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Hideo Kojima recommended Blade Runner (1982) in Movies (curated)
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
Matthew Krueger (10051 KP) rated Vampire in Brooklyn (1995) in Movies
Sep 18, 2020
Brooklyn's Own Vampire
Vampire in Brooklyn- is a entertaining movie. It has horror, comedy and eddie Murphy as the bad guy.
The plot: In the wake of her mother's death in a mental institution, detective Rita Veder (Angela Bassett) is assigned to a baffling serial murder case. After examining the crime scene -- a corpse-filled ship found adrift at sea -- Rita meets Maximilian (Eddie Murphy), a smooth-talking Caribbean playboy determined to romance her. When Rita begins suffering from crippling hallucinations, she calls upon Dr. Zeko (Zakes Mokae), an occultist who suspects a vampire is on the loose.
According to Charlie Murphy, the movie was originally going to be a straight horror film with no laughs but Wes Craven brought a different focus to it. He also said: "Maximilian wasn't going to have any redeeming qualities. But Wes taught us that we must get the audience to care about our characters. And even if they didn't know any vampires personally, they would at least have to identify with the type of person he was.
About the movie, Eddie Murphy said: "I've always wanted to do something where I was the villain in the movie. I love horror pictures and I was a big fan of Wes Craven. This movie started out as something small, this was a movie my company was just going to produce and the screenplay came together so well that I thought it will be a fun role to play. Because I got to do something kind of scary and had a safety net because the vampire can turn into other peoples. I get to be funny when I'm the preacher and I get to be funny when I'm the Italian guy. And the vampire is pretty straight and I got all these funny stuff happening around me. I felt it was a unique piece to do."
Although contemporary reviews were negative, Vampire In Brooklyn has since become a cult classic.
Like i said its a good comedy horror film.
The plot: In the wake of her mother's death in a mental institution, detective Rita Veder (Angela Bassett) is assigned to a baffling serial murder case. After examining the crime scene -- a corpse-filled ship found adrift at sea -- Rita meets Maximilian (Eddie Murphy), a smooth-talking Caribbean playboy determined to romance her. When Rita begins suffering from crippling hallucinations, she calls upon Dr. Zeko (Zakes Mokae), an occultist who suspects a vampire is on the loose.
According to Charlie Murphy, the movie was originally going to be a straight horror film with no laughs but Wes Craven brought a different focus to it. He also said: "Maximilian wasn't going to have any redeeming qualities. But Wes taught us that we must get the audience to care about our characters. And even if they didn't know any vampires personally, they would at least have to identify with the type of person he was.
About the movie, Eddie Murphy said: "I've always wanted to do something where I was the villain in the movie. I love horror pictures and I was a big fan of Wes Craven. This movie started out as something small, this was a movie my company was just going to produce and the screenplay came together so well that I thought it will be a fun role to play. Because I got to do something kind of scary and had a safety net because the vampire can turn into other peoples. I get to be funny when I'm the preacher and I get to be funny when I'm the Italian guy. And the vampire is pretty straight and I got all these funny stuff happening around me. I felt it was a unique piece to do."
Although contemporary reviews were negative, Vampire In Brooklyn has since become a cult classic.
Like i said its a good comedy horror film.
Fantastic Plastic by Flamin Groovies
Album Watch
The Flamin' Groovies story goes all the way back to 1965 when the band began as The Chosen Few in...
rock pop
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
Gareth von Kallenbach (980 KP) rated Drag Me to Hell (2009) in Movies
Aug 14, 2019
I’m just going to be honest. Drag Me To Hell is the movie we would have seen 22 years ago had Sam Raimi been given several million dollars, had Bruce Campbell been a woman and had there been no chainsaws handy. Not that this is a bad thing. I believe that Raimi fans will be quite pleased to see the cult and blockbuster director’s return to his roots.
Christine Brown (Alison Lohman) is a soft-spoken loan officer competing for the open position of assistant manager at the bank branch she works for. She has a predominantly sunny life with her boyfriend, Clay Dalton, (Justin Long) and a new kitten.
When an old woman in an Oldsmobile (Lorna Raver) comes to beg for an extension on her mortgage, Christine is unaware of how much her ideal life is about to change.
Desperate to impress her boss and prove her prowess over the only other candidate, Christine refuses the woman help. Angered and shamed, the woman curses Christine, calling upon the demon Lamia (voiced by Art Kimbro) to torment her for three days and then damn her soul.
Acting upon the advice of a Seer (Dileep Rao), Christine struggles to free herself from this terrible fate. She alienates herself from Clay’s parents, sacrifices her cat, participates in a séance, crashes a funeral, defiles the dead and is eventually forced to choose whether or not she can in turn damn her business rival.
But I wouldn’t want you to start thinking that you’re dealing with some far-too-serious classic horror revival (not that that would be a bad thing). Let’s not forget the projectile blood and vomit, the mud and maggots, the stapler to the face and ruler to the back of the throat; all done in that comical slapstick that only Raimi can produce. The utterly gory, disgusting images that make you laugh hysterically while simultaneously cringeing in disbelief. This is the stuff that made him a cult hero.
There are certainly some creepy moments, quite a few in fact. Things that pleased the horror fan in me very much. And there are plenty of scares to be had as creatures and characters launch themselves from the shadows. I only jumped a couple of times (and I scare easily) but that might have been due more to the people sitting around us than the movie itself.
Drag Me To Hell opens with a classic Universal logo, one that hasn’t been seen since the 70s. It was so appropriate that as soon as I saw it I was sure I was going to walk away happy. Then the opening credits began and I was blown away. They are so absolutely gorgeous that they almost deserve to be a short of their own rather than find themselves pinned to a feature. The special effects continue to be a remarkable strong point throughout the rest of the movie. Several scenes blew me away with their execution and look.
When it comes down to what was missing, characterization was the one thing this film lacked. I didn’t feel very connected to any of the characters and certainly didn’t care about their plight. It seemed rather two dimensional. The characters are barely introduced and we aren’t ushered into their lives and minds before the action begins. We are just expected to care.
On top of this, Lohman’s acting wasn’t the greatest and Long, while doing a decent job, didn’t seem to fit the role terribly well. The cat-sacrificing didn’t go far for making me feel any sympathy toward Christine or her dilemma. This was all very disappointing since I feel as though everything else was so strong that had this been reinforced rather than left flat it would have been exceedingly excellent.
But it is worth a watch. If you love anything by Sam Raimi you will not be disappointed and if you’ve never seen any of his work then you might find yourself pleasantly surprised. This is one of the few things I have ever watched that was exactly what it promised to be.
Thank you, Mr. Raimi, for this excellent return to horror. We are all grateful.
Christine Brown (Alison Lohman) is a soft-spoken loan officer competing for the open position of assistant manager at the bank branch she works for. She has a predominantly sunny life with her boyfriend, Clay Dalton, (Justin Long) and a new kitten.
When an old woman in an Oldsmobile (Lorna Raver) comes to beg for an extension on her mortgage, Christine is unaware of how much her ideal life is about to change.
Desperate to impress her boss and prove her prowess over the only other candidate, Christine refuses the woman help. Angered and shamed, the woman curses Christine, calling upon the demon Lamia (voiced by Art Kimbro) to torment her for three days and then damn her soul.
Acting upon the advice of a Seer (Dileep Rao), Christine struggles to free herself from this terrible fate. She alienates herself from Clay’s parents, sacrifices her cat, participates in a séance, crashes a funeral, defiles the dead and is eventually forced to choose whether or not she can in turn damn her business rival.
But I wouldn’t want you to start thinking that you’re dealing with some far-too-serious classic horror revival (not that that would be a bad thing). Let’s not forget the projectile blood and vomit, the mud and maggots, the stapler to the face and ruler to the back of the throat; all done in that comical slapstick that only Raimi can produce. The utterly gory, disgusting images that make you laugh hysterically while simultaneously cringeing in disbelief. This is the stuff that made him a cult hero.
There are certainly some creepy moments, quite a few in fact. Things that pleased the horror fan in me very much. And there are plenty of scares to be had as creatures and characters launch themselves from the shadows. I only jumped a couple of times (and I scare easily) but that might have been due more to the people sitting around us than the movie itself.
Drag Me To Hell opens with a classic Universal logo, one that hasn’t been seen since the 70s. It was so appropriate that as soon as I saw it I was sure I was going to walk away happy. Then the opening credits began and I was blown away. They are so absolutely gorgeous that they almost deserve to be a short of their own rather than find themselves pinned to a feature. The special effects continue to be a remarkable strong point throughout the rest of the movie. Several scenes blew me away with their execution and look.
When it comes down to what was missing, characterization was the one thing this film lacked. I didn’t feel very connected to any of the characters and certainly didn’t care about their plight. It seemed rather two dimensional. The characters are barely introduced and we aren’t ushered into their lives and minds before the action begins. We are just expected to care.
On top of this, Lohman’s acting wasn’t the greatest and Long, while doing a decent job, didn’t seem to fit the role terribly well. The cat-sacrificing didn’t go far for making me feel any sympathy toward Christine or her dilemma. This was all very disappointing since I feel as though everything else was so strong that had this been reinforced rather than left flat it would have been exceedingly excellent.
But it is worth a watch. If you love anything by Sam Raimi you will not be disappointed and if you’ve never seen any of his work then you might find yourself pleasantly surprised. This is one of the few things I have ever watched that was exactly what it promised to be.
Thank you, Mr. Raimi, for this excellent return to horror. We are all grateful.
graveyardgremlin (7194 KP) rated Blast from the Past (Where Are They Now? #3) in Books
Feb 15, 2019
In this third entry into the Where Are They Now? series, Tilda Harper finds herself doubting her abilities as a journalist after two unfortunate incidents go awry. Invited to meet and interview the star of the movie, which itself is based on a comic from the eighties that is now a cult classic, Tilda sets off. As she interviews the star, John Laryea, who was also in a musical-adventure television show as a teen, and various others involved with the film project, she witnesses the hit-and-run of Laryea and his assistant. While she discovers who was behind that "accident" and works to clear the main suspect's name, she also is hired to find out who Leviathan, the mysterious creator of the classic comic book series, Pharos, actually is.
A smart main character, Tilda may make some mistakes but she's never dumb and never annoying. She goes about her work in a very professional way even if she may have some sarcastic thoughts about someone or something. I really do like her, she's not a silly nitwit who gets by on luck or relies on a guy. The cast of characters are, as usual, interesting and incorporated very well into the plot. Along with the new faces, some familiar ones are here as well. Cooper, Tilda's best friend who always brings some lightheartedness, isn't as prominent in this book as he has been in the others, I believe it's only through phone conversations, but luckily the book doesn't suffer because of this. Tilda's sister, June is in it for a short amount of time that doesn't diminish her repartee with Tilda. Nick (Tilda's former and maybe future love interest) and his dad, Dom, are the two who feature predominantly since Dom's company is in charge of the film's security. Following the pattern of each book, a new roommate is introduced, though I'm sure she'll be gone by the next outing, this time the roommate is an animal collector, the latest being a snake Tilda's not too fond of.
The two plots are well-paced and complement each other nicely. Pretty much every page of the book was interesting, with clues so subtly embedded I didn't always pick up on them, that it held my attention to the very end. I love the concept of this series and while I liked the previous books, I believe this may just be the best one to date and hope there are many more to come.
Series order:
[b:Curse of the Kissing Cousins|2384227|Curse of the Kissing Cousins (Where are They Now?, #1)|Toni L.P. Kelner|http://photo.goodreads.com/books/1266777949s/2384227.jpg|2391239]
[b:Who Killed the Pinup Queen?|7518303|Who Killed the Pinup Queen? (Where are They Now?, #2)|Toni L.P. Kelner|http://photo.goodreads.com/books/1277167352s/7518303.jpg|9733117]
[b:Blast from the Past|8592435|Blast from the Past (Where Are They Now? #3)|Toni L. P. Kelner|http://photo.goodreads.com/books/1327922876s/8592435.jpg|13462058]
A smart main character, Tilda may make some mistakes but she's never dumb and never annoying. She goes about her work in a very professional way even if she may have some sarcastic thoughts about someone or something. I really do like her, she's not a silly nitwit who gets by on luck or relies on a guy. The cast of characters are, as usual, interesting and incorporated very well into the plot. Along with the new faces, some familiar ones are here as well. Cooper, Tilda's best friend who always brings some lightheartedness, isn't as prominent in this book as he has been in the others, I believe it's only through phone conversations, but luckily the book doesn't suffer because of this. Tilda's sister, June is in it for a short amount of time that doesn't diminish her repartee with Tilda. Nick (Tilda's former and maybe future love interest) and his dad, Dom, are the two who feature predominantly since Dom's company is in charge of the film's security. Following the pattern of each book, a new roommate is introduced, though I'm sure she'll be gone by the next outing, this time the roommate is an animal collector, the latest being a snake Tilda's not too fond of.
The two plots are well-paced and complement each other nicely. Pretty much every page of the book was interesting, with clues so subtly embedded I didn't always pick up on them, that it held my attention to the very end. I love the concept of this series and while I liked the previous books, I believe this may just be the best one to date and hope there are many more to come.
Series order:
[b:Curse of the Kissing Cousins|2384227|Curse of the Kissing Cousins (Where are They Now?, #1)|Toni L.P. Kelner|http://photo.goodreads.com/books/1266777949s/2384227.jpg|2391239]
[b:Who Killed the Pinup Queen?|7518303|Who Killed the Pinup Queen? (Where are They Now?, #2)|Toni L.P. Kelner|http://photo.goodreads.com/books/1277167352s/7518303.jpg|9733117]
[b:Blast from the Past|8592435|Blast from the Past (Where Are They Now? #3)|Toni L. P. Kelner|http://photo.goodreads.com/books/1327922876s/8592435.jpg|13462058]
Housewife of Horror (12 KP) rated Bad Dreams (1988) in Movies
Aug 25, 2018
Contains spoilers, click to show
Bad Dreams
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Phillip McSween (751 KP) rated Okja (2017) in Movies
Jan 10, 2018
Solid Film
In their efforts to be cost efficient and profitable, the Mirando Corporation creates a breed of "super pigs" that will be able to feed more homes per pig. One pig in particular, Okja, is being raised by little Mija (Seo-hyeon Ahn) in the mountains of South Korea. When the Mirando Corporation come to claim what is theirs, Mija will stop at nothing to get her best friend back.
There is a lot to like about this film, but one primary thing bothered me overall. At one point, Okja takes an extremely dark turn that I was neither ready for nor did I think was absolutely necessary. People that have seen the film probably know exactly which part I'm referring to. It was merely a piece of an overall delightful puzzle that just didn't match.
Solid acting performances abound in the film and it's not just the big names carrying their weight. Tilda Swinton and Jake Gyllenhaal (almost spelled his name right on the first try!) were really in tune with their respective zany characters. As a viewer the two show you that they are more than mere cardboard antagonists, but rather there were layers and levels to their characters that left you with insight. Of course that can't be pulled off without a solid actor/actress behind the helm. Ahn's performance as Mija was stellar. To be able to exemplify such strength and weakness in the same role takes real talent. My personal favorite of them all was Kim's role played by Choi Woo-Shik. His humor is subtle yet sidesplitting. He accomplishes a lot in the small amount of time he's on screen.
This films captures your attention both in its originality and a consistently entertaining pace. Even during the scenes with heavy dialogue, the film managed to hold on to its unique feel that captured my attention in the first place. Prepare to run the gauntlet of emotions as it goes from funny to heartbreaking to heartwarming to just plain sad at times. So glad I saw what I think has the potential to become a cult classic. I give it an 84.
There is a lot to like about this film, but one primary thing bothered me overall. At one point, Okja takes an extremely dark turn that I was neither ready for nor did I think was absolutely necessary. People that have seen the film probably know exactly which part I'm referring to. It was merely a piece of an overall delightful puzzle that just didn't match.
Solid acting performances abound in the film and it's not just the big names carrying their weight. Tilda Swinton and Jake Gyllenhaal (almost spelled his name right on the first try!) were really in tune with their respective zany characters. As a viewer the two show you that they are more than mere cardboard antagonists, but rather there were layers and levels to their characters that left you with insight. Of course that can't be pulled off without a solid actor/actress behind the helm. Ahn's performance as Mija was stellar. To be able to exemplify such strength and weakness in the same role takes real talent. My personal favorite of them all was Kim's role played by Choi Woo-Shik. His humor is subtle yet sidesplitting. He accomplishes a lot in the small amount of time he's on screen.
This films captures your attention both in its originality and a consistently entertaining pace. Even during the scenes with heavy dialogue, the film managed to hold on to its unique feel that captured my attention in the first place. Prepare to run the gauntlet of emotions as it goes from funny to heartbreaking to heartwarming to just plain sad at times. So glad I saw what I think has the potential to become a cult classic. I give it an 84.
