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Scott Tostik (389 KP) created a post

Sep 26, 2017 (Updated Sep 26, 2017)  
Anyone who rates the new Cult of Chucky movie is a thief and doesn't support film in the slightest.
Over the weekend some idiot put a copy of the movie on a torrent site and posted a link on Twitter.
Now I haven't always felt this way about movies, at one time I was a chronic downloader. But now I pay money to see the films I want to.
So please, don't join the ranks of the assholes who posted this movie 8 days before it's release.
Doing things like this hinders further movies from production and, besides that, it's really fucking low.
     
The Lost Boys (1987)
The Lost Boys (1987)
1987 | Comedy, Horror
Great cast (4 more)
Very good SFX
Very funny
Kiefer Sutherland
Cool soundtrack
Death by stereo!
What's not to love about this film? A very cool Vampire film and exactly how a Vampire film should be. It still looks great today the effects don't look dated. The Vampires look like how you expect them to. It has some iconic scenes and great dialogue, not to mention funny as well. One of my fave Kiefer Sutherland films in one of his earlier roles. The rest of the young cast have great chemistry. It also has some great songs to cap it off. It simply oozes coolness and class, a true 80's cult classic!
  
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Blazing Minds (92 KP) rated Life After The Navigator (2020) in Movies

Oct 29, 2021 (Updated Nov 3, 2021)  
Life After The Navigator (2020)
Life After The Navigator (2020)
2020 | Documentary
10
10.0 (1 Ratings)
Movie Rating
It’s a movie from the 80s that is loved by many and has gained such a huge following since its release back in 1986, now in Life After The Navigator from renowned writer/director Lisa Downs we are taken beyond the Flight of the Navigator and find out more about the rollercoaster life that its star Joey Cramer took after the films immense popularity.

The new documentary is the second in the series of “Life After” documentaries with the first being the brilliant Life After Flash which brought us the journey that star of Flash Gordon, Sam J. Jones, went on after his success in a movie that has become a cult classic.
  
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LeftSideCut (3778 KP) rated Cult Of Chucky (2017) in Movies

Jan 7, 2020 (Updated Jan 22, 2020)  
Cult Of Chucky (2017)
Cult Of Chucky (2017)
2017 | Horror
Honestly - I genuinely enjoyed Cult of Chucky. Is it a guilty pleasure? Perhaps, but not as much as some of the other films in the franchise.

There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.

The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.

If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.