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LoganCrews (2861 KP) rated Journey To The West: Conquering the Demons (2014) in Movies
Sep 21, 2020
Transcendent. A purified gonzo spectacle with enough madcap panache to measure on the Richter scale. Stephen Chow really is the *fucking* man, like if Ang Lee in the early aughts did enough acid to choke out a small village. Like all of Chow's work, it's got it all: riveting emotion, uproarious comedy, zany action, stellar production, and less than zero visible self consciousness to speak on. Exactly what these movies oughta be - plays with space like a champ and stages itself like an old school cult classic with a heavy emphasis on rubberlike physicality and Rube Goldberg-esque setpieces brought lovingly into the modern era, then injected with numerous hallucinogens. A gigantic Buddha bitch slaps the entire planet in this (literally). Have some issues with underwriting in its core relationship, and a bit too loose of pacing near the end; but it whips itself into shape enough to hardly notice too much. Balances silly with serious really formidably. The tectonic, slapstick partner piece to the blood-gushing, limb-loathing 𝘕𝘪𝘯𝘫𝘢 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯.
365Flicks (235 KP) rated I Love My Mum (2018) in Movies
Oct 31, 2019 (Updated Oct 31, 2019)
I feel this could be an instant cult favourite.
Prepare yourself Film Fans, for what could be the best British road trip comedy you will have seen in a long time. A bold statement I know however this Low budget Brit comedy punches way above its weight in almost every aspect and lands an absolute knockout for its viewers.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
BackToTheMovies (56 KP) rated The Captor (2019) in Movies
Jun 21, 2019
2019 certainly seems to be the year of Ethan Hawke slaying it in movies! The Kid was a powerhouse performance enough to warrant and the year off but then The Captor is released and once again. Wow. Ethan Hawke only goes and blows the bloody doors off this real-life true story about a bank robbery in Stockholm. This is our The Captor review.
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
Jesters_folly (230 KP) rated Killer Klowns from Outer Space (1988) in Movies
Sep 10, 2019
Contains spoilers, click to show
A shooting star passes over a small American town, when a couple of teens go to investigate they find a big top circus tent that is not from this planet. When the occupants of the tent, a group of extra-terrestrial clowns (or Klowns if you will) start running amok and killing people it’s up to a group of young adults to stop them.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
Sarah (7798 KP) rated The Rocky Horror Picture Show (1975) in Movies
Nov 25, 2020
Gloriously kitsch
Film #4 on the 100 Movies Bucket List: The Rocky Horror Picture Show
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
Scott Tostik (389 KP) rated Cult Of Chucky (2017) in Movies
Oct 8, 2017
It was a fun time (2 more)
Original cast members reunite
Surprisingly good Going
Good Guy, bad guy, you still don't Fuck with the Chuck!!
Going into the seventh installment of a film franchise I usually don't get impressed as much as I did with this movie.
To say a killer doll has had me chomping at the bit for the next installment of a movie is an understatement. I seen Child's Play the day it came out in 88. I was 12 at the time and begged my parents to take me to see it.
I became enthralled with Chucky. I wanted the doll and I wanted him to be real.
30 years later. Chucky is still going strong. Still killing with some creativity and fever. And still cracking one liners like Hannibal Burress.
When and if Brad DOURIF passes away, I hope they saved his amazing voice on some kind of hard drive, because no one will ever be able to voice Chucky like he can.
I can definitely recommend this movie to fans of the franchise. Much like the movie before is, Curse of Chucky, Cult brings him back to what he was in the 80's. A deeply disturbing psychopath who kills without regret. And while I loved the Bride and Seed of Chucky films. I am happy to see and hear him not trying to be a stand up comedian anymore. What New Nightmare did to bring the fear back to the Freddy character, the past two movies have done for Chucky.
To say a killer doll has had me chomping at the bit for the next installment of a movie is an understatement. I seen Child's Play the day it came out in 88. I was 12 at the time and begged my parents to take me to see it.
I became enthralled with Chucky. I wanted the doll and I wanted him to be real.
30 years later. Chucky is still going strong. Still killing with some creativity and fever. And still cracking one liners like Hannibal Burress.
When and if Brad DOURIF passes away, I hope they saved his amazing voice on some kind of hard drive, because no one will ever be able to voice Chucky like he can.
I can definitely recommend this movie to fans of the franchise. Much like the movie before is, Curse of Chucky, Cult brings him back to what he was in the 80's. A deeply disturbing psychopath who kills without regret. And while I loved the Bride and Seed of Chucky films. I am happy to see and hear him not trying to be a stand up comedian anymore. What New Nightmare did to bring the fear back to the Freddy character, the past two movies have done for Chucky.
Andy K (10821 KP) rated Blade Runner (1982) in Movies
Jul 24, 2019
Sci Fi Film Noir Masterpiece
When film scholars debate whether Alien or Blade Runner is director Ridley Scott's best film it is hard to make an argument against each as both are masterpieces It's funny that although they are both science fiction films, they are completely different in tone, style and action.
The art direction and cinematography are almost unmatched even under today's standards and then consider this movie is from 1982 and it is just astonishing. I won't argue with someone who says the film is slow developing or style or substance; however, I do not consider that a negative whatsoever. Consider it just another way to tell a story. Why do movies always have to follow the same formula to be considered a acceptable?
It is hard to believe the film only managed US box office of $27 million upon its original theatrical release. It's cult status was almost immediate along with the rise of home video and eventually DVD. The various cuts of the film and the vast and minor differences between them can make the meaning of the film quite different depending on how you interpret it.
The argument whether or not Deckard is a replicant could really depend on which version of the film you have seen or what you choose to believe.
Nevertheless, the film still stands the test of time as a sci fi classic and one of the most visually stunning films ever made!
The art direction and cinematography are almost unmatched even under today's standards and then consider this movie is from 1982 and it is just astonishing. I won't argue with someone who says the film is slow developing or style or substance; however, I do not consider that a negative whatsoever. Consider it just another way to tell a story. Why do movies always have to follow the same formula to be considered a acceptable?
It is hard to believe the film only managed US box office of $27 million upon its original theatrical release. It's cult status was almost immediate along with the rise of home video and eventually DVD. The various cuts of the film and the vast and minor differences between them can make the meaning of the film quite different depending on how you interpret it.
The argument whether or not Deckard is a replicant could really depend on which version of the film you have seen or what you choose to believe.
Nevertheless, the film still stands the test of time as a sci fi classic and one of the most visually stunning films ever made!
Gareth von Kallenbach (968 KP) rated Midnight Special (2016) in Movies
Aug 6, 2019
As children, we often fantasize about what it would be like to possess superpowers or some trait that sets us further apart from our peers. We imagine ourselves as being able to become invisible, fly, or command animals. The film Midnight Special introduces us to a young boy who is blessed with a special gift that no one can quite comprehend. A religious cult seeks the boy as their savior. The government wants to use him as a weapon. His father wants to protect him.
The film gives the audience enough suspense and relevant issues to keep them fully engrossed in the story. The opening of the film leaves us with very little background of the events that have taken place which for many films would be a grand weakness in the storytelling, however, for this film it is essential in shaping the dramatic moments as it builds to the climax. Midnight Special features strong performances from Adam Driver and Michael Shannon. Director Jeff Nichols does a superb job in weaving a story that is both original and imaginative. The film itself is a journey involving various elements that drive the story. For some, it will make them more skeptical of the government and religious fanaticism. For others, they will have a new take on the road film genre which is filled with peril, tension, friendship, and love.
Midnight Special is one of those rare movies that allows the viewers to become fully involved in the story and characters involved. With the suspense, humor, and interactions, the actors and director have made a complete film. It stays with you and makes you want more.
The film gives the audience enough suspense and relevant issues to keep them fully engrossed in the story. The opening of the film leaves us with very little background of the events that have taken place which for many films would be a grand weakness in the storytelling, however, for this film it is essential in shaping the dramatic moments as it builds to the climax. Midnight Special features strong performances from Adam Driver and Michael Shannon. Director Jeff Nichols does a superb job in weaving a story that is both original and imaginative. The film itself is a journey involving various elements that drive the story. For some, it will make them more skeptical of the government and religious fanaticism. For others, they will have a new take on the road film genre which is filled with peril, tension, friendship, and love.
Midnight Special is one of those rare movies that allows the viewers to become fully involved in the story and characters involved. With the suspense, humor, and interactions, the actors and director have made a complete film. It stays with you and makes you want more.
LeftSideCut (3778 KP) rated Blade (1998) in Movies
Jan 15, 2020
Blade is undeniably a product of it's time. It's the late 90s, everyone loves leather and shades, everyone loves Wesley Snipes, everyone loves dumb one liners, so the character of Blade is ripe for adaption.
But the importance of this gory action flick should absolutely not be understated. Not only was it the first proper big (ish) budget Marvel film, but it's pre dates Black Panther as the first superhero film with a black lead, and it pre dates The Punisher as the first R-rated Marvel blockbuster.
But in a pre X-Men world, comic book movies weren't a big deal at this point. I actually remember me and my friends sneakily renting and watching it (we were 10 at the time...) and none of them even knowing that Blade was even a comic book!
Here we are all these years later and the Blade trilogy is now remembered fondly (well, at least the first two are!)
Wesley Snipes is of course the star of this particular vehicle, and here, he is the most Wesley Snipes he's ever been. The cheesy one liners still come off well, and lend a nice comedic edge to the buckets of blood on display. The charm that he brings to the Blade character is the main reason why it's been hard to imagine anyone else in the role for so long (although I am here all day long for Mahershala Ali)
The other big character throughout the trilogy is Whistler, played by Kris Kristofferson, just generally being old, grumpy and badass, and is honestly the best character in the whole thing (here's hoping the MCU introduce a Whistler series on Disney+...)
Stephen Dorff plays Deacon Frost, the films villain, and he's really not much more than a generic superhero bad guy (the first of many).
The choreography and the fight scenes are pretty great, and the willingness to go hard R is what set Blade apart before comic book movies became a thing. It's sooooo bloody in parts, that it verges heavily into horror territory.
The CGI effects are utterly horrible by todays standards, but it's not used nearly enough to discredit the film too much.
Blade is a decent enough adaption of the cult Marvel series, and is a fun, gory blockbuster, but as mentioned, it's an important step in comic book cinema. Long live Blade!
But the importance of this gory action flick should absolutely not be understated. Not only was it the first proper big (ish) budget Marvel film, but it's pre dates Black Panther as the first superhero film with a black lead, and it pre dates The Punisher as the first R-rated Marvel blockbuster.
But in a pre X-Men world, comic book movies weren't a big deal at this point. I actually remember me and my friends sneakily renting and watching it (we were 10 at the time...) and none of them even knowing that Blade was even a comic book!
Here we are all these years later and the Blade trilogy is now remembered fondly (well, at least the first two are!)
Wesley Snipes is of course the star of this particular vehicle, and here, he is the most Wesley Snipes he's ever been. The cheesy one liners still come off well, and lend a nice comedic edge to the buckets of blood on display. The charm that he brings to the Blade character is the main reason why it's been hard to imagine anyone else in the role for so long (although I am here all day long for Mahershala Ali)
The other big character throughout the trilogy is Whistler, played by Kris Kristofferson, just generally being old, grumpy and badass, and is honestly the best character in the whole thing (here's hoping the MCU introduce a Whistler series on Disney+...)
Stephen Dorff plays Deacon Frost, the films villain, and he's really not much more than a generic superhero bad guy (the first of many).
The choreography and the fight scenes are pretty great, and the willingness to go hard R is what set Blade apart before comic book movies became a thing. It's sooooo bloody in parts, that it verges heavily into horror territory.
The CGI effects are utterly horrible by todays standards, but it's not used nearly enough to discredit the film too much.
Blade is a decent enough adaption of the cult Marvel series, and is a fun, gory blockbuster, but as mentioned, it's an important step in comic book cinema. Long live Blade!
Adam White (32 KP) rated The Silence (2019) in Movies
Jun 21, 2020
What did I just watch?
Contains spoilers, click to show
Where do I start? This movie is like watching, Birds, Bird Box, The Village and A Quiet Place all in one, the only problem is, it doesn't work at all.
I was really hoping with this being Directed by John R. Leonetti (cinematographer of such films as, The Conjuring, Insidious, The Mask) he would bring a lot to the table, nope and then I remembered he directed The Butterfly Effect 2 and Mortal Kombat: Annihilation.
This movie being listed as a horror movie is a major let down, yes it does have a few jump scenes but I feel like the the dinosaurs from Jurassic Park made me jump a lot more, really the only scary part was the fact that someone checked off the okay for this storyline.
The storyline (not to give anything away) is a rush jump, which some movies need to move faster, I feel like this one moves way to fast, not enough is explained and way to much is left out.
One of the biggest keys of the story is that Ally Andrews (Kiernan Shipka) is teenage girl who lost her hearing a few years back, which helps the family and her during this time, as they all know how to use sign language. With that being said, the movie fails mean times at remembering the daughter is deaf!! With some members of the family using sign language, some not, sounds making her notice things, at some parts of the movie I forgot she lost her hearing.
I will skip over the crazy cult members, which trust me, I feel like NO one understands, I mean I get it but good God, give them some time of back story, nope kill them off in 11 minutes, that works too.
Skip forward to the end and bang, the lover is still healthy, and they are hunting the dam birds/dinosaurs now, no real dam answer on what happened, what's the plan of killing them off or nothing, it just ends!!
I recommend that you watch this movie just once, just enough to understand why some movies should be just left alone. Don't get me wrong, it could have worked, if they would have worked on the storyline more, and maybe followed the storyline, but hey, I have never made a movie before, so maybe I'm wrong about this all. 🤷♂️
I was really hoping with this being Directed by John R. Leonetti (cinematographer of such films as, The Conjuring, Insidious, The Mask) he would bring a lot to the table, nope and then I remembered he directed The Butterfly Effect 2 and Mortal Kombat: Annihilation.
This movie being listed as a horror movie is a major let down, yes it does have a few jump scenes but I feel like the the dinosaurs from Jurassic Park made me jump a lot more, really the only scary part was the fact that someone checked off the okay for this storyline.
The storyline (not to give anything away) is a rush jump, which some movies need to move faster, I feel like this one moves way to fast, not enough is explained and way to much is left out.
One of the biggest keys of the story is that Ally Andrews (Kiernan Shipka) is teenage girl who lost her hearing a few years back, which helps the family and her during this time, as they all know how to use sign language. With that being said, the movie fails mean times at remembering the daughter is deaf!! With some members of the family using sign language, some not, sounds making her notice things, at some parts of the movie I forgot she lost her hearing.
I will skip over the crazy cult members, which trust me, I feel like NO one understands, I mean I get it but good God, give them some time of back story, nope kill them off in 11 minutes, that works too.
Skip forward to the end and bang, the lover is still healthy, and they are hunting the dam birds/dinosaurs now, no real dam answer on what happened, what's the plan of killing them off or nothing, it just ends!!
I recommend that you watch this movie just once, just enough to understand why some movies should be just left alone. Don't get me wrong, it could have worked, if they would have worked on the storyline more, and maybe followed the storyline, but hey, I have never made a movie before, so maybe I'm wrong about this all. 🤷♂️
