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Lee (2222 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 16, 2019
Quentin Tarantino is known for his lengthy, self-indulgent movies - some of which I've loved, some not so much. Once Upon a Time in Hollywood is a nostalgic homage to 1960s Hollywood and, at 2 hours 41 minutes, it is certainly lengthy and self-indulgent. But, despite some outstanding performances, it's probably at least an hour too long, and proved to be a real test of my patience and endurance.
Leonardo DiCaprio is Rick Dalton, a TV and movie star best known for repeatedly saving the day in the now cancelled TV show 'Bounty Law', where he played a classic screen cowboy. Rick is struggling to come to terms with his fading career, and the feeling that Hollywood is moving on without him. His best, and only friend, is Cliff Booth (Brad Pitt), who has been Rick's stunt double over the years. Work for Cliff has dried up following rumours that he murdered his wife and Cliff now spends his days as Rick's driver, odd-job man and general shoulder to cry on. He seems fairly relaxed about his simple lifestyle though - returning each evening to his trailer, and faithful canine companion Brandy, before picking Rick up bright and early the next day in order to drive him to whatever production set he's currently working at.
Meanwhile, successful young actor Sharon Tate (Margot Robbie) has moved in next door to Rick along with her husband, director Roman Polanski. This is the area where Tarantino weaves fact with fiction and if you're not familiar with the Manson murders of 1969, it's probably worth reading up on a little bit before heading into the movie. On the night of 9 August 1969, three followers of cult leader Charles Manson entered the home of a heavily pregnant Sharon Tate and brutally murdered her and the friends who were with her at the time. Once Upon a Time in Hollywood begins a few months before those events, and then takes its sweet time in slowly building towards it.
If it weren't for the performances of everyone involved, this would have been a much harder watch for me. Brad Pitt is the best I've seen him for a long time here, all smiles and laid-back charm, a real interesting and enjoyable character. Leonardo DiCaprio is also on fine form as the broken man struggling to cling to fame and when the two are together, they're a lot of fun. Margot Robbie, has far less to do in her parallel story-line, but still manages to shine in her charismatic portrayal of Tate.
What does make the movie harder to watch is the run-time and, as I said right at the start, I feel this definitely could have benefited from at least an hour being chopped. Sunny LA during the 1960s is beautiful to look at, and when we're following Rick and Cliff as they cruise around town in their car it's nostalgic, vibrant and wonderful to watch. But, we get to follow the characters around town in their cars quite a lot in this movie. And, on top of that, literally every scene, no matter how significant, irrelevant or weak it may be, is dragged out far longer than it needs to be. The great scenes become diluted, and the scenes where nothing much was happening anyway, just become frustrating and hard work to hold your attention.
Along the way, our characters occasionally and unknowingly cross paths with the hippies who form Charles Manson's cult at Spahn Ranch. Cliff even has a uneasy standoff with a group of them at the ranch itself in one of the better scenes of the movie. It's these suspenseful moments that increase the tension perfectly, stoking the sense of foreboding and providing a constant reminder of the death and destruction set to come. The final 15 minutes or so do provide us with some intense, violent madness - a real wake up call after the meandering, often floundering, plot-lines of the movie up until that point. As always with Tarantino movies, there's plenty to digest, dissect and discuss but I certainly won't be revisiting this one any time soon.
Leonardo DiCaprio is Rick Dalton, a TV and movie star best known for repeatedly saving the day in the now cancelled TV show 'Bounty Law', where he played a classic screen cowboy. Rick is struggling to come to terms with his fading career, and the feeling that Hollywood is moving on without him. His best, and only friend, is Cliff Booth (Brad Pitt), who has been Rick's stunt double over the years. Work for Cliff has dried up following rumours that he murdered his wife and Cliff now spends his days as Rick's driver, odd-job man and general shoulder to cry on. He seems fairly relaxed about his simple lifestyle though - returning each evening to his trailer, and faithful canine companion Brandy, before picking Rick up bright and early the next day in order to drive him to whatever production set he's currently working at.
Meanwhile, successful young actor Sharon Tate (Margot Robbie) has moved in next door to Rick along with her husband, director Roman Polanski. This is the area where Tarantino weaves fact with fiction and if you're not familiar with the Manson murders of 1969, it's probably worth reading up on a little bit before heading into the movie. On the night of 9 August 1969, three followers of cult leader Charles Manson entered the home of a heavily pregnant Sharon Tate and brutally murdered her and the friends who were with her at the time. Once Upon a Time in Hollywood begins a few months before those events, and then takes its sweet time in slowly building towards it.
If it weren't for the performances of everyone involved, this would have been a much harder watch for me. Brad Pitt is the best I've seen him for a long time here, all smiles and laid-back charm, a real interesting and enjoyable character. Leonardo DiCaprio is also on fine form as the broken man struggling to cling to fame and when the two are together, they're a lot of fun. Margot Robbie, has far less to do in her parallel story-line, but still manages to shine in her charismatic portrayal of Tate.
What does make the movie harder to watch is the run-time and, as I said right at the start, I feel this definitely could have benefited from at least an hour being chopped. Sunny LA during the 1960s is beautiful to look at, and when we're following Rick and Cliff as they cruise around town in their car it's nostalgic, vibrant and wonderful to watch. But, we get to follow the characters around town in their cars quite a lot in this movie. And, on top of that, literally every scene, no matter how significant, irrelevant or weak it may be, is dragged out far longer than it needs to be. The great scenes become diluted, and the scenes where nothing much was happening anyway, just become frustrating and hard work to hold your attention.
Along the way, our characters occasionally and unknowingly cross paths with the hippies who form Charles Manson's cult at Spahn Ranch. Cliff even has a uneasy standoff with a group of them at the ranch itself in one of the better scenes of the movie. It's these suspenseful moments that increase the tension perfectly, stoking the sense of foreboding and providing a constant reminder of the death and destruction set to come. The final 15 minutes or so do provide us with some intense, violent madness - a real wake up call after the meandering, often floundering, plot-lines of the movie up until that point. As always with Tarantino movies, there's plenty to digest, dissect and discuss but I certainly won't be revisiting this one any time soon.
Housewife of Horror (12 KP) rated Bad Dreams (1988) in Movies
Aug 25, 2018
Contains spoilers, click to show
Bad Dreams
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Gareth von Kallenbach (968 KP) rated Evil Dead (2013) in Movies
Aug 7, 2019
One of the greatest horror movies of all time would have to be “The Evil Dead” which had been spawned by Sam Raimi and his original short film “Within the Woods”. “Within the Woods” was filmed with the intent of gaining investors to collaborate on a full length film starring the then unknown God of “B” horror movies Bruce Campbell. “The Evil Dead” and its predecessor “Within the Woods” was meant to be serious and horrifying, though that proved to be hard with a smaller budget that Raimi and Campbell had originally hoped for. Little did they know that Evil Dead would become one of the largest trilogies in cult film histories.
Based on Raimi’s original 1981 script, five young adult friends set out on a short vacation in a remote cabin in the woods. Whilst reading from a book that was obviously supposed to stay hidden, one of them ends up summoning dormant demons that end up causing havoc among the group. Killing them off one by one. Though the aura of the film is somewhat similar to the original, we all know that with remakes there are always some differences. In the original the five friends go to a cabin for a care free fun filled weekend the remake centers around one friend trying to kick her drug habits “cold turkey” with the help of her three friends and older brother.
The cinematography of the film is one hundred times better (remember in the original; Bruce running from the “deadite” and you could see the lights in the rafters of the studio “that does not happen in this film”). The remake pays homage to the original in certain respects and can be spotted throughout the film if you are a true “Evil Dead” fanatic. Unlike the original movie that had been filmed in Tennessee the remake was filmed in its entirety in New Zealand. The recreation of the cabin is almost uncanny with a couple of differences here and there. As expected the special FX are much better with a bigger budget and the advancement of technology. Like the original the actors are not well known and only have done a couple other projects. The cast was well selected and the acting was much better.
If you are a true fan of the original film you may like or dislike it. I myself found it to be entertaining however it doesn’t come close to the original film. If you’ve never seen the original you may like this movie based on its own merits. I must add if you’ve never seen the original film shame on you. To all Evil dead and/or Bruce Campbell fans I can not disclose to you if Bruce makes a cameo but I will say this stay till the end of the credits and you may feel pretty groovy.
Based on Raimi’s original 1981 script, five young adult friends set out on a short vacation in a remote cabin in the woods. Whilst reading from a book that was obviously supposed to stay hidden, one of them ends up summoning dormant demons that end up causing havoc among the group. Killing them off one by one. Though the aura of the film is somewhat similar to the original, we all know that with remakes there are always some differences. In the original the five friends go to a cabin for a care free fun filled weekend the remake centers around one friend trying to kick her drug habits “cold turkey” with the help of her three friends and older brother.
The cinematography of the film is one hundred times better (remember in the original; Bruce running from the “deadite” and you could see the lights in the rafters of the studio “that does not happen in this film”). The remake pays homage to the original in certain respects and can be spotted throughout the film if you are a true “Evil Dead” fanatic. Unlike the original movie that had been filmed in Tennessee the remake was filmed in its entirety in New Zealand. The recreation of the cabin is almost uncanny with a couple of differences here and there. As expected the special FX are much better with a bigger budget and the advancement of technology. Like the original the actors are not well known and only have done a couple other projects. The cast was well selected and the acting was much better.
If you are a true fan of the original film you may like or dislike it. I myself found it to be entertaining however it doesn’t come close to the original film. If you’ve never seen the original you may like this movie based on its own merits. I must add if you’ve never seen the original film shame on you. To all Evil dead and/or Bruce Campbell fans I can not disclose to you if Bruce makes a cameo but I will say this stay till the end of the credits and you may feel pretty groovy.
BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
With it being 50 years since the tragic Manson murders in California we have a year of Manson movies. We have the independent film Charlie Says which explores Manson and his cult in sensitive detail before the tragic night. We have Tarantino’s Once Up A Time In Hollywood which has been given the go-ahead from Sharon Tate’s sister to be made. Then we have this. The Haunting of Sharon Tate. An overly exploitative piece that twists truths to create a narrative and completely trashes the legacy of the late actress.
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
LeftSideCut (3778 KP) rated Slumber Party Massacre II (1987) in Movies
Oct 14, 2020
I, and I can't stress this enough, fucking love Slumber Party Massacre II. It may not be as cinematically mature as the first one, but it's 100% more entertaining and batshit crazy.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
Lyndsey Gollogly (2893 KP) rated Windswept & Interesting in Books
Aug 12, 2022
143 of 230
Book
Windswept and Interesting
By Billy Connolly
⭐️⭐️⭐️⭐️⭐️
In his first full-length autobiography, comedy legend and national treasure Billy Connolly reveals the truth behind his windswept and interesting life.
Born in a tenement flat in Glasgow in 1942, orphaned by the age of 4, and a survivor of appalling abuse at the hands of his own family, Billy's life is a remarkable story of success against all the odds.
Billy found his escape first as an apprentice welder in the shipyards of the River Clyde. Later he became a folk musician - a 'rambling man' - with a genuine talent for playing the banjo. But it was his ability to spin stories, tell jokes and hold an audience in the palm of his hand that truly set him apart.
As a young comedian Billy broke all the rules. He was fearless and outspoken - willing to call out hypocrisy wherever he saw it. But his stand-up was full of warmth, humility and silliness too. His startling, hairy 'glam-rock' stage appearance - wearing leotards, scissor suits and banana boots - only added to his appeal.
It was an appearance on Michael Parkinson's chat show in 1975 - and one outrageous story in particular - that catapulted Billy from cult hero to national star. TV shows, documentaries, international fame and award-winning Hollywood movies followed. Billy's pitch-perfect stand-up comedy kept coming too - for over 50 years, in fact - until a double diagnosis of cancer and Parkinson's Disease brought his remarkable live performances to an end. Since then he has continued making TV shows, creating extraordinary drawings... and writing.
I grew up watching Billy my dad absolutely loved him. The only swearing we were allowed to watch. I have always loved him the one comedian that I took from my childhood and kept watching. I discovered so much in this book that I never knew and you have to admire him. He went through so much but never seems bitter, he never really flaunts his fame in this book and plays a lot down. Such an amazing insight into his life and a really good read.
Book
Windswept and Interesting
By Billy Connolly
⭐️⭐️⭐️⭐️⭐️
In his first full-length autobiography, comedy legend and national treasure Billy Connolly reveals the truth behind his windswept and interesting life.
Born in a tenement flat in Glasgow in 1942, orphaned by the age of 4, and a survivor of appalling abuse at the hands of his own family, Billy's life is a remarkable story of success against all the odds.
Billy found his escape first as an apprentice welder in the shipyards of the River Clyde. Later he became a folk musician - a 'rambling man' - with a genuine talent for playing the banjo. But it was his ability to spin stories, tell jokes and hold an audience in the palm of his hand that truly set him apart.
As a young comedian Billy broke all the rules. He was fearless and outspoken - willing to call out hypocrisy wherever he saw it. But his stand-up was full of warmth, humility and silliness too. His startling, hairy 'glam-rock' stage appearance - wearing leotards, scissor suits and banana boots - only added to his appeal.
It was an appearance on Michael Parkinson's chat show in 1975 - and one outrageous story in particular - that catapulted Billy from cult hero to national star. TV shows, documentaries, international fame and award-winning Hollywood movies followed. Billy's pitch-perfect stand-up comedy kept coming too - for over 50 years, in fact - until a double diagnosis of cancer and Parkinson's Disease brought his remarkable live performances to an end. Since then he has continued making TV shows, creating extraordinary drawings... and writing.
I grew up watching Billy my dad absolutely loved him. The only swearing we were allowed to watch. I have always loved him the one comedian that I took from my childhood and kept watching. I discovered so much in this book that I never knew and you have to admire him. He went through so much but never seems bitter, he never really flaunts his fame in this book and plays a lot down. Such an amazing insight into his life and a really good read.
365Flicks (235 KP) rated Deadly Intent (2016) in Movies
Nov 20, 2019
Deadly Intent is a Powerful, Viseceral, Performance Driven, British Thriller Unlike Others… Reaney is Superb…
I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.
Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.
Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
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I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.
This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.
I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.
I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.
Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.
Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
download-40
I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.
This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.
I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
Rachel King (13 KP) rated River Marked (Mercy Thompson, #6) in Books
Feb 11, 2019
This book takes a different direction than previous books in the series, because Mercy is doing something that I think is quite rare in the typical Urban Fantasy heroine -- she is getting married. As a married woman, I quite like this turn and the extra confidence and sense of permanence it gives Mercy, but I don't think this is something that every reader will fully appreciate. Still, it feels fresh and new to me, and I think it has the potential to "breathe new life" into the series.
The loose ends of Stefan's mess from the previous book are quickly tied up, and the plot swiftly moves on to a "surprise" wedding for Mercy. The set-up of the wedding was quite endearing, and I even teared up a bit over it. These two sub-plots take place rather quickly, though, as the main focus of the book is what occurs during Mercy and Adam's honeymoon.
Mercy figures out quickly that they have been set up by certain fairy acquaintances for reasons that no one really knows. I was laughing at this, as it feels like a bumper sticker motto: If the world needs saving - send Mercy! So of course, Urban Fantasy heroine Mercy does not get a typical honeymoon, but one fraught with peril and impending doom.
While it may seem on the surface to be a random way to introduce new characters and magical elements into the series, I think that the events that happened at the Columbia River were a great way to focus on Mercy's native heritage and answer many of the questions that I have been harboring through the series about her ability to transform into a coyote. She makes some new friends of native descent that are able to help her tackle her looming battle with the river monster, and she discovers that she is not the only native who can become another animal. She also learns more about her father and his relationship with her mother. The walking stick also plays a major part, though I hope this is not the last we've seen of it. That stick has too many quirks to just let it go.
The river monster itself was quite a creation - as much fantasy as I have read, I've never come across anything quite like it, though some creatures of Greek mythology comes close. Abominations like that remind me why I avoid watching horror movies. The behavior of the otterkin also reminded me of the way members of a cult exalt their leader - creepy. I can't wait for the next book!
The loose ends of Stefan's mess from the previous book are quickly tied up, and the plot swiftly moves on to a "surprise" wedding for Mercy. The set-up of the wedding was quite endearing, and I even teared up a bit over it. These two sub-plots take place rather quickly, though, as the main focus of the book is what occurs during Mercy and Adam's honeymoon.
Mercy figures out quickly that they have been set up by certain fairy acquaintances for reasons that no one really knows. I was laughing at this, as it feels like a bumper sticker motto: If the world needs saving - send Mercy! So of course, Urban Fantasy heroine Mercy does not get a typical honeymoon, but one fraught with peril and impending doom.
While it may seem on the surface to be a random way to introduce new characters and magical elements into the series, I think that the events that happened at the Columbia River were a great way to focus on Mercy's native heritage and answer many of the questions that I have been harboring through the series about her ability to transform into a coyote. She makes some new friends of native descent that are able to help her tackle her looming battle with the river monster, and she discovers that she is not the only native who can become another animal. She also learns more about her father and his relationship with her mother. The walking stick also plays a major part, though I hope this is not the last we've seen of it. That stick has too many quirks to just let it go.
The river monster itself was quite a creation - as much fantasy as I have read, I've never come across anything quite like it, though some creatures of Greek mythology comes close. Abominations like that remind me why I avoid watching horror movies. The behavior of the otterkin also reminded me of the way members of a cult exalt their leader - creepy. I can't wait for the next book!
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