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Sarah (7798 KP) rated The Rocky Horror Picture Show (1975) in Movies
Nov 25, 2020
Gloriously kitsch
Film #4 on the 100 Movies Bucket List: The Rocky Horror Picture Show
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
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Andy K (10821 KP) rated Blade Runner (1982) in Movies
Jul 24, 2019
Sci Fi Film Noir Masterpiece
When film scholars debate whether Alien or Blade Runner is director Ridley Scott's best film it is hard to make an argument against each as both are masterpieces It's funny that although they are both science fiction films, they are completely different in tone, style and action.
The art direction and cinematography are almost unmatched even under today's standards and then consider this movie is from 1982 and it is just astonishing. I won't argue with someone who says the film is slow developing or style or substance; however, I do not consider that a negative whatsoever. Consider it just another way to tell a story. Why do movies always have to follow the same formula to be considered a acceptable?
It is hard to believe the film only managed US box office of $27 million upon its original theatrical release. It's cult status was almost immediate along with the rise of home video and eventually DVD. The various cuts of the film and the vast and minor differences between them can make the meaning of the film quite different depending on how you interpret it.
The argument whether or not Deckard is a replicant could really depend on which version of the film you have seen or what you choose to believe.
Nevertheless, the film still stands the test of time as a sci fi classic and one of the most visually stunning films ever made!
The art direction and cinematography are almost unmatched even under today's standards and then consider this movie is from 1982 and it is just astonishing. I won't argue with someone who says the film is slow developing or style or substance; however, I do not consider that a negative whatsoever. Consider it just another way to tell a story. Why do movies always have to follow the same formula to be considered a acceptable?
It is hard to believe the film only managed US box office of $27 million upon its original theatrical release. It's cult status was almost immediate along with the rise of home video and eventually DVD. The various cuts of the film and the vast and minor differences between them can make the meaning of the film quite different depending on how you interpret it.
The argument whether or not Deckard is a replicant could really depend on which version of the film you have seen or what you choose to believe.
Nevertheless, the film still stands the test of time as a sci fi classic and one of the most visually stunning films ever made!
Matthew Krueger (10051 KP) rated The Devil Rides Out (1968) in Movies
Nov 11, 2020
Not Your Average Hammer Film
The Devil Rides Out- is not your average hammer film. It has little sexual or violent content. The film's tone is serious, lacking the intentional camp and tongue-in-cheek style of many other Hammer titles. Which makes the film more intresting. The tone of the flim is serious and focusing on that topic.
The plot: When the Duc de Richleau (Christopher Lee) and Rex Van Ryn (Leon Greene) arrive at a fashionable party thrown by de Richleau's protégé, Simon Aron (Patrick Mower), they soon realize that the party is in fact a gathering of a Satanic cult, led by the high priest Mocata (Charles Gray), that plans to initiate the beautiful Tanith (Nike Arrighi) that night. It's up to de Richleau and Van Ryn to defeat the devil-worshiping Mocata and save innocent young Tanith and the others from a terrible fate.
Its a really good movie and i highly recordmend this film to others. Like i said its not your average hammer film. It takes its topic/subject very serious. And its one of Terence Fisher's best films he has directed.
The plot: When the Duc de Richleau (Christopher Lee) and Rex Van Ryn (Leon Greene) arrive at a fashionable party thrown by de Richleau's protégé, Simon Aron (Patrick Mower), they soon realize that the party is in fact a gathering of a Satanic cult, led by the high priest Mocata (Charles Gray), that plans to initiate the beautiful Tanith (Nike Arrighi) that night. It's up to de Richleau and Van Ryn to defeat the devil-worshiping Mocata and save innocent young Tanith and the others from a terrible fate.
Its a really good movie and i highly recordmend this film to others. Like i said its not your average hammer film. It takes its topic/subject very serious. And its one of Terence Fisher's best films he has directed.
LeftSideCut (3778 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Sep 27, 2019 (Updated Oct 25, 2019)
The perfect sequel
Just like it's predecessor, The Empire Strikes Back is a hugely important sci-fi classic. The first two Star Wars films changed the face of cinema forever!
Everything that makes A New Hope so enjoyable is present and correct in TESB, but bigger and better in everyway.
All of the main characters are charming - it's easy to see why they have such a cult following.
The second time around, were given much more back story to already established characters (including the infamous mother of all twists), and we're introduced to new characters, such as Lando, Yoda, and Boba Fett, who all quickly became fan favourites.
We're also introduced to new locations, showing off gorgeous cinematography at every opportunity - places like Bespin, and Hoth (where one of my favourite set pieces of the whole saga takes place).
John Williams score is once again flawless, easily one of the best movie scores of all time.
The movie also ends on a huge cliffhanger, and no matter how many times I see TESB, I'm always ready to move on to the next chapter immediately.
It's a timeless classic.
Everything that makes A New Hope so enjoyable is present and correct in TESB, but bigger and better in everyway.
All of the main characters are charming - it's easy to see why they have such a cult following.
The second time around, were given much more back story to already established characters (including the infamous mother of all twists), and we're introduced to new characters, such as Lando, Yoda, and Boba Fett, who all quickly became fan favourites.
We're also introduced to new locations, showing off gorgeous cinematography at every opportunity - places like Bespin, and Hoth (where one of my favourite set pieces of the whole saga takes place).
John Williams score is once again flawless, easily one of the best movie scores of all time.
The movie also ends on a huge cliffhanger, and no matter how many times I see TESB, I'm always ready to move on to the next chapter immediately.
It's a timeless classic.
Jesters_folly (230 KP) rated Embodiment of Evil (2008) in Movies
May 31, 2020
Embodiment of Evil
Embodiment of Evil is the third film of the Brazilian ‘Coffin Joe’ trilogy, following after ‘At Midnight I’ll take your soul’ and ‘This night I’ll Posses your corpse’. Set and filmed 40 years after ‘This night I’ll possess your corpse’ Embodiment of Evil follows the same basic plot as the previous two films, Josefel Zanatas aka Coffin Joe returns after seeming to die at the end of the previous film to continue his search for the perfect woman to help him continue his blood line.
Embodiment of Evil is probably best described as a ‘Slasher’, Coffin Joe is a man on a mission and he’s not afraid to make enemy’s and then kill them if they get in his way. There are also elements of torture in the film as Joe tests his followers, and the women he chooses to make sure they are strong enough for him.
Like the first two films, Embodiment of evil starts off slow, using the time to explain how Coffin Joe survived his death, this is done with a flashback which uses footage from the end of the 'This night I'll possess your corpse' and adding footage that looks like it was shot at the same time but never use at the time.
Once Joe's survival has been explained the film falls back into the narrative of the trilogy, aided by his hunchbacked sidekick, Bruno, Joe returns to his old job as a gravedigger and is soon making waves in the community with his (anti) religious views. Joe is also being hunted by victims and relatives of victims from the previous films but, this time Coffin Joe also has help, not only from Bruno but from four cult like followers.
As in the previous films it doesn't take long before Joe is cursed by witches and seeing ghosts blurring the line between what Coffin Joe sees as reality and fantasy.
Coffin Joe himself is an interesting character, he is arrogant, self-assured and superior. He is constantly fighting against authority and most of the normal people, all of whom he sees as weak, mainly due to their religious belief. He is driven by his own belief that 'blood' is the only purpose in life and his need to find the perfect, strongest woman to have his child is the only driving force in his life.
Embodiment of Evil is UK rated 18 and there is a good reason for this, there is blood, nudity, cannibalism, torture, (off screen) child murder and implied rape so it will be safe to say that this film is not for everybody. It is also worth noting that, even though some of of these subjects are also in the first two films, Embodiment of evil was made 40 years later so the effects and content is a lot more graphic.
Embodiment of Evil is the third film of the Brazilian ‘Coffin Joe’ trilogy, following after ‘At Midnight I’ll take your soul’ and ‘This night I’ll Posses your corpse’. Set and filmed 40 years after ‘This night I’ll possess your corpse’ Embodiment of Evil follows the same basic plot as the previous two films, Josefel Zanatas aka Coffin Joe returns after seeming to die at the end of the previous film to continue his search for the perfect woman to help him continue his blood line.
Embodiment of Evil is probably best described as a ‘Slasher’, Coffin Joe is a man on a mission and he’s not afraid to make enemy’s and then kill them if they get in his way. There are also elements of torture in the film as Joe tests his followers, and the women he chooses to make sure they are strong enough for him.
Like the first two films, Embodiment of evil starts off slow, using the time to explain how Coffin Joe survived his death, this is done with a flashback which uses footage from the end of the 'This night I'll possess your corpse' and adding footage that looks like it was shot at the same time but never use at the time.
Once Joe's survival has been explained the film falls back into the narrative of the trilogy, aided by his hunchbacked sidekick, Bruno, Joe returns to his old job as a gravedigger and is soon making waves in the community with his (anti) religious views. Joe is also being hunted by victims and relatives of victims from the previous films but, this time Coffin Joe also has help, not only from Bruno but from four cult like followers.
As in the previous films it doesn't take long before Joe is cursed by witches and seeing ghosts blurring the line between what Coffin Joe sees as reality and fantasy.
Coffin Joe himself is an interesting character, he is arrogant, self-assured and superior. He is constantly fighting against authority and most of the normal people, all of whom he sees as weak, mainly due to their religious belief. He is driven by his own belief that 'blood' is the only purpose in life and his need to find the perfect, strongest woman to have his child is the only driving force in his life.
Embodiment of Evil is UK rated 18 and there is a good reason for this, there is blood, nudity, cannibalism, torture, (off screen) child murder and implied rape so it will be safe to say that this film is not for everybody. It is also worth noting that, even though some of of these subjects are also in the first two films, Embodiment of evil was made 40 years later so the effects and content is a lot more graphic.
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Kirk Bage (1775 KP) rated Alphaville (1965) in Movies
Jan 28, 2021
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.