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Haley Mathiot (9 KP) rated Possession (Possession, #1) in Books
Apr 27, 2018
I haven't figured out how I feel about Possession. I'm not sure if it's a 5 star book or a 1 star book.
Short story: It's really good.
Long story: well, that's a bit more involved.
Reasons this book was really good:
1. Pacing: Excellent. One thing leads to another, it's almost impossible to put down, and the tension never really goes away.
2. Good dialogue, good but concise descriptions, catchy interior monologue.
3. Good characters.
4. Jag is really sexy.
Reasons I wanted to slam my head against a wall while I was reading it:
1. Jag is awesome. Vi is awesome. Their relationship? Extremely dysfunctional. They are freaking bi-polar. One minute they're having a decent conversation, the next someone jumps to a conclusion and gets emotionally hurt and storms off, twenty-four hours and a hot shower later, they're sorry and cuddling and making out. THIS IS NOT A GOOD EXAMPLE OF A RELATIONSHIP. Oh my word.
2. I got lost around Chapter 30. Stuff started happening, I could never tell if Vi was Vi or if she was dreaming, sometimes something would happen and it was a little cryptic, and confusing, and one thing stacked on top of another until by chapter 40 I was like "what the crap is going on?" I seriously closed the book and wasn't going to finish but I just HAD to know what happened. (I really should have quit while I was ahead.)
3. I got to the point where I couldn't tell who was the good guy and who was the bad guy, and I kind of stopped caring.
Reasons why the ending pissed me off:
1. The only bad guy who could have become good, didn't.
2. Then, the bad guys won.
Honestly, now that I've finished it, I really wish I hadn't. Luckily I checked Goodreads and found out it was book 1 in a series. Because THAT'S NOT AN ENDING. That was worse than The Hunger Games and Catching Fire endings!!!
Content/Recommendation: Some language and kissing, ages 16+
Short story: It's really good.
Long story: well, that's a bit more involved.
Reasons this book was really good:
1. Pacing: Excellent. One thing leads to another, it's almost impossible to put down, and the tension never really goes away.
2. Good dialogue, good but concise descriptions, catchy interior monologue.
3. Good characters.
4. Jag is really sexy.
Reasons I wanted to slam my head against a wall while I was reading it:
1. Jag is awesome. Vi is awesome. Their relationship? Extremely dysfunctional. They are freaking bi-polar. One minute they're having a decent conversation, the next someone jumps to a conclusion and gets emotionally hurt and storms off, twenty-four hours and a hot shower later, they're sorry and cuddling and making out. THIS IS NOT A GOOD EXAMPLE OF A RELATIONSHIP. Oh my word.
2. I got lost around Chapter 30. Stuff started happening, I could never tell if Vi was Vi or if she was dreaming, sometimes something would happen and it was a little cryptic, and confusing, and one thing stacked on top of another until by chapter 40 I was like "what the crap is going on?" I seriously closed the book and wasn't going to finish but I just HAD to know what happened. (I really should have quit while I was ahead.)
3. I got to the point where I couldn't tell who was the good guy and who was the bad guy, and I kind of stopped caring.
Reasons why the ending pissed me off:
1. The only bad guy who could have become good, didn't.
2. Then, the bad guys won.
Honestly, now that I've finished it, I really wish I hadn't. Luckily I checked Goodreads and found out it was book 1 in a series. Because THAT'S NOT AN ENDING. That was worse than The Hunger Games and Catching Fire endings!!!
Content/Recommendation: Some language and kissing, ages 16+
Matthew Krueger (10051 KP) rated the Xbox 360 version of Batman: Arkham Asylum in Video Games
Nov 4, 2019 (Updated Nov 4, 2019)
Welcome to the Madness
Arkham Asylum- is one, if not the best batman video game or all time. It is a excellent game, that gamers shouls play. If you want to feel the experience of being batman, this game does that.
Lets talk about it:
In the game's main storyline, Batman battles his archenemy, the Joker, who instigates an elaborate plot to seize control of Arkham Asylum, trap Batman inside with many of his incarcerated foes, and threaten the fictional Gotham City with hidden bombs.
Most of the game's leading characters are voiced by actors who have appeared in other media based on the DC Animated Universe; Kevin Conroy, Mark Hamill, and Arleen Sorkin reprised their roles as Batman, the Joker, and his sidekick Harley Quinn respectively.
The game is presented from the third-person perspective with a primary focus on Batman's combat and stealth abilities, detective skills, and gadgets that can be used in combat and exploration.
Rocksteady began developing ideas for a sequel months before Arkham Asylum's completion, hiding hints to the sequel within the game.
The player can use "Detective Vision"—a visual mode which provides contextual information, tinting the game world blue and highlighting interactive objects like destructible walls and removable grates, the number of enemies in an area and their status—such as their awareness of Batman's presence—and shows civilians and corpses.
The game world has 240 collectable items, such as Riddler trophies, chattering Joker teeth, interview tapes with some of Arkham's inmates, and cryptic messages left in the asylum by its founder Amadeus Arkham that discuss the facility's bleak history.
The player can use predatory tactics through stealth—including silent takedowns, dropping from overhead perches and snatching enemies away, or using the explosive gel to knock foes off their feet—to tilt the odds in their favor.
I love this game, i can go on and on about how i love this game.
If you havent played it yet, i would reccordmend playing it.
Lets talk about it:
In the game's main storyline, Batman battles his archenemy, the Joker, who instigates an elaborate plot to seize control of Arkham Asylum, trap Batman inside with many of his incarcerated foes, and threaten the fictional Gotham City with hidden bombs.
Most of the game's leading characters are voiced by actors who have appeared in other media based on the DC Animated Universe; Kevin Conroy, Mark Hamill, and Arleen Sorkin reprised their roles as Batman, the Joker, and his sidekick Harley Quinn respectively.
The game is presented from the third-person perspective with a primary focus on Batman's combat and stealth abilities, detective skills, and gadgets that can be used in combat and exploration.
Rocksteady began developing ideas for a sequel months before Arkham Asylum's completion, hiding hints to the sequel within the game.
The player can use "Detective Vision"—a visual mode which provides contextual information, tinting the game world blue and highlighting interactive objects like destructible walls and removable grates, the number of enemies in an area and their status—such as their awareness of Batman's presence—and shows civilians and corpses.
The game world has 240 collectable items, such as Riddler trophies, chattering Joker teeth, interview tapes with some of Arkham's inmates, and cryptic messages left in the asylum by its founder Amadeus Arkham that discuss the facility's bleak history.
The player can use predatory tactics through stealth—including silent takedowns, dropping from overhead perches and snatching enemies away, or using the explosive gel to knock foes off their feet—to tilt the odds in their favor.
I love this game, i can go on and on about how i love this game.
If you havent played it yet, i would reccordmend playing it.
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Heather Cranmer (2721 KP) created a post
Feb 6, 2021 (Updated Feb 6, 2021)
Haley Mathiot (9 KP) rated The Lovely Bones in Books
Apr 27, 2018
**Spoiler Alert!**
First of all, let me say this. I really wanted to love The Lovely Bones. But I didn’t. I didn’t like it very much.
This comes as a surprise to me, because while I was reading it, I found it almost impossible to put down. It was cryptic and mysterious. The problem is that at the end, it still felt cryptic and mysterious—like I’d missed something. I felt throughout the book that I’d find a plot line, or a key, or something, and it would all fit together perfectly. But it didn’t. The writing was hard to read, and I had to really focus to understand the words. The plot was very original and creative, but there just seemed to be something missing through the whole book. When I got to the end, I was very disappointed.
I didn’t feel engaged in The Lovely Bones. I felt like an outsider looking in. I related to the characters on a certain level—but then again I felt totally disconnected and withdrawn while reading.
I didn’t at all like what happened to Mr. Harvey. He needed to be caught and put in jail, or killed by the father, or something a little more than getting an icicle in his back and falling into a ravine. His death was very unsatisfactory.
I didn’t like the end at all. As I said earlier, it felt like something was missing. I got to the end and said “Hu? Did I miss something? Maybe I skipped some pages, or missed a paragraph…” and literally flipped back through the past few pages. Nothing. It was like the end of a chapter, not the end of a book. There are unanswered questions sitting right in front of you, and there are blank endings for some of the characters. By blank I mean empty, like it’s not an ending at all. Like there is another few chapters to read and then maybe it will all make sense.
As I said above, find it very difficult to stop until I got about halfway through. When I got to the halfway point, it started to feel like it wasn’t going anywhere and I put it off for about a month. The book felt like it was boring, and dead like Susie. The mystery wasn’t going to be solved. It got old. Blech.
But some of it was very fast paced and exciting, and the characters are very well developed. The dialogue flows freely and comfortably.
Also, however painful Mrs. Salmon’s leaving was, and watching the family get torn apart, it was beautiful in the end when she came back. And I loved the interaction between the characters, and I loved the characters themselves. Lindsey and Samuel were wonderful, and her baby was wonderful, and the grandma was wonderful. Poor, sweet little Buckley who grows up too fast and too hard…
So I rest closer to the negative side than the positive side. This was a good (depending on your definition) book—I just wasn’t connected to it. There were some things that I liked about The Lovely Bones. However, most of it I didn’t like. If I’m not connected to a book, how can I read it? Will I read this one again? probably not. Will I read the sequel? Not unless I get it in the mail for review and I’m really really bored.
I wish I could say more good things about this book. I wanted to love it. My friends all loved it and my mom loved it. But it felt odd and foreign and uncomfortable to me, and the ending was awful. If you consider it an ending.
Audio Review: The audio-book was read by the author, who read incredibly slow and seemingly forced. Wouldn't an author take some joy in reading their book out loud, even if it was as depressing as this one? wouldn’t the author, of all people, read with a little more energy? Alice sounded tired. Tired of her book, tired of Susie and Lindsey and Mr. Salmon and everyone else. If you’re going to read The Lovely Bones, read The Lovely Bones.
First of all, let me say this. I really wanted to love The Lovely Bones. But I didn’t. I didn’t like it very much.
This comes as a surprise to me, because while I was reading it, I found it almost impossible to put down. It was cryptic and mysterious. The problem is that at the end, it still felt cryptic and mysterious—like I’d missed something. I felt throughout the book that I’d find a plot line, or a key, or something, and it would all fit together perfectly. But it didn’t. The writing was hard to read, and I had to really focus to understand the words. The plot was very original and creative, but there just seemed to be something missing through the whole book. When I got to the end, I was very disappointed.
I didn’t feel engaged in The Lovely Bones. I felt like an outsider looking in. I related to the characters on a certain level—but then again I felt totally disconnected and withdrawn while reading.
I didn’t at all like what happened to Mr. Harvey. He needed to be caught and put in jail, or killed by the father, or something a little more than getting an icicle in his back and falling into a ravine. His death was very unsatisfactory.
I didn’t like the end at all. As I said earlier, it felt like something was missing. I got to the end and said “Hu? Did I miss something? Maybe I skipped some pages, or missed a paragraph…” and literally flipped back through the past few pages. Nothing. It was like the end of a chapter, not the end of a book. There are unanswered questions sitting right in front of you, and there are blank endings for some of the characters. By blank I mean empty, like it’s not an ending at all. Like there is another few chapters to read and then maybe it will all make sense.
As I said above, find it very difficult to stop until I got about halfway through. When I got to the halfway point, it started to feel like it wasn’t going anywhere and I put it off for about a month. The book felt like it was boring, and dead like Susie. The mystery wasn’t going to be solved. It got old. Blech.
But some of it was very fast paced and exciting, and the characters are very well developed. The dialogue flows freely and comfortably.
Also, however painful Mrs. Salmon’s leaving was, and watching the family get torn apart, it was beautiful in the end when she came back. And I loved the interaction between the characters, and I loved the characters themselves. Lindsey and Samuel were wonderful, and her baby was wonderful, and the grandma was wonderful. Poor, sweet little Buckley who grows up too fast and too hard…
So I rest closer to the negative side than the positive side. This was a good (depending on your definition) book—I just wasn’t connected to it. There were some things that I liked about The Lovely Bones. However, most of it I didn’t like. If I’m not connected to a book, how can I read it? Will I read this one again? probably not. Will I read the sequel? Not unless I get it in the mail for review and I’m really really bored.
I wish I could say more good things about this book. I wanted to love it. My friends all loved it and my mom loved it. But it felt odd and foreign and uncomfortable to me, and the ending was awful. If you consider it an ending.
Audio Review: The audio-book was read by the author, who read incredibly slow and seemingly forced. Wouldn't an author take some joy in reading their book out loud, even if it was as depressing as this one? wouldn’t the author, of all people, read with a little more energy? Alice sounded tired. Tired of her book, tired of Susie and Lindsey and Mr. Salmon and everyone else. If you’re going to read The Lovely Bones, read The Lovely Bones.
Sensitivemuse (246 KP) rated Lovemurder in Books
May 3, 2018
Tension and head games galore!
This can be read as a stand alone if you come across this book although it’s highly encouraged to read the first one only because it’s just as good!
This time around, Valerie doesn’t get pummelled all over the place and you don’t cringe as much when she gets hit by something (whether it’s a bullet or a hit to the head). The plot held up to the same standards as the first; fast paced, filled with scenes of gratuitous violence and some sexual content here and there. This may not be for some readers as it does get graphic but I think without it, it would be hard to describe how heinous the crimes are.
Throughout the novel, Valerie has these tete a tetes with Katherine and they’re well written. You feel the tension between them and the mind games Katherine plays are subtle and sometimes even frustrating because she’s maddingly brilliant and manipulative. You’re running along with Valerie trying to catch this killer and you follow through the chase filled with puzzles and cryptic notes and gifts (none very nice gifts either…). The killer is brilliant and when you think he’s this one person, he ends up being someone you didn’t realize and it’s mind blowing considering who this killer ends up kidnapping.
And just when you think everything’s done there’s more extra twists happening. This is what makes this novel so quick and fast to read. You’re deeply engrossed in the plot and in the chase to find this killer but you forget he most likely has a plan B and you’re blindsided again. This is what makes this book so good!!!!!! I loved every minute of it!!!
The only concern I have is, how much more can happen in this series before this starts getting repetitive. I love the way it’s going and I hope the series can stay fresh and exciting like it’s been so far. I am looking forward to seeing what happens next, given there’s a bit of a teaser at the very last page of the book.
This time around, Valerie doesn’t get pummelled all over the place and you don’t cringe as much when she gets hit by something (whether it’s a bullet or a hit to the head). The plot held up to the same standards as the first; fast paced, filled with scenes of gratuitous violence and some sexual content here and there. This may not be for some readers as it does get graphic but I think without it, it would be hard to describe how heinous the crimes are.
Throughout the novel, Valerie has these tete a tetes with Katherine and they’re well written. You feel the tension between them and the mind games Katherine plays are subtle and sometimes even frustrating because she’s maddingly brilliant and manipulative. You’re running along with Valerie trying to catch this killer and you follow through the chase filled with puzzles and cryptic notes and gifts (none very nice gifts either…). The killer is brilliant and when you think he’s this one person, he ends up being someone you didn’t realize and it’s mind blowing considering who this killer ends up kidnapping.
And just when you think everything’s done there’s more extra twists happening. This is what makes this novel so quick and fast to read. You’re deeply engrossed in the plot and in the chase to find this killer but you forget he most likely has a plan B and you’re blindsided again. This is what makes this book so good!!!!!! I loved every minute of it!!!
The only concern I have is, how much more can happen in this series before this starts getting repetitive. I love the way it’s going and I hope the series can stay fresh and exciting like it’s been so far. I am looking forward to seeing what happens next, given there’s a bit of a teaser at the very last page of the book.
Hazel (1853 KP) rated The Butterfly Summer in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
The Butterfly Summer</i> is the latest novel by the Sunday Times bestselling author Harrier Evans. It is a story full of mystery and secrets that, although primarily set in 2011, whizzes back and forth in time. In London 2011 the narrator, Nina Parr, a young divorced woman of 25, is living with her mother and stepfather in the house she grew up in. In 1986 her father went on an expedition to Venezuela in search of the Glasswinged butterfly where he supposedly met his fate, thus never returned. However, after a brief but strange encounter with a confused old lady, Nina questions the truth about her father’s death.
Other mysteries begin to crop up from this moment forth. Nina hears of a woman named Teddy who she apparently looks like, and learns that the mansion from her favourite childhood book is a real place. But how are these things connected to Nina’s father?
As Nina begins to unravel her previously unaware of family secrets, the reader also learns more about Teddy – her past, her experiences and her connection with a house called Keepsake.
To begin with <i>The Butterfly Summer </i>was exciting and refreshing, the cryptic storyline pulling you in and not letting go. However from the midway point it began to considerably slow down and become rather dull, stale. Nina is such an interesting character that, by contrast, the snippets (rather extensive ones) about Teddy’s past were difficult to plow through.
One thing to commend the author on – although others may disagree – is the limit she put on romantic affairs. For me there was just the right amount of reference to these relationships to provoke the feeling of heartbrokenness yet not to detract from the main storyline.
For those who enjoy women’s fiction of a similar nature (e.g. Jill Mansell, perhaps) <i>The Butterfly Summer </i>is definitely a book to look out for. For me however, even though the first half I really enjoyed (four stars out of five), I had begun to work out the remaining mysteries myself and found the latter half less exciting.
The Butterfly Summer</i> is the latest novel by the Sunday Times bestselling author Harrier Evans. It is a story full of mystery and secrets that, although primarily set in 2011, whizzes back and forth in time. In London 2011 the narrator, Nina Parr, a young divorced woman of 25, is living with her mother and stepfather in the house she grew up in. In 1986 her father went on an expedition to Venezuela in search of the Glasswinged butterfly where he supposedly met his fate, thus never returned. However, after a brief but strange encounter with a confused old lady, Nina questions the truth about her father’s death.
Other mysteries begin to crop up from this moment forth. Nina hears of a woman named Teddy who she apparently looks like, and learns that the mansion from her favourite childhood book is a real place. But how are these things connected to Nina’s father?
As Nina begins to unravel her previously unaware of family secrets, the reader also learns more about Teddy – her past, her experiences and her connection with a house called Keepsake.
To begin with <i>The Butterfly Summer </i>was exciting and refreshing, the cryptic storyline pulling you in and not letting go. However from the midway point it began to considerably slow down and become rather dull, stale. Nina is such an interesting character that, by contrast, the snippets (rather extensive ones) about Teddy’s past were difficult to plow through.
One thing to commend the author on – although others may disagree – is the limit she put on romantic affairs. For me there was just the right amount of reference to these relationships to provoke the feeling of heartbrokenness yet not to detract from the main storyline.
For those who enjoy women’s fiction of a similar nature (e.g. Jill Mansell, perhaps) <i>The Butterfly Summer </i>is definitely a book to look out for. For me however, even though the first half I really enjoyed (four stars out of five), I had begun to work out the remaining mysteries myself and found the latter half less exciting.