasty aims and decides that hijacking a cruise liner will fit the bill nicely. MI5 have been watching him and manage to get one of their agents onto the boat in an attempt to thwart Bourne and his cronies.
John McBride is a watercolour artist of some renown who is drafted onto the cruise to teach any interested passengers how to paint in watercolours, the scenes in the various Mediterranean ports they will be visitng being ideal subjects. McBride also happens to be a former member of the elite SAS and when he is made aware of the plot to hijack the ship is able to advise the captain and MI5.
The tension cranks up nicely through the first half of the book, seen mostly from the point of view of Bourne and McBride as each becomes aware of each other and both their plans have to be changed by circumstance. Everything comes to a head on the night the storm hits the ship.
At this point, with everything poised on a knife edge of success or failure for both sides, Chilcott pulls a deft narrative twist and goes back and tells the story again from the point of view of the chairman of the cruise line and one of the passengers, once again building up to the crisis point. This has the nice effect of filling in details that were previously only mentioned but also did lose the momentum which took a while to get going again. It may have been better to tell the story purely sequentially but seeing events from different perspectives again was interesting.
The characters and situations are written with a real authenticity. There are no miraculous escapes, no amazing feats of marksmanship and this is a very real strength of Chilcott's writing. Everthing happens in a way that seems very authentic - and in the case of the actions of the hijackers, worryingly so. Every action and reaction of the characters is plausible and there are frequent points where the story could go one way or another just on a chance encounter or random event.
This realism also felt a little like a weakness to me. Some things happen which provide some dramatic tension at the time but ultimately don't really have a bearing on the eventual outcome. Although this is very much like real life, perhaps it is not what is expected in a thriller of this type. In particlar (and these aren't really spoilers) the ship is damaged in the storm but this doesn't really affect anything, and also what happens when events are told from the point of view of one of the passengers looks to be building to something interesting but ultimately fizzles away. I would have liked to see more of these sub plots carried forward to the end of the story.
Despite this, the book was a good and interesting read and I am looking forward to reading more of Chilcott's McBride novels. I would recommend this book to anyone who likes their thrillers character driven and cerebral rather than all action. Plus you will pick up some excellent tips on painting in watercolours as a bonus.
Rated: Some violence, language and sexual references
This might sound like the plot of some Hollywood blockbuster full of explosions and witty one liners from the hero but Chilcott delivers something a lot more cerebral than that. The story and characters have a sense of reality and this is more like a game of chess between the chief hijacker and the crew, a game where the ship is the board and the pawns the passengers which the terrorists are only too willing to dispose of to meet their aims.
Keith Bourne is the founder and leader of the White Christian League, an extreme right wing terrorist organisation who specialise in violent demonstration and the odd mosque burning. Bourne wants cash to further his rather nasty aims and decides that hijacking a cruise liner will fit the bill nicely. MI5 have been watching him and manage to get one of their agents onto the boat in an attempt to thwart Bourne and his cronies.
John McBride is a watercolour artist of some renown who is drafted onto the cruise to teach any interested passengers how to paint in watercolours, the scenes in the various Mediterranean ports they will be visitng being ideal subjects. McBride also happens to be a former member of the elite SAS and when he is made aware of the plot to hijack the ship is able to advise the captain and MI5.
The tension cranks up nicely through the first half of the book, seen mostly from the point of view of Bourne and McBride as each becomes aware of each other and both their plans have to be changed by circumstance. Everything comes to a head on the night the storm hits the ship.
At this point, with everything poised on a knife edge of success or failure for both sides, Chilcott pulls a deft narrative twist and goes back and tells the story again from the point of view of the chairman of the cruise line and one of the passengers, once again building up to the crisis point. This has the nice effect of filling in details that were previously only mentioned but also did lose the momentum which took a while to get going again. It may have been better to tell the story purely sequentially but seeing events from different perspectives again was interesting.
The characters and situations are written with a real authenticity. There are no miraculous escapes, no amazing feats of marksmanship and this is a very real strength of Chilcott's writing. Everthing happens in a way that seems very authentic - and in the case of the actions of the hijackers, worryingly so. Every action and reaction of the characters is plausible and there are frequent points where the story could go one way or another just on a chance encounter or random event.
This realism also felt a little like a weakness to me. Some things happen which provide some dramatic tension at the time but ultimately don't really have a bearing on the eventual outcome. Although this is very much like real life, perhaps it is not what is expected in a thriller of this type. In particlar (and these aren't really spoilers) the ship is damaged in the storm but this doesn't really affect anything, and also what happens when events are told from the point of view of one of the passengers looks to be building to something interesting but ultimately fizzles away. I would have liked to see more of these sub plots carried forward to the end of the story.
Despite this, the book was a good and interesting read and I am looking forward to reading more of Chilcott's McBride novels. I would recommend this book to anyone who likes their thrillers character driven and cerebral rather than all action. Plus you will pick up some excellent tips on painting in watercolours as a bonus.
Rated: Some violence, language and sexual references
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Chris Sawin (602 KP) rated Friday the 13th Part VIII: Jason Takes Manhattan (1989) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
A group of students are taking a cruise to New York. A couple, who's part of the group, ventures off on their own in their own private boat. They wind up drifting through Camp Crystal Lake for a little quality time together. They set anchor and wind up resurrecting Jason in the process. Now as the cruise ship sets off, with Jason in tow, our students may have more than their biology projects to worry about.
Re-watching this was not a pleasant experience. I really had to force myself to watch it and once I finally did it was almost painful to make myself sit through the entire thing. Continuity is probably the film's biggest flaw. When we see young Jason drown, he looks like a normal little boy. Whenever Rennie sees him, however, he suddenly looks like he has down syndrome and like somebody beat him with a 2x4 made from every ugly branch they could get a hold of. On top of that, he pretty much has a different appearance every time Rennie sees him. Then there's the whole Crystal Lake leading into the ocean thing and the ending. Heavens, the ending is atrocious.
The script isn't so hot either. Julius is probably the best example. After Wayne asks him what weapon he's going to take after they realize Jason is on the ship, Julius replies, "Nothing," then pauses for a moment before following with, "...but this gun." The kills were also lacking. Jason takes a guitar to a girl's head and throws a guy onto an antenna. That's about as inventive as we get this time around. The one enjoyable factor of the film is Kane Hodder as Jason. The scene in Times Square is probably the highlight of the film. It's disappointing that the last film with "Friday the 13th" in the title is so bad.
Re-watching this was not a pleasant experience. I really had to force myself to watch it and once I finally did it was almost painful to make myself sit through the entire thing. Continuity is probably the film's biggest flaw. When we see young Jason drown, he looks like a normal little boy. Whenever Rennie sees him, however, he suddenly looks like he has down syndrome and like somebody beat him with a 2x4 made from every ugly branch they could get a hold of. On top of that, he pretty much has a different appearance every time Rennie sees him. Then there's the whole Crystal Lake leading into the ocean thing and the ending. Heavens, the ending is atrocious.
The script isn't so hot either. Julius is probably the best example. After Wayne asks him what weapon he's going to take after they realize Jason is on the ship, Julius replies, "Nothing," then pauses for a moment before following with, "...but this gun." The kills were also lacking. Jason takes a guitar to a girl's head and throws a guy onto an antenna. That's about as inventive as we get this time around. The one enjoyable factor of the film is Kane Hodder as Jason. The scene in Times Square is probably the highlight of the film. It's disappointing that the last film with "Friday the 13th" in the title is so bad.
Ross (3284 KP) rated Hotel Transylvania 3: Summer Vacation (2018) in Movies
Jul 31, 2018
More of the same as the cast of the Hotel decide to go on vacation (the family decide to take all their friends obviously), on a cruise ship.
The overall plot was OK, but quote obvious, but the humour was definitely turned down compared to previous films in the series.
And what is with the obligatory DJ battle scenes?! Does Sandler have a load of low quality dance tracks he has to shoe-horn into movies as part of his contract now?! Just a total nonsense ending.
Having said that, my kids loved it.
I think I have unconsciously removed a couple of marks simply because my kids insisted on replicating the finale's dance moves for the next three hours (this makes me sound like a monster but once you know what that involves you'll understand!).
The overall plot was OK, but quote obvious, but the humour was definitely turned down compared to previous films in the series.
And what is with the obligatory DJ battle scenes?! Does Sandler have a load of low quality dance tracks he has to shoe-horn into movies as part of his contract now?! Just a total nonsense ending.
Having said that, my kids loved it.
I think I have unconsciously removed a couple of marks simply because my kids insisted on replicating the finale's dance moves for the next three hours (this makes me sound like a monster but once you know what that involves you'll understand!).
The Importance of Manners
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Burt Darwin is a writer and world religions specialist. Lady Chanel Mallory, a former hand model,...