
BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/

LeftSideCut (3776 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.

LeftSideCut (3776 KP) rated Tiger King: Murder, Mayhem and Madness in TV
Mar 31, 2020 (Updated Mar 31, 2020)
This well put together documentary took approximately 15 minutes to draw me in, and before I knew it, I had watched the whole thing.
The story in question revolves around Joe's constant rivalry and back-and-forth lawsuits with Carole Baskin, and her Big Cat Rescue sanctuary. It doesn't take long for everything to escalate to dangerous silliness, and the show documents Joe's eventual incarceration, where he is still residing currently.
This deep look into this cult like practice is fascinating to say the least. Some, including me, will argue that wild animals bred in captivity purely for profit is cruel, but it's genuinely difficult to see Joe Exotic as a bad person. His heart seems in the right place, and its sad to see him get so caught up in the money side of things, to the point where his intentions start to stray.
On the flip side, Carole Baskin on the surface doesn't agree with these kind of zoos and aims to rescue these animals, but in reality, she is still turning profit and her sanctuary is arguably just as bad.
These characters that we meet throughout all have layers and secrets, and ensures that the narrative being told through archive footage and interviews never stops throwing curve balls, as what starts as an animal park feud, devolves into embezzlement, attempted murder, suicide, missing persons, million-dollar legal battles... It's honestly hectic.
I'm incredibly interested to see what happens as a result of this series, and I personally don't think Joe will be incarcerated for too much longer.
The limited series could have benefited from losing an episode I feel, as it did drag a little towards the end, but overall, Tiger King is a fantastic documentary that's edited and put together to draw you in, and not let go.

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