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Lonely Planet Best of Australia
Lonely Planet, Brett Atkinson, Kate Armstrong and Hugh McNaughtan
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet's Best of Australia is your...
AA
Aesthetics: A Reader in Philosophy of the Arts
Book
Aesthetics: A Reader in Philosophy of the Arts, 4th Edition contains an extensive selection of...
Atypical Plays for Atypical Actors
Book
Although disabled characters appear often in plays within the Western theatrical tradition, seldom...
Suswatibasu (1703 KP) rated Call Me by Your Name (2017) in Movies
Jan 7, 2018 (Updated Jan 7, 2018)
Slow first-half, heartbreaking in the second
For fans of Richard Linklater's Before Sunrise/Sunset series, Call Me By Your Name definitely has the same tone and visual style. Focusing on an unknown northern Italian landscape, the audience is taken on a journey in this coming of age film, in which 17-year-old Elio welcomes an American houseguest for the summer, and it is apparent that he begins to develop feelings for him.
From denial and hatred, to jealousy and love, Elio is portrayed as a clearly complex teenager in the sense that he is more withdrawn than his peers, infatuated with his music. But it is soon obvious why he feels like an outsider and misunderstood. On the other hand, Oliver, a charming and confident archaeologist, appears to be playing games at first only to reveal his mutual love in return. The last scene is heartbreaking when the reality dawns on them both.
The first half is definitely slow-paced, the build-up may have taken a little too long, because by the time the relationship develops, most of the film has passed. But in the meanwhile, we explore the sights and sounds of rural Italy, which is utterly glorious. The language and cultural exchange is exquisite and Elio's parents are to be hailed as truly inspiring. It is bittersweet, yet realistic.
From denial and hatred, to jealousy and love, Elio is portrayed as a clearly complex teenager in the sense that he is more withdrawn than his peers, infatuated with his music. But it is soon obvious why he feels like an outsider and misunderstood. On the other hand, Oliver, a charming and confident archaeologist, appears to be playing games at first only to reveal his mutual love in return. The last scene is heartbreaking when the reality dawns on them both.
The first half is definitely slow-paced, the build-up may have taken a little too long, because by the time the relationship develops, most of the film has passed. But in the meanwhile, we explore the sights and sounds of rural Italy, which is utterly glorious. The language and cultural exchange is exquisite and Elio's parents are to be hailed as truly inspiring. It is bittersweet, yet realistic.
Acanthea Grimscythe (300 KP) rated The Eyes of My Mother (2016) in Movies
May 12, 2018
Though The Eyes of My Mother is listed as a slasher movie, the term “psychological thriller” feels far more appropriate. If a film bears the “slasher” label, I expect lots of gore. This film fails to meet that expectation. It may be the fact that this movie is in black and white that lessens the impact of its more gruesome moments. Nonetheless, The Eyes of My Mother is a haunting and terrifying journey that explores the depths of human depravity.
Starring Kika Magalhaes, The Eyes of My Mother follows Francisca as she matures. Her fear of loneliness reminds us that she is still human while her “hobbies” simultaneously tell us differently. Francisca is an extremely complicated character, but Magalhaes’s performance is genuine and lends credence to the role. It also helps that Magalhaes shares the same cultural background.
This movie is an art house film. If you aren’t a fan of this style, you may not enjoy it. If you are, you can find it on Netflix. I don’t have any large gripes about the film, nor do I have any complaints about its plot. It’s fairly simple and direct. If I must find an issue, it is the fact that no one takes notice of the fact that people disappear.
Overall, I can say that this is a film that I will watch again in the future.
Starring Kika Magalhaes, The Eyes of My Mother follows Francisca as she matures. Her fear of loneliness reminds us that she is still human while her “hobbies” simultaneously tell us differently. Francisca is an extremely complicated character, but Magalhaes’s performance is genuine and lends credence to the role. It also helps that Magalhaes shares the same cultural background.
This movie is an art house film. If you aren’t a fan of this style, you may not enjoy it. If you are, you can find it on Netflix. I don’t have any large gripes about the film, nor do I have any complaints about its plot. It’s fairly simple and direct. If I must find an issue, it is the fact that no one takes notice of the fact that people disappear.
Overall, I can say that this is a film that I will watch again in the future.
ClareR (5885 KP) rated The Queen Of Bloody Everything in Books
Sep 9, 2018
A challenging mother/ daughter relationship.
This starts in 1976 and really captures the feelings and experiences of someone growing up through the 1970s and 1980s in the UK. There are so many familiar cultural references: from Margaret Thatcher to Mivvi ice lollies.
I listened to this through Audible, and I think the narrator was exactly the right choice. Dido, the main character, starts off as a six year old in 1976. We follow her through a difficult childhood with her single, bohemian, hard and fast living mother, Edie, in a very conservative small town. There are times where I wondered who the adult actually was. There is no doubt that Dido loves her mother no matter how difficult she is, but it's also evident that she is largely responsible for the direction that Dido's life takes. Dido is mainly cared for by the Trevelyans, who she meets on the day she and her mother move in to the house left to Edie in her aunts will. Mrs Trevelyan is clearly disapproving of Edie (as are a lot of people in their small town). Dido attempts to become part of the Trevelyan family, and she does succeed in time.
I loved all of these characters and the way their lives played out, and I think the use of the first person narrative was really effective. A really lovely book.
I listened to this through Audible, and I think the narrator was exactly the right choice. Dido, the main character, starts off as a six year old in 1976. We follow her through a difficult childhood with her single, bohemian, hard and fast living mother, Edie, in a very conservative small town. There are times where I wondered who the adult actually was. There is no doubt that Dido loves her mother no matter how difficult she is, but it's also evident that she is largely responsible for the direction that Dido's life takes. Dido is mainly cared for by the Trevelyans, who she meets on the day she and her mother move in to the house left to Edie in her aunts will. Mrs Trevelyan is clearly disapproving of Edie (as are a lot of people in their small town). Dido attempts to become part of the Trevelyan family, and she does succeed in time.
I loved all of these characters and the way their lives played out, and I think the use of the first person narrative was really effective. A really lovely book.
Awix (3310 KP) rated The Golem (Der Golem) (1920) in Movies
Nov 4, 2019 (Updated Nov 4, 2019)
Usual disclaimers apply when discussing a movie this old (the pace, production values and performance style should not be judged by modern standards), but this is another one of those films proving that things have, perhaps, not changed as much as we think. This is technically Golem 3, a prequel to the first two showing the creation of the titular monster during the middle ages. The structure of the story is very familiar - it seems like a good idea to create an immensely powerful servant from clay using dark magic, to begin with anyway, but he proves an unruly worker in the end, to say the least.
Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
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