"My second film is an Israeli film called “The Kindergarten Teacher.” It’s a story about a kindergarten teacher, a woman who discovers that one of her young students, this cherubic little 5-year-old boy, is a poetic prodigy. The movie is, on one level, a kind of a psychological thriller, and a very disturbing one, about her growing obsession with this boy. And her sense that it’s her mission to save him from a society that isn’t gonna care about him. It also works, though, as a critique of that society; Israel, in the director’s view, has abandoned its cultural heritage, its commitment to art, and has become a materialistic and shallow society. The filmmaking was so simple and clear, and it was a very suspenseful movie. I was sort of frustrated because it had a very small release in the United States. It didn’t have Juliette Binoche in it [laughs], so it was not even on the radar, necessarily, of people who go and see movies with subtitles. And yet, it’s very entertaining. But also with this theme: “Why is poetry important? What are the values of a society that kind of push it to the side or don’t take it seriously? And how do you counteract that?” It’s just a very rich movie that I wish more people had seen."

"When we were talking earlier about a record accidentally affecting a whole community of musicians in a particular town, this is a record which came out on the same South Korean label that reissued the Erkin Koray album. I don't understand the lyrics so I just enjoy the emotion. I think she's a really popular singer in Korea but I've no idea if the lyrics are mediocre or profound! But anyway, I was playing some records in the market in Cardiff with DJ Esther and Don Leisure - whose album Shaboo came out in 2018 and is really great, instrumental sampled hip-hop - and they were both playing this Kim Jun Mi album! I was like 'I know this one' and we had a chat about the album. Later that week, I was having a cup of tea outside a café and a fellow musician, Carwyn from Colorama, stopped to tell me he was walking through the market the other day - he was probably buying veg or something - and heard this track and started describing it to me and it was clearly Kim Jung-Mi. I like the idea of four people in a loose musical community just turned on randomly through geographical reasons by a record that might influence them. It's a community generating a unique cultural identity through chance happenings."